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| latino art collection download: The Arts in Latin America, 1492-1820 Joseph J. Rishel, Suzanne L. Stratton-Pruitt, 2006 By the end of the 16th century, Europe, Africa, and Asia were connected to North and South America via a vast network of complex trade routes. This led, in turn, to dynamic cultural exchanges between these continents and a proliferation of diverse art forms in Latin America. This monumental book transcends geographic boundaries and explores the history of the confluence of styles, materials, and techniques among Europe, Africa, Asia, and the Americas through the end of the colonial era--a period marked by the independence movements, the formation of national states, and the rise of academic art. Written by distinguished international scholars, essays cover a full range of topics, including city planning, iconography in painting and sculpture, East-West connections, the power of images, and the role of the artist. Beautifully illustrated with some three hundred works--many published for the first time--this book presents a spectacular selection of decorative arts, textiles, silver, sculpture, painting, and furniture. Scholarly entries on each of the works highlight the various cultural influences and differences throughout this vast region. This groundbreaking book also includes an illustrated chronology, informative maps, and an exhaustive bibliography and is sure to set a new standard in the field of Latin American studies. --Publisher description. |
| latino art collection download: A Companion to Modern and Contemporary Latin American and Latina/o Art Alejandro Anreus, Robin Adèle Greeley, Megan A. Sullivan, 2028-04-25 In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field. |
| latino art collection download: Latinx Art Arlene Dávila, 2020-07-24 In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world. |
| latino art collection download: Our America Smithsonian American Art Museum, 2014 Explores how one group of Latin American artists express their relationship to American art, history and culture. |
| latino art collection download: Decolonizing Science in Latin American Art Joanna Page, 2021 Decolonizing Science in Latin American Art explores art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists' kitchens. |
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| latino art collection download: Performing the US Latina and Latino Borderlands Arturo J. Aldama, Chela Sandoval, Peter J. García, 2012-10-09 In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of borderlands. This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology. |
| latino art collection download: The Mobility of Modernism Harper Montgomery, 2017-07-04 Presenting a paradigm-shifting view of early Latin American modernism, this book looks at how a transnational intellectual community of writers and critics forged an anticolonial aesthetic based in abstract artistic forms. |
| latino art collection download: The Latin American Identity and the African Diaspora Antonio Olliz Boyd, 2010 Antonio Olliz Boyd is an emeritus professor of Latin American literature at Temple University. He holds a PhD from Stanford University, an MS from Grorgetown University, and a BA from Long Island University. Dr. Olliz Boyd has published various essays on Afro Latino aesthetics in literature in volumes, such as the Dictionary of Literary Biography: Modern Latin-American Fiction Writers; Singular Like a Bird: The Art of Nancy Morejon; Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity; Blacks in Hispanic Literature: Critical Essays among others, as well as articles on Afro Latino literary criticism in various refereed journals. --Book Jacket. |
| latino art collection download: Cosmopolitanism in Mexican Visual Culture María Fernández, 2014-01-06 Since the colonial era, Mexican art has emerged from an ongoing process of negotiation between the local and the global, which frequently involves invention, synthesis, and transformation of diverse discursive and artistic traditions. In this pathfinding book, María Fernández uses the concept of cosmopolitanism to explore this important aspect of Mexican art, in which visual culture and power relations unite the local and the global, the national and the international, the universal and the particular. She argues that in Mexico, as in other colonized regions, colonization constructed power dynamics and forms of violence that persisted in the independent nation-state. Accordingly, Fernández presents not only the visual qualities of objects, but also the discourses, ideas, desires, and practices that are fundamental to the very existence of visual objects. Fernández organizes episodes in the history of Mexican art and architecture, ranging from the seventeenth century to the end of the twentieth century, around the consistent but unacknowledged historical theme of cosmopolitanism, allowing readers to discern relationships among various historical periods and works that are new and yet simultaneously dependent on their predecessors. She uses case studies of art and architecture produced in response to government commissions to demonstrate that established visual forms and meanings in Mexican art reflect and inform desires, expectations, memories, and ways of being in the world—in short, that visual culture and cosmopolitanism are fundamental to processes of subjectification and identity. |
