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korean poetry history: Anthology of Korean Poetry from the Earliest Era to the Present Peter H. Lee, 1964 This is the first comprehensive anthology of Korean poetry ever published in the English language. In it Peter H. Lee, a Korean scholar, has selected and translated the verse of his country, ranging from the beginning of the Silla Dynasty, in 57 B.C., to the middle of the twentieth century. Throughout the span of the two thousand years represented here, poetry has been an essential part of Korean culture, revered as the most serious and intelligent of all the arts. The poems in this volume are rich in religious overtones and a contemplation of nature, selected for their reflection of Korean life close to the earth. |
korean poetry history: A History of Korean Literature Peter H. Lee, 2003-12-18 This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature. |
korean poetry history: A History of Korean Literature Peter H. Lee, 2003-12-18 This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature. |
korean poetry history: The Columbia Anthology of Traditional Korean Poetry Peter H. Lee, 2002 This anthology offers a representative selection from the four major genres of native Korean poetry : the Silla songs known as hyangga, Koryo songs, sijo, and kasa. The volume also includes Songs of Flying Dragons, the great eulogy-cycle compiled from 1445-1447. |
korean poetry history: Anxiety of Words Sŭng-ja Ch'oe, 2006 Bilingual selection of three contemporary korean women poets at the forefront of the Korean literary scene. |
korean poetry history: The Colors of Dawn Frank Stewart, Brother Anthony (of Taizé), 2015 Throughout the twentieth century, few countries in Asia suffered more from foreign occupation, civil war, and international military conflict than Korea. The Colors of Dawn brings together the moving and powerful voices of over forty Korean poets from these turbulent years. From 1903 to 1945, the Japanese Empire occupied the Korean peninsula and instituted measures to annihilate the nation and its culture. After Japan's defeat in WWII, Korea became a killing ground during the Korean War (1950 to 1953). During this period and into the 1980s, South Korea was controlled by a military dictatorship, and today it remains on war footing. In the midst of internal and external conflicts, Korea's poets--threatened by the authorities with torture, imprisonment, and death--found ways to express their fierce desire for freedom and self-governance. The result is a century of outstanding poetry, from Sim Hun (1901) to more familiar modern and contemporary poets, such as Kim Chi-ha and Ko Ŭn.--Amazon. |
korean poetry history: The Bamboo Grove Richard Rutt, 1998 A collection of short, introspective poems known as sijo--a form unique to Korea. They are skillfully translated by Korean scholar, Richard Rutt |
korean poetry history: Body Facts Joey S. Kim, 2021-06-15 Body Facts tells the story of a speaker who is Korean, American, woman, and body. It weaves together Korean history and aesthetics, the speaker’s childhood and family stories, U.S. foreign policy with North Korea, and the things we do and shouldn’t do to our bodies. |
korean poetry history: The Columbia Anthology of Modern Korean Poetry David McCann, 2004-03-24 Korea's modern poetry is filled with many different voices and styles, subjects and views, moves and countermoves, yet it still remains relatively unknown outside of Korea itself. This is in part because the Korean language, a rich medium for poetry, has been ranked among the most difficult for English speakers to learn. The Columbia Anthology of Modern Korean Poetry is the only up-to-date representative gathering of Korean poetry from the twentieth century in English, far more generous in its selection and material than previous anthologies. It presents 228 poems by 34 modern Korean poets, including renowned poets such as So Chongju and Kim Chiha. |
korean poetry history: Beautiful and Useless Min Jeong Kim, 2020-10-06 In Beautiful and Useless, Kim Min Jeong exposes the often funny and contradictory rifts that appear in the language of everyday circumstance. She uses slang, puns, cultural referents, and 'naughty, unwomanly language in order to challenge readers to expand their ideas of not only what a poem is, but also how women should speak. In this way Kim undermines patriarchal authority by displaying the absurd nature of gender expectations. But even larger than issues of gender, these poems reveal the illogical systems of power behind the apparent structures that govern the logic of everyday life. By making the source of these antagonisms and gender transgressions visible, they make them less powerful. This skillful translation from Soeun Seo and Jake Levine, brings the full playfulness and intelligence of Kim's lyricism to English-language readers. |
korean poetry history: Among the Flowering Reeds Chong-gil Kim, 2003 More than 1,000 years of classic Korean poetry written in Chinese. |
korean poetry history: What is Korean Literature? Yŏng-min Kwŏn, Bruce Fulton, 2019 Outlining the major developments, characteristics, genres, and figures of the Korean literary tradition from earliest times into the new millennium, this volume includes examples, in English translation, of each of the genres and works by several of the major figures discussed in the text, as well as suggestions for further reading-- |
korean poetry history: Anthology of Korean Literature Peter H. Lee, 2021-05-25 This books offers a comprehensive sampling of the major genres of poetry and prose written from about A.D. 600 to the end of the nineteenth century. The book contains a dazzling array of myths and legends, essays and biographies, love poems and Zen poems, satirical tales and tales of wonder, stories of adventure and of heroism, as well as quieter works treating the farmer's works and days and the pleasures and sorrows of the simple life. |
korean poetry history: Explorations in Korean Literary History Peter H. Lee, 1998 |
