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| mark jerng racial worldmaking: Racial Worldmaking Mark C. Jerng, 2017-11-07 When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. As Mark C. Jerng shows us, these strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. Taking up the work of H.G. Wells, Margaret Mitchell, Samuel Delany, Philip K. Dick and others, Racial Worldmaking rethinks racial formation in relation to both African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. In doing so, it engages questions central to our current moment: In what ways do we participate in racist worlds, and how can we imagine and build one that is anti-racist? |
| mark jerng racial worldmaking: Claiming Others Mark C. Jerng, 2010 How transracial adoption and its history changes the way we see family, nation, and race. |
| mark jerng racial worldmaking: Speculate This! Uncertain Commons uncertain commons, 2013-06-25 Speculate This! is a concise, provocative manifesto advocating practices of affirmative speculation over and against contemporary forms of speculation that quantify and contain risk to generate financial profit for a privileged few. This latter mode of speculation is predatory and familiar, its fallout evident in ongoing environmental degradation, in restrictive legal claims on natural resources in distant lands, and in the foreclosures, evictions, and unemployment resulting from the financial collapse of 2007–08. While such exploitive speculation seeks to reduce uncertainty and pin down the future, the affirmative practices championed by the authors of Speculate This! engage uncertainty, contingency, and difference, and they multiply, rather than reduce, possible futures. In these affirmative practices, social relations and the creation of goods and knowledge are not driven by the desire for financial gain or professional status. Whether manifest in open-source software, eco-communes, global activist movements, community credit networks, or experimental art, speculative living affirms our commonality. As a collaborative work coauthored by a group of anonymous scholars, Speculate This! argues for and embodies affirmative speculation. |
| mark jerng racial worldmaking: Speculative Blackness André M. Carrington, 2016-02-29 In Speculative Blackness, André M. Carrington analyzes the highly racialized genre of speculative fiction—including science fiction, fantasy, and utopian works, along with their fan cultures—to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Carrington’s argument about authorship, fandom, and race in a genre that has been both marginalized and celebrated offers a black perspective on iconic works of science fiction. He examines the career of actor Nichelle Nichols, who portrayed the character Uhura in the original Star Trek television series and later became a recruiter for NASA, and the spin-off series Star Trek: Deep Space Nine, set on a space station commanded by a black captain. He recovers a pivotal but overlooked moment in 1950s science fiction fandom in which readers and writers of fanzines confronted issues of race by dealing with a fictitious black fan writer and questioning the relevance of race to his ostensible contributions to the 'zines. Carrington mines the productions of Marvel comics and the black-owned comics publisher Milestone Media, particularly the representations of black sexuality in its flagship title, Icon. He also interrogates online fan fiction about black British women in Buffy the Vampire Slayer and the Harry Potter series. Throughout this nuanced analysis, Carrington theorizes the relationship between race and genre in cultural production, revealing new understandings of the significance of blackness in twentieth-century American literature and culture. |
| mark jerng racial worldmaking: Histories of Racial Capitalism Justin Leroy, Destin Jenkins, 2021-02-09 The relationship between race and capitalism is one of the most enduring and controversial historical debates. The concept of racial capitalism offers a way out of this impasse. Racial capitalism is not simply a permutation, phase, or stage in the larger history of capitalism—since the beginning of the Atlantic slave trade and the colonization of the Americas, capitalism, in both material and ideological senses, has been racial, deriving social and economic value from racial classification and stratification. Although Cedric J. Robinson popularized the term, racial capitalism has remained undertheorized for nearly four decades. Histories of Racial Capitalism brings together for the first time distinguished and rising scholars to consider the utility of the concept across historical settings. These scholars offer dynamic accounts of the relationship between social relations of exploitation and the racial terms through which they were organized, justified, and contested. Deploying an eclectic array of methods, their works range from indigenous mortgage foreclosures to the legacies of Atlantic-world maroons, from imperial expansion in the continental United States and beyond to the racial politics of municipal debt in the New South, from the ethical complexities of Latinx banking to the postcolonial dilemmas of extraction in the Caribbean. Throughout, the contributors consider and challenge how some claims about the history and nature of capitalism are universalized while others remain marginalized. By theorizing and testing the concept of racial capitalism in different historical circumstances, this book shows its analytical and political power for today’s scholars and activists. |
| mark jerng racial worldmaking: The Souls of Cyberfolk Thomas Foster, 2005 Considers the construction of race, gender, and sexuality in virtual reality. |
| mark jerng racial worldmaking: Stories for Chip Nisi Shawl, 2015-08-03 Stories for Chip brings together outstanding authors inspired by a brilliant writer and critic, Science Fiction Writers of America Grandmaster Samuel R. Chip Delany. Award-winning SF luminaries such as Michael Swanwick, Nalo Hopkinson, and Eileen Gunn contribute original fiction and creative nonfiction. From surrealistic visions of bucolic road trips to erotic transgressions to mind-expanding analyses of Delany's influence on the genre—as an out gay man, an African American, and possessor of a startlingly acute intellect—this book conveys the scope of the subject's sometimes troubling, always rewarding genius. Editors Nisi Shawl and Bill Campbell have given Delany and the world at large, a gorgeous, haunting, illuminating, and deeply satisfying gift of a book. |
