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| maceo parker bass player: 98% Funky Stuff Maceo Parker, 2013-02-01 Maceo Parker's signature style became the lynchpin of James Brown's band when he and his brother Melvin joined the Hardest Working Man in Show Business in 1964. That style helped define Brown's brand of funk, and the phrase &“Maceo, I want you to blow!&” became part of the lexicon of black music. He took time off from James Brown to play with George Clinton's P-funk collective and with Bootsy's Rubber Band; he also formed his own band, Maceo and All the King's Men, whose records are cult favorites among funk aficionados. Here Maceo tells his own warm and astonishing story, from his Southern upbringing to his career touring the world and playing to adoring fans. Maceo has long called his approach to the saxophone &“2% jazz, 98% funky stuff.&” Now, on the eve of Maceo's 70th birthday, in prose as lively and funky as his saxophone playing, here is the definitive story of one of the funkiest musicians alive. |
| maceo parker bass player: The Authorized P-Funk Song Reference Daniel Bedrosian, 2023-10-16 George Clinton’s Parliament-Funkadelic collective (P-Funk) is one of the most iconic and important groups in popular music history. This authorized reference features rare photos and a color photospread and provides the official P-Funk canon from 1956 to 2023: projects, albums, songs, song personnel, and tidbits about each act and select songs. |
| maceo parker bass player: On Time Morris Day, 2019-10-08 A memoir by Morris Day of The Time centering around his lifelong relationship and association with PrinceA vital, illuminating, and wildly entertaining autobiography. -Billboard Great book! Great storytelling! -LENNY KRAVITZ Lean, slick, cooler than Santa Claus, and surprisingly tender, this book not only traces Day's history in Minneapolis funk, but doubles as an intimate recollection of his time with Prince. -BEN GREENMAN, author of Dig If You Will The Picture Brilliant composer, smooth soul singer, killer drummer, and charismatic band leader, Morris Day has been a force in American music for the past four decades. In On Time, the renowned funkster looks back on a life of turbulence and triumph, chronicling his creative process with an explosive prose that mirrors his intoxicating music. A major theme throughout the book is Morris's enduring friendship and musical partnership with Prince, from their early days on the Minneapolis scene to selling out stadiums and duking it out as rivals in Purple Rain. Eventually, Morris went on to release four albums with a new band of his very own, The Time; however, before long, increasing tensions between the two performers set them down separate paths. Through the years, the fierce brotherly love between Morris and Prince kept bringing them back together-until pride, ego, and circumstance interfered. Two months before Prince's untimely death, the two finally started to make amends. But Morris never could have imagined it would be the last time he'd ever see his friend again. |
| maceo parker bass player: The King of All, Sir Duke Peter Lavezzoli, 2001-04-01 Twenty-five years ago in his hit song, Sir Duke, Stevie Wonder sings: Music knows it is and always will be one of the things that life just won't quit. / Here are some of music's basic pioneers that time will not allow us to forget: / There's Basie, Miller, Satchmo, and the King of All, Sir Duke! / And with a voice like Ella's ringing out, there's no way the band can lose! / You can feel it all over! To say that Ellington was a prominent jazz-band leader of the twentieth century would be like saying William Shakespeare was simply a prominent English playwright of the time. This book begins with personal reflections as well as the life before going on to consider--through anecdote, musical scholarship, and personal interviews--Ellington's profound and direct influence on an amazing range of pop artists: Stevie Wonder, Steely Dan, Miles Davis (who, in the ultimate tribute, had himself interred next to The Duke in New York's Woodlawn Cemetery), Sun Ra, James Brown, Sly Stone, George Clinton, Prince, Frank Zappa, Charles Mingus, and Ravi Shankar. |
| maceo parker bass player: The Encyclopedia of Popular Music Colin Larkin, 2011-05-27 This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day. |
| maceo parker bass player: Hit Me, Fred Fred Wesley, 2002-09-25 With Hit Me, Fred, sensational sideman Fred Wesley Jr. moves front and center to tell his life story. A legendary funk, soul, and jazz musician, Wesley is best known for his work in the late sixties and early seventies with James Brown and as the leader of Brown’s band, Fred Wesley and the JB’s. Having been the band’s music director, arranger, trombone player, and frequent composer, Wesley is one of the original architects of funk music. He describes what it was like working for the Godfather of Soul, revealing the struggle and sometimes stringent discipline behind Brown’s tight, raucous tunes. After leaving Brown and the JB’s, Wesley arranged the horn sections for Parliament, Funkadelic, and Bootsy’s Rubber Band, and led Fred Wesley and the Horny Horns. Adding his signature horn arrangements to the P-Funk mix, Wesley made funk music even funkier. Wesley’s distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father—both music teachers—and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie’s band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions. Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley’s story of music-making in all its grit and glory. |
