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| majstor i margarita film: The Master and Margarita Mikhail Bulgakov, 2016-03-18 Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly |
| majstor i margarita film: The Master & Margarita Mikhail Bulgakov, 2016-03-22 Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera. |
| majstor i margarita film: Liberated Cinema, Revised and Expanded Edition Daniel J. Goulding, 2002 Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual Close-up award from the Yugoslav Film Institute in 1986 for outstanding scholarship and for promoting the values of Yugoslav film art internationally. This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia. |
| majstor i margarita film: The Most Important Art Mira Liehm, Antonín J. Liehm, 1980-01-01 |
| majstor i margarita film: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
| majstor i margarita film: The History of Russian Literature on Film Marina Korneeva, David Gillespie, 2023-12-28 Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema's various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history. |
| majstor i margarita film: Liberated Cinema Daniel J. Goulding, 2002 Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual Close-up award from the Yugoslav Film Institute in 1986 for outstanding scholarship and for promoting the values of Yugoslav film art internationally. This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia. |
| majstor i margarita film: The Europeanness of European Cinema Mary Harrod, Mariana Liz, Alissa Timoshkina, 2014-12-19 From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies. |
| majstor i margarita film: International Film Guide , 1973 |
| majstor i margarita film: International Film Guide Peter Cowie, 1973 |
| majstor i margarita film: Film Dope , 1989 |
| majstor i margarita film: The BFI Companion to Eastern European and Russian Cinema Richard Taylor, Nancy Wood, Julian Graffy, Dina Iordanova, 2019-07-25 This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism. |
| majstor i margarita film: Post New Wave Cinema in the Soviet Union and Eastern Europe Daniel J. Goulding, 1989 |
| majstor i margarita film: The Master and Margarita Mikhail Bulgakov, 2018-01-05 English translation of Mikhail Bulgakov's classic Russian novel, with an introduction by the translator, John Dougherty, and several footnotes explaining references to uniquely Soviet cultural, social and political concepts. |
| majstor i margarita film: Directory of Eastern European Film-makers and Films 1945-1991 Grzegorz Balski, 1992 |
| majstor i margarita film: International Film Prizes Tad Bentley Hammer, 1991 |
| majstor i margarita film: The World According to Garp John Irving, 1978 T.S. Garp, a man with high ambitions for an artistic career and with obsessive devotion to his wife and children, and Jenny Fields, his famous feminist mother, find their lives surrounded by an assortment of people including teachers, whores, and radicals |
| majstor i margarita film: Films by Genre Daniel López, 1993 Since the early days of cinema, there has been an insatiable demand for new product. As the number of movies increased, many began to resemble each other and fall into certain types of genres. Critics, filmmakers, and audiences have classified films into groupings for critical appraisal, easy identification of the subject, or a quick clue to the film's nature. From abstract through erotic, from new Chinese cinema or zombie films, 775 genres are included in this comprehensive reference work. Each entry includes a brief description of the category, the subgenres or related types of films, and a list of movies that best exemplify the genre, showing original title or titles, nationality (73 countries are represented), year of production, additional titles (working title, re-release title, translation, etc.) and director or filmmaker. |
| majstor i margarita film: Manuscripts Don't Burn J.A.E. Curtis, 2013-01-28 _______________ 'Curtis spent a decade trying to negotiate her way past possessive Soviet archivists, and the result of her persistence is the most comprehensive selection of personal documents so far available in any language' - Simon Franklin, Times Literary Supplement 'Ingeniously structured ... an absorbing and, at times, uplifting book' - Robert Russell, Modern Language Review 'An engaging and readable story of a life which wears its scholarship lightly ... Rich and exciting material' - Jane Grayson, Slavonic and East European Review 'Produces a lovely collage effect, the verbal equivalent of the photo album or scrapbook' - Laura D. Weeks, Russian Review _______________ A reissued edition of the definitive biography