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| lipstick alley clarine: The Illio , 1911 |
| lipstick alley clarine: Vivien Leigh Kendra Bean, 2013-10-15 Draws on in-depth research and new interviews to present a narrative account of the actress's life that covers her early childhood in India, her celebrated love affair with Laurence Olivier, and her early death at age fifty-three. |
| lipstick alley clarine: Mr. S George Jacobs, William Stadiem, 2009-04-25 Mr. S: My Life with Frank Sinatra, by former valet-aide George Jacobs with an oh-so-able assist by William Stadiem, has at least five quotable and shocking remarks about the famous on every page. The fifteen years Jacobs toiled for Frank produces a classic of its genre -- a gold-star gossip-lover's dream.... The rest is showbiz history as it was, and only Ava Gardner, Humphrey Bogart, and Betty Bacall are spared. Marilyn Monroe, Judy Garland, Juliet Prowse, Noel Coward, Cole Porter, Mia Farrow, Elvis Presley, Swifty Lazar, Dean Martin, Peggy Lee, Sammy Davis Jr., Marlene Dietrich, Greta Garbo, Jimmy van Heusen, Edie Goetz, Peter Lawford, and all of the Kennedys come in for heaping portions of 'deep dish,' served hot. Sordid, trashy, funny, and so rat-a-tat with its smart inside info and hip instant analysis that some of it seems too good to be true.... |
| lipstick alley clarine: A History of the Hal Roach Studios Richard Lewis Ward, 2006-08-15 Once labeled the “lot that laugher built,” the Hal Roach Studios launched the comedic careers of such screen icons as Harold Lloyd, Our Gang, and Laurel and Hardy. With this stable of stars, the Roach enterprise operated for forty-six years on the fringes of the Hollywood studio system during a golden age of cinema and gained notoriety as a producer of short comedies, independent features, and weekly television series. Many of its productions are better remembered today than those by its larger contemporaries. In A History of the Hal Roach Studios, Richard Lewis Ward meticulously follows the timeline of the company’s existence from its humble inception in 1914 to its close in 1960 and, through both its obscure and famous productions, traces its resilience to larger trends in the entertainment business. In the first few decades of the twentieth century, the motion picture industry was controlled by an elite handful of powerful firms that allowed very little room for new competition outside of their established cartel. The few independents that garnered some measure of success despite their outsider status usually did so by specializing in underserved or ignored niche markets. Here, Ward chronicles how the Roach Studios, at the mercy of exclusive distribution practices, managed to repeatedly redefine itself in order to survive for nearly a half-century in a cutthroat environment. Hal Roach’s tactic was to nurture talent rather than exhaust it, and his star players spent the prime of their careers shooting productions on his lot. Even during periods of decline or misdirection, the Roach Studios turned out genuinely original material, such as the screwball classic Topper (1937), the brutally frank Of Mice and Men (1940), and the silent experiment One Million B.C. (1940). Ward’s exploration yields insight into the production and marketing strategies of an organization on the periphery of the theatrical film industry and calls attention to the interconnected nature of the studio system during the classic era. The volume also looks to the early days of television when the prolific Roach Studios embraced the new medium to become, for a time, the premier telefilm producer. Aided by a comprehensive filmography and twenty-seven illustrations, A History of the Hal Roach Studios recounts an overlooked chapter in American cinema, not only detailing the business operations of Roach’s productions but also exposing the intricate workings of Hollywood’s rivalrous moviemaking establishment. |
| lipstick alley clarine: Guernsey Breeders' Journal , 1920 |
| lipstick alley clarine: Report on the Far East United States. Congress. Senate. Committee on Foreign Relations, 1960 |
| lipstick alley clarine: The Annenbergs John E. Cooney, 1982 This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain.--Jacket. |
| lipstick alley clarine: Tony's Scrap Book Anthony Wons, 2012-05-01 |
| lipstick alley clarine: Requirements of Halal Certification , 2012 |
| lipstick alley clarine: Hollywood Highbrow Shyon Baumann, 2018-06-05 Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie art. Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art. |
