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| majstorot i margarita: The Master and Margarita Mikhail Bulgakov, 2016-03-18 Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly |
| majstorot i margarita: The Master & Margarita Mikhail Bulgakov, 2016-03-22 Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera. |
| majstorot i margarita: Majjstor i Margarita Mihail Bulgakov, Zlata Kocić, 2003 |
| majstorot i margarita: The Master & Margarita Mikhail Bulgakov, 1995 Introduction by Simon Franklin; Translation by Michael Glenny From the Hardcover edition. |
| majstorot i margarita: The Master and Margarita Mikhail Bulgakov, 2018-01-05 English translation of Mikhail Bulgakov's classic Russian novel, with an introduction by the translator, John Dougherty, and several footnotes explaining references to uniquely Soviet cultural, social and political concepts. |
| majstorot i margarita: The Anna Karenina Fix Viv Groskop, 2018-10-23 “In this hilarious, candid, and thought-provoking memoir, [Groskop] explains how she used lessons from Russian classics to understand herself better.” —Gretchen Rubin, #1 New York Times–bestselling author As Viv Groskop knows from personal experience, everything that has ever happened to a person has already happened in the Russian classics: from not being sure what to do with your life (Anna Karenina), to being hopelessly in love with someone who doesn’t love you back (Turgenev’s A Month in the Country), or being socially anxious about your appearance (all of Chekhov’s work). In The Anna Karenina Fix, a sort of literary self-help memoir, Groskop mines these and other works, as well as the lives of their celebrated creators, and her own experiences as a student of Russian, to answer the question “How should you live your life?” This is a charming and fiercely intelligent book, a love letter to Russian literature and an exploration of the answers these writers found to life’s questions. “[Groskop is] a delight, a reader’s reader whose professional and personal experiences have allowed her to write the kind of book that not only is complete unto itself, but makes you want to head to the library and revisit or discover the great works she loves.” —The Washington Post “Learn how to hack life nineteenth-century Russian style! You’ll totally be like Anna Karenina without getting (spoiler alert) run over by a train!” —Gary Shteyngart, New York Times-bestselling author “For anyone intimidated by Russia’s daunting literary heritage, this humorous yet thoughtful introduction will serve as the perfect entrée.” —Publishers Weekly |
| majstorot i margarita: The Master and Margarita [sound Recording] Mikhail Bulgakov, 1971 |
| majstorot i margarita: Mikhail Bulgakov's The Master and Margarita Andrzej Klimowski, Mikhail Bulgakov, Danusia Schejbal, 2008 Disappearances, destruction and death spread throughout Moscow like wildfire, and Margarita has discovered that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves. |
| majstorot i margarita: Diaries and Selected Letters Mikhail Bulgakov, 2018-01-01 The career of Mikhail Bulgakov, the author of The Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diaries were seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky.This ample selection from the diaries and letters of Mikhail Bulgakov, mostly translated for the first time into English, provides an insightful glimpse into the author's world and into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime. |
| majstorot i margarita: The Master and Margarita Михаил Булгаков, 1987 Mikhail Bulgakov's devastating satire of Soviet life was written during the darkest period of Stalin's regime. Combining two distinct yet interwoven parts-one set in ancient Jerusalem, one in contemporary Moscow-the novel veers from moods of wild theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as the meeting of Pilate and Yeshua, and the murder of Judas in the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central characters, Woland (Satan) and his retinue-including the vodka-drinking, black cat, Behemoth; the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master, and his passionate companion, Margarita-exist in a world that blends fantasy and chilling realism, an artful collage of grostesqueries, dark comedy, and timeless ethical questions. |
