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| komodo dragon diorama: Reel Nature Gregg Mitman, 1999 Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart. |
| komodo dragon diorama: The Critical Response to Marianne Moore Elizabeth Gregory, 2003-09-30 Gregory documents for the first time, the critical reception history of the great modernist poet Marianne Moore. This collection of 71 of the most important and provocative reviews and essays from across Moore's long career (1915-1972) includes pivotal articles by H. D., T. S. Eliot, Mark Van Doren, Ezra Pound, Richard Aldington, Edith Sitwell, Harriet Monroe, Alfred Kreymborg, William Carlos Williams, Scofield Thayer, Wallace Stevens, F. R. Leavis, Morton Zabel, Randall Jarrell, Elizabeth Bishop, W.H. Auden, Muriel Rukeyser, Glenway Wescott, Kenneth Koch, John Ashbery, Hilton Kramer and many others. The individual reviews are themselves of considerable literary note. And together they chart the development of a major contributor to the American modernist scene, whose work actively critiques the structures of literary authority. The critical reviews also move beyond the modernist period, to track the evolution of her career in the 1950s and 1960s, when she crossed the line from the elite little magazines into popular culture. The editor's introduction analyses the ways in which the two stages of Moore's career converge. In addition to the historical texts, which cover the period from 1916 to 1999, this volume includes two new essays that offer fresh approaches to reading Moore. |
| komodo dragon diorama: Dragon Lizards of Komodo W. Douglas Burden, 2017-01-12 In the early 1920’s, renowned American geologist, naturalist and hunter, William Douglas Burden, led expeditions to the Arctic as well as to tropical islands. His most widely publicized expedition was to the Dutch East Indies to the Island of Komodo in 1926. He and his first wife, Catherine White Burden, and their party went looking for a fierce direct descendent of the dinosaur, Varanus Komodoensis, which came to be known as the Komodo dragon and which had been rumored to be as long as 30 feet. No white man had captured one, and Mr. Burden was determined to do so... |
| komodo dragon diorama: American Museum of Natural History American Museum of Natural History, 2001 #NAME? |
| komodo dragon diorama: A History of Herpetology at the American Museum of Natural History Charles W. Myers, 2000 Those who use and care for collections are subtly hindered if they lack understanding of the history of their collections. The present work provides a frame of reference for the American Museum's accumulations of Recent amphibians and reptiles for the department established to curate and use them. The herpetological holdings began in 1869 with purchase of the collection of Maximilian, Prince of Wied-Neuwied, and additional specimens began accumulating from other sources. But the signature and scope of the collection were most importantly determined by the explosion of expeditionary fever at the American Museum in early 20th century and by establishment of a department with curators charged with organizing and studying the incoming collections. A Department of Ichthyology and Herpetology was formalized in 1909 and later split in 1920. The original department had three ichthyologists and one herpetologist--Mary Cynthia Dickerson, who also served as editor of the American Museum Journal (= Natural History as of 1919) and as Curator of the old Department of Woods and Forestry. Despite an incredible workload, Dickerson threw herself into both herpetological exhibition work and collection building--two parts of a calculated tripartite effort at establishing a major herpetology department that could stand on its own with the older departments of the Museum. The third part of Dickerson's evolving program was a conscientious attempt at building a library and center for herpetological research. Frustrated in finding time for her own investigations, she deliberately sought young scholars who could independently conduct both field-work and collection-based research. She sent Emmett Reid Dunn on his first collecting trip and, by 1916-1917, Dickerson had attracted to her cause assistants Karl Patterson Schmidt, Gladwyn Kingsley Noble, and Charles Lewis Camp. In a few years, with interruption for military service, Dickerson's triumvirate was accomplishing work that would establish the department as the major research center that she had envisioned. Concurrent with her editorship of Natural History and her curatorship of Woods and Forestry, Dickerson