Mary Russo The Female Grotesque

  mary russo the female grotesque: The Female Grotesque Mary J. Russo, 1995 Examines the grotesque in the light of gender, locating the role of the woman's body in its discourse.
  mary russo the female grotesque: The Female Grotesque Mary Russo, 2012-11-12 The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major addition to the literature of art, cultural criticism and feminist studies, Mary Russo re-examines the grotesque in the light of gender, exploring the works of Angela Carter David Cronenberg Bahktin Kristeva Freud Zizek. Mary Russo looks at the portrayal of the grotesque in Western culture and by combining the iconographic and the historical, locates the role of the woman's body in the discourse of the grotesque.
  mary russo the female grotesque: Geek Love Katherine Dunn, 2011-05-25 National Book Award Finalist • Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities—with the help of amphetamines, arsenic, and radioisotopes. One of The Atlantic’s Great American Novels of the Past 100 Years Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.
  mary russo the female grotesque: Governing the Female Body Lori Reed, Paula Saukko, 2012-02-01 A feminist and Foucauldian analysis of a variety of emerging gendered discourses.
  mary russo the female grotesque: The Monstrous-feminine Barbara Creed, 1993 Most critical writings on horror films conceptualise woman as victim. Creed challenges this view with a feminist psychoanalytic critique, discussing films such as Alien, I Spit on Your Grave and Psycho.
  mary russo the female grotesque: Divided Fictions Kristina Straub, 2021-11-21 Today Fanny Burney's venture into authorship would not be questionable. She was, after all, a daughter of a celebrated musician, and the Burney family was know to the circle of Samuel Johnson and Hester Thrale. Yet as Kristina Straub ably shows, the public recognition which followed the publication of her first novel placed Fanny Burney in a situation of disturbing ambiguity. Did she become famous or notorious? Was she a prodigy or a freak? In this study of Burney, Straub not only describes and analyzes the disturbing transition of a writer's self-awareness as a woman and a literary artist from private to public terms, but also reveals in Burney's works a hitherto unacknowledged complexity.
  mary russo the female grotesque: Feminist Studies / Critical Studies University of Wisconsin--Milwaukee. Center for Twentieth Century Studies, 1986-12-22 This wonderful book does nothing less than to create the next stage of feminist thought. —Catharine R. Stimpson De Lauretis provides a way of thinking about feminism that accepts rather than tries to resolve differences, that refuses fixed definitional categories and insists instead on the contradictory and changing meaning of gendered identities. —The Women's Review of Books This is not a new collection but it is still one of the best. —Exceptional Human Experience The essays in this collection represent very recent developments in feminist research and writing in the areas of history, scientific discourse, literary criticism, and cultural theory. The contributors are: Teresa de Lauretis, Linda Gordon, Carroll Smith-Rosenberg, Ruth Bleier, Evelyn Fox Keller, Jessica Benjamin, Nancy K. Miller, Tania Modleski, Sondra O'Neale, Sheila Radford-Hill, Cherrie Moraga, Biddy Martin, Chandra Talpade Mohanty, and Mary Russo.
  mary russo the female grotesque: School-home Links Reading Kit , 1999
  mary russo the female grotesque: Travelling Knowledges Renate Eigenbrod, 2005-05-25 In the context of de/colonization, the boundary between an Aboriginal text and the analysis by a non-Aboriginal outsider poses particular challenges often constructed as unbridgeable. Eigenbrod argues that politically correct silence is not the answer but instead does a disservice to the literature that, like all literature, depends on being read, taught, and disseminated in various ways. In Travelling Knowledges, Eigenbrod suggests decolonizing strategies when approaching Aboriginal texts as an outsider and challenges conventional notions of expertise. She concludes that literatures of colonized peoples have to be read ethically, not only without colonial impositions of labels but also with the responsibility to read beyond the text or, in Lee Maracle’s words, to become “the architect of great social transformation.” Features the works of: Jeannette Armstrong (Okanagan), Louise Halfe (Cree), Margo Kane (Saulteaux/Cree), Maurice Kenny (Mohawk), Thomas King (Cherokee, living in Canada), Emma LaRocque (Cree/Metis), Lee Maracle (Sto:lo/Metis), Ruby Slipperjack (Anishnaabe), Lorne Simon (Miíkmaq), Richard Wagamese (Anishnaabe), and Emma Lee Warrior (Peigan).
  mary russo the female grotesque: Standing Female Nude Carol Ann Duffy, 2016-10-20 Carol Ann Duffy's outstanding first collection, Standing Female Nude, introduced readers to all they would come to love about her poetry. From lovers to wives to war photographers, the poems it contains range from the delicately poignant to the fiercely political, exploring memory, gender, childhood and place. Within it are also some of her best-known poems, including 'Education for Leisure', as well as, of course, the poem from which the collection takes its title. First published in 1985 to widespread critical acclaim, Standing Female Nude is a work of startling originality and the starting point of the Poet Laureate's dazzling poetic career.
