Advertisement
| manichean aesthetics: Manichean Aesthetics Abdul R. JanMohamed, 1983 |
| manichean aesthetics: Cultural Imperialism and the Indo-English Novel Fawzia Afzal-Khan, 2010-11-01 This is a provocative piece of scholarship, and it engages an intriguing aspect of postcolonial writing.-Choice Fawzia Afzal-Khan's excellent book could stand as a reply to those hostile critics who today attack 'multiculturalism' for reductively politicizing literature. In her trenchant discussion, Afzal-Khan shows just how complex the politics of 'liberation' can be for colonial and postcolonial novelists. -Gerald Graff, University of ChicagoAfzal-Khan's study is a major new contribution to the related fields of Indian writing in English and post-colonial literatures. Focused primarily on four Indian novelists, its arguments and conclusions are of vital importance to our understanding of the many new literatures from the former British colonies. Through her judicious use of the theoretical constructs of Frantz Fanon, Fredric Jameson, Edward Said, and others, Afzal-Khan has produced a fresh and compelling interpretation of the Indian-English novel.-Amritjit Singh, Rhode Island CollegeCultural Imperialism and the Indo-English Novel focuses on the novels of R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie and explores the tension in these novels between ideology and the generic fictive strategies that shape ideology or are shaped by it. Fawzia Afzal-Khan raises the important question of how much the usage of certain ideological strategies actually helps the ex-colonized writer deal effectively with post-colonial and post-independence trauma and whether or not the choice of a particular genre or mode employed by a writer presupposes the extent to which that writer will be successful in challenging the ideological strategies of containment perpetuated by most Western orientalist texts and writers. She argues that the formal or generic choices of the four writers studied here reveal that they are using genre as an ideological strategy of liberation to help free their peoples and cultures from the hegemonic strategies of containment imposed upon them. She concludes that the works studied here constitute an ideological rebuttal of Western writers' denigrating containment of non-Western cultures. She also notes that self-criticism, as implied in Rushdie's works, is not be confused with self-hatred, a theme found in Naipaul's work. |
| manichean aesthetics: Ends of Empire Laura Brown, 1993 This book explores the representation of women in english literature from the Restoration to the fall of Walpole. |
| manichean aesthetics: Aesthetic Theology and Its Enemies David Nirenberg, 2015-07-07 The role of Judaism in the formation of Western aesthetics |
| manichean aesthetics: Beginning Postcolonialism John McLeod, 2000-07-07 Postcolonialism has become one of the most exciting, expanding and challenging areas of literary and cultural studies today. Designed especially for those studying the topic for the first time, Beginning Postcolonialism introduces the major areas of concern in a clear, accessible, and organized fashion. It provides an overview of the emergence of postcolonialism as a discipline and closely examines many of its important critical writings. |
| manichean aesthetics: Critical Dialogues Isobel Armstrong, Hans-Werner Ludwig, 1995 |
| manichean aesthetics: Colonial Space J.K. Noyes, 2012-10-12 First Published in 1992. This book is about space of a colony and how it was produced. It began as a study of the literature of the German colony of South-West Africa between the years 1884 and 1915. The author’s aim is to demonstrate the active role which literature had played in structuring the experience of the colony. If it could be shown that literature not only describes, but also helps to structure the forms of experience, then it would follow that it also plays an important role in structuring the experience of colonization, and hence the form of the colony itself. From the outset, therefore, the study was concerned with a number of issues centering around colonization, representation, experience, and social form, where spatiality is the concept which allows us to understand how these various aspects of colonialism interrelate. |
| manichean aesthetics: Postcolonial Resistance David Jefferess, 2008-01-01 Despite being central to the project of postcolonialism, the concept of resistance has received only limited theoretical examination. Writers such as Frantz Fanon, Edward Said, and Homi K. Bhabha have explored instances of revolt, opposition, or subversion, but there has been insufficient critical analysis of the concept of resistance, particularly as it relates to liberation or social and cultural transformation. In Postcolonial Resistance, David Jefferess looks to redress this critical imbalance. Jefferess argues that interpreting resistance, as these critics have done, as either acts of opposition or practices of subversion is insufficient. He discerns in the existing critical literature an alternate paradigm for postcolonial politics, and through close analyses of the work of Mohandas Gandhi and the South African reconciliation project, Postcolonial Resistance seeks to redefine resistance to reconnect an analysis of colonial discourse to material structures of colonial exploitation and inequality. Engaging works of postcolonial fiction, literary criticism, historiography, and cultural theory, Jefferess conceives of resistance and reconciliation as dependent upon the transformation of both the colonial subject and the antagonistic nature of colonial power. In doing so, he reframes postcolonial conceptions of resistance, violence, and liberation, thus inviting future scholarship in the field to reconsider past conceptualizations of political power and opposition to that power. |