| maceo parker bass player: The Music Sound Nicolae Sfetcu, 2014-05-07 A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music. |
| maceo parker bass player: Groove Theory Tony Bolden, 2020-10-21 Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history. |
| maceo parker bass player: Dance Music Nicolae Sfetcu, 2014-05-09 Dance music is music composed, played, or both, specifically to accompany dancing. It can be either the whole musical piece or part of a larger musical arrangement. Dance music works usually bear the name of the corresponding dance, e.g. waltzes, the tango, the bolero, the can-can, minuets, salsa, various kinds of jigs and the breakdown. Other dance forms include contradance, the merengue, the cha-cha-cha. Often it is difficult to know whether the name of the music came first or the name of the dance. Although dance is often accompanied by music, it can also be presented alone (Postmodern dance) or provide its own accompaniment (tap dance). Dance presented with music may or may not be performed in time to the music depending on the style of dance. Dance performed without music is said to be danced to its own rhythm. An introduction to classical and modern dance including hip hop dance, what is dance, and the dance music (electronic music, rock and roll, disco, house, techno, trance, etc.) |
| maceo parker bass player: Joy Ride! The Stars and Stories of Philly's Famous Uptown Theater Kimberly C. Roberts, 2013-03-28 Joy Ride! The Stars and Stories of Philly’s Famous Uptown Theater is the exclusive, behind-the-scenes, inside story of iconic disc jockey Georgie Woods spectacular R&B shows at Philadelphia’s Uptown Theater, and how the controlled creative chaos at the majestic movie house inspired The Philly Sound. Told by the people who actually lived it, Joy Ride! is the fi rst comprehensive history on the Uptown, which was once a mandatory stop on the legendary chitlin' circuit. It features the intimate, amusing, outrageous and sometimes scandalous stories of dozens of decorated entertainers, including 11 Rock and Roll Hall of Famers. All agree that like Georgie Woods' soulful theme song that opened his R&B extravaganzas, every show at the Uptown Theater was a Joy Ride! |
| maceo parker bass player: Icons of R&B and Soul Bob Gulla, 2007-12-30 Drawn from a mosaic of influences, including folk, gospel, and blues, R&B represents both everything that came before and nothing that was heard before. This is the music that bridged the gap between audiences and helped, at the very height of racism in America, to dismantle racial barriers. So much of today's music is derived directly from the highly influential and critically important sounds of R&B that without it we would have never known the classic soul of the late '50s and '60s, the glory days of the genre. Similarly, rock n' roll as seen through the eyes of Bill Haley and Elvis Presley would have never evolved without the foundation laid by their R&B predecessors. Through substantial entries on the chief architects and innovators, Icons of R&B and Soul offers a vibrant overview of the music's impact in American culture and how it reflected contemporary society's politics, trends, and social issues. Numerous sidebars highlight Motown, prominent record labels, hit songs, related singers and songwriters, key events, and significant aspects of the music industry. Also included is a list of important print and Web resources, as well as a list of selected recordings. An essential reference for high school and public libraries, this encyclopedia will help students explore the historical and cultural framework of R&B and soul music through the musicians who have come to define the genre. Among the featured: -Ray Charles -Little Richard -Fats Domino & New Orleans R&B -Ruth Brown -Sam Cooke -Etta James -James Brown -Aretha Franklin -The Supremes -Otis Redding -Ike & Tina Turner -Curtis Mayfield -Berry Gordy -Stevie Wonder -Marvin Gaye -Smokey Robinson -The Temptations -Prince |
| maceo parker bass player: The Official Radio 6 Music Quiz Book Nick Holt, 2016-10-27 BBC Radio 6 Music is the place for alternative music – and this is the quiz for its fans. From indie pop and iconic rock to trip hop, electronica and dance, these questions will test your knowledge of the last 60 years of floor-fillers, cult classics and the best B-sides to the limit. Including dedicated quizzes on your favourite 6 Music shows, like Lauren Laverne's People's Playlist, Guy Garvey's Finest Hour, Jarvis Cocker's Sunday Service and more, find out how much you can really call yourself the king of rock n' roll. |