  mary russo the female grotesque: Giving Godhead Dylan Krieger, 2017 Poetry. If a girl, a virus, a horned animal, milkweed, an exchange of cash for dirty looks, the near-rhyme of greed to death, the names of all brutes, and a shroud in which was wrapped the erect ascendant all met in an ovum and, lodged deep in the earth's core, fused into a supernova. If, from that long ago time until this very moment--perhaps even into the future--that supernova were listening in on us, her grave canal located such that she were overexposed to US American politicovangelizing, all at once began to speak: this is what she says. --Danielle Pafunda
  mary russo the female grotesque: The Wild Body Wyndham Lewis, 1928
  mary russo the female grotesque: Singing to the Plants Stephan V, Beyer, 2010-01-15 In the Upper Amazon, mestizos are the Spanish-speaking descendants of Hispanic colonizers and the indigenous peoples of the jungle. Some mestizos have migrated to Amazon towns and cities, such as Iquitos and Pucallpa; most remain in small villages. They have retained features of a folk Catholicism and traditional Hispanic medicine, and have incorporated much of the religious tradition of the Amazon, especially its healing, sorcery, shamanism, and the use of potent plant hallucinogens, including ayahuasca. The result is a uniquely eclectic shamanist culture that continues to fascinate outsiders with its brilliant visionary art. Ayahuasca shamanism is now part of global culture. Once the terrain of anthropologists, it is now the subject of novels and spiritual memoirs, while ayahuasca shamans perform their healing rituals in Ontario and Wisconsin. Singing to the Plants sets forth just what this shamanism is about--what happens at an ayahuasca healing ceremony, how the apprentice shaman forms a spiritual relationship with the healing plant spirits, how sorcerers inflict the harm that the shaman heals, and the ways that plants are used in healing, love magic, and sorcery.
  mary russo the female grotesque: Pinocchio (木偶奇遇記) Carlo Collodi, 2011-01-25 ※ Google Play 圖書不支援多媒體播放 ※
  mary russo the female grotesque: Choreographing Difference Ann Cooper Albright, 2010-06-01 The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity — a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time. Ebook Edition Note: All images have been redacted.
  mary russo the female grotesque: Being Ugly Monica Carol Miller, 2017-05-08 In the South, one notion of “being ugly” implies inappropriate or coarse behavior that transgresses social norms of courtesy. While popular stereotypes of the region often highlight southern belles as the epitome of feminine power, women writers from the South frequently stray from this convention and invest their fiction with female protagonists described as ugly or chastised for behaving that way. Through this divergence, “ugly” can be a force for challenging the strictures of normative southern gender roles and marriage economies. In Being Ugly: Southern Women Writers and Social Rebellion, Monica Carol Miller reveals how authors from Margaret Mitchell to Monique Truong employ “ugly” characters to upend the expectations of patriarchy and open up more possibilities for southern female identity. Previous scholarship often conflates ugliness with such categories as the grotesque, plain, or abject, but Miller disassociates these negative descriptors from a group of characters created by southern women writers. Focusing on how such characters appear prone to rebellious and socially inappropriate behavior, Miller argues that ugliness subverts assumptions about gender by identifying those who are unsuitable for the expected roles of marriage and motherhood. As opposed to familiar courtship and marriage plots, Miller locates in fiction by southern women writers an alternative genealogy, the ugly plot. This narrative tradition highlights female characters whose rebellion offers a space for re-imagining alternative lives and households in opposition to the status quo. Reading works by canonical writers like Zora Neale Hurston, Flannery O’Connor, and Eudora Welty, along with recent texts by contemporary authors like Helen Ellis, Lee Smith, and Jesmyn Ward, Being Ugly offers an important new perspective on how southern women writers confront regressive ideologies that insist upon limited roles for women.
  mary russo the female grotesque: The Acoustic Mirror Kaja Silverman, 1988-04-22 ... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential. -- Stephen Heath An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... -- Naomi Schor ... powerfully argued study... impressive... -- Choice ... important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated. -- Literature and Psychology As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory. -- SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track -- to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.
  mary russo the female grotesque: Rabelais and His World Mikhail Mikhaĭlovich Bakhtin, 1984 This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
