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louis kahn works: Louis Kahn Carter Wiseman, 2020-11-10 The man who envisioned and realized such landmark buildings as the Salk Institute, the Kimbell Art Museum, and the National Assembly complex in Bangladesh, Louis Kahn was born in what is now Estonia, immigrated to America, and became one of the towering figures in his adopted country’s built world. His works are unmistakable in their elegance, monolithic power, and architectural honesty. Written by Carter Wiseman, one of Kahn’s most respected commentators, this book offers a succinct, accessible examination of the life and work of one of America’s greatest architects. It traces the influence of his immigrant origins, his upbringing in poverty, his education, the impact of the Great Depression, and the arrival of Modernism on his life and work. Finally, it provides insight into why, as the legacy of many of his contemporaries has receded in importance, Kahn’s has remained so durably influential. Louis Kahn: A Life in Architecture provides the best concise introduction available to this singular life and achievement. |
louis kahn works: The Essential Louis Kahn , 2021-04-20 This photographic tour of every one of the buildings designed solely by Louis Kahn represents the architect's greatest accomplishments. This book focuses on over twenty buildings that were designed solely by Louis Kahn. From his native city of Philadelphia to the heart of Bangladesh, Kahn's architecture reflected his fascination with science, mathematics, history, and nature. Striking new interior and exterior photographs by esteemed architectural photographer Cemal Emden reveal the characteristic features of Kahn's aesthetic: juxtaposed materials, repetition of line and shape and geometric precision. Also evident is the way Kahn's designs flourish in a variety of settings--religious, governmental, educational, and residential. The book gives close attention to Kahn's most iconic buildings, including Erdman Hall at Bryn Mawr College in Pennsylvania; the Indian Institute of Management in Ahmedabad; the Sher-e-Bangla Nagar in Dhaka, Bangladesh; and the Yale Center for British Art in New Haven, Connecticut, as well as a cluster of residences he designed in the Philadelphia area. Chapter openers written by architecture professor Caroline Maniaque, an introduction by academic Jale Erzen and an extensive chronology by academic Zekiye Abali, as well as a selection of Kahn's most insightful statements complete this book, which allows for a rich understanding of Kahn's architectural ingenuity. |
louis kahn works: Louis I. Kahn Louis I. Kahn, 1978 |
louis kahn works: Louis I Khan Beyond Time and Style Carter Wiseman, 2007-02-27 The first in-depth biographical study of the brilliant but elusive architect who fundamentally redefined twentieth-century architecture. Now ranked with Frank Lloyd Wright, Le Corbusier, and Mies van der Rohe, Louis I. Kahn brought a reverence for history back into modern architecture while translating it into a uniquely contemporary idiom. Drawing on more than one hundred interviews with colleagues, coworkers, clients, and family members and illustrated with many previously unpublished photographs, this book documents the uniquely American rise of a poor immigrant to the pinnacle of the international architectural world. It illuminates the richly diverse personal relationships Kahn had with such clients as Jonas Salk and Paul Mellon, and the romantic entanglements that mystified even those closest to him. While celebrating the genius of Kahnís art, the book provides an invaluable portrait of the man who created it. |
louis kahn works: You Say to Brick Wendy Lesser, 2017-03-14 Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Wendy Lesser’s You Say to Brick: The Life of Louis Kahn is a major exploration of the architect’s life and work. Kahn, perhaps more than any other twentieth-century American architect, was a “public” architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks. Kahn himself, however, is not the only complex subject that comes vividly to life in these pages. His signature achievements—like the Salk Institute in La Jolla, the National Assembly Building of Bangladesh, and the Indian Institute of Management in Ahmedabad—can at first seem as enigmatic and beguiling as the man who designed them. In attempts to describe these structures, we are often forced to speak in contradictions and paradoxes: structures that seem at once unmistakably modern and ancient; enormous built spaces that offer a sense of intimate containment; designs in which light itself seems tangible, a raw material as tactile as travertine or Kahn’s beloved concrete. This is where Lesser’s talents as one of our most original and gifted cultural critics come into play. Interspersed throughout her account of Kahn’s life and career are exhilarating “in situ” descriptions of what it feels like to move through his built structures. Drawing on extensive original research, lengthy interviews with his children, his colleagues, and his students, and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive genius, revealing the mind behind some of the twentieth century’s most celebrated architecture. |
