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| love poem leslie marmon silko: A Study Guide for Leslie Marmon Silko's Love Poem Cengage Learning Gale, 2018 |
| love poem leslie marmon silko: A Study Guide for Leslie Marmon Silko's "Love Poem" Gale, Cengage Learning, A Study Guide for Leslie Marmon Silko's Love Poem, excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Studentsfor all of your research needs. |
| love poem leslie marmon silko: Ceremony Leslie Marmon Silko, 2020-08-27 'An exceptional novel ... a cause for celebration' Washington Post 'The most accomplished Native American writer of her generation' The New York Times Book Review Tayo, a young Second World War veteran of mixed ancestry, is coming home. But, returning to the Laguna Pueblo Reservation, he finds himself scarred by his experiences as a prisoner of war, and further wounded by the rejection he finds among his own people. Only by rediscovering the traditions, stories and ceremonies of his ancestors can he start to heal, and find peace. 'Ceremony is the greatest novel in Native American literature. It is one of the greatest novels of any time and place' Sherman Alexie |
| love poem leslie marmon silko: Storyteller Leslie Marmon Silko, 2012-09-25 Storyteller blends original short stories and poetry influenced by the traditional oral tales that Leslie Marmon Silko heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities. Storyteller illustrates how one can frame collective cultural identity in contemporary literary forms, as well as illuminates the importance of myth, oral tradition, and ritual in Silko's own work. |
| love poem leslie marmon silko: Laguna Woman Leslie Marmon Silko, 1974 |
| love poem leslie marmon silko: Yellow Woman Leslie Marmon Silko, 1993 Ambiguous and unsettling, Silko's Yellow Woman explores one woman's desires and changes--her need to open herself to a richer sensuality. Walking away from her everyday identity as daughter, wife and mother, she takes possession of transgressive feelings and desires by recognizing them in the stories she has heard, by blurring the boundaries between herself and the Yellow Woman of myth. |
| love poem leslie marmon silko: The Delicacy and Strength of Lace Leslie Marmon Silko, 1986 The Delicacy and Strength of Lace Letters between Leslie Marmon Silko and James Wright This moving, eighteen-month exchange of correspondence chronicles the friendship-through-the-mail of two extraordinary writers. Leslie Marmon Silko is a poet and novelist. James Wright won the Pulitzer Prize in 1972 for his Collected Poems. They met only twice. First, briefly, in 1975, at a writers conference in Michigan. Their correspondence began three years later, after Wright wrote to Silko praising her book Ceremony. The letters begin formally, and then each writer gradually opens to the other, venturing to share his or her life, work and struggles. The second meeting between the two writers came in a hospital room, as James Wright lay dying of cancer. The New York Times wrote something of Wright that applies to both writers-- of qualities that this exchange of letters makes evident. Our age desperately needs his vision of brotherly love, his transcendent sense of nature, the clarity of his courageous voice. |
| love poem leslie marmon silko: After and Before the Lightning Simon J. Ortiz, 2022-08-16 Highway 18 between Mission and Okreek, South Dakota, is a stretch of no more than eighteen miles, but late at night or in a blizzard it seems endless. It feels like being somewhere between South Dakota and 'there,' says Simon Ortiz, perhaps at the farthest reaches of the galaxy. Acoma Pueblo poet Ortiz spent a winter in South Dakota, teaching at Sinte Gleska College on the Rosebud Lakota Sioux Reservation. The bitter cold and driving snow of a prairie winter were a reality commanding his attention through its absolute challenge to survival and the meaning of survival. Ortiz's way of dealing with the hard elements of winter was to write After and Before the Lightning, prose and verse poems that were his response to that long season between the thunderstorms of autumn and spring. I needed a map of where I was and what I was doing in the cosmos, he writes. In these poems, which he regards as a book-length poetic work, he charts the vast spaces of prairie and time that often seem indistinguishable. As he faces the reality of winter on the South Dakota reservation, he also confronts the harsh political reality for its Native community and culture and for Indian people everywhere. Writing this poetry reconnected me to the wonder and awe of life, Ortiz states emphatically. Readers will feel the reality of that wonder and awe—and the cold of that South Dakota winter—through the gentle ferocity of his words. |