  mary russo the female grotesque: Violence and the Female Imagination Paula Ruth Gilbert, 2006-03-31 In the past twenty years Quebec women writers, including Aline Chamberland, Claire Dé, Suzanne Jacob, and Hélène Rioux, have created female characters who are fascinated with bold sexual actions and language, cruelty, and violence, at times culminating in infanticide and serial killing. Paula Ruth Gilbert argues that these Quebec feminist writers are re-framing gender. Violence and the Female Imagination explores whether these imagined women are striking out at an external other or harming themselves through acts of self-destruction and depression. Gilbert examines the degree to which women are imitating men in the outward direction of their anger and hostility and suggests that such tough women may be mocking men in their macho exploits of sexuality and violence. She illustrates the ways in which Quebec female authors are feminizing violence or re-envisioning gender in North American culture. Gilbert bridges methodological gaps and integrates history, sociology, literary theory, feminist theory, and other disciplinary approaches to provide a framework for the discussion of important ethical and aesthetic questions.
  mary russo the female grotesque: What is Gender? Mary Holmes, 2007-06-18 Is gender something done to us by society, or something we do? What is the relationship between gender and other inequalities? What is Gender? explores these complex and important questions, helping readers to critically analyse how women′s and men′s lives are shaped by the society in which they live. The book offers a comprehensive account of trends in sociological thinking, from a material and economic focus on gender inequalities to the debates about meaning initiated by the linguistic or cultural turn. The book begins by questioning simplistic biological conceptions of gender and goes on to evaluate different theoretical frameworks for explaining gender, as well as political approaches to gender issues. The cultural turn is also examined in relation to thinking about how gender is related to other forms of inequality such as class and ′race′. The book is up-to-date and broad in its scope, drawing on a range of disciplines, such as: sociology, psychoanalysis, masculinity studies, literary criticism, feminist political theory, feminist philosophy and feminist theory.
  mary russo the female grotesque: The Female Gothic D. Wallace, A. Smith, 2009-11-12 This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes - gender, race, the body, monstrosity, metaphor, motherhood and nationality - to open up new critical directions.
  mary russo the female grotesque: Third World Women and the Politics of Feminism Chandra Talpade Mohanty, Russo, Lourdes Torres, 1991-06-22 The essays are provocative and enhance knowledge of Third World women's issues. Highly recommended . . . —Choice . . . the book challenges assumptions and pushes historic and geographical boundaries that must be altered if women of all colors are to win the struggles thrust upon us by the 'new world order' of the 1990s. —New Directions for Women This surely is a book for anyone trying to comprehend the ways sexism fuels racism in a post-colonial, post-Cold War world that remains dangerous for most women. —Cynthia H. Enloe . . . provocative analyses of the simultaneous oppressions of race, class, gender and sexuality . . . a powerful collection. —Gloria Anzaldúa . . . propels third world feminist perspectives from the periphery to the cutting edge of feminist theory in the 1990s. —Aihwa Ong . . . a carefully presented wealth of much-needed information. —Audre Lorde . . . it is a significant book. —The Bloomsbury Review . . . excellent . . . The nondoctrinaire approach to the Third World and to feminism in general is refreshing and compelling. —World Literature Today . . . an excellent collection of essays examining 'Third World' feminism. —The Year's Work in Critical and Cultural Theory These essays document the debates, conflicts, and contradictions among those engaged in developing third world feminist theory and politics. Contributors: Evelyne Accad, M. Jacqui Alexander, Carmen Barroso, Cristina Bruschini, Rey Chow, Juanita Diaz-Cotto, Angela Gilliam, Faye V. Harrison, Cheryl Johnson-Odim, Chandra Talpade Mohanty, Ann Russo, Barbara Smith, Nayereh Tohidi, Lourdes Torres, Cheryl L. West, & Nellie Wong.
  mary russo the female grotesque: The Unruly Woman Kathleen Rowe Karlyn, 1995 At the heart of the book are detailed analyses of two highly successful unruly women - the comedian Roseanne Arnold and the Muppet Miss Piggy.
  mary russo the female grotesque: Signs of Change International Association for Philosophy and Literature. Meeting, 1996-01-01 This is a collection of essays focusing on conventions of change in the arts, philosophy, and literature.
  mary russo the female grotesque: The Grotesque in Art and Literature James Luther Adams, Wilson Yates, 1997 The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
  mary russo the female grotesque: School-Home Links Reading Kit, Kindergarten Activities , 2000
  mary russo the female grotesque: Dolly City Orly Castel-Bloom, 2025-03-11 Gruesome, unhinged, and hilarious, Dolly City is widely recognized as one of the most disconcerting—and brilliant—literary works ever to come out of Israel. Dolly City—a city without a base, without a past, without an infrastructure. The most demented city in the world. In the midst of a futuristic-primitive metropolis, the accumulation of all our urban nightmares, Doctor Dolly (certified by the University of Katmandu) finds a newborn baby in a black plastic bag, and decides to become a mother. Overcome by unfamiliar maternal urges, Dolly dispenses with her private lab of rare diseases and turns all her surgical passion onto her son. Ceaselessly cutting and sewing, Dolly is the scalpel-wielding version of the all-too-familiar Jewish Mother archetype, forever operating upon her son with destructive, invasive love. In this grotesque satire of war and the defensive measures taken to survive it, Orly Castel-Bloom, one of Israel's most provocative and original writers, turns her own scalpel upon that most holy of institutions, the myth of motherhood—and its implications in the life of a nation.
