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| macho gay film: Cinemachismo Sergio de la Mora, 2009-01-27 After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of mexicanidad, or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy buddy movie) and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema. |
| macho gay film: Queer Horror Film and Television Darren Elliott-Smith, 2016-09-30 In recent years, the representation of alternative sexuality in the horror film and television has outed itself from the shadows from which it once lurked, via the embrace of an outrageously queer horror aesthetic where homosexuality is often unequivocally referenced. In this book, Darren Elliott-Smith departs from the analysis of the monster as a symbol of heterosexual anxiety and fear, and moves to focus instead on queer fears and anxieties within gay male subcultures. Furthermore, he examines the works of significant queer horror film, television producers, and directors to reveal gay men's anxieties about: acceptance and assimilation into Western culture, the perpetuation of self-loathing and gay shame, and further anxieties associations shameful femininity. This book focuses mainly on representations of masculinity, and gay male spectatorship in queer horror films and television post-2000. In titling this sub-genre queer horror, Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer, or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with out gay characters. In terms of case studies, this book considers a variety of genres and forms from: video art horror; independently distributed exploitation films (A Far Cry from Home, Rowe Kelly, 2012); queer Gothic soap operas (Dante's Cove, 2005-7); satirical horror comedies (such as The Gay Bed and Breakfast of Terror (Thompson, 2008); low-budget slashers (Hellbent, Etheredge-Outzs, 2007); and contemporary representations of gay zombies in film and television from the pornographic LA Zombie (Bruce LaBruce, 2010)) to the melodramatic In the Flesh (BBC Three 2013-15). Moving from the margins to the mainstream, via the application of psychoanalytic theory, critical and cultural interpretation, interviews with key directors and close readings of classic, cult and modern horror, this book will be invaluable to students and researchers of gender and sexuality in horror film and television. |
| macho gay film: Food on Film Tom Hertweck, 2014-10-30 This collection addresses the relative scarcity of work relating to food-film studies, showcasing innovative viewpoints about a popular, yet understudied, subject in film. The volume asks provocative questions about food and its relationship with work, urban life, sexual orientation, the family, race, morality, and a wide range of “appetites.” |
| macho gay film: Macho Man Randy Jones, Mark Bego, 2008-12-30 The Vietnam War was over and America seemed in the midst of a nationwide party. The self-proclaimed Me generation was flocking to discotheques, recreational drug use was high, and sexual taboos were being shattered nationwide. Then The Village People appeared on the music scene. Never before had gay sexuality been as up-front and in the face of America. The Village People struck a cultural nerve and fueled a craze that had them playing to sold-out crowds at Madison Square Garden. Even today, few adults could not at least hum the tunes to Y.M.C.A. and Macho Man. Because of the unique role they played in the United States of the late 1970s, The Village People are able to provide a powerful lens through which to view the emergence and development of gay culture in America. In Macho Man, readers can travel back with one of the first gay icons in popular music, and a top pop culture biographer, as they describe this complicated process of change. In these pages, Randy Jones, the original cowboy in the band, takes us inside the time period, the discos, and the new musical style that was in many ways unprecedented in giving a voice to a previously closeted gay culture. Assisted by Mark Bego, one of the most popular and prolific pop culture authors working today, Jones shows how the fast-lane rise, fall, and rebirth of this novel band paralleled activities across the last 40 years within the gay culture and gay rights movement. The work concludes with a gayography — a listing of openly gay musicians and performers in the United States before and since The Village People - along with a discography and filmography. This work will interest pop culture and music enthusiasts, in addition to scholars in gay studies. |
| macho gay film: The Films of Arturo Ripstein Manuel Gutiérrez Silva, Luis Duno Gottberg, 2019-10-24 This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein’s films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field. |