louis kahn works: Louis Kahn Mateo Kries, Jochen Eisenbrand, Stanislaus von Moos, 2012 The American architect Louis Kahn (1901 - 1974) is regarded as one of the great master builders of the twentieth century. With complex spatial compositions, an elemental formal vocabulary and a choreographic mastery of light, Kahn created buildings of archaic beauty. As the first comprehensive publication on this architect in 20 years, the book �Louis Kahn - The Power of Architecture� presents all of his important projects. It includes essays by prominent Kahn experts and an expansive illustrated biography with many new facts and insights about Kahn's life and work. In a number of interviews, leading architects such as Frank Gehry, Renzo Piano, Peter Zumthor and Sou Fujimoto underline Kahn's significance in today's architectural discourse. An extensive catalogue of works features original drawings and architectural models from the Kahn archive. The compendium is further augmented by a portfolio of Kahn's travel drawings as well as photographs by Thomas Florschuetz, which offer completely new views of the Salk Institute and the Indian Institute of Management. |
louis kahn works: Louis I. Kahn Heinz Ronner, 1987-01-01 This book owes its concept to the transparency of the work process of Louis I. Kahn, whose ideas are preserved in the wealth of sketches he did whenever developing new concepts or working out details for new building projects. Sketches and plans of different developmental stages of his projects are laid out in a basically chronological order and these are complemented by relevant extracts from his writings and speeches and by his commentary while this documentation was being prepared in 1973 - the year before his death. As in the first edition, the authors' aim has not been to interpret or evaluate. Rather, they wish to provide the scholar with a solid base for further research, allowing him to follow the traces of a remarkably creative mind that revered architecture as a manifestation of man´s spirit. |
louis kahn works: Louis I Kahn Robert McCarter, 2022-02-17 A thoroughly updated and redesigned edition of McCarter's esteemed monograph on the globally-revered modern master.0Louis I Kahn was one of the greatest influences on post-WWII world architecture, and in the twenty-first century his significance has skyrocketed. In this revised, expanded, and redesigned edition of Phaidon's bestselling and critically-acclaimed monograph, Robert McCarter explores how Kahn redefined Modern architecture - and why his work remains a fundamental source today. Extensively illustrated, this comprehensive overview includes both built and unbuilt projects, as well as a project realized forty years after Kahn's death - New York City's Four Freedoms Park. |
louis kahn works: Louis Kahn's Situated Modernism Sarah Williams Goldhagen, Sarah Goldhagen Williams, Louis I. Kahn, 2001-01-01 She demonstrates instead that Kahn's architecture is grounded in his deeply held modernist political, social, and artistic ideals, which guided him as he sought to rework modernism into a socially transformative architecture appropriate for the postwar world.. |
louis kahn works: Louis Kahn: The Importance of Drawing Michael Merrill, 2020-08 An astounding treasury of drawings and plans from one of the 20th century's greatest architects, offering unprecedented insight into his design process The importance of a drawing is immense, because it's the architect's language, famed architect Louis Kahn, one of the most significant architects of the 20th century, told his masterclass in 1967. While much of his built work has been heavily studied, this publication chooses instead to focus on Kahn's prolific arsenal of drawings and plans, some of which were never realized. The Importance of a Drawingprovides an in-depth look into the subtleties of Kahn's designs, featuring incisive analysis from architectural experts and over 600 high-quality reproductions of work by Kahn and his associates. A testament to the architect's meticulous craft, this volume is an essential addition to the library of established designers as well as students of architecture. Louis Kahn(1901-74) was an Estonian-born American architect who worked in Philadelphia for the majority of his life. Inspired early in his career by European medievalism and later the ruins of much older civilizations, Kahn was notable for his ability to meld the modernist tendencies of his time with the classical poise of ancient monuments. Some of his major designs include the National Parliament House in Dhaka, Bangladesh and the Salk Institute for Biological Studies in La Jolla, California. Some of Kahn's unrealized projects, such as the Four Freedoms Park on Roosevelt Island, have since been constructed posthumously. Kahn taught at Yale School of Architecture from 1947 to 1957 and then at the University of Pennsylvania until his death. |
