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| los invisibles documentary: Los Invisibles Richard Cleminson, Francisco Vásquez García, 2011-07-15 Research into homosexuality in Spain is in its infancy. The last ten or fifteen years have seen a proliferation of studies on gender in Spain but much of this work has concentrated on women's history, literature and femininity. In contrast to existing research which concentrates on literature and literary figures, Los Invisibles focuses on the change in cultural representation of same-sex activity of through medicalisation, social and political anxieties about race and the late emergence of homosexual sub-cultures in the last quarter of the twentieth century. As such, this book constitutes an analysis of discourses and ideas from a social history and medical history position. Much of the research for the book was supported by a grant from the Wellcome Trust to research the medicalisation of homosexuality in Spain. |
| los invisibles documentary: 'Los Invisibles' Richard Cleminson, Francisco Vázquez García, 2007 Examining the social, medical and cultural history of male homosexuality in Spain, this book looks at it from the time homosexuality came to be an issue of medical, legal and cultural concern. Research into homosexuality in Spain is in its infancy. The last ten or fifteen years have seen a proliferation of studies on gender in Spain but much of this work has concentrated on women's history, literature and femininity. In contrast to existing research which concentrates on literature and literary figures, Los Invisibles focuses on the change in cultural representation of same-sex activity of through medicalisation, social and political anxieties about race and the late emergence of homosexual sub-cultures in the last quarter of the twentieth century. As such, this book constitutes an analysis of discourses and ideas from a social history and medical history position. Much of the research for the book was supported by a grant from the Wellcome Trust to research the medicalisation of homosexuality in Spain. |
| los invisibles documentary: French and Spanish Queer Film Chris Perriam, 2016-06-02 Advancing the current state of film audience research and of our knowledge of sexuality in transnational contexts, French and Spanish Queer Film analyses how French LGBTQ films are seen in Spain and Spanish ones in France. |
| los invisibles documentary: Telling Migrant Stories Esteban E. Loustaunau, Lauren E. Shaw, 2021-11-02 In the media, migrants are often portrayed as criminals; they are frequently dehumanized, marginalized, and unable to share their experiences. Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard. The essays in the first part of the volume consider the documentary as a medium for Latin American immigrants to share their thoughts and experiences on migration, border crossings, displacement, and identity. Contributors analyze films including Harvest of Empire, Sin país, The Vigil, De nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home, as well as internet documentaries distributed via platforms such as Vimeo and YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe. The second part of the volume features transcribed interviews with documentary filmmakers, including Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and María Cristina Carrillo Espinosa. They discuss the issues surrounding migration, challenges they faced in the filmmaking process, the impact their films have had, and their opinions on documentary film as a force of social change. They emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences in a way narrative films cannot. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity. Contributors: Ramón Guerra | Lizardo Herrera | Jared List | Esteban Loustaunau | Manuel F. Medina | Ada Ortúzar-Young | Thomas Piñeros Shields | Juan G. Ramos | Lauren Shaw | Zaira Zarza A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez |
| los invisibles documentary: The Rise of Central American Film in the Twenty-First Century Mauricio Espinoza, Jared List, 2023-08-29 How an overlooked film industry became a cinematic force The first book in English dedicated to the study of Central American film, this volume explores the main trends, genres, and themes that define this emerging industry. The seven nations of the region have seen an unprecedented growth in film production during the twenty-first century with the creation of over 200 feature-length films compared with just one in the 1990s. This volume provides a needed overview of one of the least explored cinemas in the world. In these essays, various scholars of film and cultural studies from around the world provide insights into the continuities and discontinuities between twentieth- and twenty-first-century cinematic production on the Isthmus. They discuss how political, social, and environmental factors, along with new production modes and aesthetics, have led to a corpus of films that delve into issues of the past and present such as postwar memory, failed revolutions, trauma, migration, popular culture, minority populations, and gender disparities. From Salvadoran documentaries to Costa Rican comedies and Panamanian sports films, the movies analyzed here demonstrate the region’s flourishing film industry and the diversity of approaches found within it. The Rise of Central American Film in the Twenty-First Century pays homage to an overlooked cultural phenomenon and shows the importance of regional cinema studies. Contributors: Liz Harvey-Kattou | Daniela Granja Núñez | Carolina Sanabria | Juan Carlos Rodríguez | María Lourdes Cortés | Júlia González de Canales Carcereny | Arno Jacob Argueta | Tomás Arce Mairena | Dr. Mauricio Espinoza | Lilia García Torres | Dr. Jared List | Patricia Arroyo Calderón | Esteban E. Loustaunau | Héctor Fernández L'Hoeste | Juan Pablo Gómez Lacayo | Jennifer Carolina Gómez Menjívar A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. |