| mark jerng racial worldmaking: Colonialism and the Emergence of Science Fiction John Rieder, 2008-05-30 Groundbreaking study of science fiction’s relation to colonialism and imperialism |
| mark jerng racial worldmaking: Astrofuturism De Witt Douglas Kilgore, 2010-08-03 Astrofuturism: Science, Race, and Visions of Utopia in Space is the first full-scale analysis of an aesthetic, scientific, and political movement that sought the amelioration of racial difference and social antagonisms through the conquest of space. Drawing on the popular science writing and science fiction of an eclectic group of scientists, engineers, and popular writers, De Witt Douglas Kilgore investigates how the American tradition of technological utopianism responded to the political upheavals of the twentieth century. Founded in the imperial politics and utopian schemes of the nineteenth century, astrofuturism envisions outer space as an endless frontier that offers solutions to the economic and political problems that dominate the modern world. Its advocates use the conventions of technological and scientific conquest to consolidate or challenge the racial and gender hierarchies codified in narratives of exploration. Because the icon of space carries both the imperatives of an imperial past and the democratic hopes of its erstwhile subjects, its study exposes the ideals and contradictions endemic to American culture. Kilgore argues that in the decades following the Second World War the subject of race became the most potent signifier of political crisis for the predominantly white and male ranks of astrofuturism. In response to criticism inspired by the civil rights movement and the new left, astrofuturists imagined space frontiers that could extend the reach of the human species and heal its historical wounds. Their work both replicated dominant social presuppositions and supplied the resources necessary for the critical utopian projects that emerged from the antiracist, socialist, and feminist movements of the twentieth century. This survey of diverse bodies of literature conveys the dramatic and creative syntheses that astrofuturism envisions between people and machines, social imperatives and political hope, physical knowledge and technological power. Bringing American studies, utopian literature, popular conceptions of race and gender, and the cultural study of science and technology into dialogue, Astrofuturism will provide scholars of American culture, fans of science fiction, and readers of science writing with fresh perspectives on both canonical and cutting-edge astrofuturist visions. |
| mark jerng racial worldmaking: The Comet W. E. B. Du Bois, 2021-06-08 The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. “How silent the street was! Not a soul was stirring, and yet it was high-noon—Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs.” Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers. |
| mark jerng racial worldmaking: Diaspora, Law and Literature Klaus Stierstorfer, Daniela Carpi, 2016-11-07 The well-known challenges of international migration have triggered new departures in academic approaches, with 'diaspora studies' evolving as an interdisciplinary and even transdisciplinary field of study. Its emerging methodology shares concerns with another interdisciplinary field, the study of the relations between law and literature, which focuses on the ways in which the two cultural practices of law and literature mutually negotiate each other and on the question after the ontological commensurability of the domains. This volume offers, for the first time, an attempt to provide an interface between these overlapping interdisciplinary endeavours of literary studies, legal studies, and diaspora studies. In doing so, it explores new approaches and invites new perspectives on diasporas, migration and the disciplines that study them, hopefull also adding to the cultural resources of coping with a swiftly changing social landscape in a globalizing world. |
| mark jerng racial worldmaking: Race in American Science Fiction Isiah Lavender, 2011 Noting that science fiction is characterized by an investment in the proliferation of racial difference, Isiah Lavender III argues that racial alterity is fundamental to the genre's narrative strategy. Race in American Science Fiction offers a systematic classification of ways that race appears and how it is silenced in science fiction, while developing a critical vocabulary designed to focus attention on often-overlooked racial implications. T. |
| mark jerng racial worldmaking: Dreamworlds of Race Duncan Bell, 2022-06-07 How transatlantic thinkers in the late nineteenth and early twentieth centuries promoted the unification of Britain and the United States Between the late nineteenth century and the First World War an ocean-spanning network of prominent individuals advocated the unification of Britain and the United States. They dreamt of the final consolidation of the Angloworld. Scholars, journalists, politicians, businessmen, and science fiction writers invested the “Anglo-Saxons” with extraordinary power. The most ambitious hailed them as a people destined to bring peace and justice to the earth. More modest visions still imagined them as likely to shape the twentieth century. Dreamworlds of Race explores this remarkable moment in the intellectual history of racial domination, political utopianism, and world order. Focusing on a quartet of extraordinary figures—Andrew Carnegie, W. T. Stead, Cecil J. Rhodes, and H. G. Wells—Duncan Bell shows how unionists on both sides of the Atlantic reimagined citizenship, empire, patriotism, race, war, and peace in their quest to secure global supremacy. Yet even as they dreamt of an Anglo-dominated world, the unionists disagreed over the meaning of race, the legitimacy of imperialism, the nature of political belonging, and the ultimate form and purpose of unification. The racial dreamworld was an object of competing claims and fantasies. Exploring speculative fiction as well as more conventional forms of political writing, Bell reads unionist arguments as expressions of the utopianism circulating through fin-de-siècle Anglo-American culture, and juxtaposes them with pan-Africanist critiques of racial domination and late twentieth-century fictional narratives of Anglo-American empire. Tracing how intellectual elites promoted an ambitious project of political and racial unification between Britain and the United States, Dreamworlds of Race analyzes ideas of empire and world order that reverberate to this day. |