louis kahn works: The wall as living place Francesco Cacciatore, 2014-03-19 There is ample evidence as to how the modern masters, in their shared pursuit of formal inventions and constructional inventions, variously referred to past examples they had freely chosen as guides that could inspire and support them in their strenuous pursuit of new things. The buildings shaped like soft clouds and gelatinous bowels, or the spiked bravura pieces designed by today's fashionable architects have no relation with either construction or history. Louis Kahn, instead, kept form, structure and history paradigmatically together. The book systematically reviews the intense structural experimentation that, in terms not just of building engineering but of spatial and representational potential, marked Kahn's work since the beginning and would eventually lead him, after a long apprenticeship, to an almost constant adoption of 'hollow' structural forms. By reviewing this long and intense journey of research, the book underlines how Louis Kahn, in each work and based on a constant dialogue between structural innovation, building tradition and figural evocation, succeeded in awakening our interest in a new 'fascinating' structure and at the same time our emotion for a deeply meaningful, universal and timeless form. |
louis kahn works: Louis Kahn Michael Merrill, 2010 It was not by chance that Louis Kahn's move into his profession's spotlight coincided with the crisis of modern architecture: representing, as his work increasingly did, those aspects of space which modernism had so ambitiously removed from its program. Kahn's rethinking of modern architecture's paradigm of space belongs to his most important contributions to the metier. In tracing the genesis of the unbuilt project for the Dominican Motherhouse we are given a close-up view of Kahn at work on a few fundamental questions of architectural space: seeking the sources of its meaning in its social, morphological, landscape and contextual dimensions. This rich and multivalent project opens the way to a second section, which sheds new light on several of major works in a timely reappraisal of Kahn's work. The result of extensive research, illustrated with unpublished archival material and new analytic drawings, this affordable volume is an indispensible companion to Drawing to Find Out. |
louis kahn works: Louis Kahn John Lobell, 2020-06-30 For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of transcendent rootedness--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: Architecture as Philosophy, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy helps us understand our place and the nature of well-being in the built environment. |
louis kahn works: Between Silence and Light John Lobell, Louis I. Kahn, 2000 In the development of contemporary architecture, few have had greater influence than Louis I. Kahn, whose many buildings included the Salk Institute, the Yale Study Center, and the Exeter Library. For Kahn, the study of architecture was the study of human beings, their highest aspirations and most profound truths. John Lobell, who studied under Kahn while in architecture school, sensitively edits Kahn's own words and provides commentary on Kahn's ideas and his major buildings. In his work as an architect, Kahn searched for beginnings: the origin of joy and wonder, of intelligence, and intuition. He sought the basic principles of being, which he called Silence and Light. Kahn spoke of these qualities with tremendous power and grace.Between Silence and Light-one of the few books on Kahn written for a general audience-introduces us to Louis Kahn the architect and visionary. |
louis kahn works: Louis I. Kahn in Rome and Venice Elisabetta Barizza, 2021-07-22 This book examines the idea of organism in the work of Louis I. Kahn, from the turning point of Rome to the project for Venice. It presents an original interpretation of the work of Kahn during one of the most fruitful periods of his career, when he was working on a particular design method based on an entirely novel way of interacting with the past. Beginning with a meticulous documentation and analysis of Kahn’s experiences in the twenty years from 1930 to 1950, the book sheds new light on the relationship between Kahn’s work and the modern movement. The arguments are supported by case studies, including that of the Palazzo dei Congressi in Venice based on Kahn’s words (like his lessons in Venice at IUA, International University of Art, in 1971) and others as the Trenton Bath House, the Salk Institute (La Jolla), the Kimbell Museum (Fort Worth), the Yale Gallery and the Mellon Center for British Art (New Haven) and more. Unlike much of the by now well-established literature on Kahn’s work, Louis I. Kahn in Rome and Venice suggests that the basic premise of Kahn’s invention is the idea of spatial, constructive organism, which explains how he created forms that were inextricably anchored in the past, without imitating any one kind of ancient architecture. The main objective of the book is to explain Kahn’s methodology to architects and students, showing how he was able to design an architectural object with the characteristics of the best designed objects: organisms, in which each part contributes, with the whole, to creating something made of indivisible parts. |