| lipstick alley clarine: Phonetics, Theory and Application William R. Tiffany, James A. Carrell, 1977 |
| lipstick alley clarine: Waltz into Darkness Cornell Woolrich, 2021-09-02 A dark tale of the destructive power of love and obsession from 'The supreme master of suspense' NEW YORK TIMES 'The father of the modern suspense story' LA TIMES When Louis Durand first meets his bride-to-be after a months-long courtship by mail, he's shocked that she doesn't match the photographs sent with her correspondence. But Durand has not exactly been truthful, either, concealing the details of his wealth. Mostly, he feels fortunate she is so much more beautiful than he expected. Soon after they marry, however, he becomes increasingly convinced that the woman in his life is not the same woman with whom he exchanged letters - and then she suddenly disappears with his fortune. Alone and desperate, Louis becomes obsessed with finding Julia and bringing her to justice - but it is only when he finally tracks her down that the nightmare truly begins... |
| lipstick alley clarine: Annulosa. [By W. E. Leach. Extracted from vol. 1 of the Supplement to the Encyclopædia Britannica.] , 1824 |
| lipstick alley clarine: Thom Pain (based on nothing) [TCG Edition] Will Eno, 2013-01-15 Astonishing in its impact. . . One of the treasured nights in the theatre that can leave you both breathless with exhilaration and, depending on your sensitivity to meditations on the bleak and beautiful mysteries of human experience, in a puddle of tears . . . Thom Pain is at bottom a surreal meditation on the empty promises life makes, the way experience never lives up to the weird and awesome fact of being. But it is also, in its odd, bewitching beauty, an affirmation of life’s worth.--Charles Isherwood, The New York Times “Eno has emerged as one of the most original young playwrights on the scene. He is one of the few writers who can convert discomfort and outright agony into such pleasure.--David Cote, TimeOut New York Will Eno is one of the finest younger playwrights I've come across in a number of years. His work is inventive, disciplined and, at the same time, wild and evocative.--Edward Albee When Will Eno's one-person play Thom Pain opened in New York in February 2005, it became something rare--an unqualified hit, which soon extended through July. Before that, the play was a critical success in London and received the coveted Fringe First Award at the Edinburgh Festival. Dubbed stand-up existentialism by The New York Times, it is lyrical and deadpan, both sardonic and sincere. It is Thom Pain--in the camouflage of the common man--fumbling with his heart, squinting into the light. Will Eno lives in Brooklyn, New York. His plays include The Flu Season, Tragedy: a tragedy, King: a problem play, and Intermission. His plays have been produced in London by the Gate Theatre and BBC Radio, and in the United States by Rude Mechanicals and Naked Angels. His play The Flu Season recently won the Oppenheimer Award, presented by NY Newsday for the previous year's best debut production in New York by an American playwright. |
| lipstick alley clarine: Dentists Mary Meinking, 2020-08 Open wide! Dentists care for people's teeth. Give readers the inside scoop on what it's like to be a dentist. Readers will learn what dentists do, the tools they use, and how people get this exciting job. |
| lipstick alley clarine: Perspectives on Discourse Analysis Laura Alba Juez, 2009-05-27 Perspectives on Discourse Analysis: Theory and Practice provides the student/reader with the basic theoretical knowledge and the empirical tools of some of the most relevant approaches to the analysis of discourse. It has been mainly conceived of as a general (university) course on Discourse Analysis, but it can also be useful for any person or group whose main concern is to acquire the basic necessary knowledge and skills for analyzing any type of discourse. The subject matter of the book could not only be of use for linguists or prospective linguists: given its interdisciplinary character, its findings can be (and in fact are) used and applied by practitioners and scholars from different fields, such as sociology, psychology, medical science, computer science, and so on. Thus the book can be used by any person who, having certain linguistic knowledge, is interested in exploring the fascinating world of discourse. All the chapters contain both a theoretical and an