| mark jerng racial worldmaking: Asian American Literature in Transition, 1996–2020: Volume 4 Betsy Huang, Victor Román Mendoza, 2021-06-17 This volume examines the concerns of Asian American literature from 1996 to the present. This period was not only marked by civil unrest, terror and militarization, economic depression, and environmental abuse, but also unprecedented growth and visibility of Asian American literature. This volume is divided into four sections that plots the trajectories of, and tensions between, social challenges and literary advances. Part One tracks how Asian American literary productions of this period reckon with the effects of structures and networks of violence. Part Two tracks modes of intimacy – desires, loves, close friendships, romances, sexual relations, erotic contacts – that emerge in the face of neoimperialism, neoliberalism, and necropolitics. Part Three traces the proliferation of genres in Asian American writing of the past quarter century in new and in well-worn terrains. Part Four surveys literary projects that speculate on future states of Asian America in domestic and global contexts. |
| mark jerng racial worldmaking: The Multicultural Imagination Michael Vannoy Adams, 2019-07-16 The Multicultural Imagination is a challenging inquiry into the complex interrelationship between our ideas about race and color and the unconscious. Michael Vannoy Adams takes a fresh look at the contributions of psychoanalysis to a question which affects every individual who tries to establish an effective personal identity in the context of their received 'racial' identity. Adams argues that 'race' is just as important as sex or any other content of the unconcscious, drawing on clinical case materal from contemporary patients for whom 'race' or color is a vitally significant social and political concern that impacts on them personally. He does not assume that racism or 'colorism' will simply vanish if we psychoanalyse them, but shows how a non-defensive ego and a self-image that is receptive to other-images can move us towards a more productive discourse of cultural differences. Wide-ranging in its references and scope, this is a book that provokes the reader - analyst or not - to confront personally those unconscious attitudes which stand in the way of authentic multicultural relationships. |
| mark jerng racial worldmaking: The Black Middle Ages Matthew X. Vernon, 2018-06-13 The Black Middle Ages examines the influence of medieval studies on African-American thought. Matthew X. Vernon focuses on nineteenth century uses of medieval texts to structure racial identity, but also considers the flexibility of medieval narratives more broadly in the medieval period, twentieth and twenty-first centuries. This book engages disparate discourses to reassess African-American positionalities in time and space. Utilizing a transhistorical framework, Vernon reflects on medieval studies as a discipline built upon a contended set of ideologies and acts of imaginative appropriation visible within source texts and their later mobilizations. |
| mark jerng racial worldmaking: Tonal Intelligence Sunny Xiang, 2020-12-15 Why were U.S. intelligence organizations so preoccupied with demystifying East and Southeast Asia during the mid-twentieth century? Sunny Xiang offers a new way of understanding the American cold war in Asia by tracing aesthetic manifestations of “Oriental inscrutability” across a wide range of texts. She examines how cold war regimes of suspicious thinking produced an ambiguity between “Oriental” enemies and Asian allies, contributing to the conflict’s status as both a “real war” and a “long peace.” Xiang puts interrogation reports, policy memos, and field notes into conversation with novels, poems, documentaries, and mixed media work by artists such as Theresa Hak Kyung Cha, Kazuo Ishiguro, Ha Jin, and Trinh T. Minh-ha. She engages her archive through a reading practice centered on tone, juxtaposing Asian diasporans who appear similar in profile yet who differ in tone. Tonal Intelligence considers how the meaning of race, war, and empire came under pressure during two interlinked periods of geopolitical transition: American “nation-building” in East and Southeast Asia during the mid-twentieth century and Asian economic modernization during the late twentieth century. By reading both state records and aesthetic texts from these periods for their tone rather than their content, Xiang shows how bygone threats of Asian communism and emergent regimes of Asian capitalism have elicited distinct yet related anxieties about racial intelligibility. Featuring bold methods, unlikely archives, and acute close readings, Tonal Intelligence rethinks the marking and making of race during the long cold war. |
| mark jerng racial worldmaking: Zombie Theory Sarah Juliet Lauro, 2017-10-15 Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U. |
| mark jerng racial worldmaking: New Approaches to Gone With the Wind , 2015-12-14 Since its publication in 1936, Gone with the Wind has held a unique position in American cultural memory, both for its particular vision of the American South in the age of the Civil War and for its often controversial portrayals of race, gender, and class. New Approaches to “Gone with the Wind” offers neither apology nor rehabilitation for the novel and its Oscar-winning film adaptation. Instead, the nine essays provide distinct, compelling insights that challenge and complicate conventional associations. Racial and sexual identity form a cornerstone of the collection: Mark C. Jerng and Charlene Regester each examine Margaret Mitchell’s reframing of traditional racial identities and the impact on audience sympathy and engagement. Jessica Sims mines Mitchell’s depiction of childbirth for what it reveals about changing ideas of femininity in a postplantation economy, while Deborah Barker explores transgressive sexuality in the film version by comparing it to the depiction of rape in D. W. Griffith’s earlier silent classic, Birth of a Nation. Other essays position the novel and film within the context of their legacy and their impact on national and international audiences. Amy Clukey and James Crank inspect the reception of Gone with the Wind by Irish critics and gay communities, respectively. Daniel Cross Turner, Keaghan Turner, and Riché Richardson consider its aesthetic impact and mythology, and the ways that contemporary writers and artists, such as Natasha Trethewey and Kara Walker, have engaged with the work. Finally, Helen Taylor sums up the pervading influence that Gone with the Wind continues to exert on audiences in both America and Britain. Through an emphasis on intertextuality, sexuality, and questions of audience and identity, these essayists deepen the ongoing conversation about the cultural impact and influence of this monumental work. Flawed in many ways yet successful beyond its time, Gone with the Wind remains a touchstone in southern studies. |