| los invisibles documentary: The Brazilian Road Movie Sara Brandellero, 2013-06-15 The Brazilian Road Movie: Journeys of (Self)Discovery explores some of the key trends and films in the development of the road movie in Brazil. Through a collection of essays by distinguished scholars, and covering a broad range of case studies, this text spans Brazilian film production from the silent era to the present day. This text examines issues such as the reworking of the genre in a Brazilian context, the relationship between documentary and fiction, between history, politics and cinema, gender and race, the wilderness and the urban space, the national and the transnational. The essays consider among other things how the experience of the journey helped develop and was instrumental in defining identities on screen. Adopting a variety of approaches, the volume considers the significance of the iconography of the road, the experience of movement and of life on the move for the representation of Brazil on screen. |
| los invisibles documentary: The Invisibles Grant Morrison, 1996 Written by Grant Morrison; Art by Steve Yeowell, Jill Thompson and others Throughout history, a secret society called the Invisibles, who count among their number Lord Byron and Percy Shelley, work against the forces of order that seek to repress humanity's growth. In this first collection, the Invisibles latest recruit, a teenage lout from the streets of London, must survive a bizarre, mind-altering training course before being projected into the past to help enlist the Marquis de Sade. |
| los invisibles documentary: Migration Film Festivals Lidia Peralta García, Lhoussain Simour, 2025-03-28 This book explores the intersections of migration and film festivals, with particular attention to their social functions . Adopting an interdisciplinary and multi-bottom line perspective, the authors address the purposes and circumstances of migration film festivals; their delimitation as distinct from other genres of festivals; their cinematographic creation; and their approaches to the curation and programming of films. Numerous questions arise in the process: Is social function prone to homogenization among migration film festivals? What are these festivals’ main constraints in negotiating their social functions? What is their actual capacity to foster social transformation? How do we conceive of the fact that most migration festival goers are rarely the ones in need of changing their perceptions? How are migrants actually involved in these cultural events? What are the specific challenges that undermine migration film festivals in achieving a greater social impact, and in turning into true axes of critical reflection towards more empathetic, inclusive and respectful ways of life? |
| los invisibles documentary: Psychoanalysis and Narrative Jorgelina Corbatta, 2024-08-14 Psychoanalysis and Narrative analyzes narrative in literary fiction, film, and autobiography through different psychoanalytic lenses including gender and socio-cultural perspectives. This book aims to demonstrate how fictionists and film makers have intuitively developed – through their own creativity – many of the psychoanalytic discoveries about the human mind. Subverting the usual direction of “applied psychoanalysis,” the book goes from creativity to psychoanalysis, and focuses on four internationally known Argentine writers: Jorge Luis Borges, Julio Cortázar, Manuel Puig, and Luisa Valenzuela; two Argentine women filmmakers, Lucrecia Martel and Lucía Puenzo; and French essayist and writer Serge Doubrovsky. This volume will be of interest to students and academics interested in autobiography and autofiction. |
| los invisibles documentary: El falso documental Mar López Ligero, 2015-01-01 El falso documental ha pasado de ser una producción anecdótica a convertirse en una categoría cinematográfica reconocida por el gran público. Aunque su popularidadactual es incuestionable, no se trata de una forma nueva, sino que podemos rastrearla desde el inicio del cinematógrafo. Este libro recopila algunos de los títulos más emblemáticos, buscando a través de su estudio las características y la estructura que lo definen como modelo documental.En sus páginas se mantiene que todo fake puede ser estudiado no solo por los códigos tradicionalmente adscritos a los relatos de realidad que parasita, sino también por el contexto de su producción, su recepción y por la actitud mantenida por el texto. Alguno de los aspectos que mejor definen el falso documental es su falta de vocaciónde engaño y su insistencia en retratar los medios de comunicación de una manera subversiva. |
| los invisibles documentary: Understanding and Proving International Sex Crimes Morten Bergsmo, Alf Butenschøn Skre, Elisabeth J. Wood, 2012-04-25 [This anthology] addresses the gap betwen international standard-setting prohibiting international sex crimes and actual accountability for individuals who are responsible for such crimes. The book provides detailed analysis of the legal requirements of international sex crimes and types of fact that can be used to meet these requirements. It includes a unique knowledge-base that digests international case law on such crimes. The anthology also contains several studies of institutional and evidentiary challenges in the prosecution of international sex crimes--Series pref. |