| maceo parker bass player: The Bastard Instrument Brian F. Wright, 2024 Centering the electric bass in popular music history |
| maceo parker bass player: James Brown , 1991 |
| maceo parker bass player: Twentieth Century Music Writers - A Hyperlist Neil E. Clement, 2019-10-01 How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version. |
| maceo parker bass player: Neil Young Daniel Durchholz, Gary Graff, 2012-11-05 DIVSince his first recordings with Buffalo Springfield in 1967, Neil Young has been described as brilliant, cantankerous, confounding, ruthless, mercurial, and vexing. Regardless, his profound musical influence and his status as a critical favorite cannot be denied. Now the first illustrated biography to span Young’s 40-plus years as a recording and touring musician (and nearly as many forays into divergent musical genres, some wags might say), is updated through 2012./divFrom Young’s earliest days in the Canadian folk and rock scenes through his tenures with Buffalo Springfield and CSN&Y and on to his varied solo career backed by bands including the Stray Gators, the Ducks, the Bluenotes, Booker T. & the MGs, Pearl Jam, and, of course, Crazy Horse, every aspect of Young’s long and varied career is covered. The book features the work of rock photographers from the 1960s to the present, as well as concert posters and ephemera from around the world, including picture sleeves, LPs, ticket stubs, pins, T-shirts, backstage passes, and more. Notable musicians from around the world chip in with commentary, and the book is further complemented with a discography and sidebars examining topics like Young’s involvement with Lionel toy trains (of which he is a part owner), Farm Aid, and San Francisco’s Bridge School. |
| maceo parker bass player: Encyclopedia of African American History Leslie M. Alexander, Walter C. Rucker, 2010-02-09 A fresh compilation of essays and entries based on the latest research, this work documents African American culture and political activism from the slavery era through the 20th century. Encyclopedia of African American History introduces readers to the significant people, events, sociopolitical movements, and ideas that have shaped African American life from earliest contact between African peoples and Europeans through the late 20th century. This encyclopedia places the African American experience in the context of the entire African diaspora, with entries organized in sections on African/European contact and enslavement, culture, resistance and identity during enslavement, political activism from the Revolutionary War to Southern emancipation, political activism from Reconstruction to the modern Civil Rights movement, black nationalism and urbanization, and Pan-Africanism and contemporary black America. Based on the latest scholarship and engagingly written, there is no better go-to reference for exploring the history of African Americans and their distinctive impact on American society, politics, business, literature, art, food, clothing, music, language, and technology. |
| maceo parker bass player: Funk Rickey Vincent, 2014-11-04 Funk: It's the only musical genre ever to have transformed the nation into a throbbing army of bell-bottomed, hoop-earringed, rainbow-Afro'd warriors on the dance floor. Its rhythms and lyrics turned bleak urban realties inside out with distinctive, danceable, downright irresistible music. Funk hasn't received the critical attention that rock, jazz, and the blues have-until now. Colorful, intelligent, and in-you-face, Rickey Vincent's Funk celebrates the songs, the musicians, the philosophy, and the meaning of funk. The book spans from the early work of James Brown (the Godfather of Funk) through today, covering funky soul (Stevie Wonder, the Temptations), so-called black rock (Jimi Hendrix, Sly and the Family Stone, the Isley Brothers), jazz-funk (Miles Davis, Herbie Hancock), monster funk (Parliament, Funkadelic, Bootsy's Rubber Band), naked funk (Rick James, Gap Band), disco-funk (Chic, K.C. and the Sunshine Band), funky pop (Kook & the Gang, Chaka Khan), P-Funk Hip Hop (Digital Underground, De La Soul), funk-sampling rap (Ice Cube, Dr. Dre), funk rock (Red Hot Chili Peppers, Primus), and more. Funk tells a vital, vibrant history-the history of a uniquely American music born out of tradition and community, filled with energy, attitude, anger, hope, and an irrepressible spirit. |
| maceo parker bass player: SPIN , 1991-12 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| maceo parker bass player: Funk Dave Thompson, 2001 Celebrates funk music using biographies of such musicians as James Brown and George Clinton, and provides descriptions of the genre, historical perspectives, and the story behind the death of funk following the introduction of disco. |