| mark jerng racial worldmaking: The Cambridge Companion to Race and American Literature John Ernest, 2024-06-30 A comprehensive study of how American racial history and culture have shaped, and have been shaped by, American literature. |
| mark jerng racial worldmaking: Speculative Whiteness Jordan S. Carroll, 2024-10-22 Reveals the alt-right’s project to claim science fiction and—by extension—the future Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. Speculative Whiteness traces these ideas through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Although fascists insist that tomorrow belongs to them, they have always been and will continue to be contested by antifascist fans willing to fight for the future. |
| mark jerng racial worldmaking: The Racial Railroad Julia H. Lee, 2022-04-26 The Racial Railroad argues the train has been a persistent and crucial site for racial meaning-making in American culture for the past 150 years. This book examines the complex intertwining of race and railroad in literary works, films, visual media, and songs from a variety of cultural traditions in order to highlight the surprisingly central role that the railroad has played - and continues to play - in the formation and perception of racial identity and difference in the United States. Despite the fact that the train has often been an instrument of violence and exclusion, this book shows that it is also ingrained in the imaginings of racialized communities, often appearing as a sign of resistance. The significance of this book is threefold. First, it is the only book that I'm aware of that examines the train multivalently: as a technology, as a mode of transportation, as a space that blurs the line between public and private, as a form of labor, and as a sign. Second, it takes a multiracial approach to cultural narratives concerning the railroad and racial identity, which bolsters my claim about the pervasiveness of the railroad in narratives of race. It signifies across all racial groups. The meaning of that signification may be radically different depending upon the community's own history, but it nevertheless means something. Finally, The Racial Railroad reveals the importance of place in discussions of race and racism. Focusing on the experiences of racialized bodies in relation to the train - which both creates and destroys places - secures a presence for those marginalized subjects. These authors use the train to reveal how race defines the spatial logics of the nation even as their bodies are often deliberately hidden or obscured from public view-- |
| mark jerng racial worldmaking: The Quarry Charles W. Chesnutt, 2014-07-14 Was Donald Glover really what he seemed--a handsome, dedicated, and clever African-American star of the Harlem Renaissance, whose looks made him the quarry of a variety of women? Or could the secrets of his birth change his destiny entirely? Focusing on the culture of Harlem in the 1920s, Charles Chesnutt's final novel dramatizes the political and aesthetic life of the exciting period we now know as the Harlem Renaissance. Mixing fact and fiction, and real and imagined characters, The Quarry is peopled with so many figures of the time--including Booker T. Washington, W. E. B. DuBois, and Marcus Garvey--that it constitutes a virtual guide to this inspiring period in American history. Protagonist Glover is a light-skinned man whose adoptive black parents are determined that he become a leader of the black people. Moving from Ohio to Tennessee, from rural Kentucky to Harlem, his story depicts not only his conflicted relationship to his heritage but also the situation of a variety of black people struggling to escape prejudice and to take advantage of new opportunities. Although he was the first African-American writer of fiction to gain acceptance by America's white literary establishment, Charles W. Chesnutt (1858-1932) has been eclipsed in popularity by other writers who later rose to prominence during the Harlem Renaissance. Recently, this pathbreaking American writer has been receiving an increasing amount of attention. Two of his novels, Paul Marchand, F.M.C. (completed in 1921) and The Quarry (completed in 1928), were considered too incendiary to be published during Chesnutt's lifetime. Their publication now provides us not only the opportunity to read these two books previously missing from Chesnutt's oeuvre but also the chance to appreciate better the intellectual progress of this literary pioneer. Chesnutt was the author of many other works, including The Conjure Woman & Other Conjure Tales, The House Behind the Cedars, The Marrow Tradition, and Mandy Oxendine. Princeton University Press recently published To Be an Author: Letters of Charles W. Chesnutt, 1889-1905 (edited by Joseph R. McElrath, Jr., and Robert C. Leitz, III). Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| mark jerng racial worldmaking: Recovering the Radical Promise of Superheroes Ellen Kirkpatrick, 2023 Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and often extreme, transformation-human to machine, human to animal, human to god-are certain categories seemingly untouchable? Why does this speculative genre routinely fail to fully speculate about other worlds and ways of being in those worlds? For all their nonconformity, superhero stories do not live up to the idea of a radical genre, in look, feel, or tone. The mainstream American superhero genre, and its surrounding discourses, tells and facilitates an astonishingly seamless tale of opposing ideologies. But how? Recovering the Radical Promise of Superheroes: Un/Making Worlds serves a speculative response, detailing not so much a hunt for genre meaning as a trip through a genre's meaningscape. Looking anew at superhero meaning-making practices allows a distinct way of thinking about and describing the creative, formal, and ideological conditions of the genre and its protagonists, one removed from corralling binaries, one foregrounding the idea of a synergy-often