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klezmer clarinet: Klezmer Tunes for Clarinet Rudolf Mauz, 2015-08 Rudolf Mauz präsentiert eine umfangreiche Sammlung von Klezmerweisen und jüdischen Melodien für Klarinette. Die Sammlung zeichnet sich aus durch Stücke für Klarinette und Klavier sowie durch eine Auswahl von Klarinettenduos, darunter bekannte traditionelle Stücke und Originalstücke von Rudolf Mauz. Die Musik wurde sorgfältig bearbeitet, um stilistisch authentische Arrangements zu erhalten. Demo-Aufnahmen sowie Play-Along-Versionen aller Stücke sind als Download erhältlich. Schwierigkeitsgrad: 3 |
klezmer clarinet: Klezmer Book Avrahm Galper, 2010-10-07 Another great addition to the Avrahm Galper Clarinet Series, here Avrahm presents 42 fantastic Klezmer tunes to add to your repertoire. All arranged for clarinet and B-Flat instruments in easy to read notation, all on single pages to avoid awkward page turns. Intermediate in difficulty. |
klezmer clarinet: Vahid Matejko's Klezmer Play-Alongs for Clarinet , 2012-07 Vahid Matejko's Klezmer Play-Alongs for Clarinet is perfect for the player who wishes to study Klezmer music more intensively. The book covers the complete emotional spectrum of the Klezmer style, and it will be a pleasure for all clarinetists to get more familiar with the nuances of this unique musical language. Where some passages appear technically challenging due to the high octave range, the composer recommends that performers feel free to transpose and play those passages one octave lower precisely as an authentic player might. The chord changes shown above the engraving can be played as an accompaniment by pianists, keyboardists, accordionists, or guitarists, and the included play-along CD gives you ready access to your own Klezmer band. Also available for violin (00-20138US) |
klezmer clarinet: The Cambridge Companion to Jewish Music Joshua S. Walden, 2015-11-19 A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars. |
klezmer clarinet: New York Klezmer in the Early Twentieth Century Joel Rubin, 2020 The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre.Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.s in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.s in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.s in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.c sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music. |
klezmer clarinet: More Clarinet Secrets Michele Gingras, 2011-02-24 It takes considerable patience, hard work, and perseverance to achieve mastery on a musical instrument. Proper guidance is critical to success in music, and part of that guidance includes finding resources that provide up-to-date strategies for reaching your professional goals. More Clarinet Secrets: 100 Quick Tips for the Advanced Clarinetist does just that, revealing secrets of the trade that can increase your chances of thriving as a clarinetist and musical professional. A sequel to Michele Gingras's highly praised first book, Clarinet Secrets: 52 Performance Strategies for the Advanced Clarinetist, this new book is a treasure trove of completely new information on how to turn clarinetists into informed musicians, offering them the tools they need to compete in the music world. Topics discussed include technique, tone and intonation, musicianship, reeds and equipment, repertoire, musicians' health, and the music profession. In addition, Gingras supplies extra tips on such matters as college auditions, website design, and self-marketing. The pedagogical ideas gathered in this book are the result of Gingras's more than 25 years of hands-on experience spent in the clarinet studio working with students. Advanced high school clarinetists, college-level clarinetists, and seasoned professionals will all find More Clarinet Secrets a valuable read. |
klezmer clarinet: The Clarinet Eric Hoeprich, 2008-01-01 The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz. |
klezmer clarinet: Shpil Yale Strom, 2012-10-12 Shpil offers an expansive history of klezmer, from its medieval origins through the present era. Individual chapters concentrate on the most common instruments found in a typical klezmer ensemble: violin, clarinet, accordion, bass, percussion, and even voice. Contributors include a cast of musicians who have recorded, performed, and studied klezmer for years. Each chapter concludes with a selection of three songs that illustrate and exemplify the history and techniques already described. Shpil includes a “klezmer glossary” of mostly musical terms and a discography of both classic and new klezmer and Yiddish recordings, all designed to guide readers in the appreciation of this remarkable musical genre and the art of playing and singing klezmer tunes. |
