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| martin luther king boondocks: Right to Be Hostile Aaron McGruder, 2003-09-01 Examines life in America, with a focus on politics, from the perspective of two African-American children in over 800 strips. |
| martin luther king boondocks: Martin Luther King Jr., Heroism, and African American Literature Trudier Harris, 2014-11-15 Defiance of the law, uses of indirection, moral lapses, and bad habits are as much a part of the folk-transmitted biography of King as they are a part of writers' depictions of him in literary texts. Harris first demonstrates that during the Black Arts Movement of the 1960s, when writers such as Nikki Giovanni, Sonia Sanchez, and LeRoi Jones (Amiri Baraka) were rising stars in African American poetry, King's philosophy of nonviolence was out of step with prevailing notions of militancy (Black Power), and their literature reflected that division. In the quieter times of the 1970s and 1980s and into the twenty-first century, however, treatments of King and his philosophy in African American literature changed. Writers who initially rejected him and nonviolence became ardent admirers and boosters, particularly in the years following his assassination. By the 1980s, many writers skeptical about King had reevaluated him and began to address him as a fallen hero. |
| martin luther king boondocks: The Color of Our Shame Christopher J. Lebron, 2013-09-09 For many Americans, the election of Barack Obama as the country's first black president signaled that we had become a post-racial nation - some even suggested that race was no longer worth discussing. Of course, the evidence tells a very different story. And while social scientists are fully engaged in examining the facts of race, normative political thought has failed to grapple with race as an interesting moral case or as a focus in the expansive theory of social justice. Political thought's under participation in the debate over the status of blacks in American society raises serious concerns since the main academic task of political theory is to adjudicate discrepancies between the demands of ideal justice and social realities. Christopher J. Lebron contends that it is the duty of political thought to address the moral problems that attend racial inequality and to make those problems salient to a democratic polity. Thus, in The Color of Our Shame, he asks two major questions. First, given the success of the Civil Rights Act and the sharp decline in overt racist norms, how can we explain the persistence of systemic racial inequality? Second, once we have settled on an explanation, what might political philosophy have to offer in terms of a solution? In order to answer these questions Lebron suggests that we reconceive of racial inequality as a condition that marks the normative status of black citizens in the eyes of the nation. He argues that our collective response to racial inequality ought to be shame. While we reject race as a reason for marginalizing blacks on the basis of liberal democratic ideals, we fail to live up to those ideals - a situation that Lebron sees as a failure of national character. Drawing on a wide array of resources including liberal theory, virtue ethics, history, and popular culture, Lebron proposes a move toward a perfectionist politics that would compel a higher level of racially relevant moral excellence from individuals and institutions and enable America to meet the democratic ideals that it has set for itself. |
| martin luther king boondocks: Watching While Black Beretta E. Smith-Shomade, 2013-01-10 Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience. Watching While Black considers its subject from an entirely new angle in an attempt to understand the lives, motivations, distinctions, kindred lines, and individuality of various Black groups and suggest what television might be like if such diversity permeated beyond specialized enclaves. It looks at the macro structures of ownership, producing, casting, and advertising that all inform production, and then delves into television programming crafted to appeal to black audiences—historic and contemporary, domestic and worldwide. Chapters rethink such historically significant programs as Roots and Black Journal, such seemingly innocuous programs as Fat Albert and bro’Town, and such contemporary and culturally complicated programs as Noah’s Arc, Treme, and The Boondocks. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black sheds much-needed light on under-examined demographics, broadens common audience considerations, and gives deference to the the preferences of audiences and producers of Black-targeted programming. |