established a robust program of herpetological exhibition and research in only a decade. Herpetology--her Department--was officially separated from Ichthyology in February 1920. But Dickerson had been losing a perilous grip on her sanity and, on Christmas Eve of that year, was committed to an asylum, where she died three years later at age 57. Assistant Curator G.K. Noble, age 27, was given formal charge of the Department beginning in 1921. Although K.P. Schmidt had resigned earlier, Noble arranged for Schmidt's return to help in a difficult transition, during which Noble completed his Ph.D. dissertation and Schmidt brought Dickerson's research to conclusion. Schmidt gave his final resignation in 1922, in order to take charge of the new Division of Reptiles and Amphibians at the Field Museum of Natural History. Noble inherited Dickerson's departmental philosophy and continued her emphasis on exhibition and on building the collection and bibliographic files, although his own research expanded dramatically. Noble never abandoned interest in fieldwork, anatomy, and collection-based systematics, but he combined those pursuits with increasing attention to laboratory-based, experimental investigations using techniques of endocrinology and neurology. In 1928, he received offers for positons at Cornell University and at Columbia University, the latter to replace geneticist Thomas Hunt Morgan (who was later awarded a Nobel Prize for his work at Columbia). With support from President Henry Fairfield Osborn and trustee Douglas Burden, Noble's request for new facilities was approved and he stayed at the Museum. The Department was renamed the Department of Herpetology and Experimental Biology in 1928, with Experimental Biology being split off as a separate department in 1933. Although Herpetology came to suffer as a result, Noble remained Curator of both departments until his death in December 1940 at age 47. Noble's abrasive personality has given rise to legends that do not stand up under examination, in particular the published claims that he was responsible for firing Assistant Curator Clifford H. Pope in 1935--the year of publication of Pope's Reptiles of China. Over Noble's protest, Pope was dismissed by Director Roy Chapman Andrews, who had become antipathetic to Noble's operation (ostensibly for budgetary reasons) after Osborn's departure as President. Charles M. Bogart, hired in 1936, became Assistant Curator (In Charge) of the Department of Herpetology after Noble's unexpected death in 1940. A new Director, Albert Parr, introduced the departmental title Chairman in 1942. Parr at that time also dissolved the Department of Vertebrate Paleontology and appointed Edwin H. Colbert as Chair of a new Department of Amphibians and Reptiles that included dinosaurs as well as pickled newts, despite George Gaylord Simpson's protest that paleoherpetology and paleomammalogy have much more in common than either one has with its corresponding neozoological specialty. This was only one of several departmental reorganizations to which Herpetology and other departments have been subjected by administrative fiat, usually with noticeable loss of efficiency. Another reorganization followed shortly, with Bogert installed as Chairman. James A. Oliver was hired as Assistant Curator in 1942, but, after interruption for military service, he resigned in 1948 owing to deteriorating Museum finances. With Bogert's encouragement, Oliver later returned to New York as Curator of Reptiles at the New York Zoological Society; he subsequently served as Director of the American Museum from 1959 to 1969. In replacing Parr as Director, Oliver brought a renewed commitment to systematics in the Museum. Bogert's career (see Myers and Zweifel, 1993) needs to be understood in the larger context of the history of the Department, which owes much to his dedication and stabilizing influence at a time when Parr was de-emphasizing collections. Except for a few war-interrupted years with Assistant Curator Oliver, Bogert was the only Curator in Herpetology from 1940 to 1954. He held the collection as a reasonably well-curated unit during a long period of economic stress and severe understaffing. Richard G. Zweifel was hired as Assistant Curator in 1954. His term of chairmanship (1968-1980) is taken as the beginning of a modern age in the Department, which has continued to expand its collections and improve on the quality of their care. The evolution of curatorial procedure and specimen cataloguing is discussed; the catalogue data were transferred to an electronic database during 1992-1995. One reason