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| marilyn farwell: Milton's Theology of Freedom Benjamin Myers, 2006 At the centre of John Milton's epic poem Paradise Lost (1667) is a radical commitment to divine and human freedom. This study situates Paradise Lost within the context of post-Reformation theological controversy, and pursues the theological portrayal of freedom as it unfolds throughout the poem. The study identifies and explores the ways in which Milton is both continuous and discontinuous with the major post-Reformation traditions in his depiction of predestination, creation, free will, sin, and conversion. Milton's deep commitment to freedom is shown to underlie his appropriation and creative transformation of a wide range of existing theological concepts. |
| marilyn farwell: Come as You are Judith Roof, 1996 On narrative and sexuality. |
| marilyn farwell: In Her Words Margaret H. Persin, 2011-04-29 During her lifetime Gloria Fuertes achieved the status of a controversial cultural icon, both through her poetry for adults and through her poetry, recorded readings, and television programs for juveniles. This collection of lively essays, by authors who specialize in contemporary Spanish poetry, approaches the works of Gloria Fuertes from various theoretical and critical perspectives. In Her Words speaks to the inherent complexity of Gloria Fuertes's poetry, as manifested in its ultimate indeterminacy and undecidability, yet attest to this poet's abiding value as the voice of the marginalized-women, the poor, children, all the invisible members of society- who were silenced during the years of Spanish dictatorship under Franco. |
| marilyn farwell: Cross-Purposes Dana A. Heller, 1997-07-22 ... innovative and important thinking about the various relations between feminist theory, queer theory, and lesbian theory, as well as the possibility that liberation can be mutual rather than mutually exclusive. --Lambda Book Report Challenging and interesting. --Just Out A collection of fifteen interdisciplinary essays examining the history, current condition, and evolving shape of lesbian alliances with U.S. feminists. Contributors explore the social and aesthetic significance of the terms lesbian and feminist with the interest of reforming and strengthening them. |
| marilyn farwell: Resisting Invisibility Diana Aramburu, 2019-05-09 Engaging with pre-feminist and male-authored crime literature, Resisting Invisibility offers a comparative reading of women’s bodies as represented in Spanish crime literature from the mid-nineteenth century to the present. Utilizing the twin concepts of visibility and invisibility, the book establishes a genealogy of differing viewpoints regarding women’s positions in these narratives, before and after the birth of the modern Spanish female detective. This examination of the politics of female visibility expands our understanding of the aesthetic regimes that have governed the female body from the early phases of the genre’s evolution. While most scholars understand the feminization of the crime genre as a response to second-wave feminism, Resisting Invisibility demonstrates that even in the earliest representations of delinquent women, the politics surrounding the female body are problematized and are more complex than previously conceptualized. Drawing on gender and queer studies, Resisting Invisibility investigates the gendering of crime fiction, forcing us to reconsider the literary history of female visibility and prompting us to establish an alternative genealogy for Spanish crime literature. |
| marilyn farwell: Classical Receptions and Impact of Xena: Warrior Princess Amanda Potter, Anise K. Strong, 2025-02-06 Presenting a wide range of new scholarly approaches, this is the first volume to critique the highly influential television series Xena: Warrior Princess. Based on the online international 2021 conference on Xena: Warrior Princess, this book offers a critical overview of the series' ground-breaking impact and discusses why it has maintained its appeal. Contributors from across the world include perspectives from classical reception studies, queer studies and fan studies to examine the influence of ancient Mediterranean mythology and history in the series and, in turn, how the series shaped the viewer's understanding of the classical past. Significantly, there are also studies of Xena's depiction as a barrier-smashing heroine, and an examination of how the series paved the way for portrayals of LGBTQ+ relationships on mainstream television. The legacy of the series is seen in how it has continued to shape modern views about classical antiquity and how it laid the groundwork for subsequent series and films representing the ancient world. |