  mary russo the female grotesque: Chaucer and the Fictions of Gender Elaine Tuttle Hansen, 2023-04-28 In Chaucer and the Fictions of Gender, the poet’s exploration of masculinity and femininity takes center stage, offering a complex interplay between societal constructs of gender and personal identity. Focusing on the Legend of Good Women, the analysis delves into the feminization of male characters, unraveling how their relationships with women reveal vulnerabilities and insecurities. From Antony’s loss of public honor to Pyramus’s emotional fragility, Chaucer presents men as navigating perilous intersections of love, identity, and societal expectations. Their struggles are contrasted with the archetypes of virtuous women, yet these figures also challenge normative gender roles, blending power with traditional notions of sacrifice. Through these layered narratives, Chaucer critiques the rigidity of patriarchal ideals, illustrating the tensions between personal desires and societal demands. This work positions Chaucer as an artist deeply engaged with the “woman question,” while acknowledging the limitations of interpreting his poetry solely through a proto-feminist lens. By examining the poet’s characters—both male and female—the analysis highlights how Chaucer negotiates the instability of gender roles, revealing an intricate tapestry of social critique and literary innovation. The book invites readers to consider how Chaucer’s works resonate with modern conversations about gender fluidity and the cultural pressures shaping identity. This nuanced exploration redefines the Legend of Good Women as a central piece in Chaucer’s oeuvre, one that pushes the boundaries of medieval literary traditions. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.
  mary russo the female grotesque: Grotesque Justin Edwards, Rune Graulund, 2013-05-29 Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.
  mary russo the female grotesque: Anxiety of Words Sŭng-ja Ch'oe, 2006 Bilingual selection of three contemporary korean women poets at the forefront of the Korean literary scene.
  mary russo the female grotesque: The grotesque in contemporary British fiction Robert Duggan, 2016-05-16 The grotesque in contemporary British fiction reveals the extent to which the grotesque endures as a dominant artistic mode in British fiction and presents a new way of understanding six authors who have been at the forefront of British literature over the past four decades. Starting with a sophisticated exploration of the historical development of the grotesque in literature, the book outlines the aesthetic trajectories of Angela Carter, Martin Amis, Ian McEwan, Iain Banks, Will Self and Toby Litt and offers detailed critical readings of key works of modern fiction including The Bloody Chamber (1979), Money (1984), The Child in Time (1987), The Wasp Factory (1984), Great Apes (1997) and Ghost Story (2004). The book shows how the grotesque continues to be a powerful force in contemporary writing and provides an illuminating picture of often controversial aspects of recent fiction.
  mary russo the female grotesque: Feminine Sexuality Jacques Lacan, 1985 Jacques Lacan is arguably the most controversial psychoanalyst of our time.
  mary russo the female grotesque: The Disordered Body Suzanne E. Hatty, James Hatty, 1999-11-04 The Disordered Body presents a fascinating look at how three epidemics of the medieval and Early Renaissance period in Western Europe shaped and altered conceptions of the human body in ways that continue today. Authors Suzanne E. Hatty and James Hatty show the ways in which concepts of the disordered body relate to constructions of disease. In so doing, they establish a historical link between the discourses of the disordered body and the constructs of gender. The ideas of embodiment, contagion and social space are placed in historical context, and the authors argue that our current anxieties about bodies and places have important historical precedents. They show how the cultural practices of embodied social interaction have been shaped by disease, especially epidemics.
  mary russo the female grotesque: Fruit of Knowledge Liv Stromquist, 2018-08-15 From Adam and Eve to pussy hats, people have punished, praised, pathologized, and politicized vulvas, vaginas, clitorises, and menstruation. In this graphic nonfiction book, drawn in chunky, punky pen, Swedish cartoonist Liv Strömquist traces how different cultures and traditions have shaped women’s health and beyond. Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection). Like humorists Julie Doucet (Dirty Plotte), Alison Bechdel (Dykes to Watch Out For), and Kate Beaton (Hark! A Vagrant), she uses the comics medium to reveal uncomfortable truths about how far we haven’t come.
