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| man cannot speak for her: Man Cannot Speak for Her: A critical study of early feminist rhetoric Karlyn Kohrs Campbell, 1989 Strenuously attacked for their attempts to involve themselves in concerns outside the home, nineteenth-century women reformers soon recognized the need to work for their own rights before they could effectively champion other reformist causes. This book examines the creative response to that challenge. It offers critical analysis of the speeches and writings that set forth the platform and arguments of the early woman's rights movement and guided its development from the 1840s through the early decades of the twentieth century. Following an introductory overview of the movement, Campbell examines the rhetoric of leading female abolitionists whose initial struggle revolved around achieving the right to speak in public. She next looks at their response to opposition based on theology and the universal moral standard the reformers proposed. The author describes the rhetoric of the various woman's rights conventions and how movement leaders adapted their appeals to male legislators. Conflicts between social and natural rights feminists and between white and Afro-American women are considered, and the rhetorical positions that came together to achieve suffrage are analyzed. In her final chapter, Campbell comments on the rhetoric of the National Woman's Party and the demise of the woman's rights movement in the 1920s. A stimulating analysis of the rhetorical contributions of the best-known and most effective of America's early female reformers, this work, together with its companion volume, should be considered for courses on American public address, women's rhetoric, social movements, and U.S. women's history. |
| man cannot speak for her: Man Cannot Speak for Her 2V [2 volumes] Karlyn Kohrs Campbell, 1989-07-25 The right to cast a ballot from a feminine hand occupied the attention and efforts of hundreds of women for more than a century in the U.S. In these two volumes Campbell (University of Minnesota) provides a basic understanding of two processes: the development of the rhetoric used by the women who argued for equal rights, and the constraints and sanctions applied to those women who affronted the norms of society's expectation that true women were seldom seen and never spoke in public. The first volume lays the foundation for the analysis of rhetorical style and content by its fine introduction and by a succession of chapters organized chronologically, with biographical sketches and excerpts from speeches. It includes a chapter specifically addressed to issues of sex, race, and class faced by African American women. Volume 2 is not a continuation of the first, but contains the texts on which the first volume is based. The biographical and historical sections are gracefully written and well organized, but the greatest value of the set lies in the actual words of the feminist leaders and Campbell's skillfull analyses. Every women's studies program must have this available. Upper-division undergraduates and above. Choice |
| man cannot speak for her: Man Cannot Speak for Her Karlyn Kohrs Campbell, 1989-07-25 Annotation The right to cast a ballot from a feminine hand occupied the attention and efforts of hundreds of women for more than a century in the US. In these two volumes, Campbell provides a basic understanding of two processes: the development of the rhetoric used by the women who argued for equal rights, and the constraints and sanctions applied to those women who affronted the norms of society's expectation that true women were seldom seen and never spoke in public. The first volume lays the foundation for the analysis of rhetorical style and content by its fine introduction and by a succession of chapters organized chronologically, with biographical sketches and excerpts from speeches. It includes a chapter specifically addressed to issues of sex, race, and class faced by African American women. Volume 2 is not a continuation of the first, but contains the texts on which the first volume is based. The biographical and historical sections are gracefully written and well organized, but the greatest value of the set lies in the actual words of the feminist leaders and Campbell's skillful analyses. Every women's studies program must have this available. Choice. |
| man cannot speak for her: Man Cannot Speak for Her Karlyn Kohrs Campbell, 1989 Annotation The right to cast a ballot from a feminine hand occupied the attention and efforts of hundreds of women for more than a century in the US. In these two volumes, Campbell provides a basic understanding of two processes: the development of the rhetoric used by the women who argued for equal rights, and the constraints and sanctions applied to those women who affronted the norms of society's expectation that true women were seldom seen and never spoke in public. The first volume lays the foundation for the analysis of rhetorical style and content by its fine introduction and by a succession of chapters organized chronologically, with biographical sketches and excerpts from speeches. It includes a chapter specifically addressed to issues of sex, race, and class faced by African American women. Volume 2 is not a continuation of the first, but contains the texts on which the first volume is based. The biographical and historical sections are gracefully written and well organized, but the greatest value of the set lies in the actual words of the feminist leaders and Campbell's skillful analyses. Every women's studies program must have this available. Choice. |
