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| literature in 1850: An Edo Anthology Sumie Jones, Kenji Watanabe, 2013-02-28 During the eighteenth century, Edo (today’s Tokyo) became the world’s largest city, quickly surpassing London and Paris. Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high spirited works, celebrating the rapid changes, extraordinary events, and scandalous news of the day, have been collected in an accessible volume highlighting the city life of Edo. Edo’s urban consumers demanded visual presentations and performances in all genres. Novelties such as books with text and art on the same page were highly sought after, as were kabuki plays and the polychrome prints that often shared the same themes, characters, and even jokes. Popular interest in sex and entertainment focused attention on the theatre district and “pleasure quarters,” which became the chief backdrops for the literature and arts of the period. Gesaku, or “playful writing,” invented in the mid-eighteenth century, satirized the government and samurai behavior while parodying the classics. These entertaining new styles bred genres that appealed to the masses. Among the bestsellers were lengthy serialized heroic epics, revenge dramas, ghost and monster stories, romantic melodramas, and comedies that featured common folk. An Edo Anthology offers distinctive and engaging examples of this broad range of genres and media. It includes both well-known masterpieces and unusual examples from the city’s counterculture, some popular with intellectuals, others with wider appeal. Some of the translations presented here are the first available in English and many are based on first editions. In bringing together these important and expertly translated Edo texts in a single volume, this collection will be warmly welcomed by students and interested readers of Japanese literature and popular culture. |
| literature in 1850: Literature Incorporated John O'Brien, 2016 Introduction: the corporation as metaphor -- John Locke, desire, and the incorporation of money -- Wonderful event: the South Sea bubble and the crisis of property -- Insurance and the problem of sentimental representation -- Bodies of men: abolitionist writing and the question of interest -- Held in reserve: banks, serial crises, and the ekphrastic turn -- Coda: the entrepreneur as corporate hero |
| literature in 1850: American Literature from 1600 Through the 1850s Britannica Educational Publishing, 2010-04-01 Fiercely nationalistic, the first prominent American writers exhibited a profound pride in the territory that would come to be known as the United States. Predating even the Declaration of Independence, much early American writing entailed commentary on the newly developing American society. This volume examines the literature of the country in its nascence and writers such as Poe, Hawthorne, and Emerson, who helped cultivate a uniquely American voice. |
| literature in 1850: American Literature from the 1850s to 1945 Adam Augustyn Assistant Manager and Assistant Editor, Literature, 2010-08-15 Explores the works, writers, and movements that shaped the American literary canon from the end of the nineteenth century through the first half of the twentith. |
| literature in 1850: Political Economy, Literature & the Formation of Knowledge, 1720-1850 Richard Adelman, Catherine Packham, 2018-03-09 This edited collection, Political Economy, Literature & the Formation of Knowledge, aims to address the genealogy and formation of political economy as a knowledge project from 1720 to 1850. Through individual essays on both literary and political economic writers, this volume defines and analyses the formative moves, both epistemological and representational, which proved foundational to the emergence of political economy as a dominant discourse of modernity. The collection also explores political economy’s relation to other discourses and knowledge practices in this period; representation in and of political economy; abstraction and political economy; fictional mediations and interrogations of political economy; and political economy and its ‘others’, including political economy and affect, and political economy and the aesthetic. Essays presented in this text are at once historical and conceptual in focus, and manifest literary critical disciplinary expertise whilst being of genuinely broad and interdisciplinary interest. Amongst the writers whose work is addressed are: Charles Dickens, Elizabeth Gaskell, David Hume, Thomas Malthus, Jane Marcet, J. S. Mill, David Ricardo, and Adam Smith. The introduction, by the editors, sets up the conceptual, theoretical and analytical framework explored by each of the essays. The final essay and response bring the concerns of the volume up to date by engaging with current economic and financial realities, by, respectively, showing how an informed and critical history of political economy could transform current economic practices, and by exploring the abundance of recent conceptual art addressing representation and the unpresentable in economic practice. |