| manichean aesthetics: Nadine Gordimer's July's People Brendon Nicholls, 2013-11-12 Nadine Gordimer is one of the most important writers to emerge in the twentieth century. Her anti-Apartheid novel July's People (1981) is a powerful example of resistance writing and continues even now to unsettle easy assumptions about issues of power, race, gender and identity. This guide to Gordimer's compelling novel offers: an accessible introduction to the text and contexts of July's People a critical history, surveying the many interpretations of the text from publication to the present a selection of new and reprinted critical essays on July's People, providing a range of perspectives on the novel and extending the coverage of key approaches identified in the critical survey cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of July's People and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Gordimer's text. |
| manichean aesthetics: The Aesthetic Cold War Peter J. Kalliney, 2024-12-10 How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. |
| manichean aesthetics: Seductive Spirits Nathanael Homewood, 2024-03-12 Pentecostalism, Africa's fastest-growing form of Christianity, has long been preoccupied with the business of banishing demons from human bodies. Among Ghanaian Pentecostals, deliverance is primary among the embodied, experiential gifts—a loud, messy, and noisy experience that ends only when the possessed body falls to the ground silent and docile, the evil spirits rendered powerless in the face of the holy spirit-wielding-prophets. And nowhere is Ghanaian Pentecostal obsession with demons more pronounced than with sexual demons. In this book, Nathanael Homewood examines the frequent and varied experiences of spirit possession and sex with demons that constitute a vital part of Pentecostal deliverance ministries, offering insight into these practices assembled from long-term ethnographic engagement with four churches in Accra, the capital of Ghana. Relying on the uniqueness of the Pentecostal sensorium, this book unravels how spirits and sexuality intimately combine to expand the definition of the body beyond its fleshy boundaries. Demons are a knowledge regime, one that shapes how Pentecostals think about, engage with, and construct the cosmos. Deliverance Pentecostals reiterate and tarry with the demonic, especially sexually, as a realm of invention whereby alternative ways of being, sensing, and having sex are dreamed, practiced, and performed. Ultimately, Homewood argues for a distinction between colonial demonization and decolonial demons, charting another path to understanding being, the body, and sexualities. |
| manichean aesthetics: Men in African Film & Fiction Lahoucine Ouzgane, 2011 Fills a gap in the international literature by offering new insights into the heterogeneous ways in which African men are performing, negotiating and experiencing masculinity. Through their analysis of the depictions in film and literature of masculinities in colonial, independent and post-independent Africa, the contributors open some key African texts to a more obviously politicized set of meanings. Collectively, the essays provide space for rethinking current theory on gender and masculinity: - how only some of the most popular theories in masculinity studies in the West hold true in African contexts; - howWestern masculinities react with indigenous masculinities on the continent; - how masculinity and femininity in Africa seem to reside more on a continuum of cultural practices than on absolutely opposite planes; - andhow generation often functions as a more potent metaphor than gender. Lahoucine Ouzgane is Associate Professor of English & Film Studies, University of Alberta, Canada. |
| manichean aesthetics: Out of the Shadow Rinda West, 2007 In western culture, the separation of humans from nature has contributed to a schism between the conscious reason and the unconscious dreaming psyche, or internal human nature. Our increasing lack of intimacy with the land has led to a decreased capacity to access parts of the psyche not normally valued in a capitalist culture. In Out of the Shadow: Ecopsychology, Story, and Encounters with the Land, Rinda West uses Jung's idea of the shadow to explore how this divorce results in alienation, projection, and often breakdown. Bringing together ideas from analytical psychology, environmental thought, and literary studies, West explores a variety of literary texts--including several by contemporary American Indian writers--to show, through a sort of geography of the psyche, how alienation from nature reflects a parallel separation from the nature that constitutes the unconscious. Through her analysis of narratives that offer images of people confronting shadow, reconnecting with nature, and growing psychologically and ethically, West reveals that when characters enter into relationship with the natural world, they are better able to confront and reclaim shadow. By writing from the shadows, West argues that contemporary writers are exploring ways of being human that have the potential for creating more just and honorable relationships with nature, and more sustainable communities. For ecocritics, conservation activists, scholars and students of environmental studies and American Indian studies, and ecopsychologists, Out of the Shadow offers hope for humans wishing to reconcile with themselves, with nature, and with community. |