| love poem leslie marmon silko: Doubters and Dreamers Janice Gould, 2011-01-20 Doubters and Dreamers opens with a question from a young girl faced with the spectacle of Indian effigies lynched and burned “in jest” before UC Berkeley’s annual Big Game against Stanford: “What’s a debacle, Mom?” This innocent but telling question marks the girl’s entrée into the complicated knowledge of her heritage as a mixed-blood Native American of Koyangk’auwi (Concow) Maidu descent. The girl is a young Janice Gould, and the poems and narrations that follow constitute a remarkable work of sustained and courageous self-revelation, retracing the precarious emotional terrain of an adolescence shaped by a mother’s tough love and a growing consciousness of an ancestral and familial past. In the first half of the book, “Tribal History,” Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when “muleback was the customary mode / of transport” and the “spirit world was present”—stories of “old ways” and places claimed in memory but lost in time. Elsewhere, she remembers her mother’s “ferocious, upright anger” and her unexpected tenderness (“Like a miracle, I was still her child”), culminating in the profound expression of loss that is the poem “Our Mother’s Death.” In the second half of the book, “It Was Raining,” Gould tells of the years of lonely self-making and “unfulfilled dreams” as she comes to terms with what she has been told are her “crazy longings” as a lesbian: “It’s been hammered into me / that I’ll be spurned / by a ‘real woman,’ / the only kind I like.” The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West. |
| love poem leslie marmon silko: Leslie Marmon Silko Mary Ellen Snodgrass, 2014-01-10 This companion, appropriate for the lay reader and researcher alike, provides analysis of characters, plots, humor, symbols, philosophies, and classic themes from the writings and tellings of Leslie Marmon Silko, the celebrated novelist, poet, memoirist and Native American wisewoman. The text opens with an annotated chronology of Silko's multiracial heritage, life and works, followed by a family tree of the Leslie-Marmon families that clarifies relationships of the people who fill her autobiographical musings. In the main text, 87 A-to-Z entries combine literary and cultural commentary with generous citations from primary and secondary sources and comparisons to classic and popular literature. Back matter includes a glossary of Pueblo terms and a list of 43 questions for research, writing projects, and discussion. This much-needed text will aid both scholars and casual readers interested in the work and career of the first internationally-acclaimed native woman author in the United States. |
| love poem leslie marmon silko: The Turquoise Ledge Leslie Marmon Silko, 2010 A poetic self-portrait combines family stories with reflections on the creatures and terrain observed on the Sonoran desert arroyos of Arizona during meditative walks that have been influenced by Native American storytelling traditions. By the author of Ceremony. |
| love poem leslie marmon silko: The Fifth Sacred Thing Starhawk, 1994-06-01 An epic tale of freedom and slavery, love and war, and the potential futures of humankind tells of a twenty-first century California clan caught between two clashing worlds, one based on tolerance, the other on repression. Declaration of the Four Sacred Things The earth is a living, conscious being. In company with cultures of many different times and places, we name these things as sacred: air, fire, water, and earth. Whether we see them as the breath, energy, blood, and body of the Mother, or as the blessed gifts of a Creator, or as symbols of the interconnected systems that sustain life, we know that nothing can live without them. To call these things sacred is to say that they have a value beyond their usefulness for human ends, that they themselves became the standards by which our acts, our economics, our laws, and our purposes must be judged. no one has the right to appropriate them or profit from them at the expense of others. Any government that fails to protect them forfeits its legitimacy. All people, all living things, are part of the earth life, and so are sacred. No one of us stands higher or lower than any other. Only justice can assure balance: only ecological balance can sustain freedom. Only in freedom can that fifth sacred thing we call spirit flourish in its full diversity. To honor the sacred is to create conditions in which nourishment, sustenance, habitat, knowledge, freedom, and beauty can thrive. To honor the sacred is to make love possible. To this we dedicate our curiosity, our will, our courage, our silences, and our voices. To this we dedicate our lives. Praise for The Fifth Sacred Thing “This is wisdom wrapped in drama.”