| macho gay film: Straight Skin, Gay Masks and Pretending to be Gay on Screen Gilad Padva, 2020-05-11 Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin’s Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies. |
| macho gay film: Narco Cinema Ryan Rashotte, 2015-04-23 This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed. |
| macho gay film: The Documentary Film Reader Jonathan Kahana, 2016 The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film. |
| macho gay film: The Queer Encyclopedia of Film and Television Claude Summers, 2012-04-24 From Hollywood films to TV soap operas, from Vegas extravaganzas to Broadway theater to haute couture, this comprehensive encyclopedia contains over 200 entries and 200 photos that document the irrepressible impact of queer creative artists on popular culture. How did Liberace’s costumes almost kill him? Which lesbian comedian spent her high school years as “the best white cheerleader in Detroit?” For these answers and more, fans can dip into The Queer Encyclopedia of Film, Theater, and Popular Culture. Drawn from the fascinating online encyclopedia of queer arts and culture, www.glbtq.com — which the Advocate dubbed “the Encyclopedia Brittaniqueer” — this may be the only reference book in which RuPaul and Jean Cocteau jostle for space. From the porn industry to the Sisters of Perpetual Indulgence, from bodybuilding to Dorothy Arzner, it’s a queer, queer world, and The Queer Encyclopedia is the indispensable guide: readable, authoritative, and concise. And perfect to read by candelabra. (The answers to the two questions above: from the dry cleaning fumes, Lily Tomlin.) |
| macho gay film: AsiaPacifiQueer Fran Martin, Peter Jackson, Mark McLelland, Audrey Yue, 2010-10-01 This interdisciplinary collection examines the shaping of local sexual cultures in the Asian Pacific region in order to move beyond definitions and understandings of sexuality that rely on Western assumptions. The diverse studies in AsiaPacifiQueer demonstrate convincingly that in the realm of sexualities, globalization results in creative and cultural admixture rather than a unilateral imposition of the western values and forms of sexual culture. These essays range across the Pacific Rim and encompass a variety of forms of social, cultural, and personal expression, examining sexuality through music, cinema, the media, shifts in popular rhetoric, comics and magazines, and historical studies. By investigating complex processes of localization, interregional borrowing, and hybridization, the contributors underscore the mutual transformation of gender and sexuality in both Asian Pacific and Western cultures. Contributors are Ronald Baytan, J. Neil C. Garcia, Kam Yip Lo Lucetta, Song Hwee Lim, J. Darren Mackintosh, Claire Maree, Jin-Hyung Park, Teri Silvio, Megan Sinnott, Yik Koon Teh, Carmen Ka Man Tong, James Welker, Heather Worth, and Audrey Yue. |
| macho gay film: Queer Males in Contemporary Cinema Kylo-Patrick R. Hart, 2013 Over the past several decades, mainstream films have gradually featured queer content and characters. Depicted covertly at first, these characterizations have become much more prominent in recent years, most notably in such films as Philadelphia, Boys Don't Cry, and Brokeback Mountain. In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R. Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of normalcy, deviance, and social otherness, in ways that frequently have real--and sometimes detrimental--effects on actual people. Covering a range of films, including From Here to Eternity, The Boys in the Band, Saturday Night Fever, Cruising, Point Break, The Doom Generation, Boys Don't Cry, Hedwig and the Angry Inch, Kinsey, Brokeback Mountain, Transamerica, and Shortbus, this book shows not only how much has changed since the mid-20th century, but also how much has remained the same. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBTQ studies. |
| macho gay film: Hot Stuff: Disco and the Remaking of American Culture Alice Echols, 2010-03-29 Disco thumps back to life in this pulsating look at the culture and politics that gave rise to the music. In the 1970s, as the disco tsunami engulfed America, the question, “Do you wanna dance?” became divisive, even explosive. What was it about this music that made it such hot stuff? In this incisive history, Alice Echols reveals the ways in which disco, assumed to be shallow and disposable, permanently transformed popular music, propelling it into new sonic territory and influencing rap, techno, and trance. This account probes the complex relationship between disco and the era’s major movements: gay liberation, feminism, and African American rights. But it never loses sight of the era’s defining soundtrack, spotlighting the work of precursors James Brown and Isaac Hayes, its dazzling divas Donna Summer and the women of Labelle, and some of its lesser-known but no less illustrious performers like Sylvester. You’ll never say “disco sucks” again after reading this fascinating account of the music you thought you hated but can’t stop dancing to. |