klezmer clarinet: Clarinet Secrets Michele Gingras, 2006-07-08 Clarinet Secrets is a 52-week course of performance strategies for advanced clarinetists. This revised edition contains updated information on harmonics and other techniques, electronic music and equipment, expanded techniques for playing Klezmer music, and new and updated photos and diagrams. |
klezmer clarinet: Klezmer Clarinet (Clarinet/Piano) Edward Huws Jones, 2002-03-31 Traditional Jewish music of celebration. Recreate the many moods of this vibrant music, from mournful lyricism to driving dance beats. Includes many well-known Klezmer classics including Khosn kale mazl tov (The Jewish Wedding Song) and Tants, yidelekh, tants (Dance, Dance ). |
klezmer clarinet: Klezmer Walter Zev Feldman, 2016-10-03 Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major written sources--principally in Russian, Yiddish, Hebrew, and Romanian--from the 16th to the 20th centuries. He draws upon the foundational notated collections of the late Tsarist and early Soviet periods, as well as rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. He has conducted interviews with authoritative European-born klezmorim over a period of more than thirty years, in America, Europe, and Israel. Thus, his analysis reveals both the musical and cultural systems underlying the klezmer music of Eastern Europe. |
klezmer clarinet: Talking Clarinet Helmut Eisel, 2014-03-07 This book contains klezmer improvisations by Eisel, while also teaching how to improvise in the klezmer style. All 12 solos are presented for both B-flat and C instruments. |
klezmer clarinet: Old Jewish Folk Music Mark Slobin, 2016-11-11 The original publications of the 1930s are scarcely to be found. The posthumous 1962 volume in the Soviet Union was limited to a tiny edition. Yet the work of the man who has been called the foremost authority on Jewish folk music before the Holocaust, Moshe Beregovski, survives and is now available for the first time to the English-speaking world. As a member of the Jewish community as well as an ethnomusicologist in prewar Russia, Beregovski had not only the inspiration to preserve the spirit and vitality of the music that filled the lives of his people but also the professional training to document his findings to exacting standards. The first section of SIobin's book contains translations of some of Beregovski's responses to Jewish folk music in its living context during the 1930s. He raises important questions about ethnicity in his essay on interaction between Ukrainian and Jewish musical influences. His work on klezmer music. the music of the Jewish folk instrumental bands, is the most authoritative on the subject and includes his complete guide to fieldworkers in folk music. In another essay Beregovski analyzes an unmistakable trademark of Jewish folk music, the altered Dorian scale, and its symbolism in Eastern European Jewish culture. The second section constitutes Beregovski's anthologies of hundreds of folk songs with full Yiddish and English song texts. Each song is carefully notated exactly as it was sung and is accompanied by Beregovski's notes on origins and variants. Beregovski's essays and transcriptions form a pat and a symbol of what was lost in the mass destruction of Eastern European Jewish culture in this century. They form a cultural record of deep significance not only for the Jewish people, but also for folklorists and scholars as evidence of a distinctive music culture that interacted with—and influenced—the folk musics of Eastern Europe. |
klezmer clarinet: Clarinet Secrets Michele Gingras, 2017-02-24 This second edition of Clarinet Secrets is a compilation of Distinguished Professor Michele Gingras’s acclaimed books that spearheaded Rowman & Littlefield’s Music Secrets series: Clarinet Secrets and More Clarinet Secrets. It is the result of Gingras’s thirty years of hands-on experience spent in the clarinet studio working with students. Learn practical and technical secrets about rapid tonguing and double-tonguing; circular breathing; sight-reading and transposition; reed fixing and repair equipment; improving tone, intonation, technique, and musicianship; contemporary techniques; classical and non-classical performance; performance anxiety; auditioning; career planning and marketability; and more. The concepts are discussed in a straightforward way, explained clearly, and illustrated with photos, diagrams, and musical examples. Easy to use and intended for the intermediate and advanced musician, this second edition of Clarinet Secrets is perfect for students in a class or private situation, professionals, or instructors engaged in pedagogical research. |