| man cannot speak for her: Man Cannot Speak for Her: Key texts of the early feminists Karlyn Kohrs Campbell, 1989 This book offers critical analysis of the speeches and writings that set forth the platform and arguments of the early woman's rights movement and guided its development from the 1840s through the early decades of the twentieth century. |
| man cannot speak for her: Man Cannot Speak for Her Karlyn Kohrs Campbell, 1989-09-26 Selections by Maria W. Miller Stewart, Angelina Grimke, ́ Elizabeth Cady Stanton, Lucretia Coffin Mott, Sojourner Truth, Ernestine Potowski Rose, Clarina Howard Nichols, Susan B. Anthony, Frances E. Willard, Matilda Joslyn Gage, Ida B. Wells, Mary Church Terrell, Anna Howard Shaw, Carrie Chapman Catt, Crystal Eastman. |
| man cannot speak for her: If an Egyptian Cannot Speak English Noor Naga, 2022-04-12 Winner of the 2022 Center for Fiction First Novel Prize Winner of the 2023 Arab American Book Award for Fiction Shortlisted for the 2022 Scotiabank Giller Prize Shortlisted for the 2023 PEN/Jean Stein Book Award Shortlisted for the 2022 VCU Cabell First Novelist Award Winner of the Graywolf Press African Fiction Prize, a lush experimental novel about love as a weapon of empire. In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants “returning” to a country she’s never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire—for one another, for the selves they want to become through the other—takes a violent turn that neither of them expected. A dark romance exposing the gaps in American identity politics, especially when exported overseas, If an Egyptian Cannot Speak English is at once ravishing and wry, scathing and tender. Told in alternating perspectives, Noor Naga’s experimental debut examines the ethics of fetishizing the homeland and punishing the beloved . . . and vice versa. In our globalized twenty-first-century world, what are the new faces (and races) of empire? When the revolution fails, how long can someone survive the disappointment? Who suffers and, more crucially, who gets to tell about it? |
| man cannot speak for her: Michelle Obama Elizabeth J. Natalle, Jenni Simon, 2015-08-27 Michelle Obama: First Lady, American Rhetor is an edited anthology that explores the persona and speech-making of the country’s first African American first lady. The result of these thought-provoking essays is an interdisciplinary text that explores the First Lady from a rhetorical and cultural point of view. Authors analyze her Democratic National Convention speeches, her brand as First Lady, her communication from her latest trip to Africa, her agenda rhetoric in Let’s Move! and Reach Higher, and her coming out as a Black feminist intellectual when she spoke at Maya Angelou’s memorial service. Readers will recognize Michelle Obama as a rhetor of our times—a woman who influences America at the intersections of gender, race, and class and who is representative of what women are today. |
| man cannot speak for her: The Handbook of Rhetoric and Public Address Shawn J. Parry-Giles, J. Michael Hogan, 2010-03-25 The Handbook of Rhetoric and Public Address is a state-of-the-art companion to the field that showcases both the historical traditions and the future possibilities for public address scholarship in the twenty-first century. Focuses on public address as both a subject matter and a critical perspective Mindful of the connections between the study of public address and the history of ideas Provides an historical overview of public address research and pedagogy, as well as a reassessment of contemporary public address scholarship by those most engaged in its practice Includes in-depth discussions of basic issues and controversies public address scholarship Explores the relationship between the study of public address and contemporary issues of civic engagement and democratic citizenship Reflects the diversity of views among public address scholars, advancing on-going discussions and debates over the goals and character of rhetorical scholarship |