—Tom Hayden, California state senator “Starhawk makes the jump to fiction quite smoothly with this memorable first novel.”—Locus “Totally captivating . . . a vision of the paradigm shift that is essential for our very survival as a species on this planet.”—Elinor Gadon, author of The Once and Future Goddess “This strong debut fits well against feminist futuristic, utopic, and dystopic works by the likes of Charlotte Perkins Gilman, Ursula LeGuin, and Margaret Atwood.”—Library Journal |
| love poem leslie marmon silko: Leslie Marmon Silko Louise K. Barnett, James L. Thorson, 1999 An exciting collection of new essays on the work of the outstanding American Indian woman writer. |
| love poem leslie marmon silko: A Radiant Curve Luci Tapahonso, 2008-10-17 A collection of stories and poems by Navajo author and poet, Luci Tapahonso, that reflects her own memories along with the voices of her Navajo ancestors. Includes an audio CD of the author reading aloud from her book. |
| love poem leslie marmon silko: The Pueblo Imagination Lee Marmon, 2003 Evocative photographs celebrating the rich culture and dramatic landscapes of the Laguna Pueblo, the native people of the U.S. Southwest. Lee Marmon is America's most renowned Native American photographer and yet this is the first book to showcase his breathtaking photography. This book combined Mr. Marmon's award-winning photographs celebrating the Laguna Pueblo - their distinctive landscapes, their traditions and history - with equally gorgeous prose and poetry by three of our most celebrated Native American writers: Lee's daughter, the novelist Leslie Marmon Silko, and the poets Joy Harpo and Simon Ortiz. With each flash of the camera, Lee Marmon captured a piece of Native American history; this book preserves that precious legacy.The Pueblo Imagination will be lavishly produced, with the highest quality reproductions, including some seventy black-and-white photos printed in duotone and eight pages of arresting color photographps. The text will flow in prose and verse from the images, setting the stage and capturing in words the history preserved in Lee Marmon's unforgettable images. |
| love poem leslie marmon silko: Poet Warrior: A Memoir Joy Harjo, 2021-09-07 National bestseller An ALA Notable Book Three-term poet laureate Joy Harjo offers a vivid, lyrical, and inspiring call for love and justice in this contemplation of her trailblazing life. Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her poet-warrior road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth—owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member. Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo. |
| love poem leslie marmon silko: Inclined to Speak Hayan Charara, 2008-03-01 Presents a collection of poems by such Arab American authors as Samuel Hazo, Lawrence Joseph, Khaled Mattawa, and Naomi Shihab Nye. |
| love poem leslie marmon silko: Nature Poem Tommy Pico, 2017-05-09 A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice. |
| love poem leslie marmon silko: Choice Words Annie Finch, 2022-08-23 With reproductive freedom under unprecedented attack, Choice Words, edited by poet Annie Finch, takes back the cultural conversation on abortion. |
| love poem leslie marmon silko: A Crossing of Zebras Marjorie Maddox, 2019-12-13 You've probably heard the phrase a school of fish. But what about a rumba of rattlesnakes, an army of ants, or a crash of rhinos? Derived from both oral and written traditions, collective nouns go back centuries. These terms not only charm us with their sound, but they provide a bit of insight into animal behavior. Readers can find these and other terms--from alley cats to zebras--in fourteen thought-provoking poems by Marjorie Maddox. She and artist Philip Huber create a wonderful combination of rich wordplay and captivating art that piques the imagination. |
| love poem leslie marmon silko: Woven Stone Simon J. Ortiz, 2022-08-16 What I do as a writer, teacher, and storyteller is to demystify language, says Simon Ortiz. Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication. Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people, writes Ortiz. Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival. |