empirical section, the latter containing examples of analysis, as well as exercises (Practice) and self-evaluation questions, whose answers can be found at the end of the book (in the Practice key and Key to self-evaluation questions sections). The book is divided into 12 chapters. The first two introduce basic information about discourse analysis and text linguistics, as well as the necessary techniques for gathering data, including a very brief introduction to corpus linguistics. Chapters 3-11 present and discuss some of the most prominent and well-known approaches to discourse analysis, namely Pragmatics, Interactional Sociolinguistics, Conversation Analysis, The Ethnography of Communication, Variation Analysis and Narrative Analysis, Functional Sentence Perspective, Post-Structuralist Theory and Social Theory, Critical Discourse Analysis and Positive Discourse Analysis, and Mediated Discourse Analysis. Finally, Chapter 12 deals with crucial and further issues, such as the type of discourse chosen for the analysis, the strategies and functions of discourse, or the problem of choosing an appropriate unit of analysis which will suit the aims of research. Perspectives on Discourse Analysis: Theory and Practice may prove of value to all those who are professionally involved in the area of discourse and pragmatic studies, or simply to those who wish to acquire the necessary basic knowledge and techniques for analyzing any type of discourse, from medical, journalistic or political discourse to computer-mediated, humoristic, or hegemonic discourse (where the use and abuse of power is an important issue), just to name a few of the innumerable possibilities. A desirable and intended effect of this book is also the development of an open and tolerant mind, which will eventually lead to a better understanding of the different and varied manifestations of language, culture and communication in human society. |
| lipstick alley clarine: Dear Black Girls Shanice Nicole, 2021-02-08 Dear Black Girls is a letter to all Black girls. Every day poet and educator Shanice Nicole is reminded of how special Black girls are and of how lucky she is to be one. Illustrations by Kezna Dalz support the book's message that no two Black girls are the same but they are all special--that to be a Black girl is a true gift. In this celebratory poem, Kezna and Shanice remind young readers that despite differences, they all deserve to be loved just the way they are. |
| lipstick alley clarine: A Series of Plays Joanna Baillie, 1798 |
| lipstick alley clarine: The Acharnians Aristophanes, 1885 |
| lipstick alley clarine: Adonais [ed. by H.B. Forman. Titlepage reprod. from the 1821 ed.]. Percy Bysshe Shelley, 1821 |
| lipstick alley clarine: Baudelaire and Freud Leo Bersani, 2021-01-08 This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977. |
| lipstick alley clarine: 悲しき玩具 石川啄木, 1977 |
| lipstick alley clarine: Nazimova Gavin Lambert, 2021-11-16 A forgotten legend, Alla Nazimova was an electrifying Russian-born actress who brought Stanislavksy and Chekhov to American theatre, who was applauded, praised, adored -- an icon of the stage and screen for forty years, before fading into the shadows of time. Gavin Lambert unearthed Nazimova's unpublished memoirs, letters, and notes, writing an evocative retelling of her extraordinary life. Nazimova began her career on stage. Her shockingly natural approach to acting transformed the theatre of her day. She thrilled Laurette Taylor. The first time Tennessee Williams saw her he knew he wanted to be a playwright (She was so shatteringly powerful that I couldn't stay in my seat). Eugene O'Neill said of her that she gave him his first conception of a modern theatre. She introduced the American stage and its audience to Ibsen's New Woman, a woman hell-bent on independence. It was a role Nazimova embodied offstage as well. When she toured in a repertory of A Doll's House, The Master Builder, and Hedda Gabler from 1907 to 1910, she earned the then unheard-of sum of five million dollars for theatre manager Lee Shubert. Eight years later she ventured into film, going to Hollywood and signing a contract with Metro Pictures (before it was MGM) and becoming the highest-paid actress in silent pictures, ultimately writing, directing, and producing her own movies ( Revelation, Stronger than Death, Billions, Salome). Nazimova was also a remarkable businesswoman. Four years later she formed her own film company. She was the only actress, other than Mae West, to become a movie star at forty, and was the first to cultivate the image of the foreign sophisticate, soon to be followed by Pola Negri, Greta Garbo, and Marlene Dietrich. Lambert also delves into Nazimova's complex and dramatic personal life, from her tense relationship with her family to the numerous partners and lovers (both men and women) she had later in life. Nazimova: A Biography is a brilliant re-creation of the life and work of this complex, dark, glamorous, and important figure. |