| macho gay film: Hollywood Pride Alonso Duralde, 2024-05-14 For generations, members of the LGBTQ+ community in Hollywood needed to be discreet about their lives but—make no mistake—they were everywhere, both in front of and behind the camera. On the eve of the twentieth century, in Thomas Edison’s laboratory, one of the earliest attempts at a sound film depicted two men dancing together as a third plays the violin. It’s only a few minutes long, but this cornerstone of early cinema captured a queer moment on film. It would not be the last. With Hollywood Pride, renowned film critic Alonso Duralde presents a history spanning from the dawn of cinema through the “pansy craze” of the 1930s and the New Queer Cinema of the 1990s, all the way up to today. He showcases the hard-working actors, writers, directors, producers, cinematographers, art directors, and choreographers whose achievements defined the American film industry and charts the evolution of LGBTQ+ storytelling itself—the way mainstream Hollywood decided it would portray (or erase) their lives and the narratives created by queer filmmakers who fought to tell those stories themselves. Along the way, readers will encounter a fascinating cast of characters, such as the first generation of queer actors, including J. Warren Kerrigan, Ramon Novarro, and William Haines. Early cinema pioneers like Alla Nazimova and F. W. Murnau helped shape the new medium of moving pictures. The sex symbols, both male (Rock Hudson, Tab Hunter, and Anthony Perkins) and female (Lizabeth Scott and Greta Garbo), lived under the threat of their private lives undermining their public personas. Underground filmmakers Kenneth Anger and John Waters made huge strides in LGBTQ+ representation with their off-off-Hollywood productions in the 1960s and ’70s. These screen legends paved the way for every openly queer figure in Hollywood today. Illustrated with more than 175 full-color and black-and-white images, Hollywood Pride points to the bright future of LGBTQ+ representation in cinema by revealing the story of the community’s inclusion and erasure, its visibility and invisibility, and its triumphs and tragedies. |
| macho gay film: Australian Film Tales Robert Cettl, 2010-12-12 |
| macho gay film: A Critical History of German Film Stephen Brockmann, 2010 A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation. |
| macho gay film: Masks and Human Connections Luísa Magalhães, Cândido Oliveira Martins, 2023-01-31 This interdisciplinary collection explores four distinct perspectives about the mask, as object of use for protection, identity, and disguise. In part I, contributors address human identities within collective social performance, with chapters on performativity and the far right and masked identities in political resistance and communication. Part II focuses on the mask as a signifying object with strong representational challenges, exploring representations in festivals, literature, and film. Part III investigates the ambiguous use of the mask as a protective and concealing element, delving into visual culture and digital social media contexts. Finally, Part VI draws on the work of Levinas and Deleuze to investigate a philosophical view of the mask that addresses memory and ethics within intersubjective relationships. Questioning the contemporary world, using communication, sociology, visual culture, and philosophical theory, the volume provides a pedagogical and formative perspective on the mask. |
| macho gay film: An Introduction to Film Studies Jill Nelmes, 2003 An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film. Features of the third edition include: *full coverage of all the key topics at undergraduate level *comprehensive and up-to-date information and new case studies on recent films such as Gladiator, Spiderman, The Blair Witch Project, Fight Club, Shrekand The Matrix *annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study. Individual chapters include: *Film form and narrative *Spectator, audience and response *Critical approaches to Hollywood cinema: authorship, genre and stars *Animation: forms and meaning *Gender and film *Lesbian and gay cinema *British cinema *Soviet montage Cinema *French New Wave *Indian Cinema |
| macho gay film: Dream Factories of a Former Colony José B. Capino, 2010 |
| macho gay film: Fifty Contemporary Film Directors Yvonne Tasker, 2010-10-04 This book provides an accessible overview of each director’s contribution to cinema, incorporating a discussion of their career, major works and impact. |