| love poem leslie marmon silko: Sisters of the Earth Lorraine Anderson, 2003-12-09 Sisters of the Earth is a stirring collection of women’s writing on nature: Nature as healer. Nature as delight. Nature as mother and sister. Nature as victim. Nature as companion and reminder of what is wild in us all. Here, among more than a hundred poets and prose writers, are Diane Ackerman on the opium of sunsets; Ursula K. Le Guin envisioning an alternative world in which human beings are not estranged from their planet; and Julia Butterfly Hill on weathering a fierce storm in the redwood tree where she lived for more than two years. Here, too, are poems, essays, stories, and journal entries by Emily Dickinson, Alice Walker, Terry Tempest Williams, Willa Cather, Gretel Erlich, Adrienne Rich, and others—each offering a vivid, eloquent response to the natural world. This second edition of Sisters of the Earth is fully revised and updated with a new preface and nearly fifty new pieces, including new contributions by Louise Erdrich, Pam Houston, Zora Neale Hurston, Starhawk, Joy Williams, Kathleen Norris, Rita Dove, and Barbara Kingsolver. |
| love poem leslie marmon silko: Gardens in the Dunes Leslie Marmon Silko, 2013-04-30 A sweeping, multifaceted tale of a young Native American pulled between the cherished traditions of a heritage on the brink of extinction and an encroaching white culture, Gardens in the Dunes is the powerful story of one woman’s quest to reconcile two worlds that are diametrically opposed. At the center of this struggle is Indigo, who is ripped from her tribe, the Sand Lizard people, by white soldiers who destroy her home and family. Placed in a government school to learn the ways of a white child, Indigo is rescued by the kind-hearted Hattie and her worldly husband, Edward, who undertake to transform this complex, spirited girl into a “proper” young lady. Bit by bit, and through a wondrous journey that spans the European continent, traipses through the jungles of Brazil, and returns to the rich desert of Southwest America, Indigo bridges the gap between the two forces in her life and teaches her adoptive parents as much as, if not more than, she learns from them. |
| love poem leslie marmon silko: Leslie Marmon Silko Per Seyersted, 1980 |
| love poem leslie marmon silko: The Sea Came in at Midnight Steve Erickson, 2013-04-30 DIVDIV“If you read one philosophical-doomsday kinky-sex road-trip novel this year, make it this one.” —Salon/divDIV It’s New Year’s Eve 1999, and the members of a powerful cult are about to commit ritual suicide. Fleeing their ranks at the final moment, teenager Kristin lands in Tokyo, where she gains employment listening to clients’ stories in a “memory hotel” designed to address the decay of Japanese collective memory after the Second World War. But Kristin herself has a startling odyssey: Among other things, it involves answering a personal ad only to wind up imprisoned, naked, in an empty house presided over by a man known as the Occupant, hard at work on a millennial calendar that has serious implications for the future. The Sea Came in at Midnight is a breathtaking fable of redemption and one of Erickson’s most impressive visions to date. /div/div |
| love poem leslie marmon silko: In Mad Love and War Joy Harjo, 1990-05-21 Sacred and secular poems of the Creek Tribe. |
| love poem leslie marmon silko: Sisters of the Earth Lorraine Anderson, 1991 This book introduces us to female perspectives on nature. Over 90 selections, from Emily Dickinson to Alice Walker, span a century and encompass the voices of a variety of women--some known for their writing on nature, and several outstanding new voices |
| love poem leslie marmon silko: Weaving Sundown in a Scarlet Light: Fifty Poems for Fifty Years Joy Harjo, 2022-11-01 A magnificent selection of fifty poems to celebrate three-term US Poet Laureate Joy Harjo’s fifty years as a poet. Over a long, influential career in poetry, Joy Harjo has been praised for her “warm, oracular voice” (John Freeman, Boston Globe) that speaks “from a deep and timeless source of compassion for all” (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love. In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo’s inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo’s “poetry is light and elixir, the very best prescription for us in wounded times” (Sandra Cisneros, Millions). |