| literature in 1850: Eighteenth-Century Poetry and the Rise of the Novel Reconsidered Kate Parker, Courtney Weiss Smith, 2013-12-24 Bringing together work by distinguished and younger scholars, Eighteenth-Century Poetry and the Rise of the Novel Reconsidered takes seriously the connections between poetry and novels in the period between Andrew Marvell’s Upon Appleton House and Amelia Opie’s Romanic-era novels. |
| literature in 1850: Nineteenth-century Literature in Transition , 2019 |
| literature in 1850: A Tokyo Anthology Sumie Jones, Charles Shirō Inouye, 2017-02-28 The city of Tokyo, renamed after the Meiji Restoration, developed an urban culture that was a dynamic integration of Edo’s highly developed traditions and Meiji renovations, some of which reflected the influence of Western culture. This wide-ranging anthology—including fictional and dramatic works, essays, newspaper articles, political manifestos, and cartoons—tells the story of how the city’s literature and arts grew out of an often chaotic and sometimes paradoxical political environment to move toward a consummate Japanese “modernity.” Tokyo’s downtown audience constituted a market that demanded visuality and spectacle, while the educated uptown favored written, realistic literature. The literary products resulting from these conflicting consumer bases were therefore hybrid entities of old and new technologies. A Tokyo Anthology guides the reader through Japanese literature’s journey from classical to spoken, pictocentric to logocentric, and fantastic to realistic—making the novel the dominant form of modern literature. The volume highlights not only familiar masterpieces but also lesser known examples chosen from the city’s downtown life and counterculture. Imitating the custom of creative artists of the Edo period, scholars from the United States, Canada, England, and Japan have collaborated in order to produce this intriguing sampling of Meiji works in the best possible translations. The editors have sought out the most reliable first editions of texts, also reproducing most of their original illustrations. With few exceptions the translations presented here are the first in the English language. This rich anthology will be welcomed by students and scholars of Japan studies and by a wide general audience interested in Japan’s popular culture, media culture, and literature in translation. |
| literature in 1850: At Home in the City Elizabeth Klimasmith, 2005 A lucidly written analysis of urban literature and evolving residential architecture. |
| literature in 1850: The Tramp in British Literature, 1850—1950 Luke Lewin Davies, 2021-11-07 The Tramp in British Literature, 1850–1950 offers an account of the emergence of a new conception of homelessness in the mid-nineteenth century, which it argues reflects the evolution of capitalism and disciplinary society in this period. In the process it uncovers a neglected body of literature on the subject of the tramp written by thirty-three memoir writers and eighteen fiction writers, most of whom were themselves homeless. In analysing these works, The Tramp in British Literature presents select texts as a unique and ignored contribution to a wider radical discourse defined by its opposition to a societal fixation upon the need to be productive. |
| literature in 1850: Victorian Noon Carl Dawson, 2020-03-24 Originally published in 1979. Carl Dawson looks at the year 1850, which was an extraordinary year in English literary history, to study both the great and forgotten writers, to survey journals and novels, poems and magazines, and to ask questions about dominant influences and ideas. His primary aim is descriptive: How was Wordsworth's Prelude received by his contemporaries on its publication in 1850? How did reviewers respond to new tendencies in poetry and fiction/ Who were the prominent literary models? But Dawson's descriptions also lead to broader, theoretical questions about such issues as the status of the imagination in an age obsessed by mechanical invention, about the public role of the writer, the appeal to nature, and the use of myth and memory. To express the Victorians' estimation of poetry, for example, Dawson presents the contrasting views help by two eminent Victorians, Macaulay and Carlyle. In Macaulay's opinion, the advance of civilization led to the decline of poetry; Carlyle, on the other hand, saw the poet as a spiritual liberator in a world of materialists. The fusion of the poet's personal and public roles is witnessed in a discussion of the two mid-Victorian Poet Laureates, Wordsworth and his successor, Tennyson. In analyzing the relationship between the two writers' works, Dawson also highlights the extent of the Victorians' admiration for Dante. To give a wider perspective of the status of literature during this time, Dawson examines reviews, prefaces, and other remarks. Critics, he shows, made a clear distinction between poetry and fiction. Thus, in 1850, a comparison between, say, Wordsworth and Dickens would not have been made. Dawson, however, does compare the two, by focusing on their uses of autobiography. Dickens surfaces again, in a discussion of Victorian periodical publishing. Here, Dawson compares the Pre-Raphaelites' short-lived journal The Germ with Dickens' enormously popular Household Words and a radical paper, The Red Republican, which printed the first English version of The Communist Manifesto in 1850. In bringing together materials that have often been seen as disparate and unrelated and by suggesting new literary and ideological relationships, Carl Dawson has written a book to inform almost any reader, whether scholar of Victorian literature or lover of Dicken's novels. |