for establishing a new department in 1909 had to do with the Museum's expanding exhibition program. Dickerson and Noble considered exhibition work to be of equal importance to research. Dickerson developed the concept of herpetological habitat groups (dioramas) by skillfully employing a variety of preparation techniques-especially wax casting-to create lifelike models engaged in vital activities within complex settings. In 1927, Noble opened a Hall of Reptile and Amphibian Life that incorporated Dickerson's habitat groups and many other newer, less elaborate groups and mounts; he developed the technique of paraffin infiltration to use the animals themselves as exhibited models. Noble's hall celebrated diversity and focused on isolated biological themes. Bogert and Zweifel built on this rich history by conceiving a more integrated exhibit that would stress the biology of amphibians and reptiles in parallel displays, a concept that eventually resulted in the 1977 Hall of the Biology of Reptiles and Amphibians. Newer casts could be done in plastic, the best of which, if well painted, equaled in beauty the best of the old wax models. The herpetological exhibits and most curatorial research were made possible by Museum collecting activities. Insight is provided on early departmental fieldwork--a time when night collecting was a new technique made feasible by the introduction of acetylene (carbide) and electric lamps. Also discussed are some of the Museum's multidisciplinary expeditions, several of which continued for years. The Museum's great expeditionary period lasted at the outside from 1910 to 1940. Despite the Great Depression, the number of expeditions peaked not in the 1920's (about 114 starts) but in the 1930s (141 starts), owing to increasing numbers of independently financed expeditions conducted under Museum auspices. Any revival of the Era of Great Expeditions after World War II was precluded by a complex of factors, including changing administrative and economic environments in the Museum, as well as the coming age of the airplane and automotive transport. Logistically complicated expeditions were largely replaced by field trips that could more readily be initiated by the curators. The few expeditions still being organized are nostalgic reminders of another time, when collections now irreplaceable were being gathered from around the globe. |
| komodo dragon diorama: Anthropology and Cryptozoology Samantha Hurn, 2016-11-03 Cryptozoology is best understood as the study of animals which, in the eyes of Western science, are extinct, unclassified or unrecognised. In consequence, and in part because of its selective methods and lack of epistemological rigour, cryptozoology is often dismissed as a pseudo-science. However, there is a growing recognition that social science can benefit from engaging with it, for as as social scientists are very well aware, ’scientific’ categorisation and explanation represents just one of a myriad of systems used by humans to enable them to classify and make sense of the world around them. In many cultural contexts, myth, folk classification and lived experience challenge the ’truth’ expounded by scientists. With a reflexive, anthropological approach and drawing on rich empirical and ethnographic studies from around the world, this volume engages with the theoretical and methodological issues raised by reported sightings of unrecognised animals. Bringing into sharp focus the anthropological value and challenges for methodology posed by beliefs about unclassified creatures, Anthropology and Cryptozoology: Exploring encounters with mysterious creatures will be of interest to anthropologists, sociologists and geographers working in the fields of research methods, anthrozoology, mythology and folklore and human-animal interaction. |
| komodo dragon diorama: The Smithsonian Charlotte L. Sclar, 1985 |
| komodo dragon diorama: New York City Michelin Travel Publications (Firm), 2004 Including hotel and restaurant selections, this guide to the Big Apple features a principal sights map, practical information and star rated sights to help visitors enjoy their stay in one of the world's great cities. |