| man cannot speak for her: The Ballad of Sir Dinadan Gerald Morris, 2008-10-06 The author of Parsifal’s Page “interweaves action with sophisticated, wry humor and deft characterization to bring to life yet another medieval tale” (VOYA). Young Dinadan has no wish to joust or quest or save damsels in distress or do any of the knightly things expected of him. He’d rather be a minstrel, playing his rebec and writing ballads. But he was born to be a knight, and knights, of course, have adventures. So after his father forces his knighthood upon him, he wanders toward King Arthur’s court, in the company of a misguided young Welsh lad named Culloch. There Dinadan meets Sir Kai and Sir Bedivere, and the three find themselves accompanying Culloch on the worst sort of quest. Along the way, Dinadan writes his own ballads, singing of honor, bravery, loyalty, and courtly love—and becomes a player in the pathetic love story of Tristram and Iseult. He meets the Moorish knight Palomides, the clever but often exasperating Lady Brangienne, and an elvin musician named Sylvanus, along with an unusual collection of recreant knights and dimwitted defenders of chivalry. He learns that while minstrels sing of spectacular heroic deeds, honor is often found in simpler, quieter ways. “The humor ranges from subtle irony to scenes of pure comedy . . . a lighthearted introduction to the period.” —School Library Journal (starred review) “Morris creates in Dinadan one of his most appealing protagonists. Written in accessible prose and laced with occasional magic, the novel moves at a quick pace and showcases a continually maturing hero.” —The Horn Book “A witty tale of adventure and reflection.” —Booklist |
| man cannot speak for her: Men Explain Things to Me Rebecca Solnit, 2014-04-14 The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon |
| man cannot speak for her: Man Cannot Speak for Her: A critical study of early feminist rhetoric , 1989 This book offers critical analysis of the speeches and writings that set forth the platform and arguments of the early woman's rights movement and guided its development from the 1840s through the early decades of the twentieth century. |
| man cannot speak for her: Essays in Critical, Contemporary, and Philosophical Rhetoric Raymie E. McKerrow, 2024-10-24 This text is a representative sample of my research focus in contemporary rhetoric since the mid-1970s. It highlights work that explores themes expressed in the text’s title. While not an exhaustive account of the themes, the text provides easy access to theoretical issues in rhetorical studies. These include topics such as the role of culture, citizenship, how space and time interact to affect the words we use, and the impulse to use language in critiquing the expressions of others. The collection is designed to be used by faculty teaching upper-level undergraduate to doctoral level courses in rhetoric at colleges and universities in the USA. It also will be a resource at universities across the globe. The goal is to stimulate thought and provoke critical responses to the ideas and arguments contained in the essays. Thus, this is a text to be used to assist scholars and students as they engage in their own work. |
| man cannot speak for her: Gender and Political Communication in America Janis L. Edwards, 2009-08-28 At a time when presidential campaigns are shaped to appeal to women voters, when masculinity constructs impinge on wartime leaders, and when the United States appears to move towards the possibility of a woman president, it is vital that communication scholarship addresses the issue of gender and politics in a comprehensive manner. Gender and Political Communication in America: Rhetoric, Representation, and Display takes on this challenge, as it investigates, from a rhetorical and critical standpoint, the intersection and mutual influences of gender and political communication as they are realized in the nation's political discourse. Representing some of the leading investigators on gender and political communication, as well as emerging scholars, the volume's contributors update and interrogate contemporary issues of gendered politics applicable to the 21st century, including the historic 2008 election. Through their original research, the contributors offer critical examinations of the impact of salient theories and models of gender studies as they relate to historical and contemporary roles and practices in the political sphere. Gender and Political Communication in America's broad and diverse engagement with the subject matter makes it a must-read for those interested in women's studies and political communication. |
| man cannot speak for her: Joyous Greetings Bonnie S. Anderson, 2000-03-16 Over one hundred fifty years ago, champions of women's rights in the United States, Britain, France, and Germany formed the world's earliest international feminist movement. Joyous Greetings is the first book to tell their story. From Seneca Falls in upstate New York to the barricades of revolutionary Paris, from the Crystal Palace in London to small towns in the German Rhineland, early feminists united to fight for the cause of women. At the height of the Victorian period, they insisted their sex deserved full political equality, called for a new kind of marriage based on companionship, claimed the right to divorce and to get custody of their children, and argued that an unjust economic system forced women into poorly paid jobs. They rejected the traditional view that women's subordination was preordained, natural, and universal. In restoring these daring activists' achievements to history, Joyous Greetings passes on their inspiring and empowering message to today's new generation of feminists. |