| maceo parker bass player: American Music Nicolae Sfetcu, 2014-05-09 The music of the United States is so cool! It reflects the country’s multicultural population through a diverse array of styles. Rock and roll, hip hop, country, rhythm and blues, and jazz are among the country’s most internationally renowned genres. Since the beginning of the 20th century, popular recorded music from the United States has become increasingly known across the world, to the point where some forms of American popular music is listened to almost everywhere. A history and an introduction in the ethnic music in the United States, American Indian music, classical music, folk music, hip hop, march music, popular music, patriotic music, as well as the American pop, rock, barbershop music, bluegrass music, blues, bounce music, Doo-wop, gospel, heavy metal, jazz, R&B, and the North American Western music. |
| maceo parker bass player: The One R. J. Smith, 2012-11-06 A tribute to the life and achievements of the Godfather of Soul covers his unconventional youth in a segregated South, his complicated family life, and his work as a civil rights advocate and entrepreneur. |
| maceo parker bass player: Second-Hand Stories Michael Jones, 2006-10-01 'Second-Hand Stories : 15 Portraits of Louisville' is a cultural, political and social snapshot of Kentucky's largest city. Written between 1993 and 2005, the articles in this book highlight major figurers and movements in Louisville history.--Back cover. |
| maceo parker bass player: The Great Drummers R&B Funk & Soul Jim Payne, 2010-09-08 This 248 page book is an exciting documentation of the innovative period of the '60s and '70s when the rhythm of popular music was changed forever. Featured here are biographies, interviews, discographies and rare archival photos of more than 20 great drummers of R&B, funk and soul, including the drummers of James Brown, Earth, Wind and Fire, Otis Redding and Sly and the Family Stone. the true originators of the modern hip-hop beats tell their stories, and the history of the funk comes to life. Appropriate for music fans of all kinds, and all drummers: beginners thru advanced. |
| maceo parker bass player: The Sixties Revisited Jürgen Heideking, Jörg Helbig, Anke Ortlepp, 2001 Even at the start of the new millennium the American Sixties continue to fascinate many scholars as one of the pivotal decades of the 20th Century. During those years the United States seemed to be strifing for new frontiers at home and abroad, driven by a generation of eager and idealistic young Americans: Civil Rights, Women's Liberation, Pop-Art, Flower Power, Postmodernism, Woodstock, the landing on the moon. Everything seemed possible. But the decade that had begun with the hopeful words of President John F. Kennedy and Martin Luther King, Jr. ended with the bloody nightmare of the Vietnam War, summers of violence in Northern black ghettos, and a rising tide of conservatism. To explore some of these contradictions, this collection of essays takes a fresh look at American's most turbulent years from a multidisciplinary perspective. Dealing with the Arts and Media, Literature and Society as well as History and Politics, the contributions offer a broad approach to a contemporary understanding of the Sixties and their legacy. |
| maceo parker bass player: Prince: All the Songs Benoît Clerc, 2022-10-13 Prince: All the Songs is a major achievement...[It] may be the definitive single-volume book about Prince for both its breadth and the way it views his life through the songs that were the true essence of his being. - Psychobabble Spanning nearly 50 years of albums, EPs, B-sides, and more, read the full story behind all of the songs that Prince ever released. Moving chronologically through his epic back catalogue, expert author Benoît Clerc analyses everything there is to know about each song and session. No stone is left unturned across more than 600 pages, illustrated with incredible photography throughout. From the inspiration behind the lyrics and melody to the recording process and even the musicians and producers who worked on each track, uncover the stories behind the music in this truly definitive book - a must-have for every Prince fan. |
| maceo parker bass player: The James Brown Reader Nelson George, Alan Leeds, 2008-04-29 Nelson George and Alan Leeds have assembled the first comprehensive collection of writings about the late, great Godfather of Soul, creating a fascinating mosaic of the man and the musician. Known as the hardest-working man in show business, James Brown embodied rhythm and blues, funk and soul, and sensuality. His musical innovations in such indelible grooves as “Get Up (I Feel Like Being a) Sex Machine,” “I Got You (I Feel Good),” and “Papa’s Got a Brand New Bag,” transformed American music. To appreciate Brown’s immeasurable influence, to chronicle his professional and personal triumphs and struggles, and to capture his essence, writers from four decades weigh in on the legendary Soul Brother Number One. What emerges is a tribute to a trailblazer—one that no dedicated fan or music history buff will want to be without. |
| maceo parker bass player: Funk Guitar and Bass Pete Madsen, 2007 Guitar- og el-basguitarskole. |
