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| kwela dance history: A History of South African Literature Christopher Heywood, 2004-11-18 This book is a critical study of South African literature, from colonial and pre-colonial times onwards. Christopher Heywood discusses selected poems, plays and prose works in five literary traditions: Khoisan, Nguni-Sotho, Afrikaans, English, and Indian. The discussion includes over 100 authors and selected works, including poets from Mqhayi, Marais and Campbell to Butler, Serote and Krog, theatre writers from Boniface and Black to Fugard and Mda, and fiction writers from Schreiner and Plaatje to Bessie Head and the Nobel prizewinners Gordimer and Coetzee. The literature is explored in the setting of crises leading to the formation of modern South Africa, notably the rise and fall of the Emperor Shaka's Zulu kingdom, the Colenso crisis, industrialisation, the colonial and post-colonial wars of 1899, 1914, and 1939, and the dissolution of apartheid society. In Heywood's study, South African literature emerges as among the great literatures of the modern world. |
| kwela dance history: The World of South African Music Christine Lucia, 2005 The present Reader is a selection of texts on South African music which are chosen not only for their importance or the frequency of citations, but with the express purpose of providing the reader with a deep understanding of the music itself. Consequently, there are readings that are chosen because they have been influential, but there are also many which, though published, have not enjoyed very wide circulation. There are those which are of obvious historic interest, and others which speak to contemporary issues. Among other things, the volume provides an excellent sense of the varying ideologies and approaches that determine the relationship between author and subject. The reader is indispensable to scholars and enthusiasts of South African music and it is of great interest to ethnomusicologists more generally. It is also an excellent resource for those who do not have immediate access to harder-to-find articles, and is perhaps most vital to those who are looking to find a way into the world of South African music. |
| kwela dance history: An Introduction to Malawi Cecilia Lawrence, 2017-11-23 This work provides basic facts about Malawi. It is intended to serve as a brief introduction to this southeast African country and enable some people, who know nothing or very little about Malawi, to learn important facts which can help them learn more about the people and the history of one of the most fascinating countries on the African continent. Who are the people of Malawi? What are their ethnic identities? What is the country's history? How is the land? What are some of its prominent features? How is life in Malawi? What are some of the cultural aspects which give the country its own identity? Is there a national culture or simply cultures of different ethnic groups? What are some of the towns and cities of this predominantly agricultural country and one of the poorest in Africa? What is the country's future in a region with richer and more powerful neighbours? Is federation with them possible and a solution to the country's economic problems? Those are some of the questions I have attempted to answer in this book. |
| kwela dance history: Music of the World: Africa & Beyond Pasquale De Marco, **Music of the World: Africa & Beyond** explores the rich and diverse musical traditions of Africa, from the traditional rhythms of West Africa to the soulful melodies of North Africa. This comprehensive book examines the role of music in African culture and society, and the ways in which African music has influenced music around the world. Divided into ten chapters, each focusing on a different aspect of African music, this book provides a comprehensive overview of the continent's musical heritage. The first chapter provides an overview of the history and diversity of African music. The second chapter looks at the music of North Africa, while the third chapter focuses on the music of West Africa. The fourth chapter examines the music of East Africa, and the fifth chapter looks at the music of Southern Africa. The sixth chapter explores the music of Central Africa, and the seventh chapter examines the influence of African music on the Americas. The eighth chapter looks at the music of the African Diaspora, and the ninth chapter examines contemporary African music. The tenth chapter explores the role of music in politics in Africa. Written in an accessible and engaging style, and filled with beautiful photographs and illustrations, **Music of the World: Africa & Beyond** is a valuable resource for anyone who wants to learn more about the music of Africa. Whether you are a musician, a music lover, or simply curious about the world's musical traditions, this book is sure to inform and inspire you. If you like this book, write a review! |