| los invisibles documentary: Feminist (Im)Mobilities in Fortress(ing) North America Amy Lind, Marianne H. Marchand, 2016-04-15 Since the establishment of the North American Free Trade Agreement (NAFTA) tensions concerning immigration trends and policies, which continued to escalate at the turn of the millennium resulted in revised national security policies in Mexico, Canada, and the United States. These tensions have catalyzed the three governments to rethink their political and economic agendas. While national feminist scholarship in and on these respective countries continue to predominate, since NAFTA, there has been increasing feminist inquiry in a North American regional frame. Less has been done to understand challenges of the hegemonies of nation, region, and empire in this context and to adequately understand the meaning of (im)mobility in people's lives as well as the (im)mobilities of social theories and movements like feminism. Drawing from current feminist scholarship on intimacy and political economy and using three main frameworks: Fortressing Writs/Exclusionary Rights, Mobile Bodies/Immobile Citizenships, and Bordered/Borderland Identities, a handpicked group of established and rising feminist scholars methodically examine how the production of feminist knowledge has occurred in this region. The economic, racial, gender and sexual normativities that have emerged and/or been reconstituted in neoliberal and securitized North America further reveal the depth of regional and global restructuring. |
| los invisibles documentary: Mapping Memory Kaitlin M. Murphy, 2018-10-02 In Mapping Memory, Kaitlin M. Murphy investigates the use of memory as a means of contemporary sociopolitical intervention. Mapping Memory focuses specifically on visual case studies, including documentary film, photography, performance, new media, and physical places of memory, from sites ranging from the Southern Cone to Central America and the U.S.–Mexican borderlands. Murphy develops new frameworks for analyzing how visual culture performs as an embodied agent of memory and witnessing, arguing that visuality is inherently performative. By analyzing the performative elements, or strategies, of visual texts—such as embodiment, reenactment, haunting, and the performance of material objects and places Murphy elucidates how memory is both anchored in and extracted from specific bodies, objects, and places. Drawing together diverse theoretical strands, Murphy originates the theory of “memory mapping”, which tends to the ways in which memory is strategically deployed in order to challenge official narratives that often neglect or designate as transgressive certain memories or experiences. Ultimately, Murphy argues, memory mapping is a visual strategy to ask, and to challenge, why certain lives are rendered visible and thus grievable and others not. |
| los invisibles documentary: Contested Identities in Costa Rica Liz Harvey-Kattou, 2019 Contested Identities in Costa Rica explores the concept of national identity within the paradigm of the dominant image of the traditional and idealised tico. Considering literature from the 1970s and cinema from the twenty-first century, it analyses how this identity has been challenged through the soft power of creative protest. |
| los invisibles documentary: The Latin American (Counter-) Road Movie and Ambivalent Modernity Nadia Lie, 2017-02-09 This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship to modernity, Nadia Lie charts the variety of the road movie through films by both renowned and emerging filmmakers. The Latin American (Counter-) Road Movie and Ambivalent Modernity engages with ongoing debates on transnationalism and takes the reader along a wide range of topics, from exile to undocumented migration, from tourism to internally displaced people. |
| los invisibles documentary: Ecuadorian Cinema for the 21st Century María Fernanda Miño Puga, 2023-10-13 Ecuadorian cinema has been largely overlooked in film scholarship, usually being limited to brief descriptions in Latin American compendiums. Ecuadorian cinema for the 21st century would be the first major publication in English to fill this gap. It provides a thorough account of film activities during the new millennium, while also referring to the country’s previous film history. Specifically, this book discusses the so-called ‘mini-boom” in Ecuadorian cinema, and its relation to industry structures, film policy, and the context of Socialism for the 21st century, hence the chosen terminology of “Ecuadorian cinema for the 21st century”. What makes this project distinctive, aside from the originality of its content, is its transdisciplinary methodology. As a means to frame the textual analysis of selected films, this book discusses theories on national cinemas, memory, politicalideology, and production practices, in an interdisciplinary approach that can be emulated in later projects. For this purpose, the book is divided into five chapters, in addition to a brief introduction and conclusion. Each chapter relies on specific case studies to discuss local narratives and documentaries, whether state sponsored or privately funded, centring primarily on films that premiered in commercial theatres between 2006 and 2016. |
| los invisibles documentary: Historical Dictionary of South American Cinema Peter H. Rist, 2014-05-08 This dictionary covers the history of South American Cinema through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on directors, producers, performers, films, film studios, and genres. |