| manichean aesthetics: Postcolonlsm:Crit Concepts V3 Diana Brydon, 2023-01-06 First published in 2004. This is Volume III of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part six on Orientalisms, part seven on Thinking/Working Through Race and part eight which covers Feminisms and Gender Analysis. |
| manichean aesthetics: Calixthe Beyala Nicki Hitchcott, 2006-10-01 The most successful female writer from Francophone Africa, Calixthe Beyala occupies an unusual place in French literary and popular culture. Her novels are bestsellers and she appears regularly on French television, yet a conviction for plagiarism has tarnished her reputation. Thus, she is both an “authentic” African author and a proven literary “fake.” In Calixthe Beyala, Nicki Hitchcott considers representations of Beyala in the media, critical responses to her writing, and Beyala’s efforts to position herself as a champion of women’s rights. Hitchcott pays equal attention to Beyala’s novels, tracing their explorations of the role of migration in the creation of personal identity. |
| manichean aesthetics: Contemporary African Lit & Pol Florence Stratton, 2002-03 First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company. |
| manichean aesthetics: Contemporary African Literature and the Politics of Gender Florence Stratton, 2020-09-23 The influence of colonialism and race on the development of African literature has been the subject of a number of studies. The effect of patriarchy and gender, however, and indeed the contributions of African women, have up until now been largely ignored by the critics. Contemporary African Literature and the Politics of Gender is the first extensive account of African literature from a feminist perspective. In this first radical and exciting work Florence Stratton outlines the features of an emerging female tradition in African fiction. A chapter is dedicated to each to the works of four women writers: Grace Ogot, Flora Nwapa, Buchi Emecheta and Mariama Ba. In addition she provides challenging new readings of canonical male authors such as Chinua Achebe, Ngugi wa Thiongo'o and Wole Soyinka. Contemporary African Literature and the Politics of Gender thus provides the first truly comprehensive definition of the current literary tradition in Africa. |
| manichean aesthetics: Postcolonial Studies Across the Disciplines Jana Gohrisch, Ellen Grünkemeier, 2013-11-15 Bringing together contributions from various disciplines and academic fields, this collection engages in interdisciplinary dialogue on postcolonial issues. Covering African, anglophone, Romance, and New-World themes, linguistic, literary, and cultural studies, and historiography, music, art history, and textile studies, the volume raises questions of (inter)disciplinarity, methodology, and entangled histories. The essays focus on the representation of slavery in the transatlantic world (the USA, Jamaica, Haiti, and the wider Caribbean, West Africa, and the UK). Drawing on a range of historical sources, material objects, and representations, they study Jamaican Creole, African masks, knitted objects, patchwork sculpture, newspapers, films, popular music, and literature of different genres from the Caribbean, West and South Africa, India, and Britain. At the same time, they reflect on theoretical problems such as intertextuality, intermediality, and cultural exchange, and explore intersections – postcolonial literature and transatlantic history; postcolonial and African-American studies; postcolonial literary and cultural studies. The final section keys in with the overall aim of challenging established disciplinary modes of knowledge production: exploring schools and universities as locations of postcolonial studies. Teachers investigate the possibilities and limits of their respective institutions and probe new ways of engaging with postcolonial concerns. With its integrative, interdisciplinary focus, this collection addresses readers interested in understanding how colonization and globalization have influenced societies and cultures around the world. Contributors: Anja Bandau, Sabine Broeck, Sarah Fekadu, Matthias Galler, Janou Glencross, Jana Gohrisch, Ellen Grünkemeier, Jessica Hemmings, Jan Hüsgen, Johannes Salim Ismaiel–Wendt, Ursula Kluwick, Henning Marquardt, Dennis Mischke, Timo Müller, Mala Pandurang, Carl Plasa, Elinor Jane Pohl, Brigitte Reinwald, Steffen Runkel, Andrea Sand, Cecile Sandten, Frank Schulze–Engler, Melanie Ulz, Reinhold Wandel, Tim Watson Jana Gohrisch and Ellen Grünkemeier are based in the English Department of Leibniz University, Hannover (Germany), where they research and lecture in British studies with a focus on (postcolonial) literatures and cultures. |
| manichean aesthetics: Tragedy and Postcolonial Literature Ato Quayson, 2021-01-21 This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies. |