| marilyn farwell: Identity Poetics Linda Garber, 2001 What do we now know about the origins of plants on land, from an evolutionary and an environmental perspective? The essays in this collection present a synthesis of our present state of knowledge, integrating current information in paleobotany with physical, chemical, and geological data. |
| marilyn farwell: The Fallible Body: Narratives of Health, Illness & Disease Vera Kalitzkus, Peter L. Twohig, 2020-09-25 There is perhaps no subject that lends itself to interdisciplinarity better than corporeal finitude, and it is a recognition of this fact that, from 12 to 15 July 2006, a group of international scholars, policy-makers, and practitioners were brought together for the 5th annual conference Making Sense of: Health Illness, and Disease. |
| marilyn farwell: Every Inch a Woman Carellin Brooks, 2011-11-01 What makes the textual image of a woman with a penis so compelling, malleable, and persistent? Although the figure of the phallic woman is in no sense unique to our age, Every Inch a Woman takes note of a proliferation of phallic feminine figures in disparate North American and European texts from the end of the nineteenth century onward. This multiplication, which continues today, admits of a corresponding multiplicity of motives. The phallic woman can be a ribald joke, a fantastical impossibility, a masculine usurper, an ultimately unthreatening sexual style, an interrogation into the I of the author, or an examination of female culpability. Carellin Brooks takes up the textual figure of the phallic woman where Freud locates it, in the imagined mother that the little boy, in fantasy, credits with a penis of her own. It traces this phallic-woman motif backward to the sexological case study, and forward to newspaper accounts of testosterone-taking third-sexers. Brooks examines both high and low literature, pornography, postmodern theory, and writing that would seem to answer Lacan’s injunction to move beyond the phallus. Witty and engaging, Every Inch a Woman makes an innovative contribution to sexuality, gender, and women’s studies, as well as psychoanalytic theory and criticism. |
| marilyn farwell: Women by Women Roseanna Lewis Dufault, 1997 While some of the featured works seem dark and pessimistic, they express, collectively, a certain hope for a brighter, more egalitarian future. This anthology brings together cogent critical studies in a way that identifies and illuminates trends among Quebec's contemporary women writers. |
| marilyn farwell: A History of Feminist Literary Criticism Gill Plain, Susan Sellers, 2007-08-30 Feminism has transformed the academic study of literature, fundamentally altering the canon of what is taught and setting new agendas for literary analysis. In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the Middle Ages to the present. The first section of the book explores protofeminist thought from the Middle Ages onwards, and analyses the work of pioneers such as Wollstonecraft and Woolf. The second section examines the rise of second-wave feminism and maps its interventions across the twentieth century. A final section examines the impact of postmodernism on feminist thought and practice. This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field. It is essential reading for all students and scholars of feminist writing and literary criticism. |
| marilyn farwell: Women, Literature, Criticism Harry Raphael Garvin, 1978 The essays in this book range from historical to biographical, archetypal and formalist, often in combination. All the essays, however, take a new look at the question of women and literature, with an awareness of working in an atmosphere of change. |
| marilyn farwell: Soft Canons Karen L. Kilcup, 1999-09 Recognizing that masculine literary tradition can include marginalized male writers as well as canonized female writers and that traditions themselves change over time, the essays in this insightful and coherent collection also explore the investment of the writers, as well as ninetieth- and twentieth-century readers, in canon creation. As it reconstructs conversations between these earlier authors and initiates new dialogues for today’s readers, Soft Canons offers provocative reconceptualizations of American literary and cultural history. |