| literature in 1850: Effeminate Years Declan Kavanagh, 2017-06-23 Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time. |
| literature in 1850: Philanthropic Discourse in Anglo-American Literature, 1850–1920 Frank Q. Christianson, Leslee Thorne-Murphy, 2017-10-19 “Offers . . . a clearer insight into the scope and function of philanthropy in political and private life and the impacts that women writers and activists had.” —Edith Wharton Review From the mid-nineteenth century until the rise of the modern welfare state in the early twentieth century, Anglo-American philanthropic giving gained an unprecedented measure of cultural authority as it changed in kind and degree. Civil society took on the responsibility for confronting the adverse effects of industrialism, and transnational discussions of poverty, urbanization, and women’s work, and sympathy provided a means of understanding and debating social reform. While philanthropic institutions left a transactional record of money and materials, philanthropic discourse yielded a rich corpus of writing that represented, rationalized, and shaped these rapidly industrializing societies, drawing on and informing other modernizing discourses including religion, economics, and social science. Showing the fundamentally transatlantic nature of this discourse from 1850 to 1920, the authors gather a wide variety of literary sources that crossed national and colonial borders within the Anglo-American range of influence. Through manifestos, fundraising tracts, novels, letters, and pamphlets, they piece together the intellectual world where philanthropists reasoned through their efforts and redefined the public sector. |
| literature in 1850: John Galt Regina Hewitt, 2012-05-18 The essays in this volume revalue the work of the Romantic-era Scottish writer John Galt, connecting his methods and goals with Scottish Enlightenment “conjectural” historiography and with later social theorizing. Emphasizing the construction, representation and use of social knowledge, the essays find new meaning in Galt’s perceptions of the Atlantic and Mediterranean worlds in which he traveled, his attitudes toward community building and progress, and his innovations in fiction, drama, journalism and biography. |
| literature in 1850: Novel Bodies Jason S. Farr, 2019-06-07 Novel Bodies examines how disability shapes the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain. In imagining the lived experience of disability as analogous to—and as informed by—queer genders and sexualities, the authors featured in Novel Bodies expose emerging ideas of able-bodiedness and heterosexuality as interconnected systems that sustain dominant models of courtship, reproduction, and degeneracy. Further, Farr argues that they use intersections of disability and queerness to stage an array of contemporaneous debates covering topics as wide-ranging as education, feminism, domesticity, medicine, and plantation life. In his close attention to the fiction of Eliza Haywood, Samuel Richardson, Sarah Scott, Maria Edgeworth, and Frances Burney, Farr demonstrates that disabled and queer characters inhabit strict social orders in unconventional ways, and thus opened up new avenues of expression for readers from the eighteenth century forward. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. |
| literature in 1850: Literature and Architecture in Early Modern England Anne M. Myers, 2012-12-10 Buildings tell stories. Castles, country homes, churches, and monasteries are documents of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England's failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect. -- Julian Yates, University of Delaware |
| literature in 1850: Juvenile Literature and British Society, 1850-1950 Charles Ferrall, Anna Jackson, 2012-05-10 In this study, Charles Ferrall and Anna Jackson argue that the Victorians created a concept of adolescence that lasted into the twentieth century and yet is strikingly at odds with post-Second World War notions of adolescence as a period of storm and stress. In the enormously popular juvenile literature of the period, primarily boys’ and girls’ own adventure and school stories, adolescence is acknowledged as a time of sexual awareness and yet also of a romantic idealism that is lost with marriage, a time when boys and girls acquire adult duties and responsibilities and yet have not had to assume the roles of breadwinner or household manager. The book reveals a concept of adolescence as significant as the Romantic cult of childhood that preceded it, which will be of interest to scholars of both children’s literature and Victorian culture. |