louis kahn works: Cheng Taining Architecture Taining Cheng, 2017 * Showcases 57 key selected works from a prodigious career spanning nearly six decades of output* Works are classified by architectural types, according to themes such as Boundaries, Artistic Conception, and LanguageThis stunning monograph showcases 57 specially selected works from Cheng Taining's illustrious career, which spans nearly 60 years. His portfolio extends to more than 150 projects, many of which have won prizes and significant acclaim, such as the Beijing Great Hall of People and the Bridge Tower of Nanjing Yangtze River Bridge. Richly illustrated throughout, the works are grouped under three key themes: Boundaries, Artistic Conception, and Language, and provide a vivid articulation of Cheng Taining's creativity and leadership.Recently Cheng Taining headed the research for 'The Present and Future of Architectural Design in Contemporary China and Research of Policy Measures to Improve Architectural Design,' which are highly regarded as significant contributions to the development of Chinese architectural design and policy strategy. Cheng has published five collections of Cheng Taining's Architectural Works; his work has also featured in documentaries, essays, and anthologies. This book adds to that incredible canon. Cheng Taining Architecture is a magnificent addition to IMAGES' successful Master Architect Series and provides a comprehensive overview of one of China's most celebrated architects. |
louis kahn works: 18 Years with Architect Louis I. Kahn August E. Komendant, 1975 |
louis kahn works: Kahn at Penn James Williamson, 2015-03-24 Louis I. Kahn is widely known as an architect of powerful buildings. But although much has been said about his buildings, almost nothing has been written about Kahn as an unconventional teacher and philosopher whose influence on his students was far-reaching. Teaching was vitally important for Kahn, and through his Master’s Class at the University of Pennsylvania, he exerted a significant effect on the future course of architectural practice and education. This book is a critical, in-depth study of Kahn’s philosophy of education and his unique pedagogy. It is the first extensive and comprehensive investigation of the Kahn Master’s Class as seen through the eyes of his graduate students at Penn. |
louis kahn works: Envisioning Architecture Matilda McQuaid, 2002-06-25 The first in a series of books that will showcase works from The Museum of Modern Art's superlative holdings in the fields of architecture and design, this text features a range of drawings by great architects such as Frank Lloyd Wright and Alvar Aalto. |
louis kahn works: The Salk Institute , 1999 When Jonas Salk founded his eponymous research center for biological studies in 1960, he envisioned a humanist, nearly monastic community of scientists devoted to the prevention and cure of disease. In architect Louis I. Kahn, Salk found a kindred spirit, and together the two created one of the great masterpieces of modern architecture - in Salk's words, a work of art to serve the work of science. Charged by Salk to invite Picasso to the laboratory, Kahn responded with a series of austere, spiritual spaces for the complex, which was set on a coastal site in the San Diego, California suburb of La Jolla. Kahn's design integrated commodious laboratory and study spaces while offering lush gardens for reflection and the now-famous courtyard with its transcendent perspective of the Pacific Ocean. Interlocking volumes unfold time and space throughout Kahn's bravura orchestration of concrete construction. In this volume, acclaimed architectural photographer Ezra Stoller, whose images of the Salk Institute have become iconic themselves, captures the timeless grandeur of this unique monument to scientific understanding and artistic achievement.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
louis kahn works: The Late Architectural Philosophy of Louis I. Kahn as Expressed in the Yale Center for British Art Jules David Prown, Louis I. Kahn, 2021-05-25 The fundamentals of Kahn's architectural philosophy begin with his personal history: his inherent talent; his family background and childhood experiences; his education, from elementary school through architectural school; the influences of Paul Philippe Cret and Beaux Arts architecture; and his travels, especially those to study the antique monuments of Egypt, Greece, and Rome. Because the causal aspects of these experiences were absorbed by him, rather than being the products of Kahn's own thinking, he rarely acknowledged them. His conclusions led to a philosophy that echoed some of the thoughts of earlier philosophers, like Spinoza and Heidegger, but were arrived at independently.1 Kahn expressed his philosophy in lectures, seminars, writings, interviews, conversation, and often through sketches. However, he habitually expressed himself elliptically-his phrasing poetic, his metaphors original and apt. Therefore, his meaning was often felt rather than understood. Extensive studies of Louis Kahn's architecture exist, but few focus on his fully developed architectural philosophy.2 This text addresses that subject, incorporating his own words (in italics) and relating them where relevant