| martin luther king boondocks: The Boondocks Aaron McGruder, 2012-12-11 The first anthology of the beloved comic strip that inspired the critically acclaimed Cartoon Network show. In 1999, Aaron McGruder launched a cultural phenomenon with his smart and bitingly satirical comic strip, The Boondocks. It centers on the experiences of two young African-American boys, Huey and Riley, who move from inner-city Chicago to the suburbs (or the boondocks to them). The strip fuses hip-hop sensibilities with Japanese anime-style drawings and a candid discussion of race. In this first collection of Boondocks cartoons, you'll discover the funny yet revealing combination of superb art and envelope-pushing content in one of the most unique strips ever. |
| martin luther king boondocks: All the rage Aaron McGruder, 2007 |
| martin luther king boondocks: Signs of Life in the USA Sonia Maasik, 2011-11-21 Signs of Life in the USA teaches students to read and write critically about popular culture by giving them a conceptual framework to do it: semiotics, a field of critical theory developed specifically for the interpretation of culture and its signs. Written by a prominent semiotician and an experienced writing instructor, the text’s high-interest themes feature provocative and current reading selections that ask students to think analytically about America’s impressive popular culture: How is TV’s Mad Men a lightning rod for America’s polarized political climate? Has the nature of personal identity changed in an era when we spend so much of our lives online? Signs of Life bridges the transition to college writing by providing students with academic language to talk about our common, everyday cultural experience. Read the preface. Order Multimodal Readings for Signs of Life in the USA packaged with Signs of Life in the USA, Seventh Edition using ISBN-13: 978-1-4576-1989-2. |
| martin luther king boondocks: Satire TV Jonathan Gray, Jeffrey P. Jones, Ethan Thompson, 2009-04-01 A fascinating look into what happens when comedy becomes political and politics becomes comedy Satirical TV has become mandatory viewing for citizens wishing to make sense of the bizarre contemporary state of political life. Shifts in industry economics and audience tastes have re-made television comedy, once considered a wasteland of escapist humor, into what is arguably the most popular source of political critique. From fake news and pundit shows to animated sitcoms and mash-up videos, satire has become an important avenue for processing politics in informative and entertaining ways, and satire TV is now its own thriving, viable television genre. Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil’ Bush to Chappelle’s Show, along with Internet D.I.Y. satire and essays on British and Canadian satire. They all offer insights into what today’s class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot. |
| martin luther king boondocks: All the Rage Aaron McGruder, 2007 Aaron McGruder's hilariously offensive comic strip has never been afraid to tell it like it is. Now Huey, Riley and Granddad have their own hit animated series on the Cartoon Network's Adult Swim, the masses are praising McGruder's precocious preteens and their brilliant politically and racially charged humour. Also available are Public Enemy # 2, Birth of a Nation and A Right To Be Hostile. |
| martin luther king boondocks: Black Television Travels Timothy Havens, 2013-04-01 “Black Television Travels provides a detailed and insightful view of the roots and routes of the televisual representations of blackness on the transnational media landscape. By following the circulation of black cultural products and their institutionalized discourses—including industry lore, taste cultures, and the multiple stories of black experiences that have and have not made it onto the small screen—Havens complicates discussions of racial representation and exposes possibilities for more expansive representations of blackness while recognizing the limitations of the seemingly liberatory spaces created by globalization.” —Bambi Haggins, Associate Professor of Film and Media Studies at Arizona State University “A major achievement that makes important contributions to the analysis of race, identity, global media, nation, and television production cultures. Discussions of race and television are too often constricted within national boundaries, yet this fantastic book offers a strong, compelling, and utterly refreshing corrective. Read it, assign it, use it.” —Jonathan Gray, author of Television Entertainment, Television Studies, and Show Sold Separately Black Television Travels explores the globalization of African American television and the way in which foreign markets, programming strategies, and viewer preferences have influenced portrayals of African Americans on the small screen. Television executives have been notoriously slow to recognize the potential popularity of black characters and themes, both at home and abroad. As American television brokers increasingly seek revenues abroad, their assumptions about saleability and audience perceptions directly influence the global circulation of these programs, as well as their content. Black Television Travels aims to reclaim the history of African American