| marilyn farwell: The Dream and the Dialogue Alice Templeton, 1994 Adrienne Rich's poetry has long engaged critics in questions about the nature of poetic art, the character of poetic tradition, and the value of poetry as a political and cultural activity. At the same time, it has attracted many general readers, largely because it expresses the personal, social, and intellectual crises faced by feminists during the last thirty years. In this study, Alice Templeton looks at the ways in which feminist thinking has influenced Rich's poetics while, simultaneously, her poetic practice has shaped her feminist conceptions. Templeton begins by exploring the tensions between epic, eulogistic, and lyric claims made in the poems collected in Diving into the Wreck (1973). She then examines the strategies Rich uses in subsequent collections to test and refine her feminist thinking. Templeton focuses, in particular, on the dialogic moments of cultural participation that Rich's poetry provides for the poet and the reader. These moments, Templeton argues, can dispel myths of social determinism even as they implicate readers in an ethically charged communal bond. By demonstrating the contributions that Rich has made both to feminist thinking and to our ways of reading poetic tradition, The Dream and the Dialogue treats Rich as a poet of ideas and places her work solidly in the context of contemporary literary theory.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| marilyn farwell: Kate O'Brien and the Fiction of Identity Aintzane Legarreta Mentxaka, 2014-01-10 Kate O'Brien's work is now widely considered canonical in the English language, and the author herself an icon for Ireland seeking to reinvent itself. O'Brien's novel Mary Lavelle, banned upon publication in 1936, is a key work of the twentieth century that has suffered from critical neglect despite its wider popularity with readers. This book reexamines Mary Lavelle, exploring its role in the modernist canon and its importance to political and queer activism. The novel's biographical and autobiographical experimentation is of particular note. Through the lens of this crucial novel, the oeuvre of Kate O'Brien is recontextualized and reassessed. |
| marilyn farwell: Athena's Daughters Frances Early, Kathleen Kennedy, 2003-04-01 This book is unique in its critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. Informed by feminist theoretical debates regarding women's new roles, the authors delve into the meaning of that appropriation for alternative storytelling. To date, television's ferocious few have received little scholarly attention. By inviting a variety of perspectives, editors Frances Early and Kathleen Kennedy provide a cutting-edge forum to recognize women's increasing role in popular culture as they are cast as action heroes. As a timely and accessible work, this book will appeal to scholars, feminists, cultural critics, and the general reader. |
| marilyn farwell: Forms of Expansion Lynn Keller, 1997-08-04 Expanding the boundaries of both genre and gender, contemporary American women are writing long poems in a variety of styles that repossess history, reconceive female subjectivity, and revitalize poetry itself. In the first book devoted to long poems by women, Lynn Keller explores this rich and evolving body of work, offering revealing discussions of the diverse traditions and feminist concerns addressed by poets ranging from Rita Dove and Sharon Doubiago to Judy Grahn, Marilyn Hacker, and Susan Howe. Arguing that women poets no longer feel intimidated by the traditional associations of long poems with the heroic, public realm or with great artistic ambition, Keller shows how the long poem's openness to sociological, anthropological, and historical material makes it an ideal mode for exploring women's roles in history and culture. In addition, the varied forms of long poems—from sprawling free verse epics to regular sonnet sequences to highly disjunctive experimental collages—make this hybrid genre easily adaptable to diverse visions of feminism and of contemporary poetics. |
| marilyn farwell: The Formation of 20th-Century Queer Autobiography G. Johnston, 2016-04-30 In their literary autobiographies, modernists Vita Sackville-West, Gertrude Stein, Virginia Woolf, and H.D. (Hilda Doolittle) challenge the scientific figures of the perverse lesbian, particularly those promulgated by Havelock Ellis and Sigmund Freud. By multiplying their 'I's, manipulating subject and object divisions, undermining boundaries between writer and audience, and using repetition to code erotic moments, these writers queer the terms of autobiography. That queering requires understanding autobiography as more institutional than introspective, and the autobiographies themselves question the very theories that determine them: theories of lesbianism, female development, and memory. |