unseen, uneasy, and even hostile-between official and unofficial agents of superhero meaning and one reframing familiar questions: What kinds of meaning do superhero texts engender? How is this meaning made? By whom and under what conditions? What processes and practices inform, regulate, and extend superhero meaning? And finally, superhero narratives present a new question: How might we reimagine its agents, surfaces, and spaces? Centering the experiences and practices of excluded and marginalized superhero fans, Recovering the Radical Promise of Superheroes reveals that genre meaning is not lodged in one place or another, neither in its official creators or fans, nor in black and white conservatism or in a rainbow of progressive possibilities. Nor is it even located somewhere in the in-between; it is instead better conceived of as an antagonistic, in-process nexus of meaning undergirded by systems of power. Ellen Kirkpatrick, based in northern Ireland, is an activist-writer with a PhD in Cultural Studies. In her work, she writes about activism, pop culture, fan cultures, and the transformative power of storytelling. She has published work in a range of academic journals and media outlets and her writings and work can be found at The Break and on Twitter @elk_dash. |
| mark jerng racial worldmaking: Asian American Fiction After 1965 Christopher T. Fan, 2024-04-23 After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers. Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers’ works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers’ attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.” |
| mark jerng racial worldmaking: Black Pulp Brooks E. Hefner, 2021-12-21 A deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justice In recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely spread precisely because they are packaged in popular genres. But it turns out, such generic retooling for antiracist purposes is nothing new. As Brooks E. Hefner’s Black Pulp shows, this tradition of antiracist genre revision begins even earlier than recent studies of Black superhero comics of the 1960s have revealed. Hefner traces it back to a phenomenon that began in the 1920s, to serialized (and sometimes syndicated) genre stories written by Black authors in Black newspapers with large circulations among middle- and working-class Black readers. From the pages of the Pittsburgh Courier and the Baltimore Afro-American, Hefner recovers a rich archive of African American genre fiction from the 1920s through the mid-1950s—spanning everything from romance, hero-adventure, and crime stories to westerns and science fiction. Reading these stories, Hefner explores how their authors deployed, critiqued, and reassembled genre formulas—and the pleasures they offer to readers—in the service of racial justice: to criticize Jim Crow segregation, racial capitalism, and the sexual exploitation of Black women; to imagine successful interracial romance and collective sociopolitical progress; and to cheer Black agency, even retributive violence in the face of white supremacy. These popular stories differ significantly from contemporaneous, now-canonized African American protest novels that tend to represent Jim Crow America as a deterministic machine and its Black inhabitants as doomed victims. Widely consumed but since forgotten, these genre stories—and Hefner’s incisive analysis of them—offer a more vibrant understanding of African American literary history. |
| mark jerng racial worldmaking: Art and knowledge after 1900 James Fox, Vid Simoniti, 2023-12-12 This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously? |
| mark jerng racial worldmaking: Indigenous Comics and Graphic Novels James J. Donahue, 2024-03-26 In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field. |
| mark jerng racial worldmaking: Adopting America Carol J. Singley, 2012-01-01 American literature abounds with orphans who experience adoption or placements that resemble adoption. These stories do more than recount adventures of children living away from home. They tell an American story of family and national identity. In narratives from the seventeenth to the early twentieth century, adoption functions as narrative event and trope that describes the American migratory experience, the impact of Calvinist faith, and the growth of democratic individualism. The roots of literary adoption appear in the discourse of Puritan settlers, who ambivalently took leave of their birth parent country and portrayed themselves as abandoned children. Believing they were chosen children of God, they also prayed for spiritual adoption and emulated God's grace by extending adoption to others. Nineteenth-century adoption literature develops from this notion of adoption as salvation and from simultaneous attachments to the Old World and the New. In domestic fiction of the mid-nineteenth century, adoption also reflects a focus on nurture in childrearing, increased mobility in the nation, and middle-class concerns over immigration and urbanization, assuaged when the orphan finds a proper, loving home. Adoption signals fresh starts and the opportunity for success without genealogical constraints, especially for white males, but inflected by gender and racial biases, it often entails dependency for girls and children of color. A complex signifier of difference, adoption gives voice to sometimes contradictory calls to origins and fresh beginning; to feelings of worthiness and unworthiness. In writings from Cotton Mather to Edith Wharton, it both replicates and offers an alternative to the genealogical norm, evoking ambivalence as it shapes national mythologies. |
| mark jerng racial worldmaking: Settler Attachments and Asian Diasporic Film Beenash Jafri, 2025-03-04 A cinematic study of Asian–Indigenous relationality Settler Attachments and Asian Diasporic Film is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Highlighting how Asian diasporic attachments to settler colonialism are structural, she explores how they are manifested through melancholic yearning within the figure of the Asian cowboy in films such as Cowgirl and Wild West and through the aesthetic and representational politics of body and land in experimental films by Shani Mootoo and Vivek Shraya. While recognizing the pervasive violence of settler colonialism, Jafri maintains a hopeful outlook, showcasing how Asian diasporic filmmakers persistently work toward decolonial worldmaking. This emerging vision can be seen in the radical friendship between Ali Kazimi and Onondaga artist Jeffrey Thomas in Kazimi’s film Shooting Indians, in the queer relational survivance depicted in films such as This Place and Scarborough, and in the sensory disruptions of Jin-me Yoon’s interactive art project Untunnelling Vision. From film and media studies to diaspora studies and critical ethnic studies, Indigenous studies to queer theory, Settler Attachments and Asian Diasporic Film provides a critical framework for engaging cinematic media to understand and imagine beyond the entrenched settler-colonial dynamics within Asian diasporic communities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. |