to his final work, the Yale Center of British Art (hereafter, the Center). Kahn died during the construction of the building, the last material expression of his architectural philosophy. I was the first director of the Center, a participant in the selection of the architect and throughout the building's planning and creation. Coincidental with the early years of Kahn's planning for the Center, two young architectural historians-John Cook and Heinrich Klotz-interviewed several leading architects, including Kahn. Working with a verbatim transcript of the Kahn interviews, made by Karen Denavit, I produced an edited version of the interviews in book format. Louis I. Kahn in Conversation: Interviews with John W. Cook and Heinrich Klotz (hereafter, Kahn in Conversation) is the source for many of the Kahn quotations included here. A researcher can consult the full, verbatim transcript of the interviews in the Center's Institutional Archives, in the Manuscripts and Archives collections in Sterling Memorial Library at Yale University, and in the Architectural Archives of the University of Pennsylvania-- |
louis kahn works: The Notebooks and Drawings of Louis I. Kahn Louis I. Kahn, 1962 |
louis kahn works: Anant Raje Architect Anant Raje, 2012 A few years before his death in 2009, Anant Raje had begun to assemble a draft of his works - published and unpublished. The present book is inspired by that draft, which remained unfinished. Raje's meticulous documentation of the process of thoughts that gave direction to design and of the development of construction details, and the eventual record of the building form an elaborate archive. The collection of photographs, drawings and notes provides clues to the many fundamental problems and situations he constantly wrestled with. To monitor, sift and make a selection from such an archive is perhaps the only way of providing the first point of public contact with the very private, very varied and fulfilled life of someone who treated the profession of architecture as a personal discovery. Anant Raje Architect: Selected Works 1971-2009 features over thirty projects that Raje had assembled into a skeletal draft - of both built and unbuilt works, and competition entries. Each project is extensively illustrated with photographs, models, drawings, sketches and reflections by the architect, many of which are previously unpublished. These have been selected and assembled from Raje's office archives, diaries, interviews, publications and lecture transcriptions. The book includes essays by Raje on his seminal association with Louis Kahn in Philadelphia and the subsequent continuation of his work at the Indian Institute of Management in Ahmedabad, as well as reflections on his independent practice, methods, sources, and inspirations. It also contains a chronological listing of all his projects, and of his lectures and teaching assignments. As a whole, the material in the book presents the architect both at work and in reflection of it. For the many who knew him, the book is a eulogy; for others, it is a record of a working life. |
louis kahn works: Building Steven Holl, 2012 In September 2011 Barney Kulok was granted special permission to create photographs at the construction site of Louis I. Kahnʼs Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Almost forty years after having been commissioned, it is finally being completed this year, as originally intended. Kulokʼs black-and-white photographs function as a meditation on the materiality and formal underpinnings of Kahnʼs theories. More than that, they are a statement about the value of carefully measured photographic seeing at a time when the instant digital photo and its accompanying host of nostalgic filters has become the common currency of the medium. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of textureelements that were of fundamental importance to Kahnʼs phenomenal achievements. As architect Steven Holl writes, Kulokʼs photographs free the subject matter from a literal interpretation of the site. They stand as ʻEquivalentsʼ to the words about material, light, and shadow that Louis Kahn often spoke. |
louis kahn works: The Structure of Light Dietrich Neumann, Robert A. M. Stern, 2010 Catalog of an exhibition held at the Yale School of Architecture Gallery, Aug. 23-Oct. 2, 2010. |
louis kahn works: The Architecture of the Yale Center for British Art Jules David Prown, 1977 |
louis kahn works: Louis Kahn Michael Merrill, 2010 Like few others, Louis Kahn cultivated the craft of drawing as a means to architecture. His personal design drawings - seen either as a method of discovery or for themselves - are unique in the twentieth century. Over two hundred - mostly unpublished - drawings by Kahn and his associates are woven together with a lively and informed commentary into an intimate biography of an architectural idea. Unfolding around the iconic project for the Dominican Motherhouse (1965 - 69) the drawings form a narrative which not only reveals the richness and hidden dimensions of this unbuilt masterpiece, but provides compelling insights into Louis Kahn's mature culture of designing. Kahn - long considered an architects' architect - emerges as a vivid and instructive guide, provoking reflection on questions which continue to remain relevant: on how works are conceived, on how they might be perceived, on how they become part of human experience. Fascinating not only in their beauty, the drawings open a new and stimulating perspective on one of the past century's great architects. |