television circulation in an effort to correct and counteract this predominant industry lore. Based on interviews with television executives and programmers from around the world, as well as producers in the United States, Havens traces the shift from an era when national television networks often blocked African American television from traveling abroad to the transnational, post-network era of today. While globalization has helped to expand diversity in African American television, particularly in regard to genre, it has also resulted in restrictions, such as in the limited portrayal of African American women in favor of attracting young male demographics across racial and national boundaries. Havens underscores the importance of examining boardroom politics as part of racial discourse in the late modern era, when transnational cultural industries like television are the primary sources for dominant representations of blackness. Timothy Havens is an Associate Professor of television and media studies in the Department of Communication Studies, the Program in African American Studies, and the Program in International Studies at the University of Iowa. In the Critical Cultural Communication series |
| martin luther king boondocks: The Heavens Might Crack Jason Sokol, 2018-03-20 A vivid portrait of how Americans grappled with King's death and legacy in the days, weeks, and months after his assassination On April 4, 1968, Martin Luther King Jr. was fatally shot as he stood on the balcony of the Lorraine Motel in Memphis. At the time of his murder, King was a polarizing figure -- scorned by many white Americans, worshipped by some African Americans and liberal whites, and deemed irrelevant by many black youth. In The Heavens Might Crack, historian Jason Sokol traces the diverse responses, both in America and throughout the world, to King's death. Whether celebrating or mourning, most agreed that the final flicker of hope for a multiracial America had been extinguished. A deeply moving account of a country coming to terms with an act of shocking violence, The Heavens Might Crack is essential reading for anyone seeking to understand America's fraught racial past and present. |
| martin luther king boondocks: The Complexity and Progression of Black Representation in Film and Television David L. Moody, 2016-06-02 The Complexity and Progression of Black Representation in Film and Television examines the intricacies of race, representation, Black masculinity, sexuality, class, and color in American cinema and television. Black images on the silver screen date back to the silent film era, yet these films and television programs presented disturbing images of African American culture, and regrettably, many early films and small screen programs portrayed Black characters in demeaning and stereotypical roles. In order to fully analyze the roles of Black actors and actresses in film and television, Moody addresses the following issues: the historical significance of the term “race films”; female Black identities and constructs; queerness and Black masculinity; Black male identities; and Black buffoonery in film and television. |
| martin luther king boondocks: Black TV Bethonie Butler, 2023-12-05 With iconic imagery and engrossing text, Black TV is the first book of its kind to celebrate the groundbreaking, influential, and often under-appreciated shows centered on Black people and their experiences from the last fifty years. Over the past decade, television has seen an explosion of acclaimed and influential debut storytellers including Issa Rae (Insecure), Donald Glover (Atlanta), and Michaela Coel (I May Destroy You). This golden age of Black television would not be possible without the actors, showrunners, and writers that worked for decades to give voice to the Black experience in America. Written by veteran TV reporter Bethonie Butler, Black TV tells the stories behind the pioneering series that led to this moment, celebrating the laughs, the drama, and the performances we’ve loved over the last fifty years. Beginning with Julia, the groundbreaking sitcom that made Diahann Carroll the first Black woman to lead a prime-time network series as something other than a servant, she explores the 1960s and 1970s as an era of unprecedented representation, with shows like Soul Train, Roots, and The Jeffersons. She unpacks the increasingly nuanced comedies of the 1980s from 227 to A Different World, and how they paved the way for the ’90s Black-sitcom boom that gave us The Fresh Prince of Bel-Air and Living Single. Butler also looks at the visionary comedians—from Flip Wilson to the Wayans siblings to Dave Chappelle—and connects all these achievements to the latest breakthroughs in television with showrunners like Shonda Rhimes, Ava DuVernay, and Quinta Brunson leading the charge. With dozens of photographs reminding readers of memorable moments and scenes, Butler revisits breakout performances and important guest appearances, delivering some overdue accolades along the way. So, put on your Hillman sweatshirt, make some popcorn, and get ready for a dyn-o-mite retrospective of the most groundbreaking and entertaining shows in television history. |