| literature in 1850: The Sketch, the Tale, and the Beginnings of American Literature Lydia G. Fash, 2020 Combining history, print history, and literary criticism, this book shows how short fiction of the early nineteenth century, including sketches and tales, was vital to the birth of a national literary tradition, the great American novel, and even what it meant to be American-- |
| literature in 1850: In Memoriam Alfred Tennyson, Alfred Tennyson Baron Tennyson, 2004 Tennyson s central poem is presented with an extensive introduction that provides background information on the poet and poem as well as an overview of In Memoriam s formal and thematic peculiarities, including Tennyson s use of the stanza and the poem s rhyme scheme. |
| literature in 1850: The Literature of Connection David Trotter, 2020-06-10 This book is about some of the ways in which the world got ready to be connected, long before the advent of the technologies and the concentrations of capital necessary to implement a global 'network society'. It investigates the prehistory not of the communications 'revolution' brought about by advances in electronic digital computing from 1950 onwards, but of the principle of connectivity which was to provide that revolution with its justification and rallying-cry. Connectivity's core principle is that what matters most in any act of telecommunication, and sometimes all that matters, is the fact of its having happened. During the nineteenth century, the principle gained steadily increasing traction by means not only of formal systems such as the telegraph, but of an array of improvised methods and signalling devices. These methods and devices fulfilled not just an ever more urgent need, but a fundamental recurring desire, for near-instantaneous real-time communication at a distance. Connectivity became an end in itself: a complex, vivid, unpredictable romance woven through the enduring human desire and need for remote intimacy. Its magical enhancements are the stuff of tragedy, comedy, satire, elegy, lyric, melodrama, and plain description; of literature, in short. The book develops the concepts of signal, medium, and interface to offer, in its first part, an alternative view of writing in Britain from George Eliot and Thomas Hardy to D.H. Lawrence, Hope Mirrlees, and Katherine Mansfield; and, in its second, case-studies of European and African-American fiction, and of interwar British cinema, designed to open the topic up for further enquiry. |
| literature in 1850: 1650-1850 Kevin L. Cope, 2019-04-01 With issue twenty-four of 1650–1850, this annual enters its second quarter-century with a new publisher, a new look, a new editorial board, and a new commitment to intellectual and artistic exploration. As the diversely inventive essays in this first issue from the Bucknell University Press demonstrate, the energy and open-mindedness that made 1650–1850 a success continue to intensify. This first Bucknell issue includes a special feature that explores the use of sacred space in what was once incautiously called “the age of reason.” A suite of book reviews renews the 1650–1850 legacy of full-length and unbridled evaluation of the best in contemporary Enlightenment scholarship. These lively and informative reviews celebrate the many years that book review editor Baerbel Czennia has served 1650–1850 and also make for an able handoff to Samara Anne Cahill of Nanyang Technological University, who will edit the book review section beginning with our next volume. Most important of all, this issue serves as an invitation to scholars to offer their most creative and thoughtful work for consideration for publication in 1650–1850. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. First published in 1994, 1650-1850 is currently in its 24th volume. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. |
| literature in 1850: The Story of A Patricia Crain, 2000 Richly illustrated with often antic images from alphabet books and primers, The Story of A relates the history of the alphabet as a genre of text for children and of alphabetization as a social practice in America, from early modern reading primers to the literature of the American Renaissance. Offering a poetics of alphabetization and explicating the alphabet's tropes and rhetorical strategies, the author demonstrates the far-reaching cultural power of such apparently neutral statements as A is for apple. The new market for children's books in the eighteenth century established for the republic of ABC a cultural potency equivalent to its high-culture counterpart, the republic of letters, while shaping its child-readers into consumers. As a central rite of socialization, alphabetization schooled children to conflicting expectations, as well as to changing models of authority, understandings of the world, and uses of literature. In the nineteenth century, literacy became a crucial aspect of American middle-class personality and subjectivity. Furnishing the readers and writers needed for a national literature, the alphabetization of America between 1800 and 1850 informed the sentimental-reform novel as well as the self-consciously aesthetic novel of the 1850s. Through readings of conduct manuals, reading primers, and a sentimental bestseller, the author shows how the alphabet became embedded in a maternal narrative, which organized the world through domestic affections. Nathaniel Hawthorne, by contrast, insisted on the artificiality of the alphabet and its practices in his antimimetic, hermetic The Scarlet Letter, with its insistent focus on the letter A. By understanding this novel as part of the network of alphabetization, The Story of A accounts for its uniquely persistent cultural role. The author concludes, in an epilogue, with a reading of postmodern alphabets and their implications for the future of literacy. |