| los invisibles documentary: The Sounds of Latinidad Samuel K. Byrd, 2015-06-19 The Sounds of Latinidad explores the Latino music scene as a lens through which to understand changing ideas about latinidad in the New South. Focusing on Latino immigrant musicians and their fans in Charlotte, North Carolina, the volume shows how limited economic mobility, social marginalization, and restrictive immigration policies have stymied immigrants’ access to the American dream and musicians’ dreams of success. Instead, Latin music has become a way to form community, debate political questions, and claim cultural citizenship. The volume illuminates the complexity of Latina/o musicians’ lives. They find themselves at the intersection of culture and politics, often pushed to define a vision of what it means to be Latino in a globalizing city in the Nuevo South. At the same time, they often avoid overt political statements and do not participate in immigrants’ rights struggles, instead holding a cautious view of political engagement. Yet despite this politics of ambivalence, Latina/o musicians do assert intellectual agency and engage in a politics that is embedded in their musical community, debating aesthetics, forging collective solidarity with their audiences, and protesting poor working conditions. Challenging scholarship on popular music that focuses on famous artists or on one particular genre, this volume demonstrates how exploring the everyday lives of ordinary musicians can lead to a deeper understanding of musicians’ role in society. It argues that the often overlooked population of Latina/o musicians should be central to our understanding of what it means to live in a southern U.S. city today. |
| los invisibles documentary: The New Cultural History of Peronism Matthew B. Karush, Oscar Chamosa, 2010-05-21 In nearly every account of modern Argentine history, the first Peronist regime (1946–55) emerges as the critical juncture. Appealing to growing masses of industrial workers, Juan Perón built a powerful populist movement that transformed economic and political structures, promulgated new conceptions and representations of the nation, and deeply polarized the Argentine populace. Yet until now, most scholarship on Peronism has been constrained by a narrow, top-down perspective. Inspired by the pioneering work of the historian Daniel James and new approaches to Latin American cultural history, scholars have recently begun to rewrite the history of mid-twentieth-century Argentina. The New Cultural History of Peronism brings together the best of this important new scholarship. Situating Peronism within the broad arc of twentieth-century Argentine cultural change, the contributors focus on the interplay of cultural traditions, official policies, commercial imperatives, and popular perceptions. They describe how the Perón regime’s rhetoric and representations helped to produce new ideas of national and collective identity. At the same time, they show how Argentines pursued their interests through their engagement with the Peronist project, and, in so doing, pushed the regime in new directions. While the volume’s emphasis is on the first Perón presidency, one contributor explores the origins of the regime and two others consider Peronism’s transformations in subsequent years. The essays address topics including mass culture and melodrama, folk music, pageants, social respectability, architecture, and the intense emotional investment inspired by Peronism. They examine the experiences of women, indigenous groups, middle-class anti-Peronists, internal migrants, academics, and workers. By illuminating the connections between the state and popular consciousness, The New Cultural History of Peronism exposes the contradictions and ambivalences that have characterized Argentine populism. Contributors: Anahi Ballent, Oscar Chamosa, María Damilakou, Eduardo Elena, Matthew B. Karush, Diana Lenton, Mirta Zaida Lobato, Natalia Milanesio, Mariano Ben Plotkin, César Seveso, Lizel Tornay |
| los invisibles documentary: Children on the Threshold in Contemporary Latin American Cinema Rachel Randall, 2017-10-10 This book contends that child characters have taken on a critical representational role within Latin American cinema because of their position on the threshold between “nature” and “culture,” which converts them into a focus of, and a limit to, state or colonial biopower. |
| los invisibles documentary: This Loving Darkness Cyril Brian Morris, 1980 |
| los invisibles documentary: La road movie y la counter-road movie en América Latina : una modernidad ambivalente Nadia Lie, 2023-05-17 Este libro constituye la primera monografía sistemática y exhaustiva de la road movie latinoamericana, uno de los géneros más productivos y populares en el cine latinoamericano de hoy. Dedicando atención tanto a películas ya clásicas como Diarios de motocicleta e Y tu mamá también, así como a las muchas road movies hechas por una generación más joven y de talento, el libro no sólo proporciona una ruta a través de este territorio extenso y apasionante, sino que también brinda conceptos teóricos innovadores y especialmente apropiados para el estudio de este género en el contexto latinoamericano. La relación desafiante que mantiene el género con el concepto de la modernidad, y la presencia llamativa de numerosas contra-road movies en América Latina -variante identificada aquí por primera vez- son dos focos de interés que atraviesan los diferentes capítulos. Al mismo tiempo, el libro demuestra que el género de la road movie está en el centro de muchos de los problemas claves del mundo actual: desde el exilio hasta la migración indocumentada, pasando por el turismo y los desplazamientos forzados. Dialogando críticamente con el paradigma actual de los estudios transnacionales del cine, y basándose en un corpus de casi 200 películas de todos los países de América Latina, este libro es un punto de referencia necesario para cualquier interesado en el cine latinoamericano de hoy. |