| mark jerng racial worldmaking: The Aliens Within Geoffroy de Laforcade, Daniel Stein, Cathy C. Waegner, 2022-08-22 Discrimination, stigmatization, xenophobia, heightened securitization – fear and blaming of aliens within – characterize the world infected by COVID-19. Such fears have a long cultural history, however, particularly in connecting pathology with race, poverty, and migration. This volume explores theory and narratives of disease, danger, and displacement through the lenses of cultural, literary, and film studies, historical representation, ethnics studies, sociology and cultural geography, classics, music, and linguistics. Investigations range from, for example, illness discourse in the ancient classics to images of perilous intruders in the Age of Trump, from the Haitian Revolution and subsequent zombie stereotypes to current, problematic refugee resettlement in the US South and Greek islands, from the urban underworld in nineteenth-century sensation novels to ethnic women on the stroll in coronavirus times. The collection is organized into three thematically intertwined parts: Stigmatizing the Racialized Underclass; Pathologizing the Other; Constructing and Countering Collapse. It examines changing or recurrent aporias in tropes of belonging and exclusion, as well as the birthing of new forms of identity, agency, and countercultural expression. |
| mark jerng racial worldmaking: How to Queer the World Bo Ruberg, 2025-04-22 What video games teach us about building a better world What does it mean to build a world? Worldbuilding is traditionally understood as an expression of storytelling across media forms. Yet, as video games show us, worldbuilding does not necessarily need to center narrative elements. Instead, new worlds can allow us to reimagine existing structures, conventions, and constants. Doing so gives us the tools to queer the world around us. How to Queer the World argues that video games provide us with keen insight into worldbuilding. With these insights come a new understanding of the ever-elusive ideals of queer worldmaking. Video games challenge us to address how worlds are built through underlying systems rather than surface-level representation. They also offer opportunities to envision alternate and queer ways of living, loving, desiring, and being. Each of the chapters in this book presents a close reading of a video game that illustrates one way of building worlds and encoding them with meaning, focusing on elements of digital media often overlooked as technical rather than cultural. From the design of game mechanics and user interfaces to the use of graphics software and physics simulations, Bo Ruberg argues that these aspects of video games represent a critical toolkit for seeing the work of worldbuilding differently—in video games and beyond. Simultaneously, each of these video games models an approach to what Ruberg terms “queer worldbuilding.” Queer worldbuilding radically remakes the world by destabilizing the fundamental logics of our own universe: who we are, what we can do, how our bodies move, and how we exist within time and space. |
| mark jerng racial worldmaking: Tales of Nevèrÿon Samuel R. Delany, 2014-01-07 Hugo and Nebula Award–winning author Samuel R. Delany’s epic fantasy—the first in a series—explores power, gender, and the nature of civilization. A boy of the bustling, colorful docks of port Kolhari, during a political coup, fifteen-year-old Gorgik, once his parents are killed, is taken a slave and transported to the government obsidian mines at the foot of the Faltha mountains. When, in the savagely primitive land of Nevèrÿon, finally he wins his freedom, Gorgik is ready to lead a rebellion against the rulers of this barely civilized land. His is the through-story that, now in the background, now in the foreground, connects these first five stories, in Tales of Nevèrÿon—and, indeed, all the eleven stories, novellas, and novels that comprise Delany’s epic fantasy series, Return to Nevèrÿon, where we can watch civilization first develop money, writing, labor, and that grounding of all civilizations since: capital itself. In these sagas of barbarism, new knowledge, and sex, you’ll find far more than in most sword-and-sorcery. They are an epic feat of language, an ironic analysis of the foundations of civilization, and a reminder that no weapon is more powerful than a well-honed legend. This “eminently readable and gorgeously entertaining” (The Washington Post Book World) novel reads “as if Umberto Eco had written about Conan the Barbarian” (USA Today). This ebook features an illustrated biography of Samuel R. Delany including rare images from his early career. |
| mark jerng racial worldmaking: The Order of Forms Anna Kornbluh, 2019-11-20 In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies. |
| mark jerng racial worldmaking: Posthuman Blackness and the Black Female Imagination Kristen Lillvis, 2017-09-01 Posthuman Blackness and the Black Female Imagination examines the future-oriented visions of black subjectivity in works by contemporary black women writers, filmmakers, and musicians, including Toni Morrison, Octavia Butler, Julie Dash, and Janelle Monáe. In this innovative study, Kristen Lillvis supplements historically situated conceptions of blackness with imaginative projections of black futures. This theoretical approach allows her to acknowledge the importance of history without positing a purely historical origin for black identities. The authors considered in this book set their stories in the past yet use their characters, particularly women characters, to show how the potential inherent in the future can inspire black authority and resistance. Lillvis introduces the term “posthuman blackness” to describe the empowered subjectivities black women and men develop through their simultaneous existence within past, present, and future temporalities. This project draws on posthuman theory—an area of study that examines the disrupted unities between biology and technology, the self and the outer world, and, most important for this project, history and potentiality—in its readings of a variety of imaginative works, including works of historical fiction such as Gayl Jones’s Corregidora and Morrison’s Beloved. Reading neo–slave narratives through posthuman theory reveals black identity and culture as temporally flexible, based in the potential of what is to come and the history of what has occurred. |
