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| making of a slave book: The Willie Lynch Letter , 1999 Describes the African slave trade from the viewpoint of the Southern plantation owners. |
| making of a slave book: Making a Slave State Ryan A. Quintana, 2017-07 The within enemy: slaves and the production of South Carolina's early state -- The strength of this country: securing and rebuilding the state in the Revolutionary era -- Their intentions were to ambuscade and surround me: the necessity of slave mobility -- This negro thoroughfare: the meaning of black movement -- With the labor of these slaves: producing the modern state |
| making of a slave book: Black Hands, White House Renee K. Harrison, 2021-11-02 Black Hands, White House documents and appraises the role enslaved women and men played in building the US, both its physical and its fiscal infrastructure. The book highlights the material commodities produced by enslaved communities during the Transatlantic Slave Trade. These commodities--namely tobacco, rice, sugar, and cotton, among others--enriched European and US economies; contributed to the material and monetary wealth of the nation's founding fathers, other early European immigrants, and their descendants; and bolstered the wealth of present-day companies founded during the American slave era. Critical to this study are also examples of enslaved laborers' role in building Thomas Jefferson's Monticello and George Washington's Mount Vernon. Subsequently, their labor also constructed the nation's capital city, Federal City (later renamed Washington, DC), its seats of governance--the White House and US Capitol--and other federal sites and memorials. Given the enslaved community's contribution to the US, this work questions the absence of memorials on the National Mall that honor enslaved, Black-bodied people. Harrison argues that such monuments are necessary to redress the nation's historical disregard of Black people and America's role in their forced migration, violent subjugation, and free labor. The erection of monuments commissioned by the US government would publicly demonstrate the government's admission of the US's historical role in slavery and human-harm, and acknowledgment of the karmic debt owed to these first Black-bodied builders of America. Black Hands, White House appeals to those interested in exploring how nation-building and selective memory, American patriotism and hypocrisy, racial superiority and mythmaking are embedded in US origins and monuments, as well as in other memorials throughout the transatlantic European world. Such a study is necessary, as it adds significantly to the burgeoning and in-depth conversation on racial disparity, race relations, history-making, reparations, and monument erection and removal. |
| making of a slave book: The Making of a Racist Charles B. Dew, 2016-08-09 In this powerful memoir, Charles Dew, one of America’s most respected historians of the South--and particularly its history of slavery--turns the focus on his own life, which began not in the halls of enlightenment but in a society unequivocally committed to segregation. Dew re-creates the midcentury American South of his childhood--in many respects a boy’s paradise, but one stained by Lost Cause revisionism and, worse, by the full brunt of Jim Crow. Through entertainments and educational books that belittled African Americans, as well as the living examples of his own family, Dew was indoctrinated in a white supremacy that, at best, was condescendingly paternalistic and, at worst, brutally intolerant. The fear that southern culture, and the hallowed white male brotherhood, could come undone through the slightest flexibility in the color line gave the Jim Crow mindset its distinctly unyielding quality. Dew recalls his father, in most regards a decent man, becoming livid over a black tradesman daring to use the front, and not the back, door. The second half of the book shows how this former Confederate youth and descendant of Thomas Roderick Dew, one of slavery’s most passionate apologists, went on to reject his racist upbringing and become a scholar of the South and its deeply conflicted history. The centerpiece of Dew’s story is his sobering discovery of a price circular from 1860--an itemized list of humans up for sale. Contemplating this document becomes Dew’s first step in an exploration of antebellum Richmond’s slave trade that investigates the terrible--but, to its white participants, unremarkable--inhumanity inherent in the institution. Dew’s wish with this book is to show how the South of his childhood came into being, poisoning the minds even of honorable people, and to answer the question put to him by Illinois Browning Culver, the African American woman who devoted decades of her life to serving his family: Charles, why do the grown-ups put so much hate in the children? |
| making of a slave book: Modernizing a Slave Economy John D. Majewski, 2009 What would separate Union and Confederate countries look like if the South had won the Civil War? In fact, this was something that southern secessionists actively debated. Imagining themselves as nation-builders, they understood the importance of a plan f |