| los invisibles documentary: Spain on Screen A. Davies, 2011-01-05 A collection of original essays from leading scholars in the field exploring the contemporary debates, concerns and controversies ongoing in Spanish film industry, culture and scholarship. The essays reveal the far-reaching shifts that have occurred in the Spanish film scene, making essential reading for all interested in European cinema. |
| los invisibles documentary: El cine documental Tammy Jandrey Hertel, Stasie Harrington, 2016-11-07 El cine documental is an innovative intermediate/advanced textbook that provides students with the tools needed to communicate accurately and appropriately in Spanish. Learning is centered on cultural themes related to thought-provoking documentaries from around the Spanish-speaking world. Through the culturally rich and linguistically authentic medium of documentary film, El cine documental provides the experience of listening to many varieties of authentic speech in context, and stimulates conversation and critical thinking by immersing students in the target cultures. Organized to provide scaffolding for students as they develop their skills in listening, speaking, reading, and writing, each chapter includes five sections: Ver, Leer, Escuchar, Escribir, and Expandir. Features: Authentic, engaging, culturally rich materials that develop students’ translingual and transcultural competence and prepare them for participation in a global society. Authentic input related to each chapter theme is provided in the form of: a documentary film depicting contemporary and historical topics from a variety of Spanish-speaking countries. Themes include the environment; sports; globalization; poverty, hopes, and dreams; immigration; human rights; war and peace; and feminism. a reading from a variety of genres: blog posts, newspaper articles, poetry, and short stories. video interviews that students conduct with native Spanish speakers from the local community and a contemporary song related to the chapter theme. Pre-, during, and post-viewing/reading/listening activities that guide and scaffold students’ interaction with multimedia input (films, readings, and songs) and develop their language skills. All activities are contextualized, meaningful, and directly related to the chapter themes. End-of-chapter, learner-driven activities that require students to demonstrate their ability to integrate and put into practice their linguistic skills and cultural knowledge and understanding via oral presentations, debates, and a process-oriented writing assignment with a real-world purpose and audience. An electronic workbook with detailed grammatical explanations for each grammar topic (four per chapter) and auto-correcting practice activities that provide additional vocabulary exposure. The Documentary Films: América Latina y el Caribe: Riqueza viva Rumbo a las grandes ligas / Road to the Big Leagues ¿Por qué quebró McDonald’s en Bolivia? / Fast Food off the Shelf La mina del diablo / The Devil’s Miner ¿Cuál es el camino a casa? / Which Way Home? Nuestros desaparecidos / Our Disappeared La Sierra Nosotras, centroamericanas Films not included. To see list of sources for purchase, rental or other means of accessing the films please visit www.hackettpublishing.com. |
| los invisibles documentary: Sacrificing Families Leisy J. Abrego, 2014-02-05 Widening global inequalities make it difficult for parents in developing nations to provide for their children, and both mothers and fathers often find that migration in search of higher wages is their only hope. Their dreams are straightforward: with more money, they can improve their children's lives. But the reality of their experiences is often harsh, and structural barriers—particularly those rooted in immigration policies and gender inequities—prevent many from reaching their economic goals. Sacrificing Families offers a first-hand look at Salvadoran transnational families, how the parents fare in the United States, and the experiences of the children back home. It captures the tragedy of these families' daily living arrangements, but also delves deeper to expose the structural context that creates and sustains patterns of inequality in their well-being. What prevents these parents from migrating with their children? What are these families' experiences with long-term separation? And why do some ultimately fare better than others? As free trade agreements expand and nation-states open doors widely for products and profits while closing them tightly for refugees and migrants, these transnational families are not only becoming more common, but they are living through lengthier separations. Leisy Abrego gives voice to these immigrants and their families and documents the inequalities across their experiences. |
| los invisibles documentary: Super Chef Juliette Rossant, 2004 The author profiles six of the most popular names in the food industry and describes what it takes to become top chefs in the nation. |
| los invisibles documentary: The Motion Picture Guide Jay Robert Nash, Stanley Ralph Ross, 1985 |