| martin luther king boondocks: The Boston Strangler Gerold Frank, 2016-07-05 The New York Times–bestselling account of the serial killer’s rampage and the ensuing manhunt. Now a Hulu true crime thriller starring Keira Knightley. On June 14, 1962, twenty-five-year-old Juris Slesers arrived at his mother’s apartment to drive her to church. But there was no answer at the door. When he pushed his way inside, Juris found Anna Slesers dead on the kitchen floor, the cord of her housecoat knotted tightly around her neck. Over the next two years, twelve more bodies were discovered in and around Boston: all women, all sexually assaulted, and all strangled. None of the victims exhibited any signs of struggle, nothing was stolen from their homes, and there were no signs of forcible entry. The police could find no discernable motive or clues. Who was this madman? How was he entering women’s homes? And what insanity was driving him? Drawn from hundreds of hours of personal interviews, as well as police, medical, and court documentation, this is a grisly, horrifying, and meticulously researched account of Albert DeSalvo—an American serial killer on par with Jack the Ripper. |
| martin luther king boondocks: Boy @ the Window Donald Earl Collins, 2013-11 As a preteen Black male growing up in Mount Vernon, New York, there were a series of moments, incidents and wounds that caused me to retreat inward in despair and escape into a world of imagination. For five years I protected my family secrets from authority figures, affluent Whites and middle class Blacks while attending an unforgiving gifted-track magnet school program that itself was embroiled in suburban drama. It was my imagination that shielded me from the slights of others, that enabled my survival and academic success. It took everything I had to get myself into college and out to Pittsburgh, but more was in store before I could finally begin to break from my past. Boy @ The Window is a coming-of-age story about the universal search for understanding on how any one of us becomes the person they are despite-or because of-the odds. It's a memoir intertwined with my own search for redemption, trust, love, success-for a life worth living. Boy @ The Window is about one of the most important lessons of all: what it takes to overcome inhumanity in order to become whole and human again. |
| martin luther king boondocks: Focus On: 100 Most Popular Television Series by Sony Pictures Television Wikipedia contributors, |
| martin luther king boondocks: Where Have All the Heroes Gone? Bruce Garen Peabody, Krista Jenkins, 2017 Where Have All the Heroes Gone? provides an analysis of heroism's application and meaning among political and media elites, as well as the mass public over the past fifty years. In asking what has happened to American heroes over this span, it explores how heroes are used strategically by governing officials and providers of media content in ways that are frequently divergent from and even directly opposed to popular expectations. |
| martin luther king boondocks: Oprah Kitty Kelley, 2010 The first comprehensive biography of one of the most admired public figures of our time, by the most widely read biographer of our era. Anyone who is a fan of Oprah Winfrey or who has followed her extraordinary life and career will be fascinated by this exhaustively researched book. |
| martin luther king boondocks: The Souls of Mixed Folk Michele Elam, 2011-02-21 The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive works—novels, drama, graphic narrative, late-night television, art installations—as artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artists address mixed race as both an aesthetic challenge and a social concern, and together, they gesture toward a poetics of social justice for the mulatto millennium. The Souls of Mixed Folk seeks a middle way between competing hagiographic and apocalyptic impulses in mixed race scholarship, between those who proselytize mixed race as the great hallelujah to the race problem and those who can only hear the alarmist bells of civil rights destruction. Both approaches can obscure some of the more critically astute engagements with new millennial iterations of mixed race by the multi-generic cohort of contemporary writers, artists, and performers discussed in this book. The Souls of Mixed Folk offers case studies of their creative work in an effort to expand the contemporary idiom about mixed race in the so-called post-race moment, asking how might new millennial expressive forms suggest an aesthetics of mixed race? And how might such an aesthetics productively reimagine the relations between race, art, and social equity in the twenty-first century? |