| majstorot i margarita: Manuscripts Don't Burn J.A.E. Curtis, 2013-01-28 _______________ 'Curtis spent a decade trying to negotiate her way past possessive Soviet archivists, and the result of her persistence is the most comprehensive selection of personal documents so far available in any language' - Simon Franklin, Times Literary Supplement 'Ingeniously structured ... an absorbing and, at times, uplifting book' - Robert Russell, Modern Language Review 'An engaging and readable story of a life which wears its scholarship lightly ... Rich and exciting material' - Jane Grayson, Slavonic and East European Review 'Produces a lovely collage effect, the verbal equivalent of the photo album or scrapbook' - Laura D. Weeks, Russian Review _______________ A reissued edition of the definitive biography of Mikhail Bulgakov, author of The Master and Margarita The Russian playwright and novelist Mikhail Bulgakov (1891 - 1940) is now widely acknowledged as one of the giants of twentieth-century Soviet literature, ranking with such luminaries as Pasternak and Solzhenitsyn. In his own lifetime, however, a casualty of Stalinist repression, he was scarcely published at all, and his plays reached the stage only with huge difficulty. His greatest masterpiece, The Master and Margarita, a novel written in the 1930s in complete secrecy, largely at night, did not appear in print until more than a quarter of a century after his death. It has since become a worldwide bestseller. In Manuscripts Don't Burn, J.A.E. Curtis has collated the fruits of eleven years of research to produce a fascinating chronicle of Bulgakov's life, using a mass of exciting new material - much of which has never been published before. In particular, she is the only Westerner to have been granted access to either Bulgakov's or his wife Yelena Sergeyevna's diaries, which record in vivid detail the nightmarish precariousness of life during the Stalinist purges. J.A.E Curtis combines these diaries with extracts from letters to and from Bulgakov and with her own illuminating commentary to create a lively and highly readable account. Her vast collection of Bulgakov's correspondence is unparalleled even in the USSR, and she draws on it judiciously to include letters addressed directly to Stalin, in which Bulgakov's pleads to be allowed to emigrate; letters to his sisters and to his brother in Paris whom he did not see for twenty years; intimate notes to his second and third wives; and letters to and from well-known writers such as Gorky and Zamyatin. Manuscripts Don't Burn provides a forceful and compelling insight into the pressures of day-to-day existence for a man fighting persecution in order to make a career as a writer in Stalinist Russia. |
| majstorot i margarita: World War Z Max Brooks, 2006-09-12 #1 NEW YORK TIMES BESTSELLER • “Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies.”—Entertainment Weekly We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the pandemic. The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years. THE INSPIRATION FOR THE MAJOR MOTION PICTURE “Will spook you for real.”—The New York Times Book Review “Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone. . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”—USA Today “Will grab you as tightly as a dead man’s fist. A.”—Entertainment Weekly, EW Pick “Probably the most topical and literate scare since Orson Welles’s War of the Worlds radio broadcast . . . This is action-packed social-political satire with a global view.”—Dallas Morning News |
| majstorot i margarita: The BFI Companion to Eastern European and Russian Cinema Richard Taylor, Nancy Wood, Julian Graffy, Dina Iordanova, 2019-07-25 This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism. |
| majstorot i margarita: The History of Russian Literature on Film Marina Korneeva, David Gillespie, 2023-12-28 Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema's various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history. |
| majstorot i margarita: Majstor i Margarita Mihail Afanas'evič Bulgakov, 1968 |
| majstorot i margarita: John Barleycorn, or, Alcoholic Memoirs Jack London, 1914 |
| majstorot i margarita: History of the Literary Cultures of East-Central Europe Marcel Cornis-Pope, John Neubauer, 2004-01-01 Continuing the work undertaken in Vol. 1 of the History of the Literary Cultures of East-Central Europe, Vol. 2 considers various topographic sites--multicultural cities, border areas, cross-cultural corridors, multiethnic regions--that cut across national boundaries, rendering them permeable to the flow of hybrid cultural messages. By focusing on the literary cultures of specific geographical locations, this volume intends to put into practice a new type of comparative study. Traditional comparative literary studies establish transnational comparisons and contrasts, but thereby reconfirm, howev. |
| majstorot i margarita: The Story of Gösta Berling Selma Lagerlöf, 1898 |
| majstorot i margarita: Master and Margarita Mikhail Bulgakov, 2019-11-12 Disappearances, destruction and death spread throughout Moscow like wildfire, and Margarita has discovered that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves. |
| majstorot i margarita: The Most Important Art Mira Liehm, Antonín J. Liehm, 1980-01-01 |
| majstorot i margarita: Monday Starts on Saturday Boris Strugatsky, Arkady Strugatsky, Andrew Bromfield, Adam Roberts, 2017-10-01 Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers, who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings—a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, a motorcycle that can zoom into the imagined future, a lazy dog-size mosquito—along with a variety of wizards (including Merlin), vampires, and officers. First published in Russia in 1965, Monday Starts on Saturday has become the most popular Strugatsky novel in their homeland. Like the works of Gogol and Kafka, it tackles the nature of institutions—here focusing on one devoted to discovering and perfecting human happiness. By turns wildly imaginative, hilarious, and disturbing, Monday Starts on Saturday is a comic masterpiece by two of the world's greatest science-fiction writers. |