| kwela dance history: Making the Changes Michael Titlestad, 2021-11-15 Throughout its history, South African Jazz has been formed from complex transactions with other black Atlantic cultures, identities and political possibilities. Making the Changes considers jazz discourse from the legendary élan vital of the Sophiatown writers, through the King Kong reportage and 'white writing', to the agonised poetics of exile. |
| kwela dance history: A History of Malawi, 1859-1966 John McCracken, 2012 This title features a general history of Malawi, focusing mainly on the colonial period, when it was know as Nyassaland, but placing that period in the context of the pre-colonial past. |
| kwela dance history: Composing Apartheid Grant Olwage, 2008-06-01 Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid’s social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel’s Messiah). Musical institutions and previously little-researched performers (such as the African National Congress’s troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies. |
| kwela dance history: Sign and Taboo Robert Muponde, Mandivavarira Maodzwa-Taruvinga, 2003 Yvonne Vera's Nehanda (1993) signalled the presence of a new and remarkable writer. Four subsequent novels have confirmed that she was the most important African novelist to emerge during the 1990s. Critics from Zimbabwe, South Africa, Britain, the Caribbean and the United States demonstrate through a diversity of theoretical approaches the originality of her work. Yvonne Vera's dense and poetic writing records public and private experiences of moments in Zimbabwe's history through the consciousness of her central women characters. What sets her apart from most authors is her ability to handle the most difficult subjects and confront taboos. North America: African Books Collective; Zimbabwe: Weaver Press |
| kwela dance history: The Society of Malaŵi Journal Society of Malawi, 1978 |
| kwela dance history: Conversations with Nadine Gordimer Nadine Gordimer, 1990 Talks with the prize-winning author of Beethoven was One-Sixteenth Black and Other Stories, July's People, The Pickup, and many other book |
| kwela dance history: South African Popular Music Lior Phillips, 2023-04-06 From the storied ache of mbube harmonies of the '40s to the electronic boom of kwaito and the amapiano and house explosion of the '00s, this book explores vignettes taken from across South Africa's popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality. In the grip of the brutal apartheid era, South Africa crafted its own idiosyncratic popular musical vernacular that operated both as sociopolitical tool and realm of escape. In a country with 11 official languages, music had the power to unite South Africans in protest. Artists bloomed a new idyll from the branches of countless storied musical traditions, and in turn found themselves banned or exiled-the profound epiphany that music can exist both within the pleasure of itself and for serving a far greater purpose. |
| kwela dance history: In Township Tonight! David Bellin Coplan, 2008 David B. Coplan's pioneering social history of black South Africa's urban music, dance, and theatre established itself as a classic soon after its publication in 1985. Now completely revised, expanded, and updated, this new edition takes account of developments over the last thirty years while reflecting on the massive changes in South African politics and society since the end of the apartheid era. In vivid detail, Coplan comprehensively explores more than three centuries of the diverse history of South Africa's black popular culture, taking readers from indigenous musical traditions into the world of slave orchestras, pennywhistlers, clergyman-composers, the gumboot dances of mineworkers, and touring minstrelsy and vaudeville acts. |
| kwela dance history: Music Traditions, Change and Creativity in Africa Giorgio Adamo, Alessandro Cosentino, 2019 In February 2014 an international seminar on musical dynamics and creativity in Africa was held at Tor Vergata University of Rome. The topic and the approach were strongly influenced by issues that Gerhard Kubik believed should have been addressed for a long time, such as the attention to cultural and social dynamics, with a specific emphasis on the creativity of individuals. Beside his keynote address, Music Traditions, Change and Creativity in Africa includes the contributions presented by scholars from different countries, particularly active in the East African area and in dialogue with Italian researchers who have field experience in the same region. Music Traditions, Change and Creativity in Africa is the first monograph of a series of volumes connected and inspired to the journal Etnografie Sonore / Sound Ethnographies (www.soundethnographies.it), which Giorgio Adamo and his colleagues recently founded. Along with the papers multimedia contents are also available online. |