| martin luther king boondocks: Why Does Everything Have to Be About Race? Keith Boykin, 2024-01-23 Fight back against misinformation and ignorance as New York Times bestselling author Keith Boykin debunks 25 of the most common claims used to refute America’s racist past and present. The most toxic racial arguments share one of five traits. They try to erase Black history, prioritize white victimhood, deny Black oppression, promote myths of Black inferiority, or rebrand racism as something else entirely. They’re all designed to distract society from racial justice, but now we have the tools to debunk them. With a mixture of personal experience, reportage, and extensive research, Keith Boykin takes a wrecking ball to twenty-five of the most widespread deceptions about race, such as: The Civil War was about states’ rights, not slavery Affirmative action is reverse discrimination Critical Race Theory is indoctrinating children to hate one another and shows us how to refute lies, myths, and misinformation with history, knowledge, and truth. |
| martin luther king boondocks: Film Blackness Michael Boyce Gillespie, 2016-08-25 In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality. |
| martin luther king boondocks: African Americans on Television David J. Leonard, Lisa Guerrero, 2013-04-23 A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture. |
| martin luther king boondocks: Sex Work and Language Benedict J.L. Rowlett, Rodrigo Borba, 2025-02-27 This collection brings together established and exciting new voices to shed light on the language of and about sex work, offering an empirically nuanced understanding of commercial sex through language. While there is burgeoning literature on sex work in the social sciences, there has been little work to date centering it from a linguistic perspective. Chapters make the case for language as central to sex work practices and the transactions of intimacy in the negotiation of services, promotional strategies and the performance of desire. Featuring insights from diverse geographic contexts, the chapters critically reflect on different dimensions of language and sex work, including sex work, gender and desire; online sex work; sex work and race; sex worker advocacy; and the language of victimization and exploitation. The volume illuminates the ways in which commercial sex work is negotiated in embodied linguistic interaction and attendant issues of power, identity, gender, race and desire. This book systematizes the body of growing knowledge around language and sex work from an interdisciplinary lens. It is key reading for scholars, policymakers and activists in sociolinguistics and discourse analysis, as well as fields such as anthropology, sociology, criminology and health and social care. |
| martin luther king boondocks: Black Nerd Problems William Evans, Omar Holmon, 2022-05-24 The creators of the popular website Black Nerd Problems bring their witty and unflinching insight to this engaging collection of pop culture essays—on everything from Mario Kart to issues of representation—that “will fill you with joy and give you hope for the future of geek culture” (Ernest Cline, #1 New York Times bestselling author). When William Evans and Omar Holmon founded Black Nerd Problems, they had no idea whether anyone beyond their small circle of friends would be interested in their little corner of the internet. But soon after launching, they were surprised to find out that there was a wide community of people who hungered for fresh perspectives on all things nerdy. In the years since, Evans and Holmon have built a large, dedicated fanbase eager for their brand of cultural critiques, whether in the form of a laugh-out-loud, raucous Game of Thrones episode recap or an eloquent essay on dealing with grief through stand-up comedy. Now, they are ready to take the next step with this vibrant and hilarious essay collection, which covers everything from X-Men to Breonna Taylor with “alternately hilarious, thought-provoking, and passionate” (School Library Journal) insight and intelligence. A much needed and fresh pop culture critique from the perspective of people of color, “this hugely entertaining, eminently thoughtful collection is a master class in how powerful—and fun—cultural criticism can be” (Publishers Weekly, starred review). |
| martin luther king boondocks: Go for Yours Erika R. McCall, 2011-10-14 Go for Yours, a guide for ambitious, faithful and progressive individuals who yearn to break conventional models of living; is a collection of stories and examples of young, African Americans who followed their dreams no matter their age, background or years of work experience. This book uses examples of celebrities who portrayed a certain attitude that led them to their success and unveils the world to young and fearless trailblazers, entrepreneurs and leaders. By taking a glance at people who followed their dreams in spite of their adverse encounters, you will be left encouraged to create your own opportunity instead of wait for it. More importantly, this book highlights individuals who are successful in a world that tends to focus on the negative aspects of African Americans. |