| making of a slave book: Thirty Years A Slave Louis Hughes, 2020-07-28 Reproduction of the original: Thirty Years A Slave by Louis Hughes |
| making of a slave book: The Willie Lynch Letter: Aka the Making of a Slave (Annotated) Willie Lynch, 2013-11-01 The Willie Lynch Letter, aka The Making of a Slave, is one of the most controversial texts in African-American studies.It was purportedly written by Willie Lynch, a British West Indies plantation owner, and given to a group of Virginia slaveowners as a masterplan to keep Blacks enslaved -- not just physically but mentally as well -- using such tactics as pitting on slave against the other. Lynch, in his letter, says by using these tactics for just one year it will keep slaves mentally in chains for at least 300 years.Modern historians have asserted that the letter is a hoax, but most still agree that it's a text worth reading as it points out the different divides in the African-American community that seem specifically designed to keep the race from throwing off mental chains that impede communal progress.Includes foreword by Karen E. Quinones Miller, author of An Angry-Ass Black WomanIncludes excerpt from The Narrative of the Life of Frederick Douglass, An American Slave |
| making of a slave book: The Slave Ship Clotilda and the Making of AfricaTown, USA Natalie S. Robertson, 2008-03-30 Shows how African captives endured capture, imprisonment, the middle passage, and slavery in America only to persevere and found a free and vibrant community in America. |
| making of a slave book: The Mis-Education of the Negro Carter Godwin Woodson, 2012-03-07 This landmark work by a pioneering crusader of black education inspired African-Americans to demand relevant learning opportunities that were inclusive of their own culture and heritage. |
| making of a slave book: CAPTIVE PASSAGE PB Mariners' Museum (Newport News, Va.), 2002-04-17 Published in conjunction with a traveling exhibition opening at the Mariners' Museum in Newport News, Virginia, these eight essays and 160 color illustrations examine the complex causes, outcomes, and legacies of the 400-year slave trade. 160 color illustrations. |
| making of a slave book: From Africa to Jamaica Audra A. Diptee, 2010-07-18 Rich with historical sketches of the life and experiences of slaves in Africa, on slave ships, and in Jamaica, this volume illustrates the way enslaved Africans lived and helped to shape Jamaican society in the three decades before British abolition of the slave trade. Audra Diptee's in-depth investigations reveal unexpected insights into the demographics of those captured in Africa and legally transported on British slave ships. For example, there is a commonly held belief that slave traders had a preference for adult males. In fact, the practicalities of slave raiding meant that women, children, and large groups of the elderly were particularly vulnerable during raids and were more often captured and made available for sale in the Caribbean. From Africa to Jamaica offers a new look at the Atlantic slave trade in its final years, fleshing out the historical portrait of the African men, women, and children who were sold in Jamaica and were thus among the last of the enslaved to put their stamp on Jamaican society. There is no comparable study that takes such a comprehensive approach, looking at both the African and Jamaican sides of the trade system. |
| making of a slave book: They Were Her Property Stephanie E. Jones-Rogers, 2020-01-07 Winner of the Los Angeles Times Book Prize in History A bold and searing investigation into the role of white women in the American slave economy “Compelling.”—Renee Graham, Boston Globe “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America. |
| making of a slave book: Slave Counterpoint Philip D. Morgan, 2012-12-01 On the eve of the American Revolution, nearly three-quarters of all African Americans in mainland British America lived in two regions: the Chesapeake, centered in Virginia, and the Lowcountry, with its hub in South Carolina. Here, Philip Morgan compares and contrasts African American life in these two regional black cultures, exploring the differences as well as the similarities. The result is a detailed and comprehensive view of slave life in the colonial American South. Morgan explores the role of land and labor in shaping culture, the everyday contacts of masters and slaves that defined the possibilities and limitations of cultural exchange, and finally the interior lives of blacks--their social relations, their family and kin ties, and the major symbolic dimensions of life: language, play, and religion. He provides a balanced appreciation for the oppressiveness of bondage and for the ability of slaves to shape their lives, showing that, whatever the constraints, slaves contributed to the making of their history. Victims of a brutal, dehumanizing system, slaves nevertheless strove to create order in their lives, to preserve their humanity, to achieve dignity, and to sustain dreams of a better future. |