| literature in 1850: Chinese San Francisco, 1850-1943 Yong Chen, 2000 Founded during the Gold Rush years, the Chinese community of San Francisco became the largest and most vibrant Chinatown in America. This is a detailed social and cultural history of the Chinese in San Francisco. |
| literature in 1850: The Tell-Tale Heart Edgar Allan Poe, 2020-08-12 Ten tantalizing tales include The Fall of the House of Usher, William Wilson, The Pit and the Pendulum, The Cask of Amontillado, The Purloined Letter, The Murders in the Rue Morgue, more. |
| literature in 1850: Turgenev and the Context of English Literature 1850-1900 Glyn Turton, 2002-01-31 Examines the cultural outlook in the Anglo-Saxon world, in this period, through an analysis of the reception of Turgenev's work in translation in a number of writers including Henry James and George Gissing. |
| literature in 1850: Victorian Publishing Alexis Weedon, 2017-03-02 Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication. |
| literature in 1850: Reading Smell in Eighteenth-century Fiction Emily C. Friedman, 2016 Reading Smell examines how far the novel, which is so often claimed to be a repository of modernity and changing mores, can be understood through a reintroduction of olfactory information. After decades of reading for all kinds of racial, cultural, gendered, and other sorts of absences back into the novel, this book takes one step further: to consider how the recovery of forgotten or overlooked olfactory assumptions might reshape our understanding of these texts. |
| literature in 1850: Space and the 'March of Mind' Alice Jenkins, 2007-01-18 Discussing the idea of space in the first half of the 19th century, this book uses contemporary poetry, essays, and fiction as well as scientific papers, textbooks, and journalism to give an account of 19th-century literature's relationship with science. |
| literature in 1850: Cosmos Alexander von Humboldt, 1852 |
| literature in 1850: Rococo Fiction in France, 1600-1715 Allison Stedman, 2014-06-15 Rococo Fiction in France reconfigures the history of the long eighteenth century by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century table-talk novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Visé's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Préchac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lhéritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner. |
| literature in 1850: Victorian Noon Carl Dawson, 2020-03-24 Originally published in 1979. Carl Dawson looks at the year 1850, which was an extraordinary year in English literary history, to study both the great and forgotten writers, to survey journals and novels, poems and magazines, and to ask questions about dominant influences and ideas. His primary aim is descriptive: How was Wordsworth's Prelude received by his contemporaries on its publication in 1850? How did reviewers respond to new tendencies in poetry and fiction/ Who were the prominent literary models? But Dawson's descriptions also lead to broader, theoretical questions about such issues as the status of the imagination in an age obsessed by mechanical invention, about the public role of the writer, the appeal to nature, and the use of myth and memory. To express the Victorians' estimation of poetry, for example, Dawson presents the contrasting views help by two eminent Victorians, Macaulay and Carlyle. In Macaulay's opinion, the advance of civilization led to the decline of poetry; Carlyle, on the other hand, saw the poet as a spiritual liberator in a world of materialists. The fusion of the poet's personal and public roles is witnessed in a discussion of the two mid-Victorian Poet Laureates, Wordsworth and his successor, Tennyson. In analyzing the relationship between the two writers' works, Dawson also highlights the extent of the Victorians' admiration for Dante. To give a wider perspective of the status of literature during this time, Dawson examines reviews, prefaces, and other remarks. Critics, he shows, made a clear distinction between poetry and fiction. Thus, in 1850, a comparison between, say, Wordsworth and Dickens would not have been made. Dawson, however, does compare the two, by focusing on their uses of autobiography. Dickens surfaces again, in a discussion of Victorian periodical publishing. Here, Dawson compares the Pre-Raphaelites' short-lived journal The Germ with Dickens' enormously popular Household Words and a radical paper, The Red Republican, which printed the first English version of The Communist Manifesto in 1850. In bringing together materials that have often been seen as disparate and unrelated and by suggesting new literary and ideological relationships, Carl Dawson has written a book to inform almost any reader, whether scholar of Victorian literature or lover of Dicken's novels. |