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| latino art collection download: Keywords for Latina/o Studies Deborah R. Vargas, Lawrence La Fountain-Stokes, Nancy Raquel Mirabal, 2017-12-01 2018 Outstanding Academic Title, given by CHOICE Magazine Introduces key terms, concepts, debates, and histories for Latinx Studies Keywords for Latina/o Studies is a generative text that enhances the ongoing dialogue within a rapidly growing and changing field. The keywords included in this collection represent established and emergent terms, categories, and concepts that undergird Latina/o studies; they delineate the shifting contours of a field best thought of as an intellectual imaginary and experiential project of social and cultural identities within the US academy. Bringing together 63 essays, from humanists, historians, anthropologists, sociologists, among others, each focused on a single term, the volume reveals the broad range of the field while also illuminating the tensions and contestations surrounding issues of language, politics, and histories of colonization, specific to this area of study. From “borderlands” to “migration,” from “citizenship” to “mestizaje,” this accessible volume will be informative for those who are new to Latina/o studies, providing them with a mapping of the current debates and a trajectory of the development of the field, as well as being a valuable resource for scholars to expand their knowledge and critical engagement with the dynamic transformations in the field. |
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| latino art collection download: The Latino Christ in Art, Literature, and Liberation Theology Michael R. Candelaria, 2018-04-15 This exploration of Iberian, Latin American, and US-Hispanic representations of Christ focuses on outliers in art, literature, and theology: Spanish painter Salvador Dalí, Mexican muralist José Clemente Orozco, Argentine writer Jorge Luis Borges, Spanish existentialist Miguel de Unamuno, Brazilian theologian Leonardo Boff, and Mexican philosopher José Vasconcelos, some of the most brilliant stars in the Spanish and Latin American firmament. Their work, and that of others, stands out from the conventional and the traditional, stretching our imagination by opening our eyes to what we do not want to see. The author also reflects on such significant lesser-known writers as New Mexican author, painter, and priest Fray Angélico Chávez; Argentine writer and political leader Ricardo Rojas, author of The Invisible Christ; Mexican American theologian Virgilio Elizondo; and Chicana feminist Gloria Anzaldúa, author of Borderlands/La Frontera: The New Mestiza. He shows how artists project their concerns onto representations of Christ and how the perceptions of the reader and viewer reflect their culture and their psychology. Along the way, Candelaria explores the philosophical issues of representation in aesthetics and the problems of hermeneutics and identity. |
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| latino art collection download: The Death of Aztec Tenochtitlan, the Life of Mexico City Barbara E. Mundy, 2018-03-22 Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016 ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016 The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan's power, which extended over much of Central Mexico, Hernando Cortés and his followers conquered the city. Cortés boasted to King Charles V of Spain that Tenochtitlan was destroyed and razed to the ground. But was it? Drawing on period representations of the city in sculptures, texts, and maps, The Death of Aztec Tenochtitlan, the Life of Mexico City builds a convincing case that this global capital remained, through the sixteenth century, very much an Amerindian city. Barbara E. Mundy foregrounds the role the city's indigenous peoples, the Nahua, played in shaping Mexico City through the construction of permanent architecture and engagement in ceremonial actions. She demonstrates that the Aztec ruling elites, who retained power even after the conquest, were instrumental in building and then rebuilding the city. Mundy shows how the Nahua entered into mutually advantageous alliances with the Franciscans to maintain the city's sacred nodes. She also focuses on the practical and symbolic role of the city's extraordinary waterworks—the product of a massive ecological manipulation begun in the fifteenth century—to reveal how the Nahua struggled to maintain control of water resources in early Mexico City. |
| latino art collection download: The Vintage Book of Latin American Stories Julio Ortega, Carlos Fuentes, 2000-12-05 In The Vintage Book of Latin American Stories, Julio Ortega and Carlos Fuentes present the most compelling short fiction from Mexico to Chile. Surreal, poetic, naturalistic, urbane, peasant-born: All styles intersect and play, often within a single piece. There is The Handsomest Drown Man in the World, the García Márquez fable of a village overcome by the power of human beauty; The Aleph, Borges' classic tale of a man who discovers, in a colleague's cellar, the Universe. Here is the haunting shades of Juan Rulfo, the astonishing anxiety puzzles of Julio Cortázar, the disquieted domesticity of Clarice Lispector. Provocative, powerful, immensely engaging, The Vintage Book of Latin American Stories showcases the ingenuity, diversity, and continuing excellence of a vast and vivid literary tradition. |