| man cannot speak for her: Ripples Of Hope Joshua Gottheimer, 2009-04-21 Ripples of Hope brings together the most influential and important civil rights speeches from the entire range of American history-from the colonial period to the present. Gathered from the great speeches of the civil rights movement of African Americans, Asian Americans, gays, Hispanic Americans, and women, Ripples of Hope includes voices as diverse as Sister Souljah, Spark Matsui, and Harvey Milk, which, taken as a whole, constitute a unique chronicle of the modern civil rights movement. Featuring a foreword by President Bill Clinton and an afterword by Mary Frances Berry, this collection represents not just a historical first but also an indispensable resource for readers searching for an alternative history of American rhetoric. Edited and with an introduction by former Clinton speechwriter Josh Gottheimer, the stirring speeches that make up this volume provide an important perspective on our nation's development, and will inform the future debate on civil rights. |
| man cannot speak for her: Rhetorical Feminism and This Thing Called Hope Cheryl Glenn, 2018-09-04 Rhetoric and feminism have yet to coalesce into a singular recognizable field. In this book, author Cheryl Glenn advances the feminist rhetorical project by introducing a new theory of rhetorical feminism. Clarifying how feminist rhetorical practices have given rise to this innovative approach, Rhetorical Feminism and This Thing Called Hope equips the field with tools for a more expansive and productive dialogue. Glenn’s rhetorical feminism offers an alternative to hegemonic rhetorical histories, theories, and practices articulated in Western culture. This alternative theory engages, addresses, and supports feminist rhetorical practices that include openness, authentic dialogue and deliberation, interrogation of the status quo, collaboration, respect, and progress. Rhetorical feminists establish greater representation and inclusivity of everyday rhetors, disidentification with traditional rhetorical practices, and greater appreciation for alternative means of delivery, including silence and listening. These tenets are supported by a cogent reconceptualization of the traditional rhetorical appeals, situating logos alongside dialogue and understanding, ethos alongside experience, and pathos alongside valued emotion. Threaded throughout the book are discussions of the key features of rhetorical feminism that can be used to negotiate cross-boundary mis/understandings, inform rhetorical theories, advance feminist rhetorical research methods and methodologies, and energize feminist practices within the university. Glenn discusses the power of rhetorical feminism when applied in classrooms, the specific ways it inspires and sustains mentoring, and the ways it supports administrators, especially directors of writing programs. Thus, the innovative theory of rhetorical feminism—a theory rich with tactics and potentially broad applications—opens up a new field of research, theory, and practice at the intersection of rhetoric and feminism. |
| man cannot speak for her: You Just Don't Understand Deborah Tannen, 2001-07-24 Women and men live in different worlds...made of different words. Spending nearly four years on the New York Times bestseller list, including eight months at number one, You Just Don't Understand is a true cultural and intellectual phenomenon. This is the book that brought gender differences in ways of speaking to the forefront of public awareness. With a rare combination of scientific insight and delightful, humorous writing, Tannen shows why women and men can walk away from the same conversation with completely different impressions of what was said. Studded with lively and entertaining examples of real conversations, this book gives you the tools to understand what went wrong -- and to find a common language in which to strengthen relationships at work and at home. A classic in the field of interpersonal relations, this book will change forever the way you approach conversations. |
| man cannot speak for her: With Pen and Voice Shirley Wilson Logan, 1995 Despite societal constraints that would seem insurmountable, 19th century African American women spoke out on topics such as universal suffrage, mob violence, and social and education reform. This anthology introduces the rhetoric of seven extraordinary women and, in addition, provides historical background and biographical data for each. Annotation copyright by Book News, Inc., Portland, OR |
| man cannot speak for her: The SAGE Handbook of Gender and Communication Bonnie J. Dow, Julia T. Wood, 2006-07-19 Publisher Description |