| manichean aesthetics: African Literature and the Politics of Culture James Tar Tsaaior, 2013-11-01 This book essentially negotiates African literature as a veritable site of artistic and cultural production and situates it within the dynamic of postcolonial cultural politics. It critically evaluates African literature as a contour of cultural contestation with the imperial politics of knowledge production about others and as an ideological strategy for knowing them. The book’s main contribution to the critical discourse on African literature and culture inheres in the fact that politics constitutes the enduring concern of society as it re/shapes and over-determines discourses which have continued to remain crucial to societal engineering. It, however, imagines the discursive existence as necessary for the evolving of a dynamic African literary tradition with an abiding fidelity to the verities of history. The book is useful for literary scholars, historians, critics, experts and students of postcolonial/cultural studies as well as general readership interested in African studies. |
| manichean aesthetics: Foundational African Writers Bhekizizwe Peterson, Makhosazana Xaba, Khwezi Mkhize, Jill Bradbury, Hugo Canham, Victoria J Collis-Buthelezi, Simon Gikandi, Anne-Maria Makhulu, Athambile Masola, Innocentia J Mhlambi, Sikhumbuzo Mngadi, Thando Njovane, Obi Nwakanma, James Ogude, Christopher EW Ouma, Stéphane Robolin, Crain Soudien, Tina Steiner, Thuto Thipe, Andrea Thorpe, 2022-06-01 This collection explores the complexities of black existence, and intellectual and cultural life in the work and legacies of centenarian writers, Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es’kia Mphahlele |
| manichean aesthetics: Reading Malaysian Literature in English Mohammad A. Quayum, 2021-11-18 This book brings together fourteen articles by prominent critics of Malaysian Anglophone literature from five different countries: Australia, Italy, Malaysia, Singapore, and the US. It investigates the thematic and stylistic trends in the literary products of selected writers of the tradition in the genres of drama, fiction, and poetry, from its beginnings to the present, focusing mainly on the postcolonial themes of ethnicity, gender, diaspora, and nationalism, which are central to the creativity and imagination of these writers. The book explores the works of not just the established writers of the tradition but also those who have received little critical attention to date but who are equally gifted, such as Adibah Amin, Edward Dorall, Rehaman Rashid, and Huzir Suleiman. The chapters collectively address the challenges and achievements of writers in the English language in a country where English is widely used in daily life and yet marginalised in the creative domain to elevate the status of writings in the national language, i.e., Bahasa Malaysia. The book will demonstrate that in spite of such recurrent neglect of the medium, Malaysia has produced a number of outstanding writers in the language, who are comparable in creativity and craftsmanship to writers of other Anglophone traditions. The book will be of interest to readers and researchers of Malaysian literature, postcolonial literatures, minority literatures, gender studies, and Southeast Asian studies. |
| manichean aesthetics: Africana Methodology James L. Conyer, Jr., 2018-10-15 This book critically examines the collection, interpretation, and analysis of quantitative and qualitative data from an Afrocentric perspective. The necessity of interpretive Afrocentric research is relevant to position agency and to locate Africana studies in place, space, and time. This study will provide readers with a compilation of literary, historical, philosophical, and social science essays that describe and evaluate the Africana experience from a methodological perspective. Paradoxically, the collection presents measurable and qualitative research, in order to flush out a global Pan–Africanist consciousness. |
| manichean aesthetics: Postcolonial Studies Benita Parry, 2004-07-31 A powerful selection of essays by one of the most important critics in postcolonial studies, arguing for practices of reading and criticism fully attentive to historical circumstances and socio-material conditions. |
| manichean aesthetics: Joyce: Feminism / Post / Colonialism , 2021-11-15 James Joyce is located between, and constructed within, two worlds: the national and international, the political and cultural systems of colonialism and postcolonialism. Joyce's political project is to construct a postcolonial contra-modernity: to write the incommensurable differences of colonial, postcolonial, and gendered subjectivities, and, in doing so, to reorient the axis of power and knowledge. What Joyce dramatizes in his hybrid writing is the political and cultural remainder of imperial history or patriarchal canons: a remainder that resists assimilation into the totalizing narratives of modernity. Through this remainder - of both politics and the psyche - Joyce reveals how a minority culture can construct political and personal agency. Joyce: Feminism / Post / Colonialism, edited by Ellen Carol Jones, bears witness to the construction of that agency, tracing the inscription of the racial and sexual other in colonial, nationalist, and postnational representations, deciphering the history of the possible. Contributors are Gregory Castle, Gerald Doherty, Enda Duffy, James Fairhall, Peter Hitchcock, Ellen Carol Jones, Ranjana Khanna, Patrick McGee, Marilyn Reizbaum, Susan de Sola Rodstein, Carol Shloss, and David Spurr. |