  mary russo the female grotesque: Seating Arrangements Maggie Shipstead, 2012-06-12 NATIONAL BESTSELLER • Winner of the Los Angeles Times Book Prize • The irresistible story of a summer New England wedding weekend gone awry—a deliciously biting satirical glimpse into the lives of the well-bred and ill-behaved, from the New York Times bestselling author of Great Circle. The Van Meters have gathered at their family retreat on the island of Waskeke to celebrate the marriage of daughter Daphne—seven months pregnant—to the impeccably appropriate Greyson Duff. The weekend is full of champagne, salt air and practiced bonhomie, but long-buried discontent and simmering lust stir beneath the surface. Winn Van Meter, father of the bride, is not having a good time. Barred from the exclusive social club he’s been eyeing since birth, he’s also tormented by an inappropriate crush on Daphne’s beguiling bridesmaid, Agatha, and the fear that his daughter, Livia—recently heartbroken by the son of his greatest rival—is a too-ready target for the wiles of Greyson’s best man. When old resentments, a beached whale and an escaped lobster are added to the mix, the wedding that should have gone off with military precision threatens to become a spectacle of misbehavior.
  mary russo the female grotesque: Genders David Glover, 2005-07-05 In this fully updated edition, Glover and Kaplan provide a lucid and illuminating introduction to the multi-faceted term, gender. With its amazing breadth and depth of coverage, this volume offers a comprehensive history of this complex term, but indicates its ongoing prevalence in literary and cultural theory and the new directions it is taking.
  mary russo the female grotesque: Body Bereft Antjie Krog, 2011-05-13 Antjie Krog’s iconic status as one of South Africa's most popular and critically-acclaimed poets began when she was eighteen, with her first collection, Dogter van Jefta (1970). Almost four decadeslater, this very different collection will confirm her reputation with poems that blur and ravage the boundaries between the lyrical and confessional, the private and public. Body Bereft is a fearless and ecstatic exploration of consciousness on the edge of decay and dissolution. The taboos within the tidal moods of the menopause are described with anger and verbal intensity in a voice that is uniquely Krog's. Close relationships are searingly explored, occasionally seeking conflict, often searching for resolution. In the final meditative section, the personal intensity is tempered, fantastically almost, by contemplations of Table Mountain as a looming, symbolic and androgynous godhead, echoing Adamastor, an abiding presence that endures as it suffers witness - an ostensibly inscrutable, ironically nurturing mirror to selfand personal despair. These dramatic, even reckless poems, translated from the simultaneously published Afrikaans Collection, Veweerskrif, bring an altogether new and unique energy to South African English-language poetry.
  mary russo the female grotesque: Sculpture and Photography Geraldine A. Johnson, 1998 Sculpture and Photography: Envisioning the Third Dimension examines the complex ways that sculpture and photography have intersected, historically, aesthetically, and theoretically. The essays consider a wide range of topics, including the use of photography by Rodin, Brancusi, David Smith, and various Minimalist sculptors; the manipulation of photographs of sculpture for aesthetic and political purposes; the relationship among sculpture, photography, and gender in the late nineteenth century, as well as in the work of Hesse and Mapplethorpe; and the redefinition of the boundaries between sculpture and photography by artists such as Joseph Beuys and Jeff Wall.
  mary russo the female grotesque: Hysterical! Linda Mizejewski, Victoria Sturtevant, 2017-12-06 Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren't funny. But today's funny women aren't a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher's daredevil stunts, Mae West's linebacker walk, Lucille Ball's manic slapstick, Carol Burnett's athletic pratfalls, Ellen DeGeneres's tomboy pranks, Whoopi Goldberg's sly twinkle, and Tina Fey's acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women's bodies and behaviors. Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field's leading authorities, introducing a new framework for women's comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women's comedy.
  mary russo the female grotesque: The Italian Ann Radcliffe, 2022-01-11 The Italian (1797) is a novel by Ann Radcliffe. Radcliffe’s final novel is a tragic story of romance and mystery set in Naples during the brutal years of the Holy Inquisition. Published in the aftermath of the French Revolution, the novel investigates the issues of religion and class that had inspired the Republican cause, changing Europe and the world forever. Considered an essential work of Gothic fiction, The Italian is an early example of her prowess as a leading novelist of suspense and the supernatural. A young Englishman meets a friar while touring Naples. At the church of Santa Maria del Pianto, he notices a shadowy stranger sitting near the confessional. When the friar informs him that the man is an assassin, his friend, an Italian, offers to send him the narrative containing the man’s shocking confession. Back at his hotel room, he reads a story beginning in 1758 at the church of San Lorenzo, where a young nobleman falls in love with a beautiful orphan named Ellena. When Vicentio informs his mother, the Marchesa, of his desire to marry the girl, she conspires with the wicked Father Schedoni to change her son’s mind. Soon, Ellena disappears, sending Vicentio di Vivaldi on a quest to save her life. With a beautifully designed cover and professionally typeset manuscript, this edition of Ann Radcliffe’s The Italian is a classic of English literature reimagined for modern readers.
Mary, mother of Jesus - Wikipedia
Mary[b] was a first-century Jewish woman of Nazareth, [9] the wife of Joseph and the mother of Jesus. She …