| man cannot speak for her: Uprising Tiffany Lewis, 2021-02-01 Decades before white women won the right to vote throughout the United States, they first secured that right in its Western region—beginning in Wyoming in 1869. Many scholars have studied why and how the Western states enfranchised women before the Eastern ones; this book instead examines the influence of the West on the national US suffrage movement. As the campaign for woman suffrage intensified, US suffragists often invoked the West in their verbal, visual, and embodied advocacy. In deploying this region as a persuasive resource, they challenged the traditional meanings of the West and East, thus gaining additional persuasive strategies. Tiffany Lewis’s analysis of the public discourse, images, and performances of suffragists and their opponents shows that the West played a pivotal role in the successful campaign for white women’s enfranchisement that culminated in 1920. In addition to offering a history of this political movement’s rhetorical strategy, Lewis illustrates the usefulness of region in protest—the way social movements can tactically employ region to motivate social change. |
| man cannot speak for her: Practicing Citizenship Kristy Maddux, 2019-04-24 By 1893, the Supreme Court had officially declared women to be citizens, but most did not have the legal right to vote. In Practicing Citizenship, Kristy Maddux provides a glimpse at an unprecedented alternative act of citizenship by women of the time: their deliberative participation in the Chicago World’s Fair of 1893. Hailing from the United States and abroad, the more than eight hundred women speakers at the World’s Fair included professionals, philanthropists, socialites, and reformers addressing issues such as suffrage, abolition, temperance, prison reform, and education. Maddux examines the planning of the event, the full program of women speakers, and dozens of speeches given in the fair’s daily congresses. In particular, she analyzes the ways in which these women shaped the discourse at the fair and modeled to the world practices of democratic citizenship, including deliberative democracy, racial uplift, organizing, and economic participation. In doing so, Maddux shows how these pioneering women claimed sociopolitical ground despite remaining disenfranchised. This carefully researched study makes significant contributions to the studies of rhetoric, American women’s history, political history, and the history of the World’s Fair itself. Most importantly, it sheds new light on women’s activism in the late nineteenth century; even amidst the suffrage movement, women innovated practices of citizenship beyond the ballot box. |
| man cannot speak for her: How to Talk About Books You Haven't Read Pierre Bayard, 2010-08-10 In this delightfully witty, provocative book, literature professor and psychoanalyst Pierre Bayard argues that not having read a book need not be an impediment to having an interesting conversation about it. (In fact, he says, in certain situations reading the book is the worst thing you could do.) Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of non-reading-from books that you've never heard of to books that you've read and forgotten-and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read-which became a favorite of readers everywhere in the hardcover edition-is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. |
| man cannot speak for her: The virgin Mother according to theology. Transl Jean Baptiste Petitalot, 1889 |
| man cannot speak for her: When Angels Speak of Love bell hooks, 2007-02-06 Feminist icon bell hooks reminds us of the full spectrum of feeling we spend in love through her inspiring collection of love poetry, with a new introduction by Cole Arthur Riley, author of Black Liturgies. Written from the heart, When Angels Speak of Love is a book of fifty love poems by bell hooks, one our most beloved public intellectuals, and author of over twenty books, including the bestselling All About Love. Poem after poem, hooks challenges our views and experiences with love—tracing the links between seduction and surrender, the intensity of desire, and the anguish of death. “Love must clean house, choose memories to keep, and memories to let go,” she writes. These verses are expansive yet accessible—encompassing romantic love, to love of family, friends, or oneself. In any iteration, these poems remind us of both the beauty and possibility of love. |
| man cannot speak for her: Theories of Human Communication Stephen W. Littlejohn, Karen A. Foss, John G. Oetzel, 2021-05-07 For over forty years, Theories of Human Communication has facilitated the understanding of the theories that define the discipline of communication. The authors present a comprehensive summary of major communication theories, current research, extensions, and applications in a thoughtfully organized and engaging style. Part I of the extensively updated twelfth edition sets the stage for how to think about and study communication. The first chapter establishes the foundations of communication theory. The next chapter reviews four frameworks for organizing the theories and their contributions to the nature of inquiry. Part II covers theories centered around the communicator, message, medium, and communication with the nonhuman. Part III addresses theories related to communication contexts—relationship, group, organization, health, culture, and society. “From the Source” contributions from theorists provide insight into the inspirations, motivations, and goals behind the theories. Online instructor’s resource materials include sample syllabi, key terms, exam questions, and text graphics. The theories include those important for their continuing influence in the field as well as emerging theories that encourage thinking about issues in new ways. For a reasonable price, readers are able to explore the patterns, trends, trajectories, and intricacies of the landscape of communication theory and will have an invaluable resource for future reference. |