| maceo parker bass player: Pianos, Toys, Music and Noise Andy Hamilton, 2021-01-14 Steve Beresford's polymathic activities have formed a prism for the UK improv scene since the 1970s. He is internationally known as a free improviser on piano, toy piano and electronics, composer for film and TV, and raconteur and Dadaist visionary. His résumé is filled with collaborations with hundreds of musicians and other artists, including such leading improvisers as Derek Bailey, Evan Parker and John Zorn, and he has given performances of works by John Cage and Christian Marclay. In this book, Beresford is heard in his own words through first-hand interviews with the author. Beresford provides compelling insight into an extensive range of topics, displaying the broad cultural context in which music is embedded. The volume combines chronological and thematic chapters, with topics covering improvisation and composition in jazz and free music; the connections between art, entertainment and popular culture; the audience for free improvisation; writing music for films; recording improvised music in the studio; and teaching improvisation. It places Beresford in the context of improvised and related musics – jazz, free jazz, free improvisation – in which there is growing interest. The linear narrative is broken up by 'interventions' or short pieces by collaborators and commentators. |
| maceo parker bass player: Booted and Suited Chris Brown, 2009-05-04 Welcome to the real seventies, where the hair is shaved, the music is funky and the football is violent. Chris Brown was right there in the thick of the action. With his regulation haircut, clip on braces, shrunk Levis and bovver boots, he had the look every self-respecting bovver boy could not be seen without. This is the most amazing story of the most maligned decade in British history. It tells of adrenaline-packed Saturday outings, Tonik suits, aggro on the terraces, funk on the dancefloor and Johnny Rotten inside your head. |
| maceo parker bass player: Aerosmith , |
| maceo parker bass player: Rockin' in Time David P. Szatmary, 1996 An examination of rock-and-roll from a social history perspective. Tracing rock from its inception 50 years ago to the present, the study shows how this popular musical genre has mirrored two generations of listeners. |
| maceo parker bass player: All Music Guide to Soul Vladimir Bogdanov, 2003 With informative biographies, essays, and music maps, this book is the ultimate guide to the best recordings in rhythm and blues. 20 charts. |
| maceo parker bass player: The Dark Stuff Nick Kent, Iggy Pop, 2009-03-04 Rock journalism on: Brian Wilson, Guns' N' Roses, Roky Erickson, The New York Dolls, Sid Vicious, Roy Orbison, Elvis Costello, The Smiths, Neil Young, Jerry Lee Lewis, Miles Davis, The Pogues, Lou Reed, Syd Barrett, The Rolling Stones, Iggy Pop, Kurt Cobain |
| maceo parker bass player: The History of R & B and Soul Music Stuart A. Kallen, 2013-10-18 Rhythm and Blues, along with soul music has historically been written and produced by black Americans to reflect the African American experience in the United States. This book covers a range of styles within RandB, including boogie-woogie, Doo-Wop, jump blues, and 12-bar blues, Motown soul, 70s funk, urban contemporary, and hip hop soul. |
| maceo parker bass player: 101 Albums that Changed Popular Music Chris Smith, 2009-04-14 Chris Smith's 101 Albums That Changed Popular Music tells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded, ranging from The Anthology of American Folk Music (1952) to Elephant (2003) by The White Stripes. Organized chronologically to capture the flow of culture from one album to the next, this volume illuminates how these classic recordings reflected--and sometimes changed--the political, social, and economic culture of their eras. Among the featured albums are releases from the hard-blues explosion of the '60s, including Robert Johnson's King of the Delta Blues Singers, a landmark collection whose songs were later covered by the likes of Cream, Led Zeppelin, and the Rolling Stones. Punk made its mark in the '70s with Patti Smith's Horses and the Clash's London Calling. In the '80s Michael Jackson's blockbuster LP, Thriller, not only topped the charts, it became the best-selling record of all time. Diversity defined the '90s, with the most influential albums ranging from Garth Brooks' No Fences, which made country one of the hottest musical genres of the decade, to Dr. Dre's debut, The Chronic, a multi-platinum smash hit that brought West Coast hip hop into the mainstream. For each album, the book lists the basic publication information, including release date, label, and producer. More important, Chris Smith sheds light on the history of these albums, revealing the inspiration behind their creation, and why they continue to stand the test of time. Selected on the basis of their popular appeal and influence on later genres, the albums included represent a wide variety of genres, such as blues, jazz, rock, reggae, rockabilly, folk, soul, hip-hop, and country. A timeline of important events, a selected bibliography for further reading, and an appendix of albums that almost made the cut round out this volume, making it a gold mine of information for everyone who loves popular music. |