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The Parish of St. Mary Magdalene in Apex, North Carolina, believe in the constant love of God made known to …

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Topical Bible: Mary
Mary, the mother of Jesus, holds a significant place in Christian theology and history. She is revered for her …

Mary, mother of Jesus - Wikipedia
Mary[b] was a first-century Jewish woman of Nazareth, [9] the wife of Joseph and the mother of Jesus. She is an important figure of Christianity, venerated under various titles such as virgin …

St. Mary Magdalene Church | Warm and Welcoming Community …
The Parish of St. Mary Magdalene in Apex, North Carolina, believe in the constant love of God made known to us through the words and actions of Jesus

St. Mary Magdalene School | We Pray. We Learn. We Care ...
St. Mary Magdalene Catholic School (StMM) is a community that proclaims the gospel by our dedication to quality instruction while fostering our commitment to the needs of others in Apex, …

St Mary Magdalene Catholic School and Church | Apex, NC
© 2025 St. Mary Magdalene Catholic School and Church. All Rights Reserved.

Topical Bible: Mary
Mary, the mother of Jesus, holds a significant place in Christian theology and history. She is revered for her obedience, faith, and role in the divine plan of salvation. Her life and actions …

Mary | Biography, Jesus, Bible References, Significance ...
May 29, 2025 · Mary (flourished beginning of the Christian era) was the mother of Jesus, venerated in the Christian church since the apostolic age and a favorite subject in Western art, …

Mary Emerson - Therapist - Professional - CatholicTherapists.com
My specialties are Depression and Anxiety, Trauma, Sexual Abuse, post abortion counseling, relationship issues and Family of Origin Issues. My practice is consecrated to the Blessed …

Mary, The Blessed Virgin | Catholic Answers Encyclopedia
Virgin Mary, THE BLESSED, is the name of the mother of Jesus Christ, the mother of God. The Hebrew form of the name is miryam, denoting in the Old Testament only the sister of Moses.

Welcome - St. Mary Magdalene Church
All are welcome and we would love to have you join St. Mary Magdalene Catholic Church! We know that as a newcomer you have lots of questions. We hope that many of those questions …

St. Mary Magdalene Catholic Church - Apex (North Carolina)
The St. Mary Magdalene Catholic Church, situated in the heart of Apex, North Carolina, stands as a beacon of faith and community spirit. This parish, with its welcoming congregation, is known …