| latino art collection download: Hecho en Tejas Joe S. Graham, 1997-04 When the early Spanish and Mexican colonists came to settle Texas, they brought with them a rich culture, the diversity of which is nowhere more evident than in the folk art and folk craft. This first book-length publication to focus on Texas-Mexican material culture shows the richness of Tejano folk arts and crafts traditions. |
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| latino art collection download: Cycles of Time and Meaning in the Mexican Books of Fate Elizabeth Hill Boone, 2013-05-17 In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode. In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system. |
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| latino art collection download: Latinos, Inc. Arlene Dávila, 2012-09-01 Both Hollywood and corporate America are taking note of the marketing power of the growing Latino population in the United States. And as salsa takes over both the dance floor and the condiment shelf, the influence of Latin culture is gaining momentum in American society as a whole. Yet the increasing visibility of Latinos in mainstream culture has not been accompanied by a similar level of economic parity or political enfranchisement. In this important, original, and entertaining book, Arlene Dávila provides a critical examination of the Hispanic marketing industry and of its role in the making and marketing of U.S. Latinos. Dávila finds that Latinos' increased popularity in the marketplace is simultaneously accompanied by their growing exotification and invisibility. She scrutinizes the complex interests that are involved in the public representation of Latinos as a generic and culturally distinct people and questions the homogeneity of the different Latino subnationalities that supposedly comprise the same people and group of consumers. In a fascinating discussion of how populations have become reconfigured as market segments, she shows that the market and marketing discourse become important terrains where Latinos debate their social identities and public standing. |
| latino art collection download: Handbook of Latin American Studies , 1968 Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years. |
| latino art collection download: Ambassadors of Culture Kirsten Silva Gruesz, 2020-11-10 This polished literary history argues forcefully that Latinos are not newcomers in the United States by documenting a vast network of Spanish-language cultural activity in the nineteenth century. Juxtaposing poems and essays by both powerful and peripheral writers, Kirsten Silva Gruesz proposes a major revision of the nineteenth-century U.S. canon and its historical contexts. Drawing on previously unpublished archival materials and building on an innovative interpretation of poetry's cultural role, Ambassadors of Culture brings together scattered writings from the borderlands of California and the Southwest as well as the cosmopolitan exile centers of New York, New Orleans, and San Francisco. It reads these productions in light of broader patterns of relations between the U.S. and Latin America, moving from the fraternal rhetoric of the Monroe Doctrine through the expansionist crisis of 1848 to the proto-imperialist 1880s. It shows how ''ambassadors of culture'' such as Whitman, Longfellow, and Bryant propagated ideas about Latin America and Latinos through their translations, travel writings, and poems. In addition to these well-known figures and their counterparts in the work of nation-building in Cuba, Mexico, and Central and South America, this book also introduces unremembered women writers and local poets writing in both Spanish and English. In telling the almost forgotten early history of travels and translations between U.S. and Latin American writers, Gruesz shows that Anglo and Latino traditions in the New World were, from the beginning, deeply intertwined and mutually necessary. |
| latino art collection download: The Health of Aging Hispanics Jacqueline L. Angel, Keith E. Whitfield, 2010-11-25 This timely and much-needed book addresses the demographic trends affecting the Latinos in the United States, Mexico and Latin America, looking at the health concerns and of this growing population, as it ages. Further examination of this previously understudied group– now the nation’s largest minority group – offers the possibility to promote healthy aging for the entire nation. As international immigration continues to increase, collections such as this are critical for understanding the social and health consequences of this immigration. |
| latino art collection download: The Greenwood Encyclopedia of Latino Literature Nicolás Kanellos, 2008-08-30 Surveys the vast landscape of Latino literature from the colonial era to the present. Aiming to be as broad and inclusive as possible, the encyclopedia covers all of native North American Latino literature as well as that created by authors originating in virtually every country of Spanish America and Spain. Entries cover writers, genres, ethnic and national literatures, movements, historical topics and events, themes, concepts, associations and organizations, and publishers and magazines. |
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Latino (demonym) - Wikipedia
Latino and Latina as a noun refer to people living in the United States who have cultural ties to Latin America. As an adjective, the terms refer to things as having ties with Latin America. The …
What’s the Difference Between Hispanic and Latino?