| lipstick alley clarine: Intoxicated Heart Ben Esqueda, 2019-10-18 Intoxicated Heart is a blend of happiness and heartbreak transformed into poetry. Whether you are in love, going through a period of darkness, or need comfort, this book is for you.The poetry and heartfelt words are written to ignite memories from within. |
| lipstick alley clarine: Starstruck Leonard Maltin, 2021-10-12 Hollywood historian and film reviewer Leonard Maltin invites readers to pull up a chair and listen as he tells stories, many of them hilarious, of 50+ years interacting with legendary movie stars, writers, directors, producers, and cartoonists. Maltin grew up in the first decade of television, immersing himself in TV programs and accessing 1930s and '40s movies hitting the small screen. His fan letters to admired performers led to unexpected correspondences, then to interviews and publication of his own fan magazine. Maltin's career as a free-lance writer and New York Times-bestselling author as well as his 30-year run on Entertainment Tonight, gave him access to Katharine Hepburn, Elizabeth Taylor, Sean Connery, Shirley Temple, and Jimmy Stewart among hundreds of other Golden Age stars, his interviews cutting through the Hollywood veneer and revealing the human behind each legend. Starstruck also offers a fascinating glimpse inside the Disney empire, and Maltin's tenure teaching USC's popular film course reveals insights into moviemaking along with access to past, current, and future stars of film, such as George Lucas, Kevin Feige, Quentin Tarantino, and Guillermo del Toro. |
| lipstick alley clarine: It's a Wonderful Life: The Official Bailey Family Cookbook Insight Editions, 2021-11-16 This gift set edition of It’s a Wonderful Life: The Official Bailey Family Cookbook makes the holiday spirit of the classic film come to life, through George and Mary Bailey’s Christmas recipes and an exclusive apron! Celebrate the holiday spirit of Bedford Falls with It’s a Wonderful Life: The Official Bailey Family Cookbook Gift Set! This set is perfect for anyone who has ever wanted to spend Christmas with the Bailey family, featuring a giftable apron and a cookbook directly inspired by the beloved film. OVER 50 RECIPES, CRAFTS, AND ENTERTAINING TIPS: Whether you’re a beginner or a pro, recipes such as Oven-Braised Corned Beef With Mustard Sauce, Clarence’s Angel Food Cake, and classic Mulled Wine are sure to make your festivities a hit among family and friends. This book also includes a guide to holiday crafting and how to throw the ultimate vintage Christmas party. BRING THE SPIRIT OF BEDFORD FALLS INTO YOUR HOME: If you’ve ever wanted to celebrate an old-fashioned Christmas in Bedford Falls, now is your chance! It’s a Wonderful Life: The Official Bailey Family Cookbook Gift Set will make you feel like you’ve spent the holidays with George, Mary, and all of Bedford Falls. THE PERFECT HOLIDAY GIFT: Including an apron that features a quote inspired by the wise words of Clarence Odbody himself, this gift set is a great value for fans of the classic movie. STUNNING PHOTOGRAPHY: Features hearty dishes perfect for the holidays, including recipes for appetizers, sides, entrees, desserts, and drinks—all photographed to reflect the cozy, warm-spirited feeling of Christmas in Bedford Falls. CREATE A NEW TRADITION: Pair a meal from It’s a Wonderful Life: The Official Bailey Family Cookbook with a reading of It's a Wonderful Life: The Illustrated Holiday Classic storybook. |
| lipstick alley clarine: Summary of the Report of the Federal Trade Commission on Cooperation in American Export Trade United States. Federal Trade Commission, 1916 |