louis kahn works: Louis I. Kahn in Conversation Jules David Prown, Karen E. Denavit, 2014 In association with Manuscripts and Archives, Sterling Memorial Library, Yale University, The Architectural Archives, University of Pennsylvania--Title page. |
louis kahn works: Louis I. Kahn Vincent Scully (Jr.), 1962 Over 100 illustrations, plans, drawings and photographs, together iwth a selection from the writings of the architect, complete bibliography, and chronology. |
louis kahn works: What Will be Has Always Been Louis I. Kahn, Richard Saul Wurman, 1986 Gathers Kahn's speeches, writings, interviews, and journal entries, and shares the reminiscences of fellow architects |
louis kahn works: Louis I. Kahn Romaldo Giurgola, 1991 Las mas de 200 paginas de este libro permiten repasar la obra completa y las ideas de Louis I. Kahn (1901-1974) en un formato compacto. Extensamente ilustrado y documentado, el libro presenta la produccion de Kahn en varios capitulos dedicados a obras y proyectos de vivienda, lugares para el culto, lugares para el trabajo, instituciones, junto a sus propuestas de ciudad, en una edicion que incluye ensayos sobre temas basicos en torno a los cuales se mueve su obra, tales como la luz, el hombre, el bienestar, el sentido del lugar, la arquitectura o la ciudad. |
louis kahn works: Marie-José Van Hee architecten Marie-José Van Hee architecten, 2019 |
louis kahn works: Louis I. Kahn Klaus-Peter Gast, Louis I. Kahn, 1999 1999 is the twenty-fifth anniversary of Louis kahn's death. In the second half of teh twentieth century, Louis Kahn's designs took on enormous significance for international architecture. Kahn belonged to that generation of architects which perfected and simultaneously surpassed Modernism. Most of Kahn's projects were realised in the USA and several large projects were built in Asia. From Kahn's early work to larger projects such as the National Capital of Bangladesh in Khaka and the Kimbell Art Museum in Fort Worth, the documented works all illustrate the human aspect in Kahn's work. |
louis kahn works: Louis I. Kahn's Jewish Architecture Susan G. Solomon, 2015-05-01 In 1961, famed architect Louis I. Kahn (1901-1974) received a commission to design a new synagogue. His client was one of the oldest Sephardic Orthodox congregations in the United States: Philadelphia's Mikveh Israel. Due to the loss of financial backing, Kahn's plans were never realized. Nevertheless, the haunting and imaginative schemes for Mikveh Israel remain among Kahn's most revered designs. Susan G. Solomon uses Kahn's designs for Mikveh Israel as a lens through which to examine the transformation of the American synagogue from 1955 to 1970. She shows how Kahn wrestled with issues that challenged postwar Jewish institutions and evaluates his creative attempts to bridge modernism and Judaism. She argues that Kahn provided a fresh paradigm for synagogues, one that offered innovations in planning, decoration, and the incorporation of light and nature into building design. |
louis kahn works: Great Architects Redrawn Z. Jing, 2021-06-14 Through the reworking of 1,500 drawings by Louis I. Kahn, this book provides new information and perspective for understanding Kahn and his work |
louis kahn works: Twenty-Five Buildings Every Architect Should Understand Simon Unwin, 2014-11-17 Twenty-Five Buildings Every Architect Should Understand is an essential companion to Simon Unwin’s Analysing Architecture, and part of the trilogy which also includes his Exercises in Architecture: Learning to Think as an Architect. Together the three books offer an introduction to the workings of architecture providing for the three aspects of learning: theory, examples and practice. Twenty-Five Buildings focusses on analysing examples using the methodology offered by Analysing Architecture, which operates primarily through the medium of drawing. In this second edition five further buildings have been added to the original twenty from an even wider geographical area, which now includes the USA, France, Italy, Mexico, Switzerland, Spain, Finland, Germany, Australia, Norway, Sweden, India and Japan. The underlying theme of Twenty-Five Buildings Every Architect Should Understand is the relationship of architecture to the human being, how it frames our lives and orchestrates our experiences; how it can help us make sense of the world and contribute to our senses of identity and place. Exploring these dimensions through a wide range of case studies that illustrate the rich diversity of twentieth and twenty-first century architecture, this book is essential reading for every architect. |
louis kahn works: Louis I. Kahn's Trenton Jewish Community Center Susan G. Solomon, 2000 The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format. |
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