| komodo dragon diorama: A Voice from Old New York Louis Auchincloss, 2010-12-02 An “entertaining and occasionally even moving” personal recollection by the lawyer, historian, and renowned chronicler of old-money WASP society (The Boston Globe). At the time of his death, Louis Auchincloss—enemy of bores, self-pity, and stale gossip—had just finished taking on a subject he had long avoided: himself. His memoir confirms that, despite the spark of his fiction, Auchincloss himself was the most entertaining character he ever created. No traitor to his class, but occasionally its critic, Auchincloss returns to his insular society, which he maintains was less interesting than its members admitted—and unfurls his life with dignity, summoning family (particularly his father, who suffered from depression and forgave him for hating sports) and intimates. Brooke Astor and her circle are here, along with glimpses of Jacqueline Onassis. Most memorable, though, is Auchincloss’s way with those outside the salon: the cranky maid; the maiden aunt, perpetually out of place; the less-than-well-born boy who threw himself from a window over a woman and a man. Above all, here is what it was like to be Auchincloss, an American master, a New York Times–bestselling novelist, and a rare, generous, lively spirit to the end. “[Auchincloss] concentrates on bringing back to life—literary alchemy, after all—the people who loved him: his mother, father, aunts, uncles, school friends and colleagues. He understands how lucky he was to have them, and ‘A Voice From Old New York’ is his thank-you note.” —The New York Times |
| komodo dragon diorama: New York City , 2007 |
| komodo dragon diorama: Audiovisual Materials , 1981 |
| komodo dragon diorama: New York City Michelin, 1997 Let Michelin be your guide to the countless attractions of the city that never sleeps. Richly illustrated with 75 color photos and drawings, this handy guide directs you to over 550 cultural and historic sights. Fold-out maps of principal walks and the subway system, as well as recommended 2- and 4-day itineraries, help you plan your visit according to your schedule. |
| komodo dragon diorama: The New York Mapguide Michael Middleditch, 2001-01-01 Popular and portable, The New York Mapguide--now in its second edition--contains everything visitors need to know to enjoy themselves in, get the best out of, and find their way around New York City. Its colorful, informative maps are easy to read and convenient to handle--no unfolding necessary. As terrific as the easily readable maps are, however, there is much more here. Packed into these 64 pages is a surprising amount of information about the many different sights and activities to see and do in and around the Big Apple. * A complete map of the Manhattan subway system * A calendar of events, including major activities, dates and locations of parades and marches, park events, and music festivals * Information on museums--including a full page devoted to the Metropolitan Museum of Art * Fascinating facts about places of interest, from the Brooklyn Bridge to Times Square * Sections devoted to shopping, services, and entertainment * Newly-added information about the Bronx and Brooklyn * Three walking tours--the Financial District, the Lower East Side, and Greenwich Village |
| komodo dragon diorama: The Unofficial Guide to Walt Disney World for Grown-Ups Eve Zibart, 2003-09-12 From the publishers of The Unofficial Guide to Walt Disney World A Tourist’s Best Friend! –Chicago Sun-Times Indispensable –The New York Times A companion to The Unofficial Guide® to Walt Disney World®, with hundreds of never-before-published tips for adults The Top 5 Ways The Unofficial Guide to Walt Disney World for Grown-Ups Can Help You Have the Perfect Trip: Tips on when to go and how to beat the crowds Practical tips on how to plan knock-out weddings, honey-moons, and anniversaries in Disney World Insider advice on Disney’s exciting nightlife: Where to pop the question, dance all night, and find the best microbrews The lowdown on the best shops and souvenirs, so you can spend less time searching and more time having fun The straight story on Disney’s golf and tennis facilities–as well as where to climb a rock wall and water slide at 60 mph This guide is a completely independent evaluation of Walt Disney World and has not been reviewed or approved by Walt Disney World or the Walt Disney Company, Inc. |
