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| love is an allusion: For the Love of God's Word Andreas J. Köstenberger, Richard D. Patterson, 2019-03-21 An introduction to a clear method of biblical interpretation For the Love of God's Word is an abridged, less technical version of Köstenberger and Patterson's acclaimed Invitation to Biblical Interpretation. Students, teachers, and pastors alike will find this introduction to biblical hermeneutics to be an accessible resource with both breadth and substance. Built on the premise that every passage requires careful scrutiny of its historical setting, literary dimension, and theological message, this volume teaches a simple threefold method that is applicable to every passage of Scripture regardless of genre. In addition, the book sets forth specific strategies for interpreting the various genres of Scripture, from poetry to epistle to prophecy. A final chapter is devoted to helpful Bible study resources that will equip the reader to apply Scripture to life. This book will serve as a standard text for interpreting Scripture that is both academically responsible and accessible for pastors, teachers, and college students. This volume will enable students of Scripture to grow in love for God's Word as they grow in the disciplines of study and discernment. |
| love is an allusion: Works of Love in a World of Violence Deidre Nicole Green, 2016-11-10 As she constructively engages feminist critiques of Christianity's complicity in violence, Deidre Nicole Green challenges traditional beliefs that self-sacrifice amounts to love and that suffering is inherently redemptive by arguing for a Kierkegaardian conceptions of Christian love that limits self-sacrifice. -- Back cover. |
| love is an allusion: The Art of Love Roy Gibson, Steven Green, Alison Sharrock, 2007-01-04 The Art of Love celebrates the bi-millennium of Ovid's cycle of sophisticated and subversive didactic poems on love, traditionally assumed to have been brought to completion around AD 2. Ars Amatoria (The Art of Love) and Remedia Amoris (Cures for Love), which purport to teach young Roman men and women how to be good lovers, were partly responsible for the poet's exile from Rome under the emperor Augustus. None the less they exerted great influence over ancient and later love poetry. This is the first collection in English devoted to the poems, and brings together many of the leading figures in the field of Latin literature and Ovidian studies from the British Isles, Germany, Italy, and the United States. It offers a range of perspectives on the poetics, politics, and erotics of the poems, beginning with a critical survey of recent research, and concluding with papers on the ancient, medieval, and modern reception of the poems. |
| love is an allusion: The Bond of Love Marjorie A. Cuffy, 2017-07-26 This book is meant to open up the world of ideas to a new mode of thinking and looking at the planet. The pages of this book reveal the existential values that are at interplay within the universe. It depicts the elements that are required for a book on love to address. And in so doing, includes each facet that brings love into unison with the teachings of divine conception. It begs you to deny the teachings of the past, and will teach you to master the ways of God. It urges you to revert to the simplicity of a spiritual and divine relationship, bringing all to wholeness, and love. It asserts the ethos that love is all there is, and flows through all things to create the bond of love. |
| love is an allusion: Testament of Love Thomas Usk, John Leyerle, 2002-01-01 Usk was a figure of political and literary importance who was in the politics of late 14th-century London. A critical edition of his meditation on the fickle nature of worldly fortune and exploration of the relationship between grace and free will. |
| love is an allusion: Being in Love Judith Pickering, 2014-02-25 Finding true love is a journey of transformation obstructed by numerous psychological obstacles. Being in Love expands the traditional field of psychoanalytic couple therapy, and explores therapeutic methods of working through the obstacles leading to true love. Becoming who we are is an inherently relational journey: we uncover our truest nature and become most authentically real through the difficult and fearful, yet transformative intersubjective crucibles of our intimate relationships. In this book, Judith Pickering draws comparisons between Bion's concept of becoming in O, and being in love. She searches for pathways that lead away from relational confusion towards the discovery of genuine transformational relationships, and works towards finding better ways of relating to one another. This is achieved by encouraging couples to enjoy the actual presence, humanity, otherness and particularity of each other rather than expecting a partner to conform to our own expectations, projections, desires and presuppositions. Pickering draws on clinical material, contemporary psychoanalysis, cultural themes from the worlds of mythology and literature, and a wealth of therapeutic techniques in this fresh approach to couple therapy. Being in Love will therefore interest students and practitioners of psychoanalysis, psychology, and couple therapy, as well as all of those seeking to be more authentic in their relationships. |