| martin luther king boondocks: Cutting a Figure Richard J. Powell, 2008 Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portraitist Barkley L. Hendricks, and insightful analyses of images created since the late 1970s. Along the way, he discusses major artists—such as Frédéric Bazille, John Singer Sargent, James Van Der Zee, and David Hammons—alongside such overlooked producers of black visual culture as the Tonka and Nike corporations. Combining previously unpublished images with scrupulous archival research, Cutting a Figure illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture. |
| martin luther king boondocks: The Papers of Martin Luther King, Jr., Volume IV Martin Luther King, Clayborne Carson, Peter Holloran, Penny A. Russell, 1992 This fourth volume in the highly-praised edition of the Papers of Martin Luther King covers the period (1957-58) when King, fresh from his leadership of the Montgomery bus boycott, consolidated his position as leader of the civil rights movement. |
| martin luther king boondocks: Post-Soul Satire Derek C. Maus, James J. Donahue, 2014-07-07 From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip-hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called “post-black,” “post-soul,” and examples of a “New Black Aesthetic.” Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community. |
| martin luther king boondocks: Los Angeles Magazine , 2001-07 |
| martin luther king boondocks: King's Dream Eric J. Sundquist, 2009-01-06 “Sundquist’s careful, thoughtful study unearths new and fascinating evidence of the rhetorical traditions in King’s speech.”—Drew D. Hansen, author of The Dream: Martin Luther King, Jr., and the Speech That Inspired a Nation “I have a dream”—no words are more widely recognized, or more often repeated, than those called out from the steps of the Lincoln Memorial by Martin Luther King, Jr., in 1963. King’s speech, elegantly structured and commanding in tone, has become shorthand not only for his own life but for the entire civil rights movement. In this new exploration of the “I Have a Dream” speech, Eric J. Sundquist places it in the history of American debates about racial justice—debates as old as the nation itself—and demonstrates how the speech, an exultant blend of grand poetry and powerful elocution, perfectly expressed the story of African American freedom. This book is the first to set King’s speech within the cultural and rhetorical traditions on which the civil rights leader drew in crafting his oratory, as well as its essential historical contexts, from the early days of the republic through present-day Supreme Court rulings. At a time when the meaning of the speech has been obscured by its appropriation for every conceivable cause, Sundquist clarifies the transformative power of King’s “Second Emancipation Proclamation” and its continuing relevance for contemporary arguments about equality. “The [‘I Have a Dream’] speech and all that surrounds it—background and consequences—are brought magnificently to life . . . In this book he gives us drama and emotion, a powerful sense of history combined with illuminating scholarship.”—The New York Times Book Review (Editor’s Choice) |
| martin luther king boondocks: Who's Afraid of Post-Blackness? Touré, 2011-09-13 How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself. |
| martin luther king boondocks: Where the Sacred and Secular Harmonize David G. Holmes, 2017-11-13 Among pivotal historical moments in the United States, the civil rights movement stands out. In Where the Sacred and Secular Harmonize: Birmingham Mass Meeting Rhetoric and the Prophetic Legacy of the Civil Rights Movement, David G. Holmes offers an original rhetorical analysis of six speeches delivered during the 1963 civil rights campaign in Birmingham, Alabama. Holmes frames his analysis within the biblical concept of prophecy. However, he stresses the idea of prophecy as sociopolitical forth-telling, rather than mystical foretelling. Based on his own transcriptions from rare recordings, Holmes examines how these orations, which clergy and laypeople delivered, address enduring themes such as the role of religion and politics, black leadership and black activism, and the political and popular legacies of the civil rights movement. Drawing upon American history, politics, hermeneutics, homiletics, and rhetoric, Holmes’s discussion ranges from civil rights prophets to contemporary politicians, including Martin Luther King Jr. and Barack Obama. Where the Sacred and Secular Harmonize illustrates how the Birmingham mass meeting oratory of 1963 represented a quality of democratic discourse desperately needed today. |
| martin luther king boondocks: Los Angeles Magazine , 2001-08 Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian. |