| mark jerng racial worldmaking: A Gesture Life Chang-rae Lee, 2000-10-01 The second novel from the critically acclaimed New York Times–bestselling author Chang-rae Lee. His remarkable debut novel was called rapturous (The New York Times Book Review), revelatory (Vogue), and wholly innovative (Kirkus Reviews). It was the recipient of six major awards, including the prestigious Hemingway Foundation/PEN award. Now Chang-rae Lee has written a powerful and beautifully crafted second novel that leaves no doubt about the extraordinary depth and range of his talent. A Gesture Life is the story of a proper man, an upstanding citizen who has come to epitomize the decorous values of his New York suburban town. Courteous, honest, hardworking, and impenetrable, Franklin Hata, a Japanese man of Korean birth, is careful never to overstep his boundaries and to make his neighbors comfortable in his presence. Yet as his story unfolds, precipitated by the small events surrounding him, we see his life begin to unravel. Gradually we learn the mystery that has shaped the core of his being: his terrible, forbidden love for a young Korean Comfort Woman when he served as a medic in the Japanese army during World War II. In A Gesture Life, Chang-rae Lee leads us with dazzling control through a taut, suspenseful story about love, family, and community—and the secrets we harbor. As in Native Speaker, he writes of the ways outsiders conform in order to survive and the price they pay for doing so. It is a haunting, breathtaking display of talent by an acclaimed young author. |
| mark jerng racial worldmaking: Turn On, Tune In, Drift Off Victor Szabo, 2023 Turn On, Tune In, Drift Off: Ambient Music's Psychedelic Past rethinks the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic countercultures of the late twentieth century. Victor Szabo reveals how anglophone audio producers and DJs between the mid-1960s and century's end commodified drone- and loop-based records as ambient audio: slow, spare, spacious audio sold as artful personal media for creating atmosphere, fostering contemplation, transforming awareness, and stilling the body. The book takes a trip through landmark ambient audio productions and related discourses, including marketing rhetoric, artist manifestos and interviews, and music criticism, that during this time plotted the conventions of what became known as ambient music. These productions include nature sounds records, experimental avant-garde pieces, space music radio, psychedelic and cosmic rock albums, electronic dance music compilations, and of course, explicitly ambient music, all of which popularized ambient audio through vivid atmospheric concepts. In paying special attention to the sound of ambient audio; to ambient audio's relationship with the psychedelic, New Age, and rave countercultures of the US and UK; and to the coincident evolution of therapeutic audio and head music across alternative media and independent music markets, this history resituates ambient music as a hip highbrow framing and stylization of ongoing practices in crafting audio to alter consciousness, comportment, and mood. In so doing, Turn On, Tune In, Drift Off illuminates the social and aesthetic rifts and alliances informing one of today's most popular musical experimentalisms. |
| mark jerng racial worldmaking: Precarity in Contemporary Literature and Culture Emily J. Hogg, Peter Simonsen, 2021-04-22 The contemporary moment is characterized by precarity – an expanding and intensifying vulnerability conditioned by political and economic structures. Using literary and cultural texts to develop a nuanced and critical exploration of the concept of precarity that emphasizes its contemporary manifestations while also attending to its historical roots and existential dimensions, this book examines the vulnerabilities which characterize our anxious existence, including unemployment, environmental crisis, temporary contracts and patterns of migration. Broken down into three key themes of feelings, bodies and time, Precarity in Contemporary Literature and Culture asks whether precarity can be considered a new phenomenon; explores the relationship between precarity and traditional class politics; analyses precarity's global dimensions; and reflects on the links between contemporary crisis and underlying existential human vulnerability. With reference to a wide range of forms such as contemporary, realist, science fiction and modernist novels, film, theatre, and the lyric poem, this book goes beyond one national context to consider texts from the US, UK, Germany and South Africa. |
| mark jerng racial worldmaking: Informatics of Domination Zach Blas, Melody Jue, Jennifer Rhee, 2025-03-07 Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway. Contributors. Dalida María Benfield, Zach Blas, Ama Josephine Budge Johnstone, micha cárdenas, Amy Sara Carroll, Shu Lea Cheang, Jian Neo Chen, Heather Dewey-Hagborg, Ranjodh Singh Dhaliwal, Stephanie Dinkins, Ricardo Dominguez, Ashley Ferro-Murray, Matthew Fuller, Jacob Gaboury, Jennifer Gabrys, Alexander R. Galloway, Jennifer Mae Hamilton, Donna J. Haraway, Eva Hayward, Stefan Helmreich, Kathy High, Leon J. Hilton, Ho Rui An, Hi'ilei Julia Kawehipuaakahaopulani Hobart, Tung-Hui Hu, Caroline A. Jones, Melody Jue, Homay King, Larissa Lai, Lawrence Lek, Esther Leslie, Alexis Lothian, Isadora Neves Marques, Radha May (Elisa Giardina-Papa, Nupur Mathur, and Bathsheba Okwenje), Shaka McGlotten, Mahan Moalemi, madison moore, Astrida Neimanis, Bahar Noorizadeh, Luciana Parisi, Thao Phan, Ana Teixeira Pinto, Luiza Prado de O. Martins, Rita Raley, Patricia Reed, Jennifer Rhee, Bassem Saad, Ashkan Sepahvand, Justin Talplacido Shoulder, Lucy Suchman, Ollie Zhang |
Mark 1 NIV - John the Baptist Prepares the Way - The - Bible …
Mark 1:8 Or in Mark 1:13 The Greek for tempted can also mean tested . Mark 1:40 The Greek word traditionally translated leprosy was used for various diseases affecting the skin.