| making of a slave book: Behind the Scenes Elizabeth Keckley, 1988 Part slave narrative, part memoir, and part sentimental fiction Behind the Scenes depicts Elizabeth Keckley's years as a salve and subsequent four years in Abraham Lincoln's White House during the Civil War. Through the eyes of this black woman, we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war. |
| making of a slave book: Narrative of William W. Brown, A Fugitive Slave William Wells Brown, 2021-07-03 Excerpt: The writer of this Narrative was hired by his master to a soul-driver, and has witnessed all the horrors of the traffic, from the buying up of human cattle in the slave-breeding States, which produced a constant scene of separating the victims from all those whom they loved, to their final sale in the southern market, to be worked up in seven years, or given over to minister to the lust of southern Christians. Many harrowing scenes are graphically portrayed; and yet with that simplicity and ingenuousness which carries with it a conviction of the truthfulness of the picture. This book will do much to unmask those who have clothed themselves in the livery of the court of heaven to cover up the enormity of their deeds. |
| making of a slave book: Caribbean New Orleans Cécile Vidal, 2019 ... Offers a lively portrait of the city and a probing investigation of the French colonists who established racial slavery there as well as the African slaves who were forced to toil for them. Casting early New Orleans as a Caribbean outpost of the French Empire rather than as a North American frontier town, Cécile Vidal reveals the persistent influence of the Antilles, especially Saint-Domingue, which shaped the city's development through the eighteenth century-- |
| making of a slave book: The Slave Trade Hugh Thomas, 2013-04-16 After many years of research, award-winning historian Hugh Thomas portrays, in a balanced account, the complete history of the slave trade. Beginning with the first Portuguese slaving expeditions, Hugh Thomas describes and analyzes the rise of one of the largest and most elaborate maritime and commercial ventures in all of history. Between 1492 and 1870, approximately eleven million black slaves were carried from Africa to the Americas to work on plantations, in mines, or as servants in houses. The Slave Trade is alive with villains and heroes and illuminated by eyewitness accounts. Hugh Thomas's achievement is not only to present a compelling history of the time, but to answer controversial questions as who the traders were, the extent of the profits, and why so many African rulers and peoples willingly collaborated. |
| making of a slave book: Slave Sites on Display Helena Woodard, 2019-08-23 At Senegal’s House of Slaves, Barack Obama’s presidential visit renewed debate about authenticity, belonging, and the myth of return—not only for the president, but also for the slave fort itself. At the African Burial Ground National Monument in New York, up to ten thousand slave decedents lie buried beneath the area around Wall Street, which some of them helped to build and maintain. Their likely descendants, whose activism produced the monument located at that burial site, now occupy its margins. The Bench by the Road slave memorial at Sullivan’s Isle near Charleston reflects the region’s centrality in slavery’s legacy, a legacy made explicit when the murder of nine black parishioners by a white supremacist led to the removal of the Confederate flag from the state’s capitol grounds. Helena Woodard considers whether the historical slave sites that have been commemorated in the global community represent significant progress for the black community or are simply an unforgiving mirror of the present. In Slave Sites on Display: Reflecting Slavery’s Legacy through Contemporary “Flash” Moments, Woodard examines how select modern-day slave sites can be understood as contemporary “flash” moments: specific circumstances and/or seminal events that bind the past to the present. Woodard exposes the complex connections between these slave sites and the impact of race and slavery today. Though they differ from one another, all of these sites are displayed as slave memorials or monuments and function as high-profile tourist attractions. They interpret a story about the history of Atlantic slavery relative to the lived experiences of the diaspora slave descendants that organize and visit the sites. |
| making of a slave book: Closer to Freedom Stephanie M. H. Camp, 2004 Focusing on female slaves' everyday forms of resistance--such as truancy, theft, and illegal parties--Camp argues that the Civil War years saw revolutionary change that had been in the making for decades, as slaves broke rules, spoke their minds, and ran away. |
| making of a slave book: Breaking the Curse of Willie Lynch Alvin Morrow, 2003 A psychic examination of slavery's haunting effects on the conscious of black men & women--Cover. |