| kwela dance history: The Garland Encyclopedia of World Music Ruth M. Stone, 2017-09-25 Explores key themes in African music that have emerged in recent years-a subject usually neglected in country-by-country coverage emphasizes the contexts of musical performance-unlike studies that offer static interpretations isolated from other performing traditions presents the fresh insights and analyses of musicologists and anthropologists of diverse national origins-African, Asian, European, and American Charts the flow and influence of music. The Encyclopedia also charts the musical interchanges that followed the movement of people and ideas across the continent, including: cross-regional musical influences throughout Africa * Islam and its effect on African music * spread of guitar music * Kru mariners of Liberia * Latin American influences on African music * musical interchanges in local contexts * crossovers between popular and traditional practices. Downloadable resources included. Also includes nine maps and 96 music examples. |
| kwela dance history: Bulawayo Burning T. O. Ranger, 2010 A unique and stylish contribution to the social history of African cities and Zimbabwean cultural life. NEW LOW PRICE This book is designed as a tribute and response to Yvonne Vera's famous novel Butterfly Burning, which is set in the Bulawayo townships in 1946 and dedicated to the author. It is an attempt to explorewhat historical research and reconstruction can add to the literary imagination. Responding as it does to a novel, this history imitates some fictional modes. Two of its chapters are in effect 'scenes', dealing with brief periods of intense activity. Others are in effect biographies of 'characters'. The book draws upon and quotes from a rich body of urban oral memory. In addition to this historical/literary interaction the book is a contribution to the historiography of southern African cities, bringing out the experiential and cultural dimensions, and combining black and white urban social history. TERENCE RANGER was Emeritus Rhodes Professor of Race Relations, University of Oxford and author of many books including Writing Revolt, Are we not also Men? (1995), Voices from the Rocks (1999) and was co-editor of Violence and Memory (2000). Zimbabwe: Weaver Press |
| kwela dance history: Writing on the Soil Ng'ang'a Wahu-Muchiri, 2023-05-08 How representations of land and landscape perform important metaphorical labor in African literatures |
| kwela dance history: Popular Music Will Straw, International Association for the Study of Popular Music, 1995 |
| kwela dance history: Africa and the Blues Gerhard Kubik, 1999 A narrative that explores the African genealogy of American Blues |
| kwela dance history: Drama for a New South Africa David Graver, 1999 ... a solid addition to international drama. --Library Journal Going beyond the parameters of conventional literary drama, these seven new plays express life issues in post-apartheid South Africa--Islamic fundamentalism, women's rights, ecology, Afrikaans culture and the new multi-racial life of the inner city. While theater rooted in the anti-apartheid movement was rich and vibrant, it was also singleminded in focus, obscuring the diversity of South African culture now brought to life in these works. |
| kwela dance history: Mintirho ya Vulavula Jabulisile Mhlambi, Sandile Ngidi, 2021-04-19 Mintirho ya Vulavula: Arts, National Identities and Democracy examines the role of arts and culture in development, and specifically its value in consolidating our nascent democracy and in facilitating the transformation of South African society. Contributors to this edited volume interrogate the role of arts, culture and heritage from a transdisciplinary perspective, enriched by the cross-generational perspectives offered by young and older artists, cultural practitioners, activists and scholars. Authors also offer some policy recommendations on how the contribution of arts and culture to social cohesion and nation-building can be enhanced. |
| kwela dance history: Malaŵian Music Gerhard Kubik, 1987 |
| kwela dance history: All About South Africa Rob Marsh, 2013-07-22 All About South Africa is a comprehensive reference book for all South African children with enquiring minds and a lively interest in the world around them. Packed with colourful photographs and illustrations, the simple and thematically presented text is both easy to read and to understand. This fascinating introduction to our country looks at life in southern Africa long, long ago, and explores the culture of our land and the people who helped shape our unique South African community. It provides an intriguing insight into the ever-changing world of science and technology and our sometimes puzzling economy. This valuable reference work also introduces young readers to our equally important natural heritage: the coasts, mountains and climate of the land, and the country’s rich variety of wildlife. Now in it’s 7th print edition and fully updated, this well-researched and visually stimulating volume offers all this information and much, much more. Complemented by lists of recommended place to see, All About South Africa is an essential addition to the bookshelf of every South African child. |