| macho gay film: Introduction to Film Studies Jill Nelmes, 2012-03-12 Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide. Key features of the fifth edition are: updated coverage of a wide range of concepts, theories and issues in film studies in-depth discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema new case studies on films such as District 9, Grizzly Man, Amores Perros, Avatar, Made in Dagenham and many others marginal key terms, notes, cross-referencing suggestions for further reading, further viewing and a comprehensive glossary and bibliography a new, improved companion website including popular case studies and chapters from previous editions (including chapters on German Cinema and The French New Wave), links to supporting sites, clips, questions and useful resources. Individual chapters include: The Industrial Contexts of Film Production · Film and Technology · Getting to the Bigger · Picture Film Form and Narrative · Spectator, Audience and Response · Cinematic authorship and the film auteur · Stardom and Hollywood Cinema · Genre, Theory and Hollywood Cinema The Documentary Form · The Language of Animation · Gender and Film · Lesbian and Gay Cinema · Spectacle, Stereotypes and Films of the African Diaspora · British Cinema · Indian Cinema · Latin American Cinema · Soviet Montage Cinema of the 1920s Contributors: Linda Craig, Lalitha Gopalan, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward, Paul Watson, Paul Wells and William Wittington |
| macho gay film: Cinema of Outsiders Emanuel Levy, 1999 The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood's safe and innocuous entertainment. Indeed, while Hollywood studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. |
| macho gay film: On the Aisle, Volume 3 Philip Morency, 2017-04-11 On the Aisle, Volume 3 by Philip Morency On the Aisle, Volume 3: Film Reviews by Philip Morency is the third in the series of movie reviews written by Philip Morency. This edition contains films ranging from the years 2010 through 2012, with some periodic “oldies but goodies” mixed in. Like Philip’s previous two books, On the Aisle, Volume 3 contains brief and to-the-point movie reviews that are geared toward the average moviegoer. It is not really written from a critic’s perspective, but from that of the average viewer. The reviews are simple and easy to understand. What is unique about the book is that it tells the synopsis of the film, then it gives the author’s opinion of the film, and then it lets the reader decide whether or not they would like to see the film. The films are rated on a scale of 1 through 5. There are also half-star ratings, such as 3 ½ stars (VERY GOOD). The contained films are listed in alphabetical order, and for ease of reference, there is also a table of contents page. Enjoy… On the Aisle, Volume 3. |
| macho gay film: Despite All Adversities Andrés Lema-Hincapié, Debra A. Castillo, 2015-10-26 Provides sophisticated theoretical approaches to Latin American cinema and sexual culture. Despite All Adversities examines a representative selection of notable queer films by Spanish Americas most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Aleas and Juan Carlos Tabíos Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyros Plata quemada (Burnt Money, 2000), Barbet Schroeders La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzos XXY (XXY, 2007), Francisco J. Lombardis No se lo digas a nadie (Dont Tell Anyone, 1998), Arturo Ripsteins El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included. |
| macho gay film: Blood Moon's Guide to Gay and Lesbian Film Darwin Porter, Danforth Prince, 2006 The world has witnessed an explosion in the prevalence, quality and depth of gay and lesbian-themed films. Dozens of gay and lesbian films are examined here with a huge amount of clarity and respect. This is the ultimate guide to the growing force of gay and lesbian filmmaking. |
| macho gay film: The Ultimate Stallone Reader Chris Holmlund, 2014-04-14 Sylvester Stallone has been a defining part of American film for nearly four decades. He has made an impact on world entertainment in a surprisingly diverse range of capacities – as actor, writer, producer, and director – all while maintaining a monolithic presence. With The Ultimate Stallone Reader, this icon finally receives concerted academic attention. Eleven original essays by internationally-known scholars examine Stallone's contributions to mainstream cinema, independent film, and television. This volume also offers innovative approaches to star, gender, and celebrity studies, performance analysis, genre criticism, industry and reception inquiry, and the question of what it means to be an auteur. Ultimately, The Ultimate Stallone Reader investigates the place that Sylvester Stallone occupies within an industry and a culture that have both undergone much evolution, and how his work has reflected and even driven these changes. |