| los invisibles documentary: Homecoming Trails in Mexican American Cultural History Roberto Cantú, 2021-04-16 This volume brings together a number of critical essays on three selected topics: biography, nationhood, and globalism. Written exclusively for this book by specialists from Mexico, Germany, and the United States, the essays propose a reexamination of Mexican American cultural history from a twenty-first century standpoint, written in English and approached from different analytical models and critical methods, but free of theoretical jargon. The essays range from biographies and memoirs by leading Chicano historians and studies of globalism during the rule of Imperial Spain (1492-1898), to the modern rise and global influence of the United States, particularly in Mexico, Latin America and the Caribbean. Also included are critical studies of novels by Chicano, Latin American, and Caribbean writers who narrate and represent the dominant role played by the United States both within the nation itself and in the Caribbean, thus illustrating the historical parallels and relations that bind Latinos and Americans of Mexican descent. This book will be of importance to literary historians, literary critics, teachers, students, and readers interested in stimulating and unconventional studies of Mexican American cultural history from a global perspective. |
| los invisibles documentary: Latin Music Ilan Stavans, 2014-07-29 This definitive two-volume encyclopedia of Latin music spans 5 centuries and 25 countries, showcasing musicians from Celia Cruz to Plácido Domingo and describing dozens of rhythms and essential themes. Eight years in the making, Latin Music: Musicians, Genres, and Themes is the definitive work on the topic, providing an unparalleled resource for students and scholars of music, Latino culture, Hispanic civilization, popular culture, and Latin American countries. Comprising work from nearly 50 contributors from Spain, Latin America, the Caribbean, and the United States, this two-volume work showcases how Latin music—regardless of its specific form or cultural origins—is the passionate expression of a people in constant dialogue with the world. The entries in this expansive encyclopedia range over topics as diverse as musical instruments, record cover art, festivals and celebrations, the institution of slavery, feminism, and patriotism. The music, traditions, and history of more than two dozen countries—such as Argentina, Brazil, Costa Rica, Cuba, El Salvador, Guatemala, Honduras, Mexico, Panama, Spain, and Venezuela—are detailed, allowing readers to see past common stereotypes and appreciate the many different forms of this broadly defined art form. |
| los invisibles documentary: El futuro más acá Itala Schmelz, 2006 |
| los invisibles documentary: Walking Raddy Kim Vaz-Deville, 2018-05-17 Contributions by Jennifer Atkins, Vashni Balleste, Mora J. Beauchamp-Byrd, Ron Bechet, Melanie Bratcher, Jerry Brock, Ann Bruce, Violet Harrington Bryan, Rachel Carrico, Sarah Anita Clunis, Phillip Colwart, Keith Duncan, Rob Florence, Pamela R. Franco, Daniele Gair, Meryt Harding, Megan Holt, DeriAnne Meilleur Honora, Marielle Jeanpierre, Ulrick Jean-Pierre, Jessica Marie Johnson, Karen La Beau, D. Lammie-Hanson, Karen Trahan Leathem, Charles Lovell, Annie Odell, Ruth Owens, Steve Prince, Nathan Nu'Awlons Natescott Haynes Scott, LaKisha Michelle Simmons, Tia L. Smith, Gailene McGhee St.Amand, and Kim Vaz-Deville Since 2004, the Baby Doll Mardi Gras tradition in New Orleans has gone from an obscure, almost forgotten practice to a flourishing cultural force. The original Baby Dolls were groups of black women, and some men, in the early Jim Crow era who adopted New Orleans street masking tradition as a unique form of fun and self-expression against a backdrop of racial discrimination. Wearing short dresses, bloomers, bonnets, and garters with money tucked tight, they strutted, sang ribald songs, chanted, and danced on Mardi Gras Day and on St. Joseph feast night. Today's Baby Dolls continue the tradition of one of the first street women's masking and marching groups in the United States. They joyfully and unabashedly defy gender roles, claiming public space and proclaiming through their performance their right to social citizenship. Essayists draw on interviews, theoretical perspectives, archival material, and historical assessments to describe women's cultural performances that take place on the streets of New Orleans. They recount the history and contemporary resurgence of the Baby Dolls while delving into the larger cultural meaning of the phenomenon. Over 140 color photographs and personal narratives of immersive experiences provide passionate testimony of the impact of the Baby Dolls on their audiences. Fifteen artists offer statements regarding their work documenting and inspired by the tradition as it stimulates their imagination to present a practice that revitalizes the spirit. |