| man cannot speak for her: We Should All Be Feminists Chimamanda Ngozi Adichie, 2015-02-03 NEW YORK TIMES BESTSELLER • The highly acclaimed, provocative essay on feminism and sexual politics—from the award-winning author of Americanah A call to action, for all people in the world, to undo the gender hierarchy. —Medium In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists. |
| man cannot speak for her: In Her Own Right Elisabeth Griffith, 1984-09-13 The first comprehensive, fully documented biography of the most important woman suffragist and feminist reformer in nineteenth-century America, In Her Own Right restores Elizabeth Cady Stanton to her true place in history. Griffith emphasizes the significance of role models and female friendships in Stanton's progress toward personal and political independence. In Her Own Right is, in the author's words, an unabashedly 'great woman' biography. |
| man cannot speak for her: The Elizabeth Cady Stanton-Susan B. Anthony Reader, 3d ed. Elizabeth Cady Stanton, Susan B. Anthony, 2022-09-28 In its third edition this accessible and engaging collection of the writings of Elizabeth Cady Stanton and Susan B. Anthony provides a critical overview of the lives, ideas and activism of two founders of the American feminist tradition. Introductory material has been extensively revised to reflect recent scholarship and provides historical context to selected letters, speeches, articles, reminiscences, arguments before courts, state legislatures and Congress. Of particular interest is new material concerning Cady Stanton's relationship with Frederick Douglass and Anthony's with Ida B. Wells. |
| man cannot speak for her: Man Cannot Speak for Her , |
| man cannot speak for her: The Complete Concordance to Shakespeare Mary Cowden Clarke, 1924 |
| man cannot speak for her: The Holy Bible , 1868 |
| man cannot speak for her: The Works of William Shakspeare. Life, Glossary,&c. Reprinted from the Early Editions, and Compared with Recent Commentators. With a Steel Portrait William Shakespeare, 1875 |
| man cannot speak for her: Road to Fargo J P Ronan, A western based on a likely depiction of mature marshal tracking bunch of out laws. He takes charge of an abandoned group on young lady school teachers. Forced their safety while they share a final destination, the lawmen continues to perform his duties. Lots of action and surprises. |
| man cannot speak for her: Pet Projects Elizabeth Young, 2019-12-17 In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies. With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies. |
| man cannot speak for her: Navigantium Atque Itinerantium Bibliotheca Or, a Complete Collection of Voyages and Travels John Harris, 1764 |
| man cannot speak for her: Psychoanalysis, Culture and Society David Henderson, 2012-03-15 This collection embraces a range of lively and informed discussions of important themes in contemporary psychoanalytic discourse. The chapters grow out of presentations at “Psychoanalysis, Culture and Society,” a conference organised by the Centre for Psychoanalysis, Middlesex University, for post-graduate students and research fellows. The essays demonstrate that the future of psychoanalytic studies is full of promise. |
| man cannot speak for her: Michael Grace Aguilar, 1851 |
| man cannot speak for her: Women and Spirituality in the Writing of More, Wollstonecraft, Stanton, and Eddy A. Ingham, 2010-07-19 This comparative study graphs the feminist theological trajectory of the religious writings of four eclectic, but similar, women: Hannah More, Mary Wollstonecraft, Elizabeth Cady Stanton, and Mary Baker Eddy. |
What is an oxymoron? + Example - Socratic
Jun 9, 2016 · An oxymoron is a seemingly contradictory statement. On the surface an oxymoron seems to be contradictory, for example, "Child is father of man". On first inspection how can a …
2. A boy stands 10 m in front of a plane mirror . then be ... - Socratic
Jan 24, 2018 · D.6 The image formed in a plane mirror is as far behind the mirror as the object is in front of it, i.e. the distance between the object and the mirror u is the same as the distance …
A man starts at point A, somewhere on cartesian coordinate
A man starts at point A, somewhere on cartesian coordinate system. He goes 4 units to the right and then he goes 6 units upwards. Finally he makes an angle of 45° with the x-axis downwards to …
A man measures a room for a wallpaper border and find he
Oct 8, 2016 · The man needs to purchase 35ft 1/2in of wallpaper border. The lengths needed should be added together. To do this, we can first convert everything to one unit of measure …
A man has a momentum of 80 kilogram meters per second west
Jun 29, 2016 · The man has a mass of 80 kilograms. What is the velocity of the man? Physics. 1 Answer BRIAN M.