of Mikhail Bulgakov, author of The Master and Margarita The Russian playwright and novelist Mikhail Bulgakov (1891 - 1940) is now widely acknowledged as one of the giants of twentieth-century Soviet literature, ranking with such luminaries as Pasternak and Solzhenitsyn. In his own lifetime, however, a casualty of Stalinist repression, he was scarcely published at all, and his plays reached the stage only with huge difficulty. His greatest masterpiece, The Master and Margarita, a novel written in the 1930s in complete secrecy, largely at night, did not appear in print until more than a quarter of a century after his death. It has since become a worldwide bestseller. In Manuscripts Don't Burn, J.A.E. Curtis has collated the fruits of eleven years of research to produce a fascinating chronicle of Bulgakov's life, using a mass of exciting new material - much of which has never been published before. In particular, she is the only Westerner to have been granted access to either Bulgakov's or his wife Yelena Sergeyevna's diaries, which record in vivid detail the nightmarish precariousness of life during the Stalinist purges. J.A.E Curtis combines these diaries with extracts from letters to and from Bulgakov and with her own illuminating commentary to create a lively and highly readable account. Her vast collection of Bulgakov's correspondence is unparalleled even in the USSR, and she draws on it judiciously to include letters addressed directly to Stalin, in which Bulgakov's pleads to be allowed to emigrate; letters to his sisters and to his brother in Paris whom he did not see for twenty years; intimate notes to his second and third wives; and letters to and from well-known writers such as Gorky and Zamyatin. Manuscripts Don't Burn provides a forceful and compelling insight into the pressures of day-to-day existence for a man fighting persecution in order to make a career as a writer in Stalinist Russia. |
| majstor i margarita film: Diaries and Selected Letters Mikhail Bulgakov, 2018-01-01 The career of Mikhail Bulgakov, the author of The Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diaries were seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky.This ample selection from the diaries and letters of Mikhail Bulgakov, mostly translated for the first time into English, provides an insightful glimpse into the author's world and into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime. |
| majstor i margarita film: Films and Filming , 1974 |
| majstor i margarita film: Mikhail Bulgakov's The Master and Margarita Andrzej Klimowski, Mikhail Bulgakov, Danusia Schejbal, 2008 Disappearances, destruction and death spread throughout Moscow like wildfire, and Margarita has discovered that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves. |
| majstor i margarita film: International Guide to Literature on Film Tom Costello, 1994 A research tool for students of literature, film, and media studies with a listing of some 7,500 film treatments of literature done between 1930 and 1990 worldwide. An alphabetical author index provides form of work, nationality, literary and film titles, publication date, and director. The film ind |
| majstor i margarita film: The International Film Index, 1895-1990: Directors' filmography and indexes Alan Goble, 1991 |
| majstor i margarita film: Faust Osman Durrani, 2004 This title provides an exploration of the way Faust has achieved iconic status in modern culture by examining in his image in literature, theatre, film, art. |
| majstor i margarita film: My Grandmother Asked Me to Tell You She's Sorry Fredrik Backman, 2016-04-05 A cloth bag containing 10 paperback copies of the title, 1 large print edition, 1 audio book, that may also include a folder with sign out sheets. |
| majstor i margarita film: Schirmer Encyclopedia of Film Barry Keith Grant, 2007 This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts. |
| majstor i margarita film: Handbook of Soviet and East European Films and Filmmakers Thomas J. Slater, 1992 A study of the film art that was still being produced behind the Iron Curtain, even during such repressive regimes as those of Stalin and Brezhnev. By means of detailed historiographical essays for each country, it provides a history of cinematic evolution in the Soviet Union and Eastern Europe. |
| majstor i margarita film: Novi film: (1965-1970) Crni film Aleksandar Petrović, 1988 |