| los invisibles documentary: The Routledge History of Sex and the Body Sarah Toulalan, Kate Fisher, 2013-03-20 The Routledge History of Sex and the Body provides an overview of the main themes surrounding the history of sexuality from 1500 to the present day. The history of sex and the body is an expanding field in which vibrant debate on, for instance, the history of homosexuality, is developing. This book examines the current scholarship and looks towards future directions across the field. The volume is divided into fourteen thematic chapters, which are split into two chronological sections 1500 – 1750 and 1750 to present day. Focusing on the history of sexuality and the body in the West but also interactions with a broader globe, these thematic chapters survey the major areas of debate and discussion. Covering themes such as science, identity, the gaze, courtship, reproduction, sexual violence and the importance of race, the volume offers a comprehensive view of the history of sex and the body. The book concludes with an afterword in which the reader is invited to consider some of the ‘tensions, problems and areas deserving further scrutiny’. Including contributors renowned in their field of expertise, this ground-breaking collection is essential reading for all those interested in the history of sexuality and the body. |
| los invisibles documentary: Katrina on Stage Suzanne M. Trauth, Lisa S. Brenner, 2011-09-30 The plays collected in this volume give artistic expression to the devastation wrought by Hurricane Katrina, especially at the level of individual lives forever altered. Besides telling the kinds of stories that the news media could not, these plays explore the deeply rooted problems plaguing New Orleans and illuminate many social, political, and environmental issues central to American life. The factual basis of these plays serves a documentary purpose, but, as drama, they personalize the events surrounding the storm, depicting unimaginable anguish, powerlessness, and displacement as well as courage, communal spirit, and activism. |
| los invisibles documentary: Themes in Latin American Cinema Keith John Richards, 2020-03-12 This updated and expanded edition gives critical analyses of 23 Latin American films from the last 20 years, including the addition of four films from Bolivia. Explored throughout the text are seven crucial themes: the indigenous image, sexuality, childhood, female protagonists, crime and corruption, fratricidal wars, and writers as characters. Designed for general and scholarly interest, as well as a guide for teachers of Hispanic culture or Latin American film and literature, the book provides a sweeping look at the logistical circumstances of filmmaking in the region along with the criteria involved in interpreting a Latin American film. It includes interviews with and brief biographies of influential filmmakers, along with film synopses, production details and credits, transcripts of selected scenes, and suggestions for discussion and analysis. |
| los invisibles documentary: A Companion to Latin American Literature and Culture Sara Castro-Klaren, 2022-05-23 Cutting-edge and insightful discussions of Latin American literature and culture In the newly revised second edition of A Companion to Latin American Literature and Culture, Sara Castro-Klaren delivers an eclectic and revealing set of discussions on Latin American culture and literature by scholars at the cutting edge of their respective fields. The included essays—whether they're written from the perspective of historiography, affect theory, decolonial approaches, or human rights—introduce readers to topics like gaucho literature, postcolonial writing in the Andes, and baroque art while pointing to future work on the issues raised. This work engages with anthropology, history, individual memory, testimonio, and environmental studies. It also explores: A thorough introduction to topics of coloniality, including the mapping of the pre-Columbian Americas and colonial religiosity Comprehensive explorations of the emergence of national communities in New Imperial coordinates, including discussions of the Muisca and Mayan cultures Practical discussions of global and local perspectives in Latin American literature, including explorations of Latin American photography and cultural modalities and cross-cultural connections In-depth examinations of uncharted topics in Latin American literature and culture, including discussions of femicide and feminist performances and eco-perspectives Perfect for students in undergraduate and graduate courses tackling Latin American literature and culture topics, A Companion to Latin American Literature and Culture, Second Edition will also earn a place in the libraries of members of the general public and PhD students interested in Latin American literature and culture. |
| los invisibles documentary: El Libro de la Vida: La Novelización (The Book of Life Movie Novelization) , 2014-09-09 ¡Manolo está tratando de romper con las tradiciones de su familia y crear su propio destino en este recuento en español de la película El libro de la vida! Manolo tiene un simple sueño—convertirse en el mejor músico en San Ángel y capturar el corazón de su amiga Maria. Pero el padre de Manolo quiere que continué la tradición de su familia para convertirse en un torero. Además para empeorar las cosas, ¡el mejor amigo de Manolo está enamorado de Maria también! Mientras Manolo compite para ganar el amor de Maria y crea su propio destino, tiene que seguir su corazón y enfrentarse a sus miedos más grandes cuando su viaje le lleva a tierras extrañas y hermosas más allá de su imaginación más salvaje. ¿Puede Manolo tener éxito en reescribir su destino? THE BOOK OF LIFE © 2014 Twentieth Century Fox Film Corporation and Reel FX Productions II, LLC. All rights reserved. |
| los invisibles documentary: The Cinema of Cecilia Bartolomé Sally Faulkner, 2024-09-24 Were it not for authoritarian state censorship, Cecilia Bartolomé’s name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé’s extant filmography, and speculate about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-90s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo. |