A man is 1.65 m tall and standing 28 m away from a tree ... - Socratic
Apr 26, 2015 · Assuming the man's eyes are at the very top of his head (which is closer than assuming they are at his feet): The height of the tree is tan(32^o)*28 + 1.65 " meters" (Never …
In a myth, a blind man tells the hero how to solve a problem. What ...
Apr 12, 2017 · The wise man The wise man is a character who, as the name suggests, is very wise. But they have some sort of physical disability. Often the hero does not believe them/listen to …
The weight of an object on earth varies directly with its weight on …
Apr 23, 2018 · The weight of an object on earth varies directly with its weight on the moon. If a baby weighing 24 pounds on the earth only weighs 3.84 pounds on the moon, how much does a 194 …
Question #01d26 - Socratic
Oct 20, 2017 · Suppose a man is walking in the yellow colored direction with velocity V_1 and rain is falling from the sky with velocity V_2. According to the picture given the angleACB is theta. Man's …
Question #05f5e - Socratic
Apr 7, 2017 · a=4.24" "m/s^2, " direction:downward" "while elevator is stops ,bathroom scale show only the weight of man." G=m*g=691" "N "The tension on cable is the sum of the man's and the …
What is an oxymoron? + Example - Socratic
Jun 9, 2016 · An oxymoron is a seemingly contradictory statement. On the surface an oxymoron seems to be contradictory, for example, "Child is father of man". On first inspection how can a …
2. A boy stands 10 m in front of a plane mirror . then be ... - Socratic
Jan 24, 2018 · D.6 The image formed in a plane mirror is as far behind the mirror as the object is in front of it, i.e. the distance between the object and the mirror u is the same as the distance …
A man starts at point A, somewhere on cartesian coordinate
A man starts at point A, somewhere on cartesian coordinate system. He goes 4 units to the right and then he goes 6 units upwards. Finally he makes an angle of 45° with the x-axis downwards …
A man measures a room for a wallpaper border and find he
Oct 8, 2016 · The man needs to purchase 35ft 1/2in of wallpaper border. The lengths needed should be added together. To do this, we can first convert everything to one unit of measure …
A man has a momentum of 80 kilogram meters per second west
Jun 29, 2016 · The man has a mass of 80 kilograms. What is the velocity of the man? Physics. 1 Answer BRIAN M.
A man is 1.65 m tall and standing 28 m away from a tree ... - Socratic
Apr 26, 2015 · Assuming the man's eyes are at the very top of his head (which is closer than assuming they are at his feet): The height of the tree is tan(32^o)*28 + 1.65 " meters" (Never …
In a myth, a blind man tells the hero how to solve a problem. What ...
Apr 12, 2017 · The wise man The wise man is a character who, as the name suggests, is very wise. But they have some sort of physical disability. Often the hero does not believe them/listen …
The weight of an object on earth varies directly with its weight on …
Apr 23, 2018 · The weight of an object on earth varies directly with its weight on the moon. If a baby weighing 24 pounds on the earth only weighs 3.84 pounds on the moon, how much does …
Question #01d26 - Socratic
Oct 20, 2017 · Suppose a man is walking in the yellow colored direction with velocity V_1 and rain is falling from the sky with velocity V_2. According to the picture given the angleACB is theta. …
Question #05f5e - Socratic
Apr 7, 2017 · a=4.24" "m/s^2, " direction:downward" "while elevator is stops ,bathroom scale show only the weight of man." G=m*g=691" "N "The tension on cable is the sum of the man's and the …