| majstor i margarita film: Cinema, The Magic Vehicle Adam Garbicz & Jacek Klinowski, Discover the captivating world of cinema with Cinema, the Magic Vehicle. If you are a film enthusiast looking to delve into the history of cinema from its early beginnings to the 1980s, I have an extraordinary book recommendation just for you. This remarkable book is filled with the most inspiring descriptions of the greatest films spanning the years 1913 to 1981. If you feel like you've been watching mostly remakes and are unsure of what else to explore in terms of historical films, this book will serve as your ultimate guide. It will transport you through time and immerse you in the fascinating works of film that have shaped today’s cinema. From silent film masterpieces which, without words, evoke strong emotions to the grand works of the Golden Age of Hollywood, Cinema, the Magic Vehicle will take you on a journey across diverse styles, genres and themes. Whether your interest lies in drama, comedy, science fiction or film noir, you will find something captivating within these pages. In addition to the correct screen credits and film descriptions, this book provides valuable historical context to help you to understand how cinema evolved over the years. You will discover how political, social and cultural events influenced filmmakers and how their works reflected the spirit of their era. This is not just a collection of film summaries but a fascinating time-travel experience that will deepen your understanding of the history of cinema and its impact on the world. Let yourself be swept away on an extraordinary journey through the history of cinema. Cinema, the Magic Vehicle is a guide to uncovering countless cinematic treasures and finding those essential titles worth watching. Open your eyes and heart to the wonders that await you, and let the magic of cinema captivate you for hours on end. Experience the gems that lie within. Start your adventure today and discover the captivating world of cinema from its earliest days to the golden age of film. Cinema, the Magic Vehicle is the key that will unlock unforgettable experiences and uncharted cinematic treasures. Get ready for unforgettable adventures and let the enchantment of cinema take hold of you. |
| majstor i margarita film: The International Film Index, 1895-1990: Film titles Alan Goble, 1991 |
| majstor i margarita film: Media Review Digest C. Edward Wall, 1975 |
| majstor i margarita film: Kinematografija u SR Srbiji , 1972 |
| majstor i margarita film: Film Titles, General Index Volume 1 - 10 International Federation of Film Archives, 2011-08-16 Keine ausführliche Beschreibung für Film Titles, General Index Volume 1 - 10 verfügbar. |
| majstor i margarita film: Let nad močvarom Petar Volk, 1999 |
| majstor i margarita film: The Goalie's Anxiety at the Penalty Kick Peter Handke, 2007-12-10 The first of Nobel Prize winner Peter Handke's novels to be published in English, The Goalie's Anxiety at the Penalty Kick is a true modern classic that portrays the...breakdown of a murderer in ways that recall Camus's The Stranger (The New York Times). The self-destruction of a soccer goalie turned construction worker who wanders aimlessly around a stifling Austrian border town after pursuing and then murdering, almost unthinkingly, a female movie cashier is mirrored by Handke's use of direct, sometimes fractured prose that conveys at its best a seamless blend of lyricism and horror seen in the runes of a disintegrating world (Boston Sunday Globe). |
| majstor i margarita film: Swann in Love Marcel Proust, 2017-11-16 'Swann's love . . . could not have been torn out of him without destroying him almost entirely' Swann in Love is a brilliant, devastating novella that tells of infatuation, love, and jealousy. Set against the backdrop of Paris at the end of the nineteenth century, the story of Charles Swann illuminates the fragilities and foibles of human beings when in the grip of desire. Swann is a highly cultured man-about-town who is plunged into turmoil when he falls for a young woman called Odette de Crécy. The novel traces the progress of Swann's emotions with penetrating exactitude as he encounters Odette at the regular gatherings in the salon of the Verdurins. His wilful self-delusion is both poignant and ridiculous , and his tormented feelings play out in scenes of high comedy amongst Odette's socially pretentious circle. Swann in Love is part of Proust's monumental masterpiece In Search of Lost Time, and it is also a captivating self-contained story. This new translation encapsulates the qualities that have secured Proust's reputation, and serves as a perfect introduction to his writing. |
| majstor i margarita film: Film a doba , 1989 |
| majstor i margarita film: Spielformen der Macht Georg Gierzinger, Sylvia Hölzl, Christine Roner, 2011 |
| majstor i margarita film: Filmska enciklopedija Ante Peterlić, 1986 |
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