| literature in 1850: A Critical Dictionary of English Literature and British and American Authors, Living and Deceased, from the Earliest Accounts to the Latter Half of the Nineteenth Century Samuel Austin Allibone, 1878 |
| literature in 1850: The Chronology of American Literature Daniel S. Burt, 2004 If you are looking to brush up on your literary knowledge, check a favorite author's work, or see a year's bestsellers at a glance, The Chronology of American Literature is the perfect resource. At once an authoritative reference and an ideal browser's guide, this book outlines the indispensable information in America's rich literary past--from major publications to lesser-known gems--while also identifying larger trends along the literary timeline. Who wrote the first published book in America? When did Edgar Allan Poe achieve notoriety as a mystery writer? What was Hemingway's breakout title? With more than 8,000 works by 5,000 authors, The Chronology makes it easy to find answers to these questions and more. Authors and their works are grouped within each year by category: fiction and nonfiction; poems; drama; literary criticism; and publishing events. Short, concise entries describe an author's major works for a particular year while placing them within the larger context of that writer's career. The result is a fascinating glimpse into the evolution of some of America's most prominent writers. Perhaps most important, The Chronology offers an invaluable line through our literary past, tying literature to the American experience--war and peace, boom and bust, and reaction to social change. You'll find everything here from Benjamin Franklin's Experiments and Observations on Electricity, to Davy Crockett's first memoir; from Thoreau's Civil Disobedience to Edith Wharton's Ethan Frome; from meditations by James Weldon Johnson and James Agee to poetry by Elizabeth Bishop. Also included here are seminal works by authors such as Rachel Carson, Toni Morrison, John Updike, and Arthur Schlesinger, Jr. Lavishly illustrated--and rounded out with handy bestseller lists throughout the twentieth century, lists of literary awards and prizes, and authors' birth and death dates--The Chronology of American Literature belongs on the shelf of every bibliophile and literary enthusiast. It is the essential link to our literary past and present. |
| literature in 1850: A Critical Dictionary of English Literature and British and American Authors Samuel Austin Allibone, 1899 |
| literature in 1850: Civil War America, 1850 To 1875 Richard F. Selcer, 2014-05-14 Features essays, statistical data, period photographs, maps, and documents. |
| literature in 1850: A Critical Dictionary of English Literature and British and American Authors S. Austin Allibone, 1874 |
| literature in 1850: Literature David Damrosch, Gunilla Lindberg-Wada, Anders Pettersson, Theo D'haen, Bo Utas, Zhang Longxi, Djelal Kadir, As'ad Khairallah, Harish Trivedi, Eileen Julien, 2022-06-20 Eine umfassende Darstellung der Geschichte der Weltliteratur und der vielfältigen literarischen Ausdrucksformen In Literature: A World History werden alle wesentlichen literarischen Traditionen der Welt behandelt, wobei insbesondere auf die Wechselbeziehungen zwischen lokalen und nationalen Kulturen im Zeitverlauf eingegangen wird. Das umfangreiche vierbändige Werk betrachtet die Weltliteratur vom Beginn der geschichtlichen Aufzeichnung bis heute mit den zahlreichen Eigenheiten der Literaturen in ihrem jeweiligen gesellschaftlichen und geistesgeschichtlichen Kontext. Die vier Bände befassen sich mit der Literatur vor dem Jahr 200 n. Chr., von 200 bis 1500 n. Chr., von 1500 bis 1800 n. Chr. und von 1800 n. Chr. bis zum Jahr 2000. Dabei geben rund vierzig Autorinnen und Autoren neue Einblicke in die Kunst der Literatur und erörtern die Lage der Literatur in der heutigen Welt. In Literature: A World History wird die Welt in sechs Regionen ? Afrika, Nord- und Südamerika, Ostasien, Europa, Süd- und Südostasien mit Ozeanien sowie West- und Zentralasien ? unterteilt, um den Leserinnen und Lesern die verschiedenen literarischen Ausdrucksweisen abhängig von Zeit und Ort übersichtlich und in einheitlicher Form nahezubringen. Dabei wird durchgängig besonders auf literarische Institutionen in den verschiedenen regionalen und sprachlichen Kulturen sowie auf die Beziehungen zwischen Literatur und einem Spektrum gesellschaftlicher, politischer und religiöser Hintergründe eingegangen. * Mit Beiträgen einer internationalen Gruppe führender Wissenschaftler aus aller Welt, die in Afrika, dem Nahen Osten, Süd- und Ostasien, Australien und Neuseeland, Europa und den USA tätig sind * Ein ausgewogener Überblick über die nationale und globale Literatur aus allen wichtigen Regionen der Welt von der Antike bis zur Gegenwart * Hervorhebung der Besonderheiten regionaler und lokaler Kulturen in weiten Teilen der Literaturgeschichte sowie übergreifende Essays zu Themen wie unterschiedlichen Schriftsystemen, Hofkultur und Utopien Literature: A World History ist ein äußerst wertvolles Referenzwerk für Studierende und Doktoranden sowie für Forschende, die sich einen umfassenden Überblick über die globale Literaturgeschichte verschaffen möchten. |