| kwela dance history: Musics of Many Cultures Elizabeth May, 2023-07-28 The foremost authorities in the field of music from around the world have contributed twenty original essays for this volume, edited by Elizabeth May. Only European musics have been omitted, except insofar as they affect other musics discussed here. North American music is represented by the musics of the Native Americans and the Alaskan Eskimos. The essays are profusely illustrated with maps, drawings, diagrams, photographs, and music examples. There are extensive glossaries, bibliographies, and annotated film lists. The book is directed to readers seriously interested in acquainting themselves with musics beyond the confines of Western musicology. Contributors include Bruno Nettl, Kuo-huang Han and Lindy Li Mark, Kang-sook Lee, William P. Malm, David Morton, Bonnie C. Wade, Margaret J. Kartomi, Adrienne L. Kaeppler, Trevor A. Jones, Atta Annan Mensah, John Blacking, Alfred Kwashie Ladzekpo and Kobla Ladzekpo, Cynthia Tse Kimberlin, Jozef M. Pacholczyk, Ella Zonis, Abraham A. Schwadron, David P. McAllester, Lorraine D. Koranda, and Dale A. Olsen. Please note: this book was originally published with records. The edition available now does not include the records. We are hoping to make the original recordings available in some other way. The foremost authorities in the field of music from around the world have contributed twenty original essays for this volume, edited by Elizabeth May. Only European musics have been omitted, except insofar as they affect other musics discussed here. North |
| kwela dance history: Illustrated History of South Africa Dougie Oakes, 1992 This updated version of the 1988 edition strips away the curtain of myths and misconceptions that surround South Africa. Much has happened and is still happening in this troubled land, so to better understand the events of recent years, the final two chapters have been revised and three new chapters have been added. 1,000 color photos, maps and illustrations. |
| kwela dance history: Memoirs of the American Museum of Natural History. ... American Museum of Natural History, 1902 |
| kwela dance history: Labour, Townships, and Protest Belinda Bozzoli, 1979 Monograph comprising a collection of conference papers on historical aspects of urban area race relations and social class struggle, black literature, and labour movement of miners in witwatersrand, South Africa r - examines squatter movements in johannesburg, racial segregation in sophiatown, culture in terms of poetry and performer entertainment, migration of miners between corwall and the transvaal, the black mineworkers' strike of 1920, etc. References. Conference held in johannesburg 1978 feb. |
| kwela dance history: The Complete Idiot's Guide to Music History Michael Miller, 2008-07-01 A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn’t so. This guide makes music history interesting and fun, for both music students and older music lovers. • Covers more than Western “classical” music—also includes non-Western music and uniquely American forms such as jazz • More than just names and dates—puts musical developments in context with key historical events |
| kwela dance history: Focus Carol Ann Muller, 2008 First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company. |
| kwela dance history: Focus: Music of South Africa Carol A. Muller, 2010-04-15 Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles. |
| kwela dance history: The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape Lindsay Michie, 2021-09-20 This book explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region’s role in the history of South African protest politics and creativity. |
| kwela dance history: Kwaito Bodies Xavier Livermon, 2020-04-24 In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa. |
| kwela dance history: The Garland Handbook of African Music Ruth M. Stone, 2010-04-02 The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa. |
| kwela dance history: Sound of Africa! Louise Meintjes, 2003-02-05 DIVAn ethnography of the recording of Mbaqanga music, that examines its relation to issues of identity, South African politics, and global political economy./div |