| making of a slave book: A Birthday Cake for George Washington Ramin Ganeshram, 2016 An expoloration of fifty influential and inspirational women who changed the world. Everyone is buzzing about the president's birthday! Especially George Washington's servants who scurry around the kitchen preparing to make this the best celebration ever. Oh, how George Washington loves his cake! And, oh, how he depends on Hercules, his head chef, to make it for him. Hercules, a slave, takes great pride in baking the president's cake. But this year there is one problem--they are out of sugar. This story, told in the voice of Delia, Hercules' young daughter, is based on real events, and underscores the loving exchange between a very determined father and his eager daughter who are faced with an unspoken, bittersweet reality. |
| making of a slave book: A Documentary History of Slavery in North America Willie Lee Nichols Rose, 1999 Documenting multiple aspects of slavery and its development in North America, this collection provides more than one hundred excerpts from personal accounts, songs, legal documents, diaries, letters, and other written sources. The book assembles a remarkable portrayal of the day-to-day connections between, and among, slaves and their owners across more than two centuries of subjugation and resistance, despair and hope. Beginning with a chronicle of the origins of slavery in the British colonies of North America, the collection traces the growth of the system to the antebellum period and includes accounts of slave revolts, auctions, slave travel and laws, and family life. Intimate as well as comprehensive, the documents reveal the individual views, goals, and lives of slaves and their masters, making this engaging work one of the most respected catalogs of firsthand information about slavery in North America. |
| making of a slave book: A Slaveholders' Union George William Van Cleve, 2010-10-15 After its early introduction into the English colonies in North America, slavery in the United States lasted as a legal institution until the passage of the Thirteenth Amendment to the Constitution in 1865. But increasingly during the contested politics of the early republic, abolitionists cried out that the Constitution itself was a slaveowners’ document, produced to protect and further their rights. A Slaveholders’ Union furthers this unsettling claim by demonstrating once and for all that slavery was indeed an essential part of the foundation of the nascent republic. In this powerful book, George William Van Cleve demonstrates that the Constitution was pro-slavery in its politics, its economics, and its law. He convincingly shows that the Constitutional provisions protecting slavery were much more than mere “political” compromises—they were integral to the principles of the new nation. By the late 1780s, a majority of Americans wanted to create a strong federal republic that would be capable of expanding into a continental empire. In order for America to become an empire on such a scale, Van Cleve argues, the Southern states had to be willing partners in the endeavor, and the cost of their allegiance was the deliberate long-term protection of slavery by America’s leaders through the nation’s early expansion. Reconsidering the role played by the gradual abolition of slavery in the North, Van Cleve also shows that abolition there was much less progressive in its origins—and had much less influence on slavery’s expansion—than previously thought. Deftly interweaving historical and political analyses, A Slaveholders’ Union will likely become the definitive explanation of slavery’s persistence and growth—and of its influence on American constitutional development—from the Revolutionary War through the Missouri Compromise of 1821. |
| making of a slave book: A Slave in the White House Elizabeth Dowling Taylor, 2012-01-03 New York Times Bestseller: A “fascinating portrait” of one of the men enslaved by James and Dolley Madison, and his journey toward freedom (Publishers Weekly). Paul Jennings was born into slavery on the plantation of James and Dolley Madison in Virginia, later becoming part of the Madison household staff at the White House. Once he was finally emancipated by Senator Daniel Webster later in life, he would give an aged and impoverished Dolley Madison, his former owner, money from his own pocket, write the first White House memoir, and see his sons fight with the Union Army in the Civil War. He died a free man in northwest Washington at seventy-five. Based on correspondence, legal documents, and journal entries rarely seen before, this amazing portrait of the times reveals the mores and attitudes toward slavery of the nineteenth century, and sheds new light on famous figures such as James Madison, who believed the white and black populations could not coexist as equals; General Lafayette, who was appalled by this idea; Dolley Madison, who ruthlessly sold Paul after her husband’s death; and many other since-forgotten slaves, abolitionists, and civil right activists. “A portrait of a remarkably willful, ambitious, opportunistic, and in his own way well-connected American. You could also call it the American dream.” —Fortune “A great historical biography.” —Houston Style Magazine “A must-read.” —The Daily Beast “Thorough research . . . an important story of human struggle, determination, and triumph.” —The Dallas Morning News |