| love is an allusion: The Shakespere Allusion-book , 1909 |
| love is an allusion: To Analyze Delight Gary Taylor, 1985 This book is an attempt to analyze why certain moments in Shakespear's play give more pleasure than others. Too often, according to the author, literary criticism filters out pleasure in the pursuit of meaning, reducing poems to their lowest common denominator. He would rather analyze delight by replacing the modern emphasis upon interpretation with a kind of critical hedonism--the study of drama as a superior amusement. |
| love is an allusion: T S Eliot: 'The Love Song of J Alfred Prufrock' and 'The Waste Land' C J Ackerley, 2007-01-01 Contents: Part 1: Before The Waste Land. Part 2:' The Lovesong of J. Alfred Prufrock'. Part 3: The Waste Land - including The Role of Ezra Pound; The Dramatic Consciousness; The Mythic Consciousness; The Epigraph. Part 4: A Commentary on The Waste Land. Part 5: Bibliography. Part 6: Hyperlinked texts - a valuable compendium of the key works Eliot quotes or alludes to in The Waste Land |
| love is an allusion: An Exposition of the Gospel of St. Luke John MacEvilly, 1898 |
| love is an allusion: Romantic Shades and Shadows Susan J. Wolfson, 2018-06-15 Setting the stage: apparitions of writing -- Shades of Will + words + worth: what's in a name? -- Hazlitt's conjurings: first acquaintance & quaint allusion -- Shelley's phantoms of the future in 1819 -- Me and my shadows: Byron's Company of ghosts -- Shades of relay: Yeats's latent Keats / Keats's latent Yeats -- After wording: writing of apparitions |
| love is an allusion: Rewriting Narratives in Egyptian Theatre Sirkku Aaltonen, Areeg Ibrahim, 2016-03-31 This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond. |
| love is an allusion: Allusions in Ulysses Weldon Thornton, 1968 This comprehensive list of allusions found in James Joyce?s modern classic, Ulysses, is in itself a classic and is a feat of literary scholarship of unprecedented magnitude. In brief, this book is a copiously annotated list of Joyce?s allusions in such areas as literature, philosophy, theology, history, and the fine arts. So awesome an undertaking would not have been possible without the prior work of such persons as Stuart Gilbert, Joseph Prescott, William York Tindall, M.J.C. Hodgart, Mabel Worthington, and many others. But the present list is more than a compilation of previously discovered allusions, for it contains many allusions that have never been suggested before, as well as some that have only been partially or mistakenly identified in earlier publications. In preparing this work, the author has kept its usefulness to the reader foremost in mind. He often refreshed the reader?s memory in concerning the context of an allusion, since its context, in one sense or another, is always the guide to its function in the novel. The entire list is fully cross?referenced and keyed by page and line to both the old and new Modern Library editions of Ulysses. In addition, the index is prepared in such a way that it indexes not only the List but also the novel itself. The purpose of allusion in a literary work is essentially the same as that of all other types of metaphor ? the development and revelation of character, structure, and theme ? and, when skillfully used, it does all of these simultaneously. Joyce?s use of allusion is distinguished from that of other authors not by its purposes, but by its extent and thoroughness. Ulysses involves dozens of allusive contexts, all continually intersecting, modifying, and qualifying one another. Here again Joyce?s uniqueness and complexity lie not in his themes or characters, nor in his basic methods of developing them, but in his accepting the challenge of an Olympian use of his chosen methods. The value of this volume to Joyce scholars and students is obvious; however, its usefulness to anyone who reads Ulysses is as great, if not greater. It can truly be the key to this difficult but rewarding novel. |
| love is an allusion: The Myths of Love Katherine Heinrichs, 1978 This study seeks to define the medieval literary conventions governing allusions to certain Ovidian and Virgilian tales of love in the works of Boccaccio, Machaut, Froissart, and Chaucer. Using evidence from the Latin mythographers, it addresses several much-debated critical issues in medieval scholarship: questions of narrative voice, thematic unity, and purpose. Its principal contribution is to the discussion and evaluation of the French and Italian poems of love to which Chaucer was most heavily indebted. The author suggests that the love poems of Boccaccio, Machaut, and Froissart, rather than being ponderous didactic productions designed to instruct medieval audiences in the art of love, are true progeny of the Roman de la Rose,complex jeux d'esprit much closer in spirit and intention to the works of Chaucer than has been supposed. |