klezmer clarinet: The Essential Klezmer Seth Rogovoy, 2000-01-01 Examines the evolution of klezmer, traditional Jewish music, from its ancient European roots to its modern popular sound, and its survival through the dissolution of Eastern Europe and Jewish assimilation in American culture. |
klezmer clarinet: Dave Tarras the King of Klezmer Yale Strom, 2010 Subtitle on cover: A new biography with rare photos and 28 melodies. |
klezmer clarinet: Clarinet For Dummies David Etheridge, 2010-08-03 Master the most popular woodwind Want to play the clarinet? No problem! This hands-on guide teaches you all the fundamental techniques you need to play this popular woodwind alone or in a group setting. Clarinet For Dummies gives you the ideal introduction to play clarinet. You?ll begin by learning how to properly hold a clarinet and move on to getting a consistent sound, reading music, and playing songs in a variety of styles, including classical, pop, and jazz. Step-by-step instruction on finger placement, posture, and basic up-keep for the instrument Tips on how to buy or rent a clarinet Accompanying CD offers play-along recordings of every exercise featured in the book Whether you?ve never held a clarinet or are looking to brush up on skills from your youth, Clarinet For Dummies is packed with friendly, easy-to-follow instructions to have you playing this versatile instrument with ease! Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file. |
klezmer clarinet: A Soprano on Her Head Eloise Ristad, 1982 Eloise Ristad deals here with complex problems which torment and cripple so many of our most creative and talented people, and she does so with compassion, wisdom, and wit. The problem of stage fright, for instance, is a suffering of epidemic proportions in our society, and involves modalities of thought and projections that rob spontaneity and enthusiasm in artistic performance. Those interested in creative education have long felt that an entirely new, holistic and nurturing process of allowing individuals to discover and express themselves is needed if our educational system is to avoid the neuroses and creative blocks of the past generation. This book illuminates through its conversational style the destructive inhibitions, fears, and guilt experienced by all of us as we fail to break through to creativity. This story is told to me day after day in conservatories and college campuses around the world. Indeed I felt at times that she was telling of my own most petty and debilitating fears. But what is important, A Soprano on Her Head supplies answers and methods for overcoming these universal psychological blocks--methods that have not only been proven in her own studio, but which trace back through history to the oldest and wisest systems of understanding the integration of mind and body. The work bears scrutiny both scientifically and holistically. - Foreword. |
klezmer clarinet: The Book of Klezmer Yale Strom, 2011 Originally published in hardcover in 2002. |
klezmer clarinet: The Clarinet , 2007 |
klezmer clarinet: Clarinet Secrets Michèle Gingras, 2004 Clarinet Secrets contains concepts that have been repeatedly and successfully used with students over a period of 20 years of teaching. Each strategy is explained on two facing pages with accompanying graphics, photos, and musical examples. |
klezmer clarinet: Klezmer Clarinet Edward Huws Jones, 2024-06-19 |
klezmer clarinet: Klezmer, Collector's Edition Joann Sfar, 2006-09-05 Graphic novel in which nomadic Jewish musicians meet, clash, fall in love and make music at the birth of klezmer. |
klezmer clarinet: The Book of Klezmer Yale Strom, 2002-08-01 Klezmer is Yiddish music, the music of the Jews of Europe and America, a music of laughter and tears, of weddings and festivals, of dancing and prayer. Born in the Middle Ages, it came of age in the shtetl (the Eastern European Jewish country town), where a wedding without klezmer is worse than a funeral without tears. Most of the European klezmorim (klezmer players) were murdered in the Holocaust; in the last 25 years, however, klezmer has been reborn, with dozens of groups, often mixing klezmer with jazz or rock, gaining large followings throughout the world. The Book of Klezmer traces the music's entire history, making use of extensive documentary material; interviews with forgotten klezmorim as well as luminaries such as Theodore Bikel, Leonard Nimoy, Joel Grey, Andy Statman, and John Zorn; and dozens of illuminating, stirring, and previously unpublished photographs. |
klezmer clarinet: Klezmer! Kyra Teis, 2021-11-01 When Eastern European Jewish immigrants bring their klezmer music with them to America, it takes on a rockin’ new vibe, adding elements of Jazz borrowed from its new country. In the beautifully illustrated Klezmer!, a child makes an exciting music-filled visit to her grandparents’ apartment in New York City, learning all about the evolution of this toe-tapping music genre. |