A Latino/a or Hispanic person can be any race or color. In general, "Latino" is understood as shorthand for the Spanish word latinoamericano (or the Portuguese latino-americano) and …
What Is the Difference Between Hispanic and Latino?
Jul 16, 2024 · Hispanic refers to people who speak Spanish or who have a background in a Spanish-speaking country. In other words, Hispanic refers to the language that a person …
"Hispanic" vs. "Latino" – Difference Between The Meanings
Sep 27, 2023 · Latino is an adjective and a noun that describes a person “of Latin American origin or descent,” especially one who lives in the United States. The form Latina refers to a Latin …
"Hispanic" vs. "Mexican" vs. "Latino" vs. "Chicano ... - SpanishDict
The term Latino (latino) is used to refer to someone from Latin America (Cuba, Puerto Rico, the Dominican Republic, Mexico, and Central and South America), as well as to people of Latino …
THE BEST 10 Latin American Restaurants in SUFFOLK, VA - Yelp
What are people saying about latin american restaurants in Suffolk, VA? "Really hungry and didn't want to drive too far so we decided to try this spot close to home. The oxtails were plentiful, …
Hispanic vs. Latino vs. Latinx: What the Terms Mean & How to Use …
Nov 8, 2022 · Latinos are currently the largest minority in the United States, yet many people are still confused by how to refer to this diverse group of people. And unless they belong to the …
Latino, Hispanic, Latinx, Chicano: The History Behind the Terms
Sep 14, 2020 · The terms Latino, Hispanic and Latinx are often used interchangeably to describe a group that makes up about 19 percent of the U.S. population.
LATINO Definition & Meaning - Merriam-Webster
The meaning of LATINO is a native or inhabitant of Latin America.
Hispanic vs. Latino vs. Spanish: What Are the Differences?
Sep 3, 2024 · Learn the difference between a Hispanic, Latino and Spanish person. Plus, how to use each term correctly.
Latino (demonym) - Wikipedia
Latino and Latina as a noun refer to people living in the United States who have cultural ties to Latin America. As an adjective, the terms refer to things as having ties with Latin America. The …
What’s the Difference Between Hispanic and Latino?
A Latino/a or Hispanic person can be any race or color. In general, "Latino" is understood as shorthand for the Spanish word latinoamericano (or the Portuguese latino-americano) and …
What Is the Difference Between Hispanic and Latino?
Jul 16, 2024 · Hispanic refers to people who speak Spanish or who have a background in a Spanish-speaking country. In other words, Hispanic refers to the language that a person …
"Hispanic" vs. "Latino" – Difference Between The Meanings
Sep 27, 2023 · Latino is an adjective and a noun that describes a person “of Latin American origin or descent,” especially one who lives in the United States. The form Latina refers to a Latin …
"Hispanic" vs. "Mexican" vs. "Latino" vs. "Chicano ... - SpanishDict
The term Latino (latino) is used to refer to someone from Latin America (Cuba, Puerto Rico, the Dominican Republic, Mexico, and Central and South America), as well as to people of Latino …
THE BEST 10 Latin American Restaurants in SUFFOLK, VA - Yelp
What are people saying about latin american restaurants in Suffolk, VA? "Really hungry and didn't want to drive too far so we decided to try this spot close to home. The oxtails were plentiful, …
Hispanic vs. Latino vs. Latinx: What the Terms Mean & How to Use …
Nov 8, 2022 · Latinos are currently the largest minority in the United States, yet many people are still confused by how to refer to this diverse group of people. And unless they belong to the …
Latino, Hispanic, Latinx, Chicano: The History Behind the Terms
Sep 14, 2020 · The terms Latino, Hispanic and Latinx are often used interchangeably to describe a group that makes up about 19 percent of the U.S. population.
LATINO Definition & Meaning - Merriam-Webster
The meaning of LATINO is a native or inhabitant of Latin America.
Hispanic vs. Latino vs. Spanish: What Are the Differences?
Sep 3, 2024 · Learn the difference between a Hispanic, Latino and Spanish person. Plus, how to use each term correctly.