| literature in 1850: African American Literature in Transition, 1850-1865 Teresa C. Zackodnik, 2021-02 |
| literature in 1850: The Saturday Review of Politics, Literature, Science, Art, and Finance , 1918 |
| literature in 1850: Index-guide to Library of the World's Best Literature, Ancient and Modern Edward Cornelius Towne, 1899 |
Literary Periods, Movements, and History - online literature
Literature History. Henry Augustin Beers was a literature historian and professor at Yale who lived at the turn of the 19th century. He wrote intensely detailed histories of American and English …
The Literature Network: Online classic literature, poems, and …
Welcome to The Literature Network! We offer searchable online literature for the student, educator, or enthusiast. To find the work you're looking for start by looking through the author …
Renaissance Literature - Literature Periods & Movements
Renaissance Literature The Renaissance in Europe was in one sense an awakening from the long slumber of the Dark Ages. What had been a stagnant, even backsliding kind of society re …
Existentialism - Literature Periods & Movements
Contemporary literature adopts, discards, and modifies so many philosophical and aesthetic perspectives that holistic points of view like existentialism gets washed out by all the …
Advanced Search - online literature
Advanced Search. We have two search functions here at The Literature Network. Both functions will only search within one author at a time, to search through all the works of all the authors …
Realism - Literature Periods & Movements
There arose a subgenre of Realism called Social Realism, which in hindsight can be interpreted as Marxist and socialist ideas set forth in literature. Advances in the field of human psychology …
Romancticism - Literature Periods & Movements
Contrary to the English example, American literature championed the novel as the most fitting genre for Romanticism’s exposition. In a broader sense, Romanticism can be conceived as an …
Literary Periods & History Timeline - online literature
Here you will find our graphical timeline representing literary periods & movements, as well as major events or authors from literature history. To learn more about specific eras you can …
Modernism - Literature Periods & Movements
Experimentation with genre and form was yet another defining characteristic of Modernist literature. Perhaps the most representative example of this experimental mode is T. S. Eliot’s …
George Eliot - Biography and Works. Search Texts, Read Online.
Marian assisted as editor, vetted submissions, and wrote reviews for it. Her keen intellect, years of religious study, knowledge of languages and literature, and work in translations proved …
Literary Periods, Movements, and History - online literature
Literature History. Henry Augustin Beers was a literature historian and professor at Yale who lived at the turn of the 19th century. He wrote intensely detailed histories of American and English …
The Literature Network: Online classic literature, poems, and …
Welcome to The Literature Network! We offer searchable online literature for the student, educator, or enthusiast. To find the work you're looking for start by looking through the author …
Renaissance Literature - Literature Periods & Movements
Renaissance Literature The Renaissance in Europe was in one sense an awakening from the long slumber of the Dark Ages. What had been a stagnant, even backsliding kind of society re …
Existentialism - Literature Periods & Movements
Contemporary literature adopts, discards, and modifies so many philosophical and aesthetic perspectives that holistic points of view like existentialism gets washed out by all the …
Advanced Search - online literature
Advanced Search. We have two search functions here at The Literature Network. Both functions will only search within one author at a time, to search through all the works of all the authors …
Realism - Literature Periods & Movements
There arose a subgenre of Realism called Social Realism, which in hindsight can be interpreted as Marxist and socialist ideas set forth in literature. Advances in the field of human psychology …
Romancticism - Literature Periods & Movements
Contrary to the English example, American literature championed the novel as the most fitting genre for Romanticism’s exposition. In a broader sense, Romanticism can be conceived as an …
Literary Periods & History Timeline - online literature
Here you will find our graphical timeline representing literary periods & movements, as well as major events or authors from literature history. To learn more about specific eras you can …
Modernism - Literature Periods & Movements
Experimentation with genre and form was yet another defining characteristic of Modernist literature. Perhaps the most representative example of this experimental mode is T. S. Eliot’s …
George Eliot - Biography and Works. Search Texts, Read Online.
Marian assisted as editor, vetted submissions, and wrote reviews for it. Her keen intellect, years of religious study, knowledge of languages and literature, and work in translations proved …