| making of a slave book: How to Make a Slave and Other Essays Jerald Walker, 2020 Personal essays exploring identity, family, and community through the prism of race and black culture. Confronts the medical profession's racial biases, shopping while black at Whole Foods, the legacy of Michael Jackson, raising black boys, haircuts that scare white people, racial profiling, and growing up in Southside Chicago-- |
| making of a slave book: Sweet Chariot Ann Patton Malone, 1992 Sweet Chariot is a pathbreaking analysis of slave families and household composition in the nineteenth-century South. Ann Malone presents a carefully drawn picture of the ways in which slaves were constituted into families and households within a c |
| making of a slave book: The Cambridge Companion to the African American Slave Narrative Audrey Fisch, 2007-05-31 The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field. |
| making of a slave book: Slave Empire Padraic X. Scanlan, 2020-11-26 'Engrossing and powerful . . . rich and thought-provoking' Fara Dabhoiwala, Guardian 'Path-breaking . . . a major rewriting of history' Mihir Bose, Irish Times 'Slave Empire is lucid, elegant and forensic. It deals with appalling horrors in cool and convincing prose.' The Economist The British empire, in sentimental myth, was more free, more just and more fair than its rivals. But this claim that the British empire was 'free' and that, for all its flaws, it promised liberty to all its subjects was never true. The British empire was built on slavery. Slave Empire puts enslaved people at the centre the British empire in the eighteenth and nineteenth centuries. In intimate, human detail, Padraic Scanlon shows how British imperial power and industrial capitalism were inextricable from plantation slavery. With vivid original research and careful synthesis of innovative historical scholarship, Slave Empire shows that British freedom and British slavery were made together. |
| making of a slave book: The Waterman's Song David S. Cecelski, 2001 Cecelski, chronicles the world of slave and free black fishermen, pilots, sailors, ferrymen, and other laborers who, from the colonial era through Reconstruction, plied the vast inland waters of North Carolina from the Outer Banks to the upper reaches of tidewater rivers. |
| making of a slave book: The Curse of Willie Lynch James Rollins, 2006 On October 16, 1995, a million black men- sons and brothers, husbands and fathers- made a commitment to ourselves that we would not shirk our duties as fathers to our children, loving husbands to our wives, and for a serious examination of our place in the world. It was on this day, in a speech by Minister Farrakhan, that I first heard about Willie Lynch. There was something about that part of his message that stuck with me for the past ten years. Scholars would say that it is too simplistic to attribute our failings to one person- one plan- one scheme, Willie Lynch. We are not that naïve, are we? And, anyway, if true, his effort at social engineering took place 300 years ago. In this book, I will attempt to explain, in broad terms, the negative results of that social engineering project of Willie Lynch. I will also make recommendations designed to combat it. I want to tell my readers how the cornerstone of black society, the family, has been eroded to the point of despair; the mindset that caused it, and some possible basic solutions. The educational system should be the easiest to fix. We must stop putting kids in bad learning situations, and leaving them to fail. We have choices and we must exercise those choices. The economic wealth of African Americans is larger than most countries in the world today. Yet we fail to benefit from that wealth. We are Bling-Bling Broke. We are the second largest voting block in the country, yet we have marginalized ourselves by voting for anyone who will promise us civil rights (The Democrats). They don’t deliver, yet we continue to vote the same way each election. To this day, the media will rarely portray Blacks in a positive way. The media has proven to be the most effective instrument of the Willie Lynch social engineering experiment. From the days of slavery the church played a vital role in the rebuilding of the moral foundation necessary for this society to grow strong and correct. The Willie Lynch legacy is the one consistent thread that seems to affect all of us. In 2006 we still occasionally exhibit social behavior reminiscent of the Willie Lynch legacy. |
| making of a slave book: Wench Dolen Perkins-Valdez, 2011-01-25 wench \'wench\ n. from Middle English “wenchel,” 1 a: a girl, maid, young woman; a female child. Situated in Ohio, a free territory before the Civil War, Tawawa House is an idyllic retreat for Southern white men who vacation there every summer with their enslaved black mistresses. It’s their open secret. Lizzie, Reenie, and Sweet are regulars at the resort, building strong friendships over the years. But when Mawu, as fearless as she is assured, comes along and starts talking of running away, things change. To run is to leave everything behind, and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances— all while they bear witness to the end of an era. An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery. |