| martin luther king boondocks: The Funk Era and Beyond T. Bolden, 2016-04-30 The Funk Era and Beyond is the first scholarly collection to discuss the significance of funk music in America. Contributors employ a multitude of methodologies to examine this unique musical genre's relationship to African American culture and to music, literature, and visual art as a whole. |
| martin luther king boondocks: Liminal Spaces and Call for Praxis(ing) Miryam Espinosa-Dulanto, David L. Humpal, Leilya Pitre, Jolanta Smolen Santana, 2013-10-01 Liminal Spaces and Call for Praxis(ing) follows the theme of the Curriculum & Pedagogy conference that highlighted issues of power, privilege, and supremacy across timelines and borders. This volume comprises of an interconnected mosaic of theoretical research and praxis. Facing the current and future challenges of corporatization of education, it becomes imperative to identify and deconstruct elements that provide more responsive and fertile ground for a research and praxis based mosaic of pedagogy. This volume includes works of those scholars who identified or worked with communities of color and/or who drew on the activist and intellectual traditions of peoples of color, third world feminism, indigenous liberation/sovereignty, civil rights, and anticolonial movements. |
| martin luther king boondocks: Drawn to Television M. Keith Booker, 2006-08-30 Since late evening cartoons first aired in 1960, prime-time animated series have had a profound effect on American television and American culture at large. The characters and motifs from such shows as The Flintstones and The Simpsons are among the best-known images in world popular culture; and tellingly, even series that have not done well in prime time—series like The Jetsons, for instance—have yielded similarly iconic images. The advent of cable and several new channels devoted exclusively to animated programming have brought old series back to life in syndication, while also providing new markets for additional, often more experimental animated series. Even on the conventional networks, programs such as The Flintstonesand The Simpsons, not to mention Family Guy and King of the Hill, have consistently shown a smartness and a satirical punch that goes well beyond the norm in network programming. Drawn to Television traces the history of prime-time animation from The Flintstones initial extension of Saturday mornings to Family Guy and South Park's late-night appeal in the 21st century. In the process, it sheds a surprising light on just how much the kid inside us all still has to say. Drawn to Television describes the content and style of all the major prime-time animated series, while also placing these series within their political and cultural contexts. It also tackles a number of important questions about animated programming, such as: how animated series differ from conventional series; why animated programming tends to be so effective as a vehicle for social and political satire; what makes animated characters so readily convertible into icons; and what the likely effects of new technologies (such as digital animation) will be on this genre in the future. |
| martin luther king boondocks: Black in Selma J. L. Chestnut, Julia Cass, 2007 Black in Selma is the expansive autobiography of J. L. Chestnut Jr., a key figure of the civil rights movement in Selma, Alabama. Born in Selma in 1930, Chestnut left home to study law at Howard University in Washington, DC. Returning to Selma, Chestnut was the town's first and only African American attorney in the late 1950s. As the turbulent struggle for civil rights spread across the South, Chestnut became an active and assiduous promoter of social and legal equality in his hometown. A key player on the local and state fronts, Chestnut accrued deep insights into the racial tensions in his community and deftly opened paths toward a more equitable future. Though intimately involved in many events that took place in Selma, Chestnut was nevertheless often identified in history books as simply a local attorney. Black in Selma reveals his powerful yet little-known story. In the 2014 film Selma, director Ava DuVernay takes audiences to the climactic confrontation between civil rights advocates and the state's security forces of March 1965. Readers looking for a deeper understanding of the events that preceded that epic moment, as well as how racial integration unfolded in Selma in the decades that followed, will find Chestnut's story and memories both a vital primary source and an inspiration. |