| lipstick alley clarine: Hollywood Victory Christian Blauvelt, 2021-11-02 From the Turner Classic Movies Library: Film and history buffs alike will enjoy this engrossing story of Hollywood's involvement in World War II, as it's never before been told. Remember a time when all of Hollywood—with the expressed encouragement and investment of the government—joined forces to defend the American way of life? It was World War II and the gravest threat faced the nation, and the world at large. Hollywood answered the call to action. This is the riveting tale of how the film industry enlisted in the Allied effort during the second World War—a story that started with staunch isolationism as studios sought to maintain the European market and eventually erupted into impassioned support in countless ways. Industry output included war films depicting battles and reminding moviegoers what they were fighting for, home-front stories designed to boost the morale of troops overseas, and even musicals and comedies that did their bit by promoting the Good Neighbor Policy with American allies to the south. Stars like Carole Lombard—who lost her life returning from a war bond-selling tour—Bob Hope, and Marlene Dietrich enthusiastically joined USO performances and risked their own health and safety by entertaining troops near battlefronts; others like James Stewart and Clark Gable joined the fight themselves in uniform; Bette Davis and John Garfield created a starry haven for soldiers in their founding of the Hollywood Canteen. Filmmakers Orson Welles, Walt Disney, Alfred Hitchcock, and others took breaks from thriving careers to make films aiming to shore up alliances, boost recruitment, and let the folks back home know what beloved family members were facing overseas. Through it all, a story of once-in-a-century unity—of a collective need to stand up for humanity, even if it means risking everything—comes to life in this engrossing, photo-filled tale of Hollywood Victory. |
| lipstick alley clarine: Environment, Health, and Safety Lari A. Bishop, 1997 |
| lipstick alley clarine: Another Part of the Forest Lillian Hellman, 1974 THE STORY: The play takes place in the 1880s. Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade--and worse. In his family life he is equally injurious: one son he bulldozes while the other he ho |
| lipstick alley clarine: Artificial Intelligence Stuart Jonathan Russell, Peter Norvig, 2013-07-31 In this third edition, the authors have updated the treatment of all major areas. A new organizing principle--the representational dimension of atomic, factored, and structured models--has been added. Significant new material has been provided in areas such as partially observable search, contingency planning, hierarchical planning, relational and first-order probability models, regularization and loss functions in machine learning, kernel methods, Web search engines, information extraction, and learning in vision and robotics. The book also includes hundreds of new exercises. |
| lipstick alley clarine: Cat Town 萩原朔太郎, 1948 |
| lipstick alley clarine: This Flying Game Henry Harley Arnold, Ira Eaker, 1936 |
| lipstick alley clarine: Affective Health and Masculinities in South Africa Hans Reihling, Taylor & Francis Group, 2021-12-13 Affective Health and Masculinities in South Africa explores how different masculinities modulate substance use, interpersonal violence, suicidality, and AIDS as well as recovery cross-culturally. With a focus on three male protagonists living in very distinct urban areas of Cape Town, this comparative ethnography shows that men's struggles to become invulnerable increase vulnerability. Through an analysis of masculinities as social assemblages, the study shows how affective health problems are tied to modern individualism rather than African 'tradition' that has become a cliché in Eurocentric gender studies. Affective health is conceptualized as a balancing act between autonomy and connectivity that after colonialism and apartheid has become compromised through the imperative of self-reliance. This book provides a rare perspective on young men's vulnerability in everyday life that may affect the reader and spark discussion about how masculinities in relationships shape physical and psychological health. Moreover, it shows how men change in the face of distress in ways that may look different than global health and gender-transformative approaches envision. Thick descriptions of actual events over the life course make the study accessible to both graduate and undergraduate students in the social sciences. Contributing to current debates on mental health and masculinity, this volume will be of interest to scholars from various disciplines including anthropology, gender studies, African studies, psychology, and global health. |
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