| macho gay film: Multiplatform Media in Mexico Paul Julian Smith, 2019-05-23 Multiplatform Media in Mexico is the first book to treat the exciting, interconnected fields of cinema, television, and internet in Mexico over the last decade, fields that combine to be called multiplatform media. Combining industrial analysis of a major audiovisual field at a time of growth and change with close readings of significant texts on all screens, acclaimed author Paul Julian Smith deftly details these new audiovisual trends. The book includes perspectives on local reporting on the ground, as covered in the chapter documenting media response to the 2017 earthquake. And, for the first time in this field, the book draws throughout on star studies, tracing the distinct profiles of actors who migrate from one medium to another. As a whole, Smith’s analyses illustrate the key movements in screen media in one of the world’s largest media and cultural producing nations. These perspectives connect to and enrich scholarship across Latin American, North American, and global cases. |
| macho gay film: Sexuality in the Land of Oz Wayne Wilson, 1994 This work explores how films tell stories about sexual experiences. Oz, in this exploration, does not refer to the movie's fantasy world but to the moviegoer's response to that world of glamourised sexual practices. It provides an extensive coverage of sexual dramatisations, including movies concerned with conception, abortion, gender, love, marriage, adultery, sexual coercion, and AIDS. |
| macho gay film: Shakespeare, The Movie Lynda E. Boose, Richard Burt, 2005-06-28 Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare. Taking a fresh look at the Bard an his place in the movies, Shakespeare, The Movie includes a selection of what is presently available in filmic format to the Shakespeare student or scholar, ranging across BBC television productions, filmed theatre productions, and full screen adaptations by Kenneth Branagh and Franco Zeffirelli. Films discussed include: * Amy Heckerling's Clueless * Gus van Sant's My Own Private Idaho * Branagh's Henry V * Baz Luhrman's William Shakespeare's Romeo and Juliet * John McTiernan's Last Action Hero * Peter Greenaway's Prospero's Books * Zeffirelli's Hamlet. |
| macho gay film: The Films of the Nineties W. Palmer, 2009-03-02 By breaking down classic films from the nineteen-nineties such as Forest Gump and Titanic, this book offers a reel-to-reel cultural analysis, chronicling the concept of 'spin' as a major sociopolitical persuasion strategy. |
| macho gay film: Contemporary French Cinema Guy Austin, 1996-11-15 Examines popular French film of the last 25 years. Charts recent developments in all genres since the New Wave, including the heritage film, the thriller, the war film, `cinema du look'. Other topics include: representations of sexuality; the work of women film-makers. Includes a filmography. |
| macho gay film: The Advocate , 2002-06-11 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| macho gay film: Black Queer Studies E. Patrick Johnson, Mae G. Henderson, 2005-11-01 While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project. The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies. Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace |
| macho gay film: The Routledge Handbook of Male Sex Work, Culture, and Society John Geoffrey Scott, Christian Grov, Victor Minichiello, 2021-03-21 Panoramic and provocative in its scope, this handbook is the definitive guide to contemporary issues associated with male sex work and a must read for those who study masculinities, male sexuality, sexual health, and sexual cultures. This groundbreaking volume will have a powerful impact on our understanding of this challenging, elusive subject. While the internet has brought the previously hidden worlds of male sex work more starkly into public view, academic research has often remained locked into descriptions of male sex workers and their clients as perverse. Drawing from a variety of regions, the chapters provide insights into the historical, popular cultural, social, and economic aspects of sex work, as well as demographic patterns, health outcomes, and policy issues. This approach shifts thought on male sex work from a hidden social problem to a publicly acknowledged social phenomenon. The book challenges myths and reconceptualizes male sex work as a discrete field. Importantly, it provides a vehicle for the voices of male sex workers and new and established scholars. This richly detailed, humane, and innovative collection retrieves male sex work from silence and invisibility on the one hand and its association with scandal and stigma on the other. The findings within have profound implications for how governments approach public health and regulation of the sex industry and for how society can make sense of the complexities of human sexualities. A compelling scholarly read and a major contribution to a commercial sector that is often neglected in policy debates on sex work, this handbook will be of great interest to scholars of criminology, sociology, gender studies, and cultural studies and all those interested in male sex work. |