| love is an allusion: The Form of Love James Kuzner, 2021-08-03 Can poetry articulate something about love that philosophy cannot? The Form of Love argues that it can. In close readings of seven “metaphysical” poems, the book shows how poets of the early modern period and beyond use poetic form to turn philosophy to other ends, in order not to represent the truth about love but to create a virtual experience of love, in all its guises. The Form of Love shows how verse creates love that can’t exist without poetry’s specific affordances, and how poems can, in their impossibility, prompt love’s radical re-imagining. Like the philosophies on which they draw, metaphysical poems imagine love as an intense form of non-sovereignty, of giving up control. They even imagine love as a liberating bondage—to a friend, a beloved, a saint, a God, or a garden. Yet these poems create strange, striking versions of such love, made in, rather than through, the devices, structures, and forces where love appears. Tracing how poems think, Kuzner argues, requires an intimate form of reading: close—even too close—attention to and thinking with the text. Showing how poetry thinks of love otherwise than other fields, the book reveals how poetry and philosophy can nevertheless enter into a relation that is itself like love. |
| love is an allusion: American Declarations Of Love Ann Massa, 1989-12-11 |
| love is an allusion: Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses José Manuel Blanco Mayor, 2017-02-20 Conceived as a necessary reconsideration of the pristine elegiac question in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories. |
| love is an allusion: Love's labour's lost William Shakespeare, 1900 |
| love is an allusion: True-Love Allen Grossman, 2009-04-15 This title is the fulfillment of revered poet-critic Allen Grossman's long service to poetry in the interests of humanity. It shows how poetry's singular mission is to bind love and truth together to help make us more present to each other. |
| love is an allusion: On Sibling Love, Queer Attachment and American Writing Denis Flannery, 2007 Considering the crucial though neglected relationship between sibling love and queer desire from Herman Melville to the cinema of the 1990s and from Henry James to Jamaica Kincaid, Denis Flannery argues for the literal and figurative centrality of fraternal and sororal bonds to queer strands of American literature and culture. His book is an important contribution to queer theory; to American studies; and to the study of culture, writing and affect. |
| love is an allusion: Sacrifice your love [electronic resource] L. O. Aranye Fradenburg, Sacrifice Your Love develops the idea that sacrifice is a mode of enjoyment--that our willingness to sacrifice our desire is actually a way of pursuing it. Fradenburg considers the implications of this idea for various problems important in medieval studies today and beyond. |
| love is an allusion: Love and the Interloper Frank Frankfort Moore, 1908 |
| love is an allusion: A Study of Love's Labour's Lost Frances Yates, 2013-03-21 Originally published in 1936, this is a study of Love's Labour's Lost by the English historian Frances Yates (1899-1981). |
| love is an allusion: Love, Desire and Transcendence in French Literature Paul Gifford, 2005 Paul Gifford paints a clear and coherent picture of the evolution of erotic ideas and their imaginary and formal expressions in modern French writing. He retraces the matrix of French tradition by engaging with five classic sources: Plato's Symposium, the |
| love is an allusion: Love and Good Reasons Fritz Oehlschlaeger, 2003-01-14 Insisting on the vital, productive relationship between ethics and the study of literature, Love and Good Reasons demonstrates ways of reading novels and stories from a Christian perspective. Fritz Oehlschlaeger argues for the study of literature as a training ground for the kinds of thinking on which moral reasoning depends. He challenges methods of doing ethics that attempt to specify universally binding principles or rules and argues for the need to bring literature back into conversation with the most basic questions about how we should live. Love and Good Reasons combines postliberal narrative theology—especially Stanley Hauerwas’s Christian ethics and Alasdair MacIntyre’s idea of traditional inquiry—with recent scholarship in literature and ethics including the work of Martha Nussbaum, J. Hillis Miller, Wayne Booth, Jeffrey Stout, and Richard Rorty. Oehlschlaeger offers detailed readings of literature by five major authors—Herman Melville, Jane Austen, Anthony Trollope, Henry James, and Stephen Crane. He examines their works in light of biblical scripture and the grand narratives of Israel, Jesus, and the Church. Discussing the role of religion in contemporary higher education, Oehlschlaeger shares his own experiences of teaching literature from a religious perspective at a state university. |
| love is an allusion: Love and the Light Orson Ferguson Whitney, 1918 |