klezmer clarinet: American Klezmer Mark Slobin, 2002-08 Investigates American klezmer music: its roots, evolution and the revival that began in the 1970s. |
klezmer clarinet: Klezmer Walter Zev Feldman, 2016-10-03 Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major written sources--principally in Russian, Yiddish, Hebrew, and Romanian--from the 16th to the 20th centuries. He draws upon the foundational notated collections of the late Tsarist and early Soviet periods, as well as rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. He has conducted interviews with authoritative European-born klezmorim over a period of more than thirty years, in America, Europe, and Israel. Thus, his analysis reveals both the musical and cultural systems underlying the klezmer music of Eastern Europe. |
klezmer clarinet: Continuum Encyclopedia of Popular Music of the World, Volume 2 John Shepherd, David Horn, Dave Laing, Paul Oliver, Peter Wicke, 2003-05-08 The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. |
klezmer clarinet: Klezmer America Jonathan Freedman, 2009-10-22 Klezmer is a continually evolving musical tradition that grows out of Eastern European Jewish culture, and its changes reflect Jews' interaction with other groups as well as their shifting relations to their own history. But what happens when, in the klezmer spirit, the performances that go into the making of Jewishness come into contact with those that build different forms of cultural identity? Jonathan Freedman argues that terms central to the Jewish experience in America, notions like the immigrant, the ethnic, and even the model minority, have worked and continue to intertwine the Jewish-American with the experiences, histories, and imaginative productions of Latinos, Asians, African Americans, and gays and lesbians, among others. He traces these relationships in a number of arenas: the crossover between jazz and klezmer and its consequences in Philip Roth's The Human Stain; the relationship between Jewishness and queer identity in Tony Kushner's Angels in America; fictions concerning crypto-Jews in Cuba and the Mexican-American borderland; the connection between Jews and Christian apocalyptic narratives; stories of new immigrants by Bharathi Mukherjee, Gish Jen, Lan Samantha Chang, and Gary Shteyngart; and the revisionary relation of these authors to the classic Jewish American immigrant narratives of Henry Roth, Bernard Malamud, and Saul Bellow. By interrogating the fraught and multidimensional uses of Jews, Judaism, and Jewishness, Freedman deepens our understanding of ethnoracial complexities. |
klezmer clarinet: B.U.G. (Big Ugly Guy) Jane Yolen, Adam Stemple, 2013-03-21 Sammy Greenberg would rather talk back to The Boyz--a gang of bullies at his school--and get his head stuck in the toilet than constantly be afraid. But when his friend Skink gets beaten up so badly that he has to go to the hospital, Sammy thinks he may be in over his head. He decides to build a golem--a mythical protector from Jewish folklore, made of clay and animated by the ineffable name of God. But this monster doesn't just protect him and Skink from The Boyz, he is also a great drummer for their rock-jazz-klezmer fusion band! But golems come with warnings. They will protect you until they don't. |
klezmer clarinet: Virtually Jewish Ruth Ellen Gruber, 2002-01-15 The author explores the phenomenon of the Jewish culture in Europe. In this book she askes in what way do non-Jews embrace and enact Jewish culture and for what reasons. |
klezmer clarinet: Bassist's Bible Tim Boomer, Mick Berry, Chaz Bufe, 2014-01-01 Newly enhanced with embedded audio and video tracks, the incredible versatility of the bass guitar is revealed in this newly revised, all-inclusive style guide. Each chapter covers particular styles or families of styles, gradually introducing players to techniques that will allow them to get the most out of their instruments and easilyincrease their bass repertoire. More than 400 bass grooves are presented in standard percussion notation, along with 192 embedded audio grooves. The book also includes helpful information on the development of all styles covered. All musical samples in this updated edition are in both standard notation and tablature and the style histories, bibliography, and discography are up to date. The book also includes 50 new grooves and 93 embedded videos of the proper way to play the examples. |