| macho gay film: The Advocate , 1997-11-11 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| macho gay film: Contemporary Israeli Cinema Raz Yosef, 2022-12-30 Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium. The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women’s cinema in Israel, displacement, and queer communities and identity. Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies. |
| macho gay film: Gender and Sexuality in Latin American Horror Cinema Gustavo Subero, 2016-05-20 Gender and Sexuality in Latin American Horror Cinema explores the different mechanisms and strategies through which horror films attempt to reinforce or contest gender relations and issues of sexual identity in the continent. The book explores issues of machismo, marianismo, homosociality, bromance, among others through the lens of horror narratives and, especially, it offers an analysis of monstrosity and the figure of the monster as an outlet to play out socio-sexual anxieties in different societies or gender groups. The author looks at a wide rage of films from countries such as Cuba, Peru, Mexico and Argentina and draws points of commonality, as well as comparing essential differences, between the way that horror fictions – considered by many as low-brow cinema - can be effective to delve into the way that sexuality and gender operates and circulates in the popular imaginary in these regions. |
| macho gay film: The Advocate , 1997-09-30 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| macho gay film: Maverick Movies Daniel Herbert, 2023-11-21 A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today. |
| macho gay film: Casting a Giant Shadow Rachel S. Harris, Dan Chyutin, 2021-07-06 Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is Israeli within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage. |
| macho gay film: The Rise of Central American Film in the Twenty-First Century Mauricio Espinoza, Jared List, 2023-08-29 How an overlooked film industry became a cinematic force The first book in English dedicated to the study of Central American film, this volume explores the main trends, genres, and themes that define this emerging industry. The seven nations of the region have seen an unprecedented growth in film production during the twenty-first century with the creation of over 200 feature-length films compared with just one in the 1990s. This volume provides a needed overview of one of the least explored cinemas in the world. In these essays, various scholars of film and cultural studies from around the world provide insights into the continuities and discontinuities between twentieth- and twenty-first-century cinematic production on the Isthmus. They discuss how political, social, and environmental factors, along with new production modes and aesthetics, have led to a corpus of films that delve into issues of the past and present such as postwar memory, failed revolutions, trauma, migration, popular culture, minority populations, and gender disparities. From Salvadoran documentaries to Costa Rican comedies and Panamanian sports films, the movies analyzed here demonstrate the region’s flourishing film industry and the diversity of approaches found within it. The Rise of Central American Film in the Twenty-First Century pays homage to an overlooked cultural phenomenon and shows the importance of regional cinema studies. Contributors: Liz Harvey-Kattou | Daniela Granja Núñez | Carolina Sanabria | Juan Carlos Rodríguez | María Lourdes Cortés | Júlia González de Canales Carcereny | Arno Jacob Argueta | Tomás Arce Mairena | Dr. Mauricio Espinoza | Lilia García Torres | Dr. Jared List | Patricia Arroyo Calderón | Esteban E. Loustaunau | Héctor Fernández L'Hoeste | Juan Pablo Gómez Lacayo | Jennifer Carolina Gómez Menjívar A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. |
Home | Macho - MachoCheats
Introducing our revolutionary multiplayer development engine, designed to elevate your gaming experience to unprecedented heights. With a powerful Lua Coding Engine at its core, our …
MACHO Definition & Meaning - Merriam-Webster
The meaning of MACHO is characterized by machismo : aggressively virile. How to use macho in a sentence.