| love is an allusion: Love's labour's lost. Much ado about nothing. Merchant of Venice William Shakespeare, 1805 |
| love is an allusion: The Yale Shakespeare: Love's labour's lost William Shakespeare, 1925 |
| love is an allusion: Love's labours lost. Taming of the shrew William Shakespeare, 1881 |
| love is an allusion: Measure for measure. The merchant of Venice. As you like it. Love's labour lost William Shakespeare, 1766 |
| love is an allusion: Comedy of errors. Much ado about nothing. Love's labour's lost. Midsummer-night's dream. Merchant of Venice William Shakespeare, 1856 |
| love is an allusion: Love's labor's lost ; Merchant of Venice ; Midsummer night's dream ; Romeo and Juliet William Shakespeare, Henry Norman Hudson, Israel Gollancz, Charles Harold Herford, 1909 |
| love is an allusion: Maurice Scève Poet of Love Dorothy Gabe Coleman, 2010-06-24 A study of Maurice Scève's sequence of love poems, the Délie - the first French canzoniere. There are two main themes: Scève's rendering of the intensity and complexity of the human experience of love, and secondly, his exploitation of the European tradition of love poetry. Dr Coleman tackles broad issues concerning appreciation of poetry, and more particularly, difficult poetry. Comparing individual poems by Horace, Scève and Mallarmé, she pinpoints the task of a serious reader: to experience sensitively and intellectually human emotions couched in artistic form. The book does not offer doctrines about Scève's love. instead, it looks at the contextual linguistic formulae which create love within the poems themselves: the allusiveness, the intellectual rigour, the tautness, the juxtaposition of words, combine with the voluptuousness and simplicity of the images, rhythm and sound, to make out of the poems a timeless an intensely personal experience. |
| love is an allusion: Jean-Christophe: Journey's end: Love and friendship. The burning bush. The new dawn Romain Rolland, 1913 |
| love is an allusion: The Love of an Uncrowned Queen, Sophie Dorothea, Consort of George I. William Henry Wilkins, 1901 |
| love is an allusion: Kierkegaard's Journals and Notebooks Volume 10 Søren Kierkegaard, 2018-08-14 For over a century, the Danish thinker Søren Kierkegaard (1813–55) has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his “journals and notebooks.” Kierkegaard has long been recognized as one of history’s great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term “diaries.” By far the greater part of Kierkegaard’s journals and notebooks consists of reflections on a myriad of subjects—philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure—but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard’s Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. Volume 10 of this series includes the final six of Kierkegaard’s important “NB” journals (Journals NB31 through NB36), which cover the last months of 1854, a period when Kierkegaard made the final preparations for and the initial launch of his furious assault on the established church. But in addition to this incendiary material, these journals also contain a great trove of his reflections on theology, philosophy, and the perils and opportunities of modernity. |
| love is an allusion: A Companion to Shakespeare's Works, Volume I Richard Dutton, Jean E. Howard, 2008-04-15 This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s tragedies contains original essays on every tragedy from Titus Andronicus to Coriolanus as well as thirteen additional essays on such topics as Shakespeare’s Roman tragedies, Shakespeare’s tragedies on film, Shakespeare’s tragedies of love, Hamlet in performance, and tragic emotion in Shakespeare. |
| love is an allusion: Much ado about nothing ; Love's labour's lost ; Midsummer night's dream ; Merchant of Venice William Shakespeare, 1924 |
| love is an allusion: Love's Masks Merritt R. Blakeslee, 1989 A study of identity, intertextuality and meaning in the Old French Tristan Poems. The book is divided into three sections: Tristan's social identities, Tristan's disguises, Tristan victim and savior. |
| love is an allusion: The Cambridge Companion to T. S. Eliot A. David Moody, 1994-11-24 In this Companion, an international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build up a carefully co-ordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays from several distinct points of view. The major aspects and issues of his life and thought are assessed: his American origins and his becoming English; his position as a philosopher; his literary, social, and political criticism; and the evolution of his religious sense. Later chapters place his work in a number of historical perspectives; and the final chapter provides an expert review of the whole field of Eliot studies and is supplemented by a listing of the most significant publications. There is a useful chronological outline. Taken as a whole, the Companion comprises an essential handbook for students and other readers of Eliot. |
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