| komodo dragon diorama: Official Guide to the Smithsonian National Museum of Natural History Smithsonian Institution, 2009-02-27 With more than 124 million specimens, the Smithsonian's National Museum of Natural History houses one of the world's most important collections of natural history artifacts. This lavishly illustrated guidebook offers a beautiful tour and souvenir of the exciting collections. Starting with the history of the museum and a peek behind the scenes, readers then enter the museum through the Rotunda, where they are greeted by the famous elephant diorama—the world's largest mounted specimen of this enormous mammal. The tour continues into the Janet Annenberg Hooker Hall of Geology, Gems, and Minerals, home to the legendary Hope Diamond. The Fossils section traces the history of life on earth, from the earliest organisms to the great diversity of plants and animals in the modern world. Biology features living species, including the incredible array of furry creatures in the brand new Kenneth E. Behring Family Hall of Mammals. The Anthropology section examines human evolution, exploring cultures from all over the globe. The book's final section is devoted to experiences beyond the museum galleries—the IMAX theater, Jazz Café, and naturalist center in Leesburg, Virginia, where visitors get hands-on experience doing scientific research. This sturdy, flexibound guide also includes phone numbers, directions, hours, and all the other essential information needed to ensure a rewarding visit. |
| komodo dragon diorama: Audiovisual Materials Library of Congress, 1981 |
| komodo dragon diorama: National Geographic Kids Readers: Real Dragons (Readers) National Geographic Kids, Jennifer Szymanski, 2018-03-22 Find out about dragon-like critters in this new Co-reader from National Geographic Kids. Co-readers provide one page of text for adults to read aloud and one page text for kids to read aloud on each spread, building toward a collaborative reading experience. |
| komodo dragon diorama: End of the Megafauna: The Fate of the World's Hugest, Fiercest, and Strangest Animals Ross D E MacPhee, 2018-11-13 The fascinating lives and puzzling demise of some of the largest animals on earth. Until a few thousand years ago, creatures that could have been from a sci-fi thriller—including gorilla-sized lemurs, 500-pound birds, and crocodiles that weighed a ton or more—roamed the earth. These great beasts, or “megafauna,” lived on every habitable continent and on many islands. With a handful of exceptions, all are now gone. What caused the disappearance of these prehistoric behemoths? No one event can be pinpointed as a specific cause, but several factors may have played a role. Paleomammalogist Ross D. E. MacPhee explores them all, examining the leading extinction theories, weighing the evidence, and presenting his own conclusions. He shows how theories of human overhunting and catastrophic climate change fail to account for critical features of these extinctions, and how new thinking is needed to elucidate these mysterious losses. Along the way, we learn how time is determined in earth history; how DNA is used to explain the genomics and phylogenetic history of megafauna—and how synthetic biology and genetic engineering may be able to reintroduce these giants of the past. Until then, gorgeous four-color illustrations by Peter Schouten re-create these megabeasts here in vivid detail. |
| komodo dragon diorama: Fodor's New York City 2019 Fodor's Travel Guides, 2018-08-21 Written by locals, Fodor’s New York City is the perfect guidebook for those looking for insider tips to make the most out their visit to New York. Complete with detailed maps and concise descriptions, this travel guide will help you plan your NYC trip with ease. Join Fodor’s in exploring Manhattan, Brooklyn, and more. The lights, the sounds, the energy: New York City is the quintessential American city and unlike anywhere else in the world. It’s a constantly changing destination that people visit again and again. Fodor's New York City, with color photos throughout, captures the universal appeal of the city's world-renowned museums, iconic music venues, Broadway spectacles, and, of course, gastronomic delights. Fodor’s New York City includes: •UP-TO-DATE COVERAGE: This edition includes top new restaurant and hotel recommendations for Manhattan and the boroughs. Brooklyn coverage continues to grow, including hip and happening Williamsburg and Bushwick, classic Brooklyn Heights, leafy Fort Greene, and family-friendly Park Slope. Updated annually to ensure the best and most relevant content. •ULTIMATE EXPERIENCES GUIDE: A brief introduction and spectacular color photos capture the ultimate experiences and attractions throughout New York City. •DETAILED MAPS: Over 35 detailed maps to help you plan and get around stress-free. •GORGEOUS PHOTOS AND ILLUSTRATED FEATURES:Full-color features about New York City landmarks including the Statue of Liberty and Ellis Island, the 9/11 Memorial and Museum, the Metropolitan Museum of Art, and the American Museum of Natural History make planning any trip a snap. A section on eating like a local highlights what's hot and what will never