Machismo - Wikipedia
Machismo (/ m ə ˈ tʃ iː z m oʊ, m ɑː-,-ˈ tʃ ɪ z-/; Spanish: [maˈtʃismo]; Portuguese: [maˈʃiʒmu]; from Spanish macho ' male ' and -ismo) [1] is the sense of being "manly" and self-reliant, a concept …
MACHO | English meaning - Cambridge Dictionary
MACHO definition: 1. behaving forcefully or showing no emotion in a way traditionally thought to be typical of a man…. Learn more.
Macho - Definition, Meaning, Synonyms & Etymology - Better …
It describes a person or their actions that display a strong or dominant demeanor, physical strength, and an emphasis on toughness and assertiveness. Macho attitudes often emphasize …
macho - Wiktionary, the free dictionary
May 25, 2025 · macho (comparative more macho, superlative most macho) (informal) Masculine in an overly assertive or aggressive way. I like sports because I enjoy knowing that many of …
Macho - definition of macho by The Free Dictionary
macho, machismo - Macho is from Mexican Spanish, meaning "male animal or plant" or "masculine, vigorous"—from Latin masculus, "male"; machismo (pronounced mah-CHEEZ …
macho, n.² & adj. meanings, etymology and more | Oxford English …
What does the word macho mean? There are three meanings listed in OED's entry for the word macho . See ‘Meaning & use’ for definitions, usage, and quotation evidence.
macho adjective - Definition, pictures, pronunciation and usage …
Definition of macho adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
MACHO Definition & Meaning | Dictionary.com
MACHO definition: having or characterized by qualities considered manly, especially when manifested in an assertive, self-conscious, or dominating way.. See examples of MACHO …
Home | Macho - MachoCheats
Introducing our revolutionary multiplayer development engine, designed to elevate your gaming experience to unprecedented heights. With a powerful Lua Coding Engine at its core, our …
MACHO Definition & Meaning - Merriam-Webster
The meaning of MACHO is characterized by machismo : aggressively virile. How to use macho in a sentence.
Machismo - Wikipedia
Machismo (/ m ə ˈ tʃ iː z m oʊ, m ɑː-,-ˈ tʃ ɪ z-/; Spanish: [maˈtʃismo]; Portuguese: [maˈʃiʒmu]; from Spanish macho ' male ' and -ismo) [1] is the sense of being "manly" and self-reliant, a concept …
MACHO | English meaning - Cambridge Dictionary
MACHO definition: 1. behaving forcefully or showing no emotion in a way traditionally thought to be typical of a man…. Learn more.
Macho - Definition, Meaning, Synonyms & Etymology - Better …
It describes a person or their actions that display a strong or dominant demeanor, physical strength, and an emphasis on toughness and assertiveness. Macho attitudes often emphasize …
macho - Wiktionary, the free dictionary
May 25, 2025 · macho (comparative more macho, superlative most macho) (informal) Masculine in an overly assertive or aggressive way. I like sports because I enjoy knowing that many of …
Macho - definition of macho by The Free Dictionary
macho, machismo - Macho is from Mexican Spanish, meaning "male animal or plant" or "masculine, vigorous"—from Latin masculus, "male"; machismo (pronounced mah-CHEEZ-mo) …
macho, n.² & adj. meanings, etymology and more | Oxford English …
What does the word macho mean? There are three meanings listed in OED's entry for the word macho . See ‘Meaning & use’ for definitions, usage, and quotation evidence.
macho adjective - Definition, pictures, pronunciation and usage …
Definition of macho adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
MACHO Definition & Meaning | Dictionary.com
MACHO definition: having or characterized by qualities considered manly, especially when manifested in an assertive, self-conscious, or dominating way.. See examples of MACHO used …