| marilyn farwell: A Problem Like Maria Stacy Ellen Wolf, 2002 The Broadway tomboys, rebel nuns, and funny girls, who upset the 1950s gender norms: Mary Martin, Ethel Merman, Julie Andrews, and Barbra Streisand |
| marilyn farwell: Romance Revisited Lynne Pearce, Jackie Stacey, 1995-10 After decades of feminism and deconstruction, romance remains firmly in place as a central preoccupation in the lives of most women. Divorce rates skyrocket, the traditional family is challenged from all sides, and yet romance seems indestructible. In terms of its cultural representation, the popularity of romance also appears unchallenged. Popular fiction, Hollywood cinema, television soap-operas, and the media in general all display a seemingly bottomless appetite for romantic subjects. The trappings of classic romance—white weddings, love songs, Valentine's Day--are as commercially viable as ever. In this anthology of original essays, romance is revisited from a wide spectrum of perspectives, not just in fiction and film but in a whole range of cultural phenomena. Essays range over such issues as Valentine's Day, interracial relationships, medieval erotic visions and modern romance fiction, the relationship between the lesbian poet H.D. and Bryher, the pervasive whiteness of romantic desire, lesbian erotica in the age of AIDS, and the public romance of Charles and Diana. |
| marilyn farwell: Intertwined Lives Lois W. Banner, 2010-12-15 A uniquely revealing biography of two eminent twentieth century American women. Close friends for much of their lives, Ruth Benedict and Margaret Mead met at Barnard College in 1922, when Mead was a student, Benedict a teacher. They became sexual partners (though both married), and pioneered in the then male-dominated discipline of anthropology. They championed racial and sexual equality and cultural relativity despite the generally racist, xenophobic, and homophobic tenor of their era. Mead’s best-selling Coming of Age in Samoa (1928) and Sex and Temperament in Three Primitive Societies (1935), and Benedict’s Patterns of Culture (1934), Race (1940), and The Chrysanthemum and the Sword (1946), were landmark studies that ensured the lasting prominence and influence of their authors in the field of anthropology and beyond. With unprecedented access to the complete archives of the two women—including hundreds of letters opened to scholars in 2001—Lois Banner examines the impact of their difficult childhoods and the relationship between them in the context of their circle of family, friends, husbands, lovers, and colleagues, as well as the calamitous events of their time. She shows how Benedict inadvertently exposed Mead to charges of professional incompetence, discloses the serious errors New Zealand anthropologist Derek Freeman made in his famed attack on Mead’s research on Samoa, and reveals what happened in New Guinea when Mead and colleagues engaged in a ritual aimed at overturning all gender and sexual boundaries. In this illuminating and innovative work, Banner has given us the most detailed, balanced, and informative portrait of Mead and Benedict—individually and together—that we have had. From the Hardcover edition. |
| marilyn farwell: Heroic Desire Sally Munt, 1998 Questions of space have become central to theorizing identity. Heroic Desire engages spatial paradigms in considering lesbian desire. Arguing against constructions of the self as alienated and fragmentary, Sally Munt posits the model of heroic desire to explain how lesbian space is taken up, materially and imaginatively. |
| marilyn farwell: First-Person Anonymous Alexis Easley, 2017-05-15 First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century |
| marilyn farwell: Arthurian Women Thelma S. Fenster, Norris J. Lacy, 2015-12-22 Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature. |
| marilyn farwell: Who's Who in Contemporary Gay and Lesbian History Robert Aldrich, Garry Wotherspoon, 2020-10-28 First published in 2004. With subjects drawm from politics, the arts and popular culture, Who's Who in Contemporray Gay & Lesbian History, includes 500 entries from a large team of expert international contributors. The geographical scope takes in the whole of the Western world. Includes fascinating information about little-known figures as well as cult icons from World War II to the present day. |
| marilyn farwell: A Companion to the American Novel Alfred Bendixen, 2014-11-17 Featuring 37 essays by distinguished literary scholars, A Companion to the American Novel provides a comprehensive single-volume treatment of the development of the novel in the United States from the late 18th century to the present day. Represents the most comprehensive single-volume introduction to this popular literary form currently available Features 37 contributions from a wide range of distinguished literary scholars Includes essays on topics and genres, historical overviews, and key individual works, including The Scarlet Letter, Moby Dick, The Great Gatsby, Beloved, and many more. |