| making of a slave book: Emancipated From Mental Slavery Marcus Garvey, 2019-05-02 Emancipated from Mental Slavery: Selected Sayings of Marcus GarveyEmancipate yourself from mental slavery, none but ourselves can free our minds. Those words are commonly associated with Bob Marley. As well known as those lyrics from Redemption Song are, what is not as well known is the source. Marcus Garvey was a journalist, editor, publisher, as well as founder, and President-General of the Universal Negro Improvement Association (UNIA.) This book serves as an introduction to the philosophy which made his ideas known worldwide. Notable among them is the phrase which has come to many sung as a paraphrased lyric, by Bob Marley. Its power and compelling urge for a new mental state among the human race can not seriously be denied: We are going to emancipate ourselves from mental slavery, for though others may free the body, none but ourselves can free the mind. Those are the words which Marcus Garvey spoke in November 1937. The place? Menelik Hall in Sydney, Nova Scotia. This selection of sayings of the Honorable Marcus Mosiah Garvey, provides an introduction to the mind of the man capable of speaking words which continue to have a profound impact to this day. |
| making of a slave book: From Rebellion to Revolution Eugene D. Genovese, 1992-01-01 In one of his most important books, the renowned historian Eugene D. Genovese examines slave revolts in the United States, the Caribbean, and Brazil, placing them in the context of modern world history. By studying the conditions that favored these revolts and the history of slave guerrilla warfare throughout the Western Hemisphere, he connects the ideology of the revolts to the ideology of the great revolutionary movements of the late eighteenth century. Genovese finds that the slave rebellion in Saint-Domingue, led by Toussaint L’Ouverture, constituted a turning point in the history of the slave revolts and, indeed, in the history of the human spirit. By claiming for his enslaved brothers and sisters the same right to human dignity that the French bourgeoisie claimed for itself during the French Revolution, Toussaint began the process by which slave uprisings changed from secessionist rebellions to revolutionary demands for liberty, equality, and justice. |
| making of a slave book: The Case of the Slave-child, Med Karen Woods Weierman, 2019 In 1836, an enslaved six-year-old girl named Med was brought to Boston by a woman from New Orleans who claimed her as property. Learning of the girl's arrival in the city, the Boston Female Anti-Slavery Society (BFASS) waged a legal fight to secure her freedom and affirm the free soil of Massachusetts. While Chief Justice Lemuel Shaw ruled quite narrowly in the case that enslaved people brought to Massachusetts could not be held against their will, BFASS claimed a broad victory for the abolitionist cause, and Med was released to the care of a local institution. When she died two years later, celebration quickly turned to silence, and her story was soon forgotten. As a result, Commonwealth v. Aves is little known outside of legal scholarship. In this book, Karen Woods Weierman complicates Boston's identity as the birthplace of abolition and the cradle of liberty, and restores Med to her rightful place in antislavery history by situating her story in the context of other writings on slavery, childhood, and the law. |
| making of a slave book: Slavery at Sea Sowande M Mustakeem, 2016-09-30 Most times left solely within the confine of plantation narratives, slavery was far from a land-based phenomenon. This book reveals for the first time how it took critical shape at sea. Expanding the gaze even more deeply, the book centers how the oceanic transport of human cargoes--infamously known as the Middle Passage--comprised a violently regulated process foundational to the institution of bondage. Sowande' Mustakeem's groundbreaking study goes inside the Atlantic slave trade to explore the social conditions and human costs embedded in the world of maritime slavery. Mining ship logs, records and personal documents, Mustakeem teases out the social histories produced between those on traveling ships: slaves, captains, sailors, and surgeons. As she shows, crewmen manufactured captives through enforced dependency, relentless cycles of physical, psychological terror, and pain that led to the the making--and unmaking--of enslaved Africans held and transported onboard slave ships. Mustakeem relates how this process, and related power struggles, played out not just for adult men, but also for women, children, teens, infants, nursing mothers, the elderly, diseased, ailing, and dying. Mustakeem offers provocative new insights into how gender, health, age, illness, and medical treatment intersected with trauma and violence transformed human beings into the world's most commercially sought commodity for over four centuries. |