go out of fashion. •ITINERARIES AND TOP RECOMMENDATIONS: Sample itineraries help you plan and make the most of your time. We include tips on where to eat, stay, and shop as well as information about nightlife, sports, and the outdoors. Fodor's Choice designates our best picks in every category. •INDISPENSABLE TRIP PLANNING TOOLS: Features on what's where, best city tours, free things to do, and what to do with kids make it easy to plan a vacation. Easy-to-read color neighborhood maps and tips on buying Broadway tickets, getting tickets to sit in a TV audience, and scouting out the best shopping give easy access to the best New York City has to offer. •SPECIAL EVENT: Experience the electric atmosphere as 50,000 participants of the New York City Marathon run through the city’s five boroughs on the first Sunday in November. •COVERS: Metropolitan Museum of Art, Times Square, Empire State Building, Museum of Modern Art, Brooklyn Bridge, Statue of Liberty, American Museum of Natural History, Central Park, 9/11 Memorial & Museum, The High Line, and much more. •ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor's has been offering expert advice for all tastes and budgets for over 80 years. Planning to visit more of the northeast? Check out Fodor’s Boston, Fodor’s Philadelphia, Fodor’s Washington DC, and Fodor’s New England. |
| komodo dragon diorama: The Lens and Speaker , 1975 |
| komodo dragon diorama: Patrick White's The Eye of the Storm, Voss, and Other Novels Herbert Reaske, 1977 |
| komodo dragon diorama: Natural History Dioramas – Traditional Exhibits for Current Educational Themes Annette Scheersoi, Sue Dale Tunnicliffe, 2018-11-02 This book focuses on socio-cultural issues and the potential of using dioramas in museums to engage various audiences with – and in – contemporary debates and big issues, which society and the natural environment are facing, such as biodiversity loss. From the early 1900s, with the passage of time and changes in cultural norms in societies, this genre of exhibits evolved in response to the changes in entertainment, expectations and expressed needs of museum visitors. The challenge has always been to provide meaningful, relevant experiences to visitors, and this is still the aim today. Dioramas are also increasingly valued as learning tools. Contributions in this book specifically focus on their educational potential. In practice, dioramas are used by a wide range of educational practitioners to assist learners in developing and understanding specific concepts, such as climate change, evolution or or conservation issues. In this learning process, dioramas not only contribute to scientific understanding and cultural awareness, but also reconnect wide audiences to the natural world and thereby contribute to the well-being of societies. In the simultaneously published book: “Natural History Dioramas – Traditional Exhibits for Current Educational Themes, Science Educational Aspects the editors discuss the history of dioramas and their building and science learning aspects, as well as current developments and their place in the visitor experience. |
| komodo dragon diorama: Danger on Midnight River Gary Paulsen, 1995 Gary Paulsen World of Adventure series. |
| komodo dragon diorama: The Superbook of Dinosaurs Ron Taylor, 1985 |
| komodo dragon diorama: Dinosaurs, Sharks, and Woolly Mammoths John W. Hoganson, 2007 |
| komodo dragon diorama: The Illustrated London News , 1928 |
| komodo dragon diorama: Educational Film & Video Locator of the Consortium of College and University Media Centers and R.R. Bowker Consortium of College and University Media Centers, 1990 |
| komodo dragon diorama: The Storyteller's Thesaurus Troll Lord Games, 2015-04-30 Writers, game designers, teachers, and students ~this is the book youve been waiting for! Written by storytellers for storytellers, this volume offers an entirely new approach to word finding. Browse the pages within to see what makes this book different: |
| komodo dragon diorama: The Smithsonian's History of America in 101 Objects Richard Kurin, 2016-10-25 The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right. |
| komodo dragon diorama: Indonesia : Journey to the history of culture , |
| komodo dragon diorama: Fossil News , 2004 |
| komodo dragon diorama: Educational Film Locator of the Consortium of University Film Centers and R. R. Bowker Company Consortium of University Film Centers, 1978 |
| komodo dragon diorama: The Gila Monster Jake Miller, 2003 Details the life cycle and habits of the gila monster. |
| komodo dragon diorama: North Dakota History , 2007 Journal of the Northern Plains. |