| manichean aesthetics: Medievalism and the Academy II David Metzger, 2000 The second part of Medievalism and the Academy identifies the four specific questions that have come to focus recent scholarship in medievalism: What is difference? what is theory? woman? God? The impact of cultural studies on contemporary medieval studies is investigated in this latest volume of Studies in Medievalism, which also offers an account of the developing interest of contemporary cultural theorists inthe medieval period. Rather than dismissing the connection between medieval studies and cultural criticism as an expression of academic self-interest, the essays identify specific questions which engage both, such as race, history, women, religion, and literature. Topics include the use of Augustine by postcolonial theorists; the influence of studies in medieval mysticism on the development of women's studies programs; and the influence of Foucault and NewHistoricism on the study of medieval history. Contributors: ELLIE RAGLAND, TIMOTHY RICHARDSON, MICHAEL BERNARD-DONALS, CLAY KINSNER, LINDA SEXSON, REBECCA DOUGLASS, LOUISE SYLVESTER, RICHARD GLEJZER, CHARLES WILSON, ANDREW J. DELL'OLIO |
| manichean aesthetics: But the Irish Sea Betwixt Us Andrew Murphy, 2021-12-14 At the rise of the Tudor age, England began to form a national identity. With that sense of self came the beginnings of the colonialist notion of the other Ireland, however, proved a most difficult other because it was so closely linked, both culturally and geographically, to England. Ireland's colonial position was especially complex because of the political, religious, and ethnic heritage it shared with England. Andrew Murphy asserts that the Irish were seen not as absolute but as proximate others. As a result, English writing about Ireland was a problematic process, since standard colonial stereotypes never quite fit the Irish. But the Irish Sea Betwixt Us examines the English view of the imperfect other by looking at Ireland through works by Spenser, Jonson, and Shakespeare. Murphy also considers a broad range of materials from the Renaissance period, including journals, pamphlets, histories, and state papers. |
| manichean aesthetics: Racism and Early Blackface Comic Traditions Robert Hornback, 2018-07-19 This book traces blackface types from ancient masks of grinning Africans and phallus-bearing Roman fools through to comedic medieval devils, the pan-European black-masked Titivillus and Harlequin, and racial impersonation via stereotypical 'black speech' explored in the Renaissance by Lope de Vega and Shakespeare. Jim Crow and antebellum minstrelsy recycled Old World blackface stereotypes of irrationality, ignorance, pride, and immorality. Drawing upon biblical interpretations and philosophy, comic types from moral allegory originated supposedly modern racial stereotypes. Early blackface traditions thus spread damning race-belief that black people were less rational, hence less moral and less human. Such notions furthered the global Renaissance’s intertwined Atlantic slave and sugar trades and early nationalist movements. The latter featured overlapping definitions of race and nation, as well as of purity of blood, language, and religion in opposition to 'Strangers'. Ultimately, Old World beliefs still animate supposed 'biological racism' and so-called 'white nationalism' in the age of Trump. |
| manichean aesthetics: The Chinua Achebe Encyclopedia M. Keith Booker, 2003-12-30 Several hundred A-Z entries cover Achebe's major works, important characters and settings, key concepts and issues, and more. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology. Nigerian writer Chinua Achebe is widely regarded as the most important of the numerous African novelists who gained global attention in the second half of the 20th century. Achebe is certainly the African writer best known in the West, and his first novel, Things Fall Apart, is a founding text of postcolonial African literature and regarded as one of the central works of world literature of the last 50 years. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Other topics include all of his major fictional characters and settings, important concepts and issues central to his writings, historical persons, places, and events relevant to his works, and influential texts by other writers. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology. |
| manichean aesthetics: Of Minstrelsy and Masks Christine Matzke, Remi Raji, Geoffrey V. Davis, 2006 This collection is dedicated to a distinguished scholar and writer who for a quarter of a century wrote consistently on African literature and the arts and was a major voice in Nigerian literary circles. Ezenwa-Ohaeto made a mark in contemporary Nigerian poetry by committing pidgin to written form and, by so doing, introducing different creative patterns. He also saw himself as a 'minstrel', as someone who wanted to read, express and enact his work before an audience. First and foremost, however, Ezenwa-Ohaeto was someone who 'un-masked' ideas and meanings hidden in the folds of literary works and made them available to an international academic public. With his outstanding work on Chinua Achebe, he influenced the reception of African literary biography. His networks and connections were extensive and wide-ranging, and they are partly reflected in the essays, creative writing and personal notes