| marilyn farwell: Circular Narratives in Modern European Literature Juan Luis Toribio Vazquez, 2022-06-16 Breaking with linearity – the ruling narrative model in the Jewish-Christian tradition since the ancient world – many 20th-century European writers adopted circular narrative forms. Juan Luis Toribio Vazquez shows this trend was not a unified nor conscious movement, but rather a series of works arising sporadically in different countries at different times, using a variety of circular structures to express similar concerns and ideas about the world. This study also shows how the renewed understanding of narrative form leading to this circular trend was anticipated by Nietzsche's critiques of truth, knowledge, language and metaphysics, and especially by his related discussions of nihilism and the eternal recurrence. Starting with an analysis of the theory and genealogy of linear narrative, the author charts the emergence of Nietzsche's idea of eternal return, before then turning to the history of the circular narrative trend. This history is explored from its inception, in the works of August Strindberg, Gertrude Stein and Azorín; through its development in the interwar years, by writers such as Raymond Queneau and Vladimir Nabokov; to its full flowering in the work of authors James Joyce or Samuel Beckett, among others; and its later employment by post-war writers, including Alain Robbe-Grillet, Italo Calvino and Maurice Blanchot. Through a series of close readings, the book aims to highlight the various ways in which narrative circularity serves to break with an essentially teleological and theological thinking. Finally, Toribio Vazquez concludes by proposing a new typology of non-linear narratives, which builds on the work of recent narratologists. |
| marilyn farwell: Milton's Scriptural Reasoning Phillip J. Donnelly, 2009-02-19 John Milton's major poems have long provoked wide-ranging judgements about the purposes of his biblical engagement. In this elegant and insightful study, Phillip J. Donnelly transforms our common perceptions about Milton's writing. He challenges the traditional assumption that the poet shared our modern view that reason is a capacity whose purpose is to control nature. Instead, Milton's conception of reason - both human and divine - is bound up with a poetic sense of difference, a capacity for being faithful to a goodness and beauty that survives the effects of human frailty in the fall. Providing fresh new readings of Paradise Lost, Paradise Regained and Samson Agonistes, Donnelly gives us important new perspectives on Milton's aesthetics, theology and politics. |
| marilyn farwell: The Novels of Jeanette Winterson Merja Makinen, 2005-04-20 This Reader's Guide brings together, in an approachable form, the range of review and critical material on the novels of Jeanette Winterson. Covering all of Winterson's work, from Oranges are Not the Only Fruit to The PowerBook, Merja Makinen traces the early review reception of each novel on its publication and considers it alongside the larger critical debates that have subsequently evolved. Makinen follows the controversial critical analysis of Winterson as a lesbian writer, and develops the examination of the postmodern aspects of her work, whether as postmodern or post-Modern. Including a brief discussion of Winterson's most recent novel, Lighthouse Keeping, this is an indispensable guide for anyone studying, or simply interested in, the work of one of Britain's most successful contemporary authors. |
| marilyn farwell: The Puritan Origins of American Sex Tracy Fessenden, Nicholas F. Radel, Magdalena J. Zaborowska, 2014-03-05 From witch trials to pickaxe murderers, from brothels to convents, and from slavery to Toni Morrison's Paradise, these essays provide fascinating and provocative insights into our sexual and religious conventions and beliefs. |