| komodo dragon diorama: Oceans of Kansas Michael J. Everhart, 2017-09-11 “Excellent . . . Those who are interested in vertebrate paleontology or in the scientific history of the American midwest should really get a copy.” —PalArch’s Journal of Vertebrate Paleontology Revised, updated, and expanded with the latest interpretations and fossil discoveries, the second edition of Oceans of Kansas adds new twists to the fascinating story of the vast inland sea that engulfed central North America during the Age of Dinosaurs. Giant sharks, marine reptiles called mosasaurs, pteranodons, and birds with teeth all flourished in and around these shallow waters. Their abundant and well-preserved remains were sources of great excitement in the scientific community when first discovered in the 1860s and continue to yield exciting discoveries 150 years later. Michael J. Everhart vividly captures the history of these startling finds over the decades and re-creates in unforgettable detail these animals from our distant past and the world in which they lived—above, within, and on the shores of America’s ancient inland sea. “Oceans of Kansas remains the best and only book of its type currently available. Everhart’s treatment of extinct marine reptiles synthesizes source materials far more readably than any other recent, nontechnical book-length study of the subject.” —Copeia “[The book] will be most useful to fossil collectors working in the local region and to historians of vertebrate paleontology . . . Recommended.” —Choice |
| komodo dragon diorama: Museums Journal Elijah Howarth, F. R. Rowley, W. Ruskin Butterfield, Charles Madeley, 1954 Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley: v. 9, p. 427-452. |
| komodo dragon diorama: Films and Other Materials for Projection Library of Congress, 1978 |
| komodo dragon diorama: NHM Top 100 Naturhistorisches Museum Wien, Iris Ott, Lois Lammerhuber, 2012 |
| komodo dragon diorama: Wild Thoughts from Wild Places David Quammen, 1999-03-16 For the past two decades, David Quammen has followed winding trails and fresh lines of thought through the world's outback. |
| komodo dragon diorama: Malaysia, Singapore & Brunei Simon Richmond, Marie Cambon, 2004 Maps and new information make travel within and between these three nations easy--from the markets of Singapore to the stilt villages of Brunei the best tips are right here. The book also has the lowdown on the hottest shopping, entertainment and eating spots in Singapore, Kuala Lumpur, Penang, and Melaka. |
Help w a kayak fishing rod / reel?
Mar 20, 2025 · For the reel if you are looking at a tranx I would go 300 instead of 200. The internals of the 300 are larger and will handle heavy weights and big fish better than the …
What to look for in an ocean fishing rod?
May 2, 2023 · The ML is better for jigging and halibut weights, but a probably a little stiff for salmon. I have Okuma Komodo and Daiwa Lexa 400 reels. The Lexa is smoother, but …
West Marine clearance — Daiwa Lexa 100 LC
Feb 27, 2024 · Login with username, password and session length. Recent Topics. My New Kayak
baitcaster reel recommendations?
Jan 5, 2024 · Login with username, password and session length. Recent Topics. Salmon Season?
Reel to go on my new Trevala rod? - NorCal Kayak Anglers
Jan 30, 2014 · Be sure to check out the Okuma Komodo 350 size low profile . Stainless steel gears and lots of drag, 25lbs I think. Built for saltwater and heavy freshwater use with …
Help w a kayak fishing rod / reel?
Mar 20, 2025 · For the reel if you are looking at a tranx I would go 300 instead of 200. The internals of the 300 are larger and will handle heavy weights and big fish better than the 200. I …
What to look for in an ocean fishing rod?
May 2, 2023 · The ML is better for jigging and halibut weights, but a probably a little stiff for salmon. I have Okuma Komodo and Daiwa Lexa 400 reels. The Lexa is smoother, but the …
West Marine clearance — Daiwa Lexa 100 LC
Feb 27, 2024 · Login with username, password and session length. Recent Topics. My New Kayak
baitcaster reel recommendations?
Jan 5, 2024 · Login with username, password and session length. Recent Topics. Salmon Season?
Reel to go on my new Trevala rod? - NorCal Kayak Anglers
Jan 30, 2014 · Be sure to check out the Okuma Komodo 350 size low profile . Stainless steel gears and lots of drag, 25lbs I think. Built for saltwater and heavy freshwater use with good …
baitcaster reel recommendations? - NorCal Kayak Anglers
Jan 6, 2024 · Login with username, password and session length. Recent Topics. 2025 AOTY IS OPEN!