assembled in this volume. In their various modes and expressions, the contributions included here constitute a tribute to Ezenwa-Ohaeto's many talents and achievements. As an extension of Ezenwa-Ohaeto's legacy, they expand on various aspects of minstrelsy and the un/masking of texts in a Nigerian and broader African context. The book is divided into six sections. In Memoriam contains personal tributes by long-standing colleagues, mentors and friends. Poetry and Fiction collects the voices of three generations of Nigerian writing from the 1960s to the present day, followed by poetic and pictorial insights into the domestic and social life of the scholar and family man. Section Four comprises two interviews, while Sections Five and Six are devoted to critical evaluations of Ezenwa-Ohaeto's work and to contemporary perspectives on Nigerian literature respectively. |
| manichean aesthetics: Imagination and the Contemporary Novel John J. Su, 2011-05-26 Imagination and the Contemporary Novel examines the global preoccupation with the imagination among literary authors with ties to former colonies of the British Empire since the 1960s. John Su draws on a wide range of authors including Peter Ackroyd, Monica Ali, Julian Barnes, André Brink, J. M. Coetzee, John Fowles, Amitav Ghosh, Nadine Gordimer, Hanif Kureishi, Salman Rushdie and Zadie Smith. This study rehabilitates the category of imagination in order to understand a broad range of contemporary Anglophone literature. The responses of such literature to shifts in global capitalism have often been misunderstood by the dominant categories of literary studies, the postmodern and the postcolonial. As both an insightful critique into the themes that drive a range of today's best novelists and a bold restatement of what the imagination is and what it means for contemporary culture, this book breaks new ground in the study of twenty-first-century literature. |
| manichean aesthetics: Pre-colonial Africa in Colonial African Narratives Donald R. Wehrs, 2008 Donald Wehrs explores pioneering narrative representations of pre-colonial African history and society in texts by Casely Hayford, Alhaji Sir Abubaker Tafawa Balewa, Paul Hazoumé, D.O. Fagunwa, Amos Tutuola, and Chinua Achebe. By highlighting the role of pre-colonial political economies and articulations of state power on colonial-era considerations of ethical and political issues, his book supplements recent work on the importance of indigenous contexts and discourses in situating colonial-era narratives. |
| manichean aesthetics: Across the Lines , 2022-05-16 This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus embodied in the general framework of historically and socially determined cultural traditions. Traditions, however, result from selective forms of perception; they are as much inventions as they are based on exclusion. Intertextuality leads to a constant reinforcement of tradition, while, at the same time, intertextual relations between the new literatures and other English-language literatures are all too obvious. Despite the inevitable impact of tradition, the new literatures tend to employ a dynamic reading of culture which fosters social process and transition, thus promoting transcultural rather than intercultural modes of communication. Writing and reading across borders becomes a dialogue which reveals both differences and similarities. More than a decolonizing form of deconstruction, intertextuality is a strategy for communicating meaning across cultural boundaries. |
| manichean aesthetics: Modern Persian Literature in Afghanistan Wali Ahmadi, 2008-03-05 With the unleashing of the War on Terror in the aftermath of 9/11, Afghanistan has become prominent in the news. However, we need to appreciate that no substantive understanding of contemporary history, politics and society of this country can be achieved without a thorough analysis of the Afghan encounter with cultural and literary modernity and modernization. Modern Persian Literature in Afghanistan does just that. The book offers a balanced and interdisciplinary analysis of the rich and admirable contemporary poetry and fiction of a land long tormented by wars and invasions. It sets out to demonstrate that, within the trajectory of the union between modern aesthetic imagination and politics, creativity and production, and representation and history, the modernist intervention enabled many contemporary poets and writers of fiction to resist the overt politicization of the literary field, without evading politics or disavowing the modern state. The interpretative moves and nuanced readings of a series of literary texts make this book a major contribution to a rather neglected area of research and study. Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009 |
| manichean aesthetics: Thinking of the Medieval Benjamin A. Saltzman, R. D. Perry, 2022-10-13 The mid-twentieth century gave rise to a rich array of new approaches to the study of the Middle Ages by both professional medievalists and those more well-known from other pursuits, many of whom continue to exert their influence over politics, art, and history today. Attending to the work of a diverse and transnational group of intellectuals – Hannah Arendt, Erich Auerbach, W. E. B. Du Bois, Frantz Fanon, Erwin Panofsky, Simone Weil, among others – the essays in this volume shed light on these thinkers in relation to one another and on the persistence of their legacies in our own time. This interdisciplinary collection gives us a fuller and clearer sense of how these figures made some of their most enduring contributions with medieval culture in mind. Thinking of the Medieval is a timely reminder of just how vital the Middle Ages have been in shaping modern thought. |