| los invisibles documentary: Variety International Film Guide , 2003 |
| los invisibles documentary: Catálogo BAFICI 2011 , |
| los invisibles documentary: Let’s Talk About Your Wall Carmen Boullosa, Alberto Quintero, 2020-10-13 Major writers from Mexico weigh in on U.S. immigration policy, from harrowing migrant journeys to immigrant detention to the life beyond the wall Despite the extensive coverage in the U.S. media of the southern border and Donald Trump's proposed wall, most English speakers have had little access to the multitude of perspectives from Mexico on the ongoing crisis. Celebrated novelist Carmen Boullosa (author of Texas and Before) and Alberto Quintero redress this imbalance with this collection of essays—translated into English for the first time—drawing on writing by journalists, novelists, and documentary-makers who are Mexican or based in Mexico. Contributors include the award-winning author Valeria Luiselli, whose Tell Me How It Ends is the go-to book on the child migrant crisis, and the novelist Yuri Herrera, author of the highly acclaimed Signs Preceding the End of the World. Let's Talk About Your Wall uses Trump's wall as a starting point to discuss important questions, including the history of U.S.-Mexican relations, and questions of sovereignty, citizenship, and borders. An essential resource for anyone seeking to form a well-grounded opinion on one of the central issues of our day, Let's Talk About Your Wall provides a fierce and compelling counterpoint to the racist bigotry and irrational fear that consumes the debate over immigration, and a powerful symbol of opposition to exclusion and hate. |
Los | Spanish to English Translation - SpanishDictionary.com
Browse Spanish translations from Spain, Mexico, or any other Spanish-speaking country. Translate Los. See 3 authoritative translations of Los in English with example sentences, …
Los Angeles - Wikipedia
Los Angeles, [a] often referred to by its initials L.A., is the most populous city in the U.S. state of California, and the commercial, financial, and cultural center of Southern California.With an …
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LOS Definition & Meaning - Merriam-Webster
Jun 10, 2025 · What does the abbreviation LOS stand for? Meaning: line of scrimmage.
LOS - Definition by AcronymFinder
51 definitions of LOS. Meaning of LOS. What does LOS stand for? LOS abbreviation. Define LOS at AcronymFinder.com.
LOS | translate Spanish to English - Cambridge Dictionary
LOS translate: them, the, them. Learn more in the Cambridge Spanish-English Dictionary.
English translation of 'los' - Collins Online Dictionary
Unlike the other Spanish articles, and articles in English, lo is NOT used with a noun. lo can be used with a masculine singular adjective or past participle ... Read more. 1. them Se usa them …
Spanish Grammar: Los vs Las Guide, Worksheet and Exercises
Jan 11, 2024 · “Los” is the masculine form, used with masculine nouns, while “las” is the feminine form, used with feminine nouns. This gender assignment is not always based on the actual …
Lo – La – Los – Las – Direct Object Pronouns in Spanish
When we are talking about things in Spanish we use either lo, la, los or las, depending on whether the noun is masculine or feminine, and singular or plural: In some cases we might need to …
LOS - What does LOS stand for? The Free Dictionary
Looking for online definition of LOS or what LOS stands for? LOS is listed in the World's most authoritative dictionary of abbreviations and acronyms.
Los | Spanish to English Translation - SpanishDictionary.com
Browse Spanish translations from Spain, Mexico, or any other Spanish-speaking country. Translate Los. See 3 authoritative translations of Los in English with example sentences, …
Los Angeles - Wikipedia
Los Angeles, [a] often referred to by its initials L.A., is the most populous city in the U.S. state of California, and the commercial, financial, and cultural center of Southern California.With an …
Valence Surface Tech Locations | Aerospace Metal Finishing …
We serve clients in the aerospace, defense, automotive, marine, mining, nuclear, and medical industries. We offer high quality metal finishing, electroplating, and industrial coating services. …
LOS Definition & Meaning - Merriam-Webster
Jun 10, 2025 · What does the abbreviation LOS stand for? Meaning: line of scrimmage.
LOS - Definition by AcronymFinder
51 definitions of LOS. Meaning of LOS. What does LOS stand for? LOS abbreviation. Define LOS at AcronymFinder.com.
LOS | translate Spanish to English - Cambridge Dictionary
LOS translate: them, the, them. Learn more in the Cambridge Spanish-English Dictionary.
English translation of 'los' - Collins Online Dictionary
Unlike the other Spanish articles, and articles in English, lo is NOT used with a noun. lo can be used with a masculine singular adjective or past participle ... Read more. 1. them Se usa them …
Spanish Grammar: Los vs Las Guide, Worksheet and Exercises
Jan 11, 2024 · “Los” is the masculine form, used with masculine nouns, while “las” is the feminine form, used with feminine nouns. This gender assignment is not always based on the actual …
Lo – La – Los – Las – Direct Object Pronouns in Spanish
When we are talking about things in Spanish we use either lo, la, los or las, depending on whether the noun is masculine or feminine, and singular or plural: In some cases we might need to refer …
LOS - What does LOS stand for? The Free Dictionary
Looking for online definition of LOS or what LOS stands for? LOS is listed in the World's most authoritative dictionary of abbreviations and acronyms.