| marilyn farwell: Women's Literary Collaboration, Queerness, and Late-Victorian Culture Jill R. Ehnenn, 2017-05-15 The first full-length study to focus exclusively on nineteenth-century British women while examining queer authorship and culture, Jill R. Ehnenn's book is a timely interrogation into the different histories and functions of women's literary partnerships. For Vernon Lee (Violet Paget) and 'Kit' Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper, the couple who wrote under the pseudonym of 'Michael Field', collaborative life and work functioned strategically, as sites of discursive resistance that critique Victorian culture in ways that would be characterized today as feminist, lesbian, and queer. Ehnenn's project shows that collaborative texts from such diverse genres as poetry, fiction, drama, the essay, and autobiography negotiate many limitations of post-Enlightenment patriarchy: Cartesian subjectivity and solitary creativity, industrial capitalism and alienated labor, and heterosexism. In so doing, these jointly authored texts employ a transgressive aesthetic and invoke the potentials of female spectatorship, refusals of representation, and the rewriting of history. Ehnenn's book will be a valuable resource for scholars and students of Victorian literature and culture, women's and gender studies, and collaborative writing. |
| marilyn farwell: Science Fantasy Cenk Tan, Elçin Parçaoglu, Nazan Yildiz Çiçekçi, 2024-07-15 This book explores science fantasy, a hybrid genre that draws from both science fiction and fantasy. It delves into how science fantasy serves as a medium to shape the present and build a better future through memories and explores uncharted territories where science and imagination intersect-- |
| marilyn farwell: The Daughter's Return Caroline Rody, 2001 The Daughter's Return offers a close analysis of an emerging genre in African-American and Caribbean fiction produced by women writers who make imaginative returns to their ancestral pasts. Considering some of the defining texts of contemporary fiction--Toni Morrison's Beloved, Jean Rhys's Wide Sargasso Sea, and Michelle Cliff's No Telephone to Heaven--Rody discusses their common inclusion of a daughter who returns to the site of her people's founding trauma of slavery through memory or magic. Rody treats these texts as allegorical expressions of the desire of writers newly emerging into cultural authority to reclaim their difficult inheritance, and finds a counter plot of heroines' encounters with women of other racial and ethnic groups running through these works. |
| marilyn farwell: Readers and mistresses Katie R. Peel, 2024-09-24 Readers and Mistresses: Kept Women in Victorian Literature identifies kept mistresses in British Victorian narrative and offers ways to understand their experiences. The author discusses kept women characters in Charles Dickens’ Oliver Twist, Elizabeth Gaskell’s Mary Barton and Ruth, Anne Brontë’s The Tenant of Wildfell Hall, and George Eliot’s Daniel Deronda, and examines the methods their authors use to encourage reader empathy. This book also usefully demonstrates how to identify kept women when they are less visible in texts, including in Charlotte Brontë's Jane Eyre, Dickens' Hard Times and Dombey and Son, and George Gissing's The Odd Women. |
| marilyn farwell: The Search for a Woman-centered Spirituality Annette J. Van Dyke, 1992-07 Examining the work and writings of such figures as Leslie Marmon Silko, Paula Gunn Allen, Audre Lorde, Alice Walker, Starhawk, Marion Zimmer Bradley, Sonial Johnson and Mary Daly, the author illustrates how these writers and activists outline a journey toward wholeness. |
| marilyn farwell: The Lesbian Index Kim Emery, 2002-01-01 Adds historical and philosophical perspectives to current debates over whether lesbian identity is socially constructed or genetically based. |
| marilyn farwell: Protest and Possibility in the Writing of Tillie Olsen Mara Faulkner, 1993 Tillie Olsen's fiction and nonfiction portray, with all their harsh contours, the lives of people who cannot speak for themselves or whose words have been forgotten or ignored. Olsen's writing is neither serene nor despairing. In this sensitive thematic reading, Mara Faulkner shows that its most subversive function is the assertion that human life can be other than and more than it is. Olsen's promise of full creative life aims to make her readers forever dissatisfied with physical, emotional, and intellectual starvation. Faulkner finds in Olsen's writing a triple-layered pattern combining protest against oppression (blight), celebration of courage and strength (fruit), and the heartening dream of a radically transformed future world (possibility). She focuses on four of Olsen's main themes - motherhood, the relationship between men and women, community, and language - and shows how, because of social and economic circumstances, potentially creative tensions become destructive contradictions: motherhood stifles women's lives, patriarchy and poverty turn men into enemies of women and children, communities force their members into betrayal, and language distorts