MARK 1 NKJV - John the Baptist Prepares the Way - Bible Gateway
John the Baptist Prepares the Way - The beginning of the gospel of Jesus Christ, the Son of God. As it is written in the Prophets: “Behold, I send My messenger before Your face, Who will …
Mark 1 KJV - The beginning of the gospel of Jesus - Bible Gateway
The beginning of the gospel of Jesus Christ, the Son of God; As it is written in the prophets, Behold, I send my messenger before thy face, which shall prepare thy way before thee. The …
Mark 16 NIV - Jesus Has Risen - When the Sabbath was - Bible …
Mark 16:8 Some manuscripts have the following ending between verses 8 and 9, and one manuscript has it after verse 8 (omitting verses 9-20): Then they quickly reported all these …
Mark 1:1 NIV - John the Baptist Prepares the Way - Bible Gateway
Mark 1:1 Or Jesus Christ. Messiah (Hebrew) and Christ (Greek) both mean Anointed One. Mark 1:1 Some manuscripts do not have the Son of God.
MARK 11 NKJV - The Triumphal Entry - Now when they - Bible …
11 And Jesus went into Jerusalem and into the temple. So when He had looked around at all things, as the hour was already late, He went out to Bethany with the twelve. The Fig Tree …
Mark 1 NLT - John the Baptist Prepares the Way - Bible Gateway
John the Baptist Prepares the Way - This is the Good News about Jesus the Messiah, the Son of God. It began just as the prophet Isaiah had written: “Look, I am sending my messenger …
Mark 3 NIV - Jesus Heals on the Sabbath - Bible Gateway
Jesus Heals on the Sabbath - Another time Jesus went into the synagogue, and a man with a shriveled hand was there. Some of them were looking for a reason to accuse Jesus, so they …
Mark 6 NKJV - Jesus Rejected at Nazareth - Then He - Bible Gateway
Jesus Rejected at Nazareth (). 6 Then () He went out from there and came to His own country, and His disciples followed Him. 2 And when the Sabbath had come, He began to teach in the …
MARK 2 NKJV - Jesus Forgives and Heals a Paralytic - Bible Gateway
Jesus Forgives and Heals a Paralytic - And again He entered Capernaum after some days, and it was heard that He was in the house. Immediately many gathered together, so that there was …
Mark 1 NIV - John the Baptist Prepares the Way - The - Bible …
Mark 1:8 Or in Mark 1:13 The Greek for tempted can also mean tested . Mark 1:40 The Greek word traditionally translated leprosy was used for various diseases affecting the skin.
MARK 1 NKJV - John the Baptist Prepares the Way - Bible Gateway
John the Baptist Prepares the Way - The beginning of the gospel of Jesus Christ, the Son of God. As it is written in the Prophets: “Behold, I send My messenger before Your face, Who will …
Mark 1 KJV - The beginning of the gospel of Jesus - Bible Gateway
The beginning of the gospel of Jesus Christ, the Son of God; As it is written in the prophets, Behold, I send my messenger before thy face, which shall prepare thy way before thee. The …
Mark 16 NIV - Jesus Has Risen - When the Sabbath was - Bible …
Mark 16:8 Some manuscripts have the following ending between verses 8 and 9, and one manuscript has it after verse 8 (omitting verses 9-20): Then they quickly reported all these …
Mark 1:1 NIV - John the Baptist Prepares the Way - Bible Gateway
Mark 1:1 Or Jesus Christ. Messiah (Hebrew) and Christ (Greek) both mean Anointed One. Mark 1:1 Some manuscripts do not have the Son of God.
MARK 11 NKJV - The Triumphal Entry - Now when they - Bible …
11 And Jesus went into Jerusalem and into the temple. So when He had looked around at all things, as the hour was already late, He went out to Bethany with the twelve. The Fig Tree …
Mark 1 NLT - John the Baptist Prepares the Way - Bible Gateway
John the Baptist Prepares the Way - This is the Good News about Jesus the Messiah, the Son of God. It began just as the prophet Isaiah had written: “Look, I am sending my messenger ahead …
Mark 3 NIV - Jesus Heals on the Sabbath - Bible Gateway
Jesus Heals on the Sabbath - Another time Jesus went into the synagogue, and a man with a shriveled hand was there. Some of them were looking for a reason to accuse Jesus, so they …
Mark 6 NKJV - Jesus Rejected at Nazareth - Then He - Bible Gateway
Jesus Rejected at Nazareth (). 6 Then () He went out from there and came to His own country, and His disciples followed Him. 2 And when the Sabbath had come, He began to teach in the …
MARK 2 NKJV - Jesus Forgives and Heals a Paralytic - Bible …
Jesus Forgives and Heals a Paralytic - And again He entered Capernaum after some days, and it was heard that He was in the house. Immediately many gathered together, so that there was no …