| making of a slave book: Dark Matters Simone Browne, 2015-10-02 In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm. |
| making of a slave book: The History of Slavery and the Slave Trade, Ancient and Modern William O [From Old Catalog] Blake, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| making of a slave book: The Slave Who Went to Congress Frye Gaillard, Marti Rosner, 2020-03 |
| making of a slave book: West of Slavery Kevin Waite, 2021-04-19 When American slaveholders looked west in the mid-nineteenth century, they saw an empire unfolding before them. They pursued that vision through war, diplomacy, political patronage, and perhaps most effectively, the power of migration. By the eve of the Civil War, slaveholders and their allies had transformed the southwestern quarter of the nation--California, New Mexico, Arizona, and parts of Utah--into an appendage of the South's plantation states. Across this vast swath of the map, white southerners extended the institution of African American chattel slavery while also defending systems of Native American bondage. This surprising history uncovers the Old South in unexpected places, far west of the cotton fields and sugar plantations that exemplify the region. Slaveholders' western ambitions culminated in a coast-to-coast crisis of the Union. By 1861, the rebellion in the South inspired a series of separatist movements in the Far West. Even after the collapse of the Confederacy, the threads connecting South and West held, undermining the radical promise of Reconstruction. Kevin Waite brings to light what contemporaries recognized but historians have described only in part: The struggle over slavery played out on a transcontinental stage. |
| making of a slave book: Reconstructing the Landscapes of Slavery Dale W. Tomich, Rafael de Bivar Marquese, Reinaldo Funes Monzote, Carlos Venegas Fornias, 2021 Assessing a unique collection of more than eighty images, this innovative study of visual culture reveals the productive organization of plantation landscapes in the nineteenth-century Atlantic world. These landscapes-from cotton fields in the Lower Mississippi Valley to sugar plantations in western Cuba and coffee plantations in Brazil's Paraíba Valley-demonstrate how the restructuring of the capitalist world economy led to the formation of new zones of commodity production. By extension, these environments radically transformed slave labor and the role such labor played in the expansion of the global economy-- |
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The meaning of MAKING is the act or process of forming, causing, doing, or coming into being. How to use …
MAKING | English meaning - Cambridge Dictionary
MAKING definition: 1. the activity or process of producing something: 2. the things used to make or build …
MAKING definition and meaning | Collins English Dict…
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making noun - Definition, pictures, pronunciation and u…
Definition of making noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, …
Making - definition of making by The Free Dictionary
making - (usually plural) the components needed for making or doing something; "the recipe listed …
MAKING Definition & Meaning - Merriam-Webster
The meaning of MAKING is the act or process of forming, causing, doing, or coming into being. How to use making in a sentence.
MAKING | English meaning - Cambridge Dictionary
MAKING definition: 1. the activity or process of producing something: 2. the things used to make or build something…. Learn more.
MAKING definition and meaning | Collins English Dictionary
The making of something is the act or process of producing or creating it. ...the director's book about the making of this movie. American English : making / ˈmeɪkɪŋ /
making noun - Definition, pictures, pronunciation and usage …
Definition of making noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Making - definition of making by The Free Dictionary
making - (usually plural) the components needed for making or doing something; "the recipe listed all the makings for a chocolate cake"
What does maKing mean? - Definitions.net
Making refers to the process of creating, producing, or constructing something by using one's skills, knowledge, and resources. It typically involves taking raw materials, components, or …
Making or Makeing – Which is Correct? - Two Minute English
Nov 28, 2024 · For example, the verb ‘make’ becomes ‘making’, not ‘makeing’. This rule helps in other cases too, such as ‘write’ becoming ‘writing’. Remembering this simple rule can improve …
MAKING Definition & Meaning | Dictionary.com
Making definition: the act of a person or thing that makes.. See examples of MAKING used in a sentence.
making - WordReference.com Dictionary of English
making / ˈmeɪkɪŋ / n. the act of a person or thing that makes or the process of being made (in combination): watchmaking; be the making of ⇒ to cause the success of; in the making ⇒ in …
208 Synonyms & Antonyms for MAKING - Thesaurus.com
Find 208 different ways to say MAKING, along with antonyms, related words, and example sentences at Thesaurus.com.