| majstorot i margarita: The Battle for Sarajevo Kerim Lučarević, 2000 |
| majstorot i margarita: The Europeanness of European Cinema Mary Harrod, Mariana Liz, Alissa Timoshkina, 2014-12-19 From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies. |
| majstorot i margarita: Cinema, The Magic Vehicle Adam Garbicz & Jacek Klinowski, Discover the captivating world of cinema with Cinema, the Magic Vehicle. If you are a film enthusiast looking to delve into the history of cinema from its early beginnings to the 1980s, I have an extraordinary book recommendation just for you. This remarkable book is filled with the most inspiring descriptions of the greatest films spanning the years 1913 to 1981. If you feel like you've been watching mostly remakes and are unsure of what else to explore in terms of historical films, this book will serve as your ultimate guide. It will transport you through time and immerse you in the fascinating works of film that have shaped today’s cinema. From silent film masterpieces which, without words, evoke strong emotions to the grand works of the Golden Age of Hollywood, Cinema, the Magic Vehicle will take you on a journey across diverse styles, genres and themes. Whether your interest lies in drama, comedy, science fiction or film noir, you will find something captivating within these pages. In addition to the correct screen credits and film descriptions, this book provides valuable historical context to help you to understand how cinema evolved over the years. You will discover how political, social and cultural events influenced filmmakers and how their works reflected the spirit of their era. This is not just a collection of film summaries but a fascinating time-travel experience that will deepen your understanding of the history of cinema and its impact on the world. Let yourself be swept away on an extraordinary journey through the history of cinema. Cinema, the Magic Vehicle is a guide to uncovering countless cinematic treasures and finding those essential titles worth watching. Open your eyes and heart to the wonders that await you, and let the magic of cinema captivate you for hours on end. Experience the gems that lie within. Start your adventure today and discover the captivating world of cinema from its earliest days to the golden age of film. Cinema, the Magic Vehicle is the key that will unlock unforgettable experiences and uncharted cinematic treasures. Get ready for unforgettable adventures and let the enchantment of cinema take hold of you. |
| majstorot i margarita: Зборник радова Византолошког института Vizantološki institut (Srpska akademija nauka i umetnosti), 1971 |
| majstorot i margarita: The Osterman Weekend Robert Ludlum, 2015-06-30 In Zurich . . . in Moscow . . . in Washington, D.C. . . . the machinery has already been set in motion. In a quiet suburb, an odd assortment of men and women gather for a momentous weekend. At stake is nothing less than the very existence of the United States of America—and, with it, the future of the entire free world. Praise for Robert Ludlum and The Osterman Weekend “Shattering . . . [The Osterman Weekend] will cost you the night and the cold hours of the morning.”—The Cincinnati Enquirer “Ludlum stuffs more surprises into his novels than any other six-pack of thriller writers combined.”—The New York Times “Powerhouse momentum . . . as shrill as the siren on the prowl car.”—Kirkus Reviews “A complex scenario of inventive double-crossing.”—Chicago Sun-Times |
| majstorot i margarita: National Minorities and Citizenship Rights in Lithuania, 1988–93 V. Popovski, 2000-11-08 This book examines the emergence of nationalism in Lithuania, specifically the Lithuanian national movement, known as Sajudis, and its approach towards the citizenship rights of national minorities. The study concentrates on the period between 1988 and 1993 when the national majority and minorities began forming and debating citizenship rights. The question of citizenship rights of national minorities is not ordinarily viewed as a problem with regard to Lithuania and there has consequently been minimal attention devoted to this topic. This book addresses this neglect and brings the underlying assumptions into critical perspective by analysing the Lithuanian situation not just according to the letter of the law but also in terms of how these laws were implemented and how the minorities responded to them. In doing so, the book explores the conflict which emerged between the growing national movement and the ideals of citizenship such as multicultural pluralism, diversity and heterogeneity. The book therefore has relevance to all those who are interested in postcommunist societies; and in particular the tensions that frequently develop between nationalism and citizenship. |