| manichean aesthetics: That the People Might Live Jace Weaver, 1997-12-18 Loyalty to the community is the highest value in Native American cultures, argues Jace Weaver. In That the People Might Live, he explores a wide range of Native American literature from 1768 to the present, taking this sense of community as both a starting point and a lens. Weaver considers some of the best known Native American writers, such as Leslie Marmon Silko, Gerald Vizenor, and Vine Deloria, as well as many others who are receiving critical attention here for the first time. He contends that the single thing that most defines these authors' writings, and makes them deserving of study as a literature separate from the national literature of the United States, is their commitment to Native community and its survival. He terms this commitment communitism--a fusion of community and activism. The Native American authors are engaged in an ongoing quest for community and write out of a passionate commitment to it. They write, literally, that the People might live. Drawing upon the best Native and non-Native scholarship (including the emerging postcolonial discourse), as well as a close reading of the writings themselves, Weaver adds his own provocative insights to help readers to a richer understanding of these too often neglected texts. A scholar of religion, he also sets this literature in the context of Native cultures and religious traditions, and explores the tensions between these traditions and Christianity. |
| manichean aesthetics: Are We Not Men? Phillip Brian Harper, 1996 Includes information on AIDS (Acquired Immune Deficiency Syndrome), Laurie Anderson, authenticity, back up singing, Imamu Amiri Baraka (Leroi Jones), Black Arts movement, Black Like Me (Griffin), black masculinity, balck nationalism, Black Power movement, breakdancing, Diahann, Carroll, designatory terminology, femininity, Nikki Giovanni, Harlem Renaissance, HIV (human immunodeficiency virus), homosexuality, Jesse Jackson, Michael Jackson, Jane Doe v. State of Louisana, Earvin (Magic) Johnson, Motown Record Corporation, MTV, pop music, racial classificaton, racial passing, rap (music), Alice Beatrice Jones Rhinelander case, Max Robinson, Room 222 (television), Run DMC, RuPaul, O.J. Simpson, the Supremes, Stevie Wonder, etc. |
| manichean aesthetics: A Soviet Journey Alex La Guma, 2017-04-18 A Soviet Journey by the South African activist and novelist Alex La Guma (1925–1985) is one of the longest and most substantive accounts of the USSR by an African writer. It is a rare and important document of the antiapartheid struggle and the cold war period. |
| manichean aesthetics: Shades of Empire in Colonial and Post-colonial Literatures C. C. Barfoot, Theo D'haen, Theo d'. Haen, 1993 All The Essays In This Anthology Reflect The Growing Importance Of Literature And Cultures That Might Once Have Been Regarded As Marginal. This Book Affirms The Importance And Interest Of A Wide Variety Of Literatures Sharing A Language But Reflecting A Rich And Provocative Diversity Of Histories, Experiences And Attitudes To The Shared World Which Still Divides Us. Couple Of The Essays Look Into The Work Of Anita Desai And Salman Rushdie. |
| manichean aesthetics: Not White Enough, Not Black Enough Mohamed Adhikari, 2005-11-17 The concept of Colouredness—being neither white nor black—has been pivotal to the brand of racial thinking particular to South African society. The nature of Coloured identity and its heritage of oppression has always been a matter of intense political and ideological contestation. Not White Enough, Not Black Enough: Racial Identity in the South African Coloured Community is the first systematic study of Coloured identity, its history, and its relevance to South African national life. Mohamed Adhikari engages with the debates and controversies thrown up by the identity’s troubled existence and challenges much of the conventional wisdom associated with it. A combination of wide-ranging thematic analyses and detailed case studies illustrates how Colouredness functioned as a social identity from the time of its emergence in the late nineteenth century through its adaptation to the postapartheid environment. Adhikari demonstrates how the interplay of marginality, racial hierarchy, assimilationist aspirations, negative racial stereotyping, class divisions, and ideological conflicts helped mold people’s sense of Colouredness over the past century. Knowledge of this history, and of the social and political dynamic that informed the articulation of a separate Coloured identity, is vital to an understanding of present-day complexities in South Africa. |
Manichaeism - Wikipedia
Manichaeism (/ ˌmænɪˈkiːɪzəm /; [4] in Persian: آئین مانی Āʾīn-ī Mānī; Chinese: 摩尼教; pinyin: Móníjiào) is an endangered former major world religion currently only practiced in China …
Manichaeism | Definition, Beliefs, History, & Facts | Britannica
May 15, 2025 · Manichaeism, dualistic religious movement founded in Persia in the 3rd century ce by Mani, who was known as the “Apostle of Light” and supreme “Illuminator.”