or erases human experience. Olsen reveals, according to Faulkner, the overlapping oppressions of class, race, gender, nationality, education, and age that both link people and set them apart. Yet, she refuses to exalt suffering and deprivation. In this comprehensive examination of a literature of social consciousness, Faulkner approaches Olsen's works within their historical, social, and political contexts without treating them as propaganda. In fact, she shows that it is Olsen's compressed, poetic style that gives her writing itsrevolutionary power. She illuminates both the author's individual talent and the traditions in which her works were created - traditions of women writers of color, writers of the working class, and writers who were immigrants or children of immigrants. |
| marilyn farwell: Milton Now C. Gray, E. Murphy, 2014-12-16 By bringing together Milton specialists with other innovative early modern scholars, the collection aims to embrace and encourage a methodologically adventurous study of Milton's works, analyzing them both in relation to their own moment and their many ensuing contexts. |
| marilyn farwell: The Cambridge Companion to Narrative Theory Matthew Garrett, 2018-11-01 Narrative theory is essential to everything from history to lyric poetry, from novels to the latest Hollywood blockbuster. Narrative theory explores how stories work and how we make them work. This Companion is both an introduction and a contribution to the field. It presents narrative theory as an approach to understanding all kinds of cultural production: from literary texts to historiography, from film and videogames to philosophical discourse. It takes the long historical view, outlines essential concepts, and reflects on the way narrative forms connect with and rework social forms. The volume analyzes central premises, identifies narrative theory's feminist foundations, and elaborates its significance to queer theory and issues of race. The specially commissioned essays are exciting to read, uniting accessibility and rigor, traditional concerns with a renovated sense of the field as a whole, and analytical clarity with stylistic dash. Topical and substantial, The Cambridge Companion to Narrative Theory is an engaging resource on a key contemporary concept. |
| marilyn farwell: Morgan le Fay, Shapeshifter Jill M. Hebert, 2013-03-12 This study re-examines Morgan le Fay in early medieval and contemporary Arthurian sources, arguing that she embodies the concerns of each era even as she defies social and gender expectations. Hebert uses leFay as a lens to explore traditional ideas of femininity, monstrousness, resistance, identity, and social expectations for women and men alike. |
Marilyn Monroe - Wikipedia
Marilyn Monroe (/ ˈ m æ r ə l ɪ n m ə n ˈ r oʊ / MARR-ə-lin mən-ROH; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress and model. Known for …
Marilyn Monroe | Movies, Death, Real Name, & Facts | Britannica
May 30, 2025 · Marilyn Monroe (born June 1, 1926, Los Angeles, California, U.S.—found dead August 5, 1962, Los Angeles) was an American actress who became a major sex symbol, …
Marilyn Monroe - IMDb
Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures …
Inside Marilyn Monroe's Life, From Her Iconic Films To Her ...
Jun 21, 2022 · According to Marilyn Monroe’s autopsy report, the movie star died of “acute barbiturate poisoning” due to “ingestion of overdose.” The medical examiner told reporters, “It …
Marilyn Monroe: Biography, Actor
Aug 13, 2020 · Actor Marilyn Monroe overcame a difficult childhood to become one of the world's most enduring sex symbols. She died of a drug overdose in 1962 at age 36.
30 Fascinating Facts About Marilyn Monroe - Mental Floss
9. Marilyn Monroe's on-camera glow wasn't exactly natural. Before her makeup was applied, Marilyn slathered on a layer of Nivea Creme or Vaseline, believing it made her look more …
Marilyn Monroe - Wikipedia
Marilyn Monroe (/ ˈ m æ r ə l ɪ n m ə n ˈ r oʊ / MARR-ə-lin mən-ROH; born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) …
Marilyn Monroe | Movies, Death, Real Name, & Facts | Britannica
May 30, 2025 · Marilyn Monroe (born June 1, 1926, Los Angeles, California, U.S.—found dead August 5, 1962, Los Angeles) was an …
Marilyn Monroe - IMDb
Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. …
Inside Marilyn Monroe's Life, From Her Iconic Films To Her ...
Jun 21, 2022 · According to Marilyn Monroe’s autopsy report, the movie star died of “acute barbiturate poisoning” due to “ingestion …
Marilyn Monroe: Biography, Actor
Aug 13, 2020 · Actor Marilyn Monroe overcame a difficult childhood to become one of the world's most enduring sex …