| majstorot i margarita: Europe Thirty Years After 1989 Tomas Kavaliauskas, 2020-12-07 For the last thirty years the year 1989 has symbolized a European annus mirabilis, standing for such events as the fall of the Berlin Wall and the impending collapse of the Soviet Union. Cultural and political transformations in Western Europe due to the rise of the migrant crisis are now echoed in East-Central Europe. In Europe Thirty Years After 1989, the authors jointly explore the recent history of former socialist countries such as Bulgaria, Croatia, Poland, Hungary, the Czech republic, the Baltic States, and Russia. Thirty years ago some of these countries stood as a paradigmatic example of peaceful and liberal patriotism, but during the past thirty years some countries have experienced transformations in their values, memory and identity. A shift towards illiberal democracy has occurred, although not without the overlapping trends in Western and Southern Europe. This book is for those who wish to join and learn from the search for an interpretation and answer(s) to the question: what happened to the legacy of 1989 over the past thirty years, and why did these changes and transformations occur? |
| majstorot i margarita: Liberated Cinema, Revised and Expanded Edition Daniel J. Goulding, 2002 Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual Close-up award from the Yugoslav Film Institute in 1986 for outstanding scholarship and for promoting the values of Yugoslav film art internationally. This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia. |
| majstorot i margarita: Gallows Rock Yrsa Sigurdardottir, 2021-07-08 'Iceland's outstanding crime novelist' Daily Express On a jagged, bleak lava field just outside Reykjavik stands the Gallows Rock. Once a place of execution, it is now a tourist attraction. Until this morning, when a man was found hanging from it... The nail embedded in his chest proves it wasn't suicide. But when the police go to his flat, a further puzzle awaits: a four-year-old boy has been left there. He doesn't seem to have any link with the victim, his parents cannot be found, and his drawings show he witnessed something terrible. As detective Huldar hunts the killer, and child psychologist Freyja looks for the boy's parents, the mystery unfolds: a story of violence, entitlement, and revenge. Praise for Yrsa Sigurdardottir 'Iceland's outstanding crime novelist' Daily Express 'A magnificent writer' Karin Slaughter 'The undisputed queen of Icelandic Noir' Simon Kernick 'Believe all the hype - this is crime at its best' Heat NetGalley Reader Reviews 'Just as compelling as the previous books in the series. All of Yrsa Sigur?ardóttir's books are extremely well written and a joy to read. There is plenty of suspense and twists in this story (. . .) I read this book in one sitting, I was unable to put it down. Highly recommended' 'There is such a skill to the author's writing, the way in which she creates tension and atmosphere and uses setting to bring and edge to the story, that it is difficult to put down. And she brings such a range of emotions out in me as a reader that I feel slightly battered myself when I finish reading . . . Truly powerful storytelling and characters I have come to love' 'I was hooked from the very first page and enthralled and completely drawn in throughout the book. (. . .) This is a story which builds and weaves perfectly. It's so twisty' |
| majstorot i margarita: Liberated Cinema Daniel J. Goulding, 2002 Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual Close-up award from the Yugoslav Film Institute in 1986 for outstanding scholarship and for promoting the values of Yugoslav film art internationally. This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia. |
| majstorot i margarita: A Dead Man's Memoir (A Theatrical Novel) Mikhail Bulgakov, 2025-01-23 This is Bulgakov's semi-autobiographical story of a writer who fails to sell his novel and fails to commit suicide. When his play is taken up by the theatre, literary success beckons, but he has reckoned without the grotesquely inflated egos of the actors, directors and theatre managers. |
| majstorot i margarita: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
| majstorot i margarita: The Goalie's Anxiety at the Penalty Kick Peter Handke, 2007-12-10 The first of Nobel Prize winner Peter Handke's novels to be published in English, The Goalie's Anxiety at the Penalty Kick is a true modern classic that portrays the...breakdown of a murderer in ways that recall Camus's The Stranger (The New York Times). The self-destruction of a soccer goalie turned construction worker who wanders aimlessly around a stifling Austrian border town after pursuing and then murdering, almost unthinkingly, a female movie cashier is mirrored by Handke's use of direct, sometimes fractured prose that conveys at its best a seamless blend of lyricism and horror seen in the runes of a disintegrating world (Boston Sunday Globe). |