| kwela dance history: Claiming the City in South African Literature Meg Samuelson, 2021-08-23 This book demonstrates the insights that literature brings to transdisciplinary urban studies, and particularly to the study of cities of the South. Starting from the claim staked by mining capital in the late nineteenth century and its production of extractive and segregated cities, it surveys over a century of writing in search of counterclaims through which the literature reimagines the city as a place of assembly and attachment. Focusing on how the South African city has been designed to funnel gold into the global economy and to service an enclaved minority, the study looks to the literary city to advance a contrary emphasis on community, conviviality and care. An accessible and informative introduction to literature of the South African city at significant historical junctures, this book will also be of great interest to scholars and students in urban studies and Global South studies. |
| kwela dance history: The SAGE International Encyclopedia of Music and Culture Janet Sturman, 2019-02-26 The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition |
| kwela dance history: Composing the Music of Africa Malcolm Floyd, 2018-12-17 First published in 1999, this volume explores the great diversity of music created by African communities is reflected in this book, which discusses the ways in which a wide range of musical forms are composed and performed from Egypt to South Africa and from Ghana to Kenya. As two composers explain here, this diversity provides much inspiration for western contemporary composition. Particular attention is paid to the contexts generate musical creativity. Ceremonies and festivals celebrating birth, death, marriage or rites of passage provide the impetus for much composition and performance, enabling young people to pick up, early on, some of the techniques and styles of which they then become the new exponents. The book also looks at the role played by formal music education programmes and bodies such as the South African Music Rights Organization and the South African Broadcasting Corporation in fostering musical activity, as well as the contribution of composers to the social and political changes that have dominated South African life in recent years. |
| kwela dance history: Marabi Nights Christopher John Ballantine, 1993 |
| kwela dance history: Africa Since 1935 Ali AlʼAmin Mazrui, Christophe Wondji, Unesco. International Scientific Committee for the Drafting of a General History of Africa, 1993 V.1. Methodology and African prehistory -- v.2. Ancient civilizations of Africa -- v.3. Africa from the seventh to the eleventh century -- v.4. Africa from the twelfth to the sixteenth century -- v.5. Africa from the sixteenth to the eighteenth century -- v.6. The nineteenth century until the 1880s -- v.7. Africa under foreign domination 1880-1935 -- v.8. Africa since 1935. |
| kwela dance history: A Companion to African History William H. Worger, Charles Ambler, Nwando Achebe, 2018-09-11 Covers the history of the entire African continent, from prehistory to the present day A Companion to African History embraces the diverse regions, subject matter, and disciplines of the African continent, while also providing chronological and geographical coverage of basic historical developments. Two dozen essays by leading international scholars explore the challenges facing this relatively new field of historical enquiry and present the dynamic ways in which historians and scholars from other fields such as archaeology, anthropology, political science, and economics are forging new directions in thinking and research. Comprised of six parts, the book begins with thematic approaches to African history—exploring the environment, gender and family, medical practices, and more. Section two covers Africa’s early history and its pre-colonial past—early human adaptation, the emergence of kingdoms, royal power, and warring states. The third section looks at the era of the slave trade and European expansion. Part four examines the process of conquest—the discovery of diamonds and gold, military and social response, and more. Colonialism is discussed in the sixth section, with chapters on the economy transformed due to the development of agriculture and mining industries. The last section studies the continent from post World War II all the way up to modern times. Aims at capturing the enthusiasms of practicing historians, and encouraging similar passion in a new generation of scholars Emphasizes linkages within Africa as well as between the continent and other parts of the world All chapters include significant historiographical content and suggestions for further reading Written by a global team of writers with unique backgrounds and views Features case studies with illustrative examples In a field traditionally marked by narrow specialisms, A Companion to African History is an ideal book for advanced students, researchers, historians, and scholars looking for a broad yet unique overview of African history as a whole. |
| kwela dance history: Sounding the Cape Denis Martin, 2013 For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an identity which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and racial categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture. |
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