| love poem leslie marmon silko: 100 Great Poems of the Twentieth Century Mark Strand, 2005-06-14 The last century's 100 most enduring poems, selected and introduced by former Poet Laureate Mark Strand. Accounting for the great range of style and content with which poets such as W. H. Auden, Dylan Thomas, Federico García Lorca, Rainer Maria Rilke, William Butler Yeats, Pablo Neruda, and Jorge Luis Borges responded to the changes and challenges of the twentieth century, 100 Great Poems of the Twentieth Century is intended as both a unique compendium for the already well-versed and as an engaging introduction for those new to the expansive world of poetry. Alan Ginsberg's struggle—What thoughts I have of you tonight, Walt Whitman....In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!—is echoed by other remarkable poets in this international collection of exciting and moving poems that are alike not in their length or for their status as seminal texts but because they are impossible to forget. |
| love poem leslie marmon silko: The Book of Medicines Linda Hogan, 1993 A collection of Native American poetry. |
| love poem leslie marmon silko: A History of American Poetry Richard Gray, 2015-03-30 A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries |
| love poem leslie marmon silko: Coming to Light Stanford University. Center for Research on Women, 1985 This collection of 16 essays discusses the broad relationship of women poets to the American literary tradition |
| love poem leslie marmon silko: Reinventing the Enemy's Language Joy Harjo, Gloria Bird, 1998 Features poetry, fiction, and other writings by Native American women |
| love poem leslie marmon silko: The Columbia Granger's Index to Poetry in Anthologies , 2007 |
| love poem leslie marmon silko: Voices of the Rainbow Kenneth Rosen, 2012-02 A collection of contemporary poetry by Native Americans. |
| love poem leslie marmon silko: Wallace Stegner's Unsettled Country Mark Fiege, Leisl Carr Childers, Michael J. Lansing, 2024-02 Wallace Stegner is an iconic western writer. His works of fiction, including the Pulitzer Prize-winning Angle of Repose and Big Rock Candy Mountain, as well as his nonfiction books and essays introduced the beauty and character of the American West to thousands of readers. Wallace Stegner's Unsettled Country assesses his life, work, and legacy in light of contemporary issues and crises. Along with Stegner's achievements, the contributors show how his failures offer equally crucial ways to assess the past, present, and future of the region. Drawing from history, literature, philosophy, law, geography, and park management, the contributors consider Stegner's racial liberalism and regional vision, his gendered view of the world, his understandings of conservation and the environment, his personal experience of economic collapse and poverty, his yearning for community, and his abiding attachment to the West. Wallace Stegner's Unsettled Country is an even-handed reclamation of Stegner's enduring relevance to anyone concerned about the American West's uncertain future. |
| love poem leslie marmon silko: The Remembered Earth Geary Hobson, 1981 Gives a sampling of the work of contemporary young American Indian writers. |
| love poem leslie marmon silko: American Literature Review Bob*Star Publishing, 2012-01-18 An entire American lit class in a single volume, covering major writers from our Puritan beginnings through the present day. Includes excerpts and summaries from major works, a discussion of plots, settings and characters, and an overview of important literary movements. |
| love poem leslie marmon silko: Dancing in Odessa Ilya Kaminsky, 2014-01-28 Winner of the prestigious Tupelo Press Dorset Prize, selected by poet and MacArthur genius grant recipient Eleanor Wilner who says, I'm so happy to have a manuscript that I believe in so powerfully, poetry with such a deep music. I love it. One might spend a lifetime reading books by emerging poets without finding the real thing, the writer who (to paraphrase Emily Dickinson) can take the top of your head off. Kaminsky is the real thing. Impossibly young, this Russian immigrant makes the English language sing with the sheer force of his music, a wondrous irony, as Ilya Kaminsky has been deaf since the age of four. In Odessa itself, A city famous for its drunk tailors, huge gravestones of rabbis, horse owners and horse thieves, and most of all, for its stuffed and baked fish, Kaminksy dances with the strangest — and the most recognizable — of our bedfellows in a distinctive and utterly brilliant language, a language so particular and deft that it transcends all of our expectations, and is by turns luminous and universal. |
| love poem leslie marmon silko: Encyclopedia of American Indian Literature Jennifer McClinton-Temple, Alan Velie, 2010-05-12 American Indians have produced some of the most powerful and lyrical literature ever written in North America. Encyclopedia of American Indian Literature covers the field from the earliest recorded works to some of today's most exciting writers. Th |
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