| martin luther king boondocks: The Legend of the Black Mecca Maurice J. Hobson, 2017-10-03 For more than a century, the city of Atlanta has been associated with black achievement in education, business, politics, media, and music, earning it the nickname “the black Mecca.” Atlanta’s long tradition of black education dates back to Reconstruction, and produced an elite that flourished in spite of Jim Crow, rose to leadership during the civil rights movement, and then took power in the 1970s by building a coalition between white progressives, business interests, and black Atlantans. But as Maurice J. Hobson demonstrates, Atlanta’s political leadership — from the election of Maynard Jackson, Atlanta’s first black mayor, through the city’s hosting of the 1996 Olympic Games — has consistently mishandled the black poor. Drawn from vivid primary sources and unnerving oral histories of working-class city-dwellers and hip-hop artists from Atlanta’s underbelly, Hobson argues that Atlanta’s political leadership has governed by bargaining with white business interests to the detriment of ordinary black Atlantans. In telling this history through the prism of the black New South and Atlanta politics, policy, and pop culture, Hobson portrays a striking schism between the black political elite and poor city-dwellers, complicating the long-held view of Atlanta as a mecca for black people. |
| martin luther king boondocks: Reclaiming the Black Past Pero G. Dagbovie, 2018-11-13 The past and future of Black history In this information-overloaded twenty-first century, it seems impossible to fully discern or explain how we know about the past. But two things are certain. Whether we are conscious of it or not, we all think historically on a routine basis. And our perceptions of history, including African American history, have not necessarily been shaped by professional historians. In this wide-reaching and timely book, Pero Gaglo Dagbovie argues that public knowledge and understanding of black history, including its historical icons, has been shaped by institutions and individuals outside academic ivory towers. Drawing on a range of compelling examples, Dagbovie explores how, in the twenty-first century, African American history is regarded, depicted, and juggled by diverse and contesting interpreters—from museum curators to filmmakers, entertainers, politicians, journalists, and bloggers. Underscoring the ubiquitous nature of African-American history in contemporary American thought and culture, each chapter unpacks how black history has been represented and remembered primarily during the “Age of Obama,” the so-called era of “post-racial” American society. Reclaiming the Black Past is Dagbovie's contribution to expanding how we understand African American history during the new millennium. |
| martin luther king boondocks: Parasocial Politics Jason Zenor, 2014-10-21 Parasocial Politics explores how consumers form complex relationships with media texts and characters, and how these readings exist in the nexus between the real and fictional worlds. This collection of empirical studies analyzes how actual consumers read the text and the overt and covert political messages encoded in popular culture. |
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Martin is an American television sitcom that aired for five seasons on Fox from August 27, 1992, to May 1, 1997. The show stars comedian Martin Lawrence as the titular character. Lawrence …
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Sassy sitcom centering on radio and television personality Martin Payne, focusing on his relationship with his girlfriend Gina, interactions with Gina's best friend Pam, and escapades …
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Martin - TV Series - BET+
Detroit radio personality Martin Payne (Martin Lawrence) tries to juggle a job he loves, the girl he loves and whole cast of characters - from his wacky neighbor Shenehneh to “Brotha Man” …
Martin Guitars | The Choice of Musicians Worldwide | C.F. Martin
Martin Guitar has created the finest guitars & strings in the world for over 180 years. They're the choice from professionals to beginner guitar players.
Martin (TV series) - Wikipedia
Martin is an American television sitcom that aired for five seasons on Fox from August 27, 1992, to May 1, 1997. The show stars comedian Martin Lawrence as the titular character. Lawrence …
Martin (TV Series 1992–1997) - IMDb
Sassy sitcom centering on radio and television personality Martin Payne, focusing on his relationship with his girlfriend Gina, interactions with Gina's best friend Pam, and escapades …
Martin Lighting | English
Martin Professional Delivers One of World’s Most Advanced Lighting Systems for Royal Caribbean’s ‘Icon of the Seas’ Cruise Ship September 26, 2024
Martin Acoustics | Shop Vintage & Pre-owned Martin Guitars
With 25+ years in the vintage guitar market, we offer pre-war, 50's, 60's, 70's, and modern Martins. Shop now and enjoy the timeless tone of a Martin guitar.
'Martin' cast: Where are they now? - Entertainment Weekly
Apr 17, 2023 · 'Martin' was one of the most popular sitcoms of the 1990s and a launching pad for several careers. Here's what you need to know about where these beloved characters are now.
Martin - TV Series - BET+
Detroit radio personality Martin Payne (Martin Lawrence) tries to juggle a job he loves, the girl he loves and whole cast of characters - from his wacky neighbor Shenehneh to “Brotha Man” …