klezmer clarinet: The Drummer's Bible Mick Berry, Jason Gianni, 2012-09-01 Updated to include 50 additional grooves, this encyclopedic book and two-CD set contains more than 450 musical examples in standard notation, showing grooves and practical variations. Overviews of the history and development of almost all popular music styles are covered alongside innumerable helpful performance tips. The two accompanying CDs feature performances of nearly 200 of the grooves, including every primary style example, all performed both with and without a click track. Styles covered include blues, rock, jazz, reggae, country, klezmer, ska, samba, punk, surf, heavy metal, latin rock, and funk; virtually every style a performing drummer will ever need to play is in there. This revised second edition also includes an updated bibliography and discography, as well as more historical information about the individual styles. |
klezmer clarinet: Music in Films about the Shoah Elias Berner, 2024-08-13 This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds. |
klezmer clarinet: CMJ New Music Report , 2000-01-24 CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success. |
klezmer clarinet: A Dictionary for the Modern Clarinetist Jane Ellsworth, 2014-12-23 In A Dictionary for the Modern Clarinet, scholar and musician Jane Ellsworth offers lovers of the clarinet the premiere reference book for information about this remarkable instrument. |
klezmer clarinet: American Folklore Jan Harold Brunvand, 2006-05-24 Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority |
klezmer clarinet: Jews of Brooklyn Ilana Abramovitch, Seán Galvin, 2002 Over 40 historians, folklorists, and ordinary Brooklyn Jews present a vivid, living record of this astonishing cultural heritage. 150 illustrations. Map. |
Klezmer - Wikipedia
Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] The essential elements of the tradition include dance tunes, ritual …
Klezmer music | Jewish Folk, Yiddish & Eastern European ...
Klezmer music, genre of music derived from and built upon eastern European music in the Jewish tradition. The common usage of the term developed about 1980; historically, a klezmer (plural: …
What is "Klezmer Music"? | Klezmerband
Klezmer is a Hebrew word, a combination of the words "kley" (vessel) and "zemer" (melody) that referred to musical instruments in ancient times. It became colloquially attached to Jewish folk …
Learn About Klezmer Music: History, Style, and Musical ...
Sep 29, 2021 · Klezmer is a style of folk music that draws upon the traditions of Ashkenazi Judaism and Eastern European folk traditions. The term “klezmer” combines the Hebrew words for a …
Klezmer Music: A Look at the Folk Music of Ashkenazi Jewry
Sep 1, 2024 · The term, klezmer, is a contraction of the Hebrew words, Klai (כלי), and Zemer (זמר)—meaning “musical instruments”—and klezmer musicians were called, “klezmorim.” …
Klezmer Music - My Jewish Learning
Klezmer music, whether in Europe or in America, at the turn of the 20th century or the 21st or the 18th, has done what Jewish music has done since it was born in the Middle East at the beginning …
Klezmer music: from the past to the present - Institut ...
Klezmer is an instrumental music for celebrations which was once performed in the Jewish communities of Eastern Europe at weddings or joyous religious celebrations, such as Purim, …
Klezmer - Wikipedia
Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] The essential elements of the tradition include dance tunes, …
Klezmer music | Jewish Folk, Yiddish & Eastern European ...
Klezmer music, genre of music derived from and built upon eastern European music in the Jewish tradition. The common usage of the term developed about 1980; historically, a klezmer (plural: …
What is "Klezmer Music"? | Klezmerband
Klezmer is a Hebrew word, a combination of the words "kley" (vessel) and "zemer" (melody) that referred to musical instruments in ancient times. It became colloquially attached to Jewish folk …
Learn About Klezmer Music: History, Style, and Musical ...
Sep 29, 2021 · Klezmer is a style of folk music that draws upon the traditions of Ashkenazi Judaism and Eastern European folk traditions. The term “klezmer” combines the Hebrew words …
Klezmer Music: A Look at the Folk Music of Ashkenazi Jewry
Sep 1, 2024 · The term, klezmer, is a contraction of the Hebrew words, Klai (כלי), and Zemer (זמר)—meaning “musical instruments”—and klezmer musicians were called, “klezmorim.” …
Klezmer Music - My Jewish Learning
Klezmer music, whether in Europe or in America, at the turn of the 20th century or the 21st or the 18th, has done what Jewish music has done since it was born in the Middle East at the …
Klezmer music: from the past to the present - Institut ...
Klezmer is an instrumental music for celebrations which was once performed in the Jewish communities of Eastern Europe at weddings or joyous religious celebrations, such as Purim, …