| majstorot i margarita: The Master and Margarita Mikhail Bulgakov, 1918-01-05 Translation to English of Mikhail Bulgakov's classic Soviet, Russian novel. |
| majstorot i margarita: A Country Doctor's Notebook Mikhail Bulgakov, 2013-02-05 Part autobiography, part fiction, this early work by the author of The Master and Margarita shows a master at the dawn of his craft, and a nation divided by centuries of unequal progress. In 1916 a 25-year-old, newly qualified doctor named Mikhail Bulgakov was posted to the remote Russian countryside. He brought to his position a diploma and a complete lack of field experience. And the challenges he faced didn’t end there: he was assigned to cover a vast and sprawling territory that was as yet unvisited by modern conveniences such as the motor car, the telephone, and electric lights. The stories in A Country Doctor’s Notebook are based on this two-year window in the life of the great modernist. Bulgakov candidly speaks of his own feelings of inadequacy, and warmly and wittily conjures episodes such as peasants applying medicine to their outer clothing rather than their skin, and finding himself charged with delivering a baby—having only read about the procedure in text books. Not yet marked by the dark fantasy of his later writing, this early work features a realistic and wonderfully engaging narrative voice—the voice, indeed, of twentieth century Russia’s greatest writer. |
| majstorot i margarita: Borderline Culture Toma Longinović, 1993 |
| majstorot i margarita: The Little Demon Fyodor Sologub, 2022-06-02 Fyodor Sologub's 'The Little Demon' is a masterful portrayal of the grotesque and the farcical, set against the backdrop of a restless 20th-century Russia. With a vivid narrative style that is both incisive and darkly comic, the novel captures the absurdity and tragedy of existence through its central figure, Peredonov. In this phantasmagoria of human folly, Sologub reveals the dark underbelly of provincial life, shedding light on a society in turmoil, rife with decadence and disillusionment. His style is tinted with a distinctively bitter edge, lending the text a unique place within the broader spectrum of Russian literary accomplishment, and inviting comparisons with contemporaries delving into antihero narratives and social critique. Author Fyodor Sologub, born as Fyodor Kuzmich Teternikov, was an integral figure of Russian Symbolism, his works known for their exploration of dark, often mystic elements and a preoccupation with themes of evil and the irrational aspects of the human psyche. 'The Little Demon' arguably stands as Sologub's seminal work, reflecting his cynicism towards society and his disillusionment with the false veneer of human civility. The narrative is imbued with his critical perspective on the soul-crushing bureaucracy and the darker corners of human nature, both of which resonate with his own experiences and broader social observations of pre-revolutionary Russia. With biting satire and a compelling antihero, 'The Little Demon' is a must-read for enthusiasts of Russian literature and those interested in the psychological and moral underpinnings of society. Sologub's adept manipulation of the macabre and the comical makes his novel an unforgettable literary experience, etching the characters and their plights into the reader's consciousness. The work strikes a chord with anyone captivated by the complex interplay between individual ambitions and societal norms, as well as the eternal human struggle between the base and the sublime. In its censored form, 'The Little Demon' remains a provocative and enlightening descent into the less-travelled corridors of classic Russian fiction. |
| majstorot i margarita: Quartet in Autumn Barbara Pym, 2015-10-08 With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem – loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and – perhaps most keenly felt – their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life. |
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The RPM differs with different tube sites but I have found and stand by my word that Pornhub has the best rates. In my opinion Xhamster comes after Pornhub with XVideos being the worst of …
pornhub/xhamster downloader that WORKS? : r/DataHoarder
This is a sub that aims at bringing data hoarders together to share their passion with like minded people.
Font in Pornhub logo? It's not Arial : r/identifythisfont - Reddit
Feb 26, 2019 · 23 votes, 84 comments. truethe search goes on. Looking for it myself for a hand bound edition of orwell's 1984. I'm doing a chapter heading with PornoSec in the PornHub …
can't login or reset password on any browser : r/Pornhub - Reddit
Jul 1, 2020 · trueon opera, the login button doesn't work at all; it doesn't register any interaction. on firefox and chrome, invalid password. resetting password just causes the page to refresh, in …
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