| maceo parker bass player: Black Power Music! Reiland Rabaka, 2022-06-13 Black Power Music! Protest Songs, Message Music, and theBlack Power Movement critically explores the soundtracks of the Black Power Movement as forms of movement music. That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term Black Power music can be seen as a code word for African American protest songs and message music between 1965 and 1975. Black Power music is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement. |
| maceo parker bass player: Classic Hammond Organ Steve Lodder, 2008 (Book). A hands-on history and tutorial on one of the greatest keyboards ever. Professional session player Steve Lodder's Classic Hammond Organ explores the history of this enduringly popular instrument and examines some of the best performers to get their hands on the twin manuals. The book features: * Analysis of the styles of Jimmy Smith, Rick Wakeman, Jon Lord, and Keith Emerson among others. * Expert instruction on a variety of Hammond exercises designed to get you playing in the style of the greats. * An accompanying CD that provides support audio for these exercises. |
| maceo parker bass player: SPIN , 2001-04 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| maceo parker bass player: The Emergence of Rock and Roll Mitchell K. Hall, 2014-05-09 Rock and roll music evolved in the United States during the late 1940s and 1950s, as a combination of African American blues, country, pop, and gospel music produced a new musical genre. Even as it captured the ears of the nation, rock and roll was the subject of controversy and contention. The music intertwined with the social, political, and economic changes reshaping America and contributed to the rise of the youth culture that remains a potent cultural force today. A comprehensive understanding of post-World War II U.S. history would be incomplete without a basic knowledge of this cultural phenomenon and its widespread impact. In this short book, bolstered by primary source documents, Mitchell K. Hall explores the change in musical style represented by rock and roll, changes in technology and business practices, regional and racial implications of this new music, and the global influences of the music. The Emergence of Rock and Roll explains the huge influence that one cultural moment can have in the history of a nation. |
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Maceo Parker - Wikipedia
Maceo Parker (/ ˈ m eɪ s i oʊ /; born February 14, 1943) [1] is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in …
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Maceo Parker Biography
For the last two decades Maceo Parker has been enjoying a blistering solo career, building a new funk empire; one that is both fresh and stylistically diverse. He navigates deftly between James …
Who Is Maceo Parker? Age, Biography, Net Worth & More
Dec 15, 2024 · Maceo Parker, born on February 14, 1943, in Kinston, North Carolina, is a renowned American funk and soul jazz saxophonist. Celebrated for his dynamic performances and …
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Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the...
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It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary sound for time that dates back to the 1960’s. That’s when …
Maceo Parker - Artist — Funkikology
Maceo Parker (born February14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the …
MACEO - Home
The Michigan Association of Code Enforcement Officers (MACEO) is a non-profit organization open to persons involved with and responsible for the enforcement of land use, nuisance, …
Maceo Parker - Wikipedia
Maceo Parker (/ ˈ m eɪ s i oʊ /; born February 14, 1943) [1] is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic …
Maceoo: Men's Designer Clothing and Footwear
First Light of Spring! A custom tailored fit backed by a mathematical algorithm written by an MIT engineer. Designed in Paris, made with coveted designer Italian fabrics, and inspired by the …
Macéo Restaurant familial & Cave à vin Paris 1er Palais Royal
Nous proposons une cuisine de saison savoureuse et équilibrée, ainsi qu’une sélection savamment choisie de plus de 1000 références dans notre cave à vins, en symbiose avec …
Maceo Parker's Official Web Site
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Maceo Parker Biography
For the last two decades Maceo Parker has been enjoying a blistering solo career, building a new funk empire; one that is both fresh and stylistically diverse. He navigates deftly between James …
Who Is Maceo Parker? Age, Biography, Net Worth & More
Dec 15, 2024 · Maceo Parker, born on February 14, 1943, in Kinston, North Carolina, is a renowned American funk and soul jazz saxophonist. Celebrated for his dynamic performances …
Maceo Parker - Topic - YouTube
Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the...
Maceo Parker – Nikki Glaspie
It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary sound for time that dates back to the 1960’s. That’s …
Maceo Parker - Artist — Funkikology
Maceo Parker (born February14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and …