MANICHAEAN Definition & Meaning - Merriam-Webster
The meaning of MANICHAEAN is a believer in a syncretistic religious dualism originating in Persia in the third century a.d. and teaching the release of the spirit from matter through asceticism.
Manichean - Definition, Meaning & Synonyms | Vocabulary.com
To be Manichean is to follow the philosophy of Manichaeism, which is an old religion that breaks everything down into good or evil. It also means “duality,” so if your thinking is Manichean, you …
Manichaeism: The Ancient Religion that Rivaled Christianity
Oct 17, 2019 · Manichaeism is a multi-faceted religion that was founded by Iranian prophet Mani. After a revelation with the angel Eltaum, Mani prepared for 12 years to proclaim himself to the …
Manichaeism - New World Encyclopedia
Manichaeism is an extinct dualistic religion of Iranian origin, founded in the third century C.E. by the Prophet Mani (c. 216-274 C.E.). Originating in Babylon (a province of Persia at the time), …
Manichaeism: The Religion that Went Extinct - WorldAtlas
Feb 19, 2024 · Manichaeism, once a major world religion, now remains a fascinating chapter in the annals of religious history. This religion, founded in the 3rd century AD, emerged as a …
Manichaeism - Encyclopedia.com
May 11, 2018 · Once considered a Christian heresy, Manichaeism is now regarded as a complex dualistic religion essentially. gnostic in character. Its founder, M ā n ī, Manes, M άνης, M …
Manichaeism - Simple English Wikipedia, the free encyclopedia
Manichaeism (in Modern Persian آیین مانی Āyin e Māni) was a major Iranian universal dualistic monotheistic religion founded in the mid 3rd-century CE by the Parthian Jewish Christian …
Manicheanism - Theopedia
Manicheanism (sometimes Manichaeism or Manichaeanism) was one of the major ancient religions of Persian (ancient Iran) origin. Though its organized form is mostly extinct today, a …
Manichaeism - Wikipedia
Manichaeism (/ ˌmænɪˈkiːɪzəm /; [4] in Persian: آئین مانی Āʾīn-ī Mānī; Chinese: 摩尼教; pinyin: Móníjiào) is an endangered former major world religion currently only practiced in China …
Manichaeism | Definition, Beliefs, History, & Facts | Britannica
May 15, 2025 · Manichaeism, dualistic religious movement founded in Persia in the 3rd century ce by Mani, who was known as the “Apostle of Light” and supreme “Illuminator.”
MANICHAEAN Definition & Meaning - Merriam-Webster
The meaning of MANICHAEAN is a believer in a syncretistic religious dualism originating in Persia in the third century a.d. and teaching the release of the spirit from matter through asceticism.
Manichean - Definition, Meaning & Synonyms | Vocabulary.com
To be Manichean is to follow the philosophy of Manichaeism, which is an old religion that breaks everything down into good or evil. It also means “duality,” so if your thinking is Manichean, you …
Manichaeism: The Ancient Religion that Rivaled Christianity
Oct 17, 2019 · Manichaeism is a multi-faceted religion that was founded by Iranian prophet Mani. After a revelation with the angel Eltaum, Mani prepared for 12 years to proclaim himself to the …
Manichaeism - New World Encyclopedia
Manichaeism is an extinct dualistic religion of Iranian origin, founded in the third century C.E. by the Prophet Mani (c. 216-274 C.E.). Originating in Babylon (a province of Persia at the time), …
Manichaeism: The Religion that Went Extinct - WorldAtlas
Feb 19, 2024 · Manichaeism, once a major world religion, now remains a fascinating chapter in the annals of religious history. This religion, founded in the 3rd century AD, emerged as a …
Manichaeism - Encyclopedia.com
May 11, 2018 · Once considered a Christian heresy, Manichaeism is now regarded as a complex dualistic religion essentially. gnostic in character. Its founder, M ā n ī, Manes, M άνης, M …
Manichaeism - Simple English Wikipedia, the free encyclopedia
Manichaeism (in Modern Persian آیین مانی Āyin e Māni) was a major Iranian universal dualistic monotheistic religion founded in the mid 3rd-century CE by the Parthian Jewish Christian …
Manicheanism - Theopedia
Manicheanism (sometimes Manichaeism or Manichaeanism) was one of the major ancient religions of Persian (ancient Iran) origin. Though its organized form is mostly extinct today, a …