korean poetry history: Korea’s Premier Collection of Classical Literature , 2019-03-31 This is the first book in English to offer an extensive introduction to the Tongmunsŏn (Selections of Refined Literature of Korea)—the largest and most important Korean literary collection created prior to the twentieth century—as well as translations of essays from key chapters. The Tongmunsŏn was compiled in 1478 by Sŏ Kŏjŏng (1420–1488) and other Chosŏn literati at the command of King Sŏngjong (r. 1469–1494). It was modeled after the celebrated Chinese anthology Wen Xuan and contains poetry and prose in an extensive array of styles and genres. The Translators’ Introduction begins by describing the general structure of the Tongmunsŏn and contextualizes literary output in Korea within the great sweep of East Asian literature from the eighth to the fifteenth centuries. The entire Tongmunsŏn as well as all of the essays selected for translation were written in hanmun (as opposed to Korean vernacular), which points to a close literary connection between the continent and the peninsula. The Introduction goes on to discuss the genres contained in the Tongmunsŏn and examines style as revealed through prosody. The translation of two of these genres (treatises and discourses) in four books of the Tongmunsŏn showcases prose-writing and the intellectual concerns of the age. Through their discussions of morality, nature, and the fantastic, we see Daoist, Buddhist, and Confucian themes at work in essays by some of Korea’s most distinguished writers, among them Yi Kyubo, Yi Saek, Yi Chehyŏn, and Chŏng Tojŏn. The translations also include annotations and extensive cross-references to classical allusions in the Chinese canon, making the present volume an essential addition to any East Asian literature collection. |
korean poetry history: The Korean Vernacular Story Si Nae Park, 2020-08-04 As the political, economic, and cultural center of Chosŏn Korea, eighteenth-century Seoul epitomized a society in flux: It was a bustling, worldly metropolis into which things and people from all over the country flowed. In this book, Si Nae Park examines how the culture of Chosŏn Seoul gave rise to a new vernacular narrative form that was evocative of the spoken and written Korean language of the time. The vernacular story (yadam) flourished in the nineteenth century as anonymously and unofficially circulating tales by and for Chosŏn people. The Korean Vernacular Story focuses on the formative role that the collection Repeatedly Recited Stories of the East (Tongp’ae naksong) played in shaping yadam, analyzing the collection’s language and composition and tracing its reception and circulation. Park situates its compiler, No Myŏnghŭm, in Seoul’s cultural scene, examining how he developed a sense of belonging in the course of transforming from a poor provincial scholar to an urbane literary figure. No wrote his tales to serve as stories of contemporary Chosŏn society and chose to write not in cosmopolitan Literary Sinitic but instead in a new medium in which Literary Sinitic is hybridized with the vernacular realities of Chosŏn society. Park contends that this linguistic innovation to represent tales of contemporary Chosŏn inspired readers not only to circulate No’s works but also to emulate and cannibalize his stylistic experimentation within Chosŏn’s manuscript-heavy culture of texts. The first book in English on the origins of yadam, The Korean Vernacular Story combines historical insight, textual studies, and the history of the book. By highlighting the role of negotiation with Literary Sinitic and sinographic writing, it challenges the script (han’gŭl)-focused understanding of Korean language and literature. |
korean poetry history: The Book of Korean Shijo Kevin O'Rourke, 2002 Wit is integral to shijo. Indeed, it is the fusion of image and idea through wit, most often an ironical wit, that gives shijo its unique flavor. In this anthology of 611 shijo in English translation, Kevin O'Rourke introduces the English reader to this venerable verse form. The anthology covers the entire range of shijo production, from the tenth century to the modern era.--BOOK JACKET. |
korean poetry history: Azaleas So-wŏl Kim, 2007 Available for the first time in English, Azaleas is a captivating collection of poems by a master of the early Korean modernist style. Published in 1925, Azaleas is the only collection Kim Sowol (1902-1934) produced during his brief life, yet he remains one of Korea's most beloved and well-known poets. His work is a delightful and sophisticated blend of the images, tonalities, and rhythms of traditional Korean folk songs with surprisingly modern forms and themes. Sowol is also known for his unique and sometimes unsettling perspective, expressed through loneliness, longing, and a creative use of dream imagery-a reflection of Sowol's engagement with French Symbolist poetry. Azaleas recounts the journey of a young Korean as he travels from the northern P'yongyang area near to the cosmopolitan capital of Seoul. Told through an array of voices, the poems describe the young man's actions as he leaves home, his experiences as a student and writer in Seoul, and his return north. Although considered a landmark of Korean literature, Azaleas speaks to readers from all cultures. An essay by Sowol's mentor, the poet Kim Ok, concludes the collection and provides vital insight into Sowol's work and life. This elegant translation by David R. McCann, an expert on modern Korean poetry, maintains the immediacy and richness of Sowol's work and shares with English-language readers the quiet beauty of a poet who continues to cast a powerful spell on generations of Korean readers. |
korean poetry history: Brother Enemy James A. Perkins, 2002 The bitter realities of a war that pitted brother against brother and lingers on to this day. |
korean poetry history: The Poetic World of Classic Korean Women Writers Hai-soon Lee, Hye-sun Yi, 2005-01-01 |
korean poetry history: The Poet Mun-yŏl Yi, 2001 A fictionalized biography of Kim Pyongyon, a 19th Century South Korean singing poet who had to bear the sins of his fathers. The family was disgraced by a grandfather who surrendered in a war, they were stripped of their privileges and Kim had to make a living as a troubadour. |
korean poetry history: The Orchid Door unknown, 2016-12-01 |
korean poetry history: Some Are Always Hungry Jihyun Yun, 2020-09 Winner of the Prairie Schooner Book Prize in Poetry, Some Are Always Hungry chronicles a family's wartime survival, immigration, and heirloom trauma through the lens of food, or the lack thereof. Through the vehicle of recipe, butchery, and dinner table poems, the collection negotiates the myriad ways diasporic communities comfort and name themselves in other nations, as well as the ways cuisine is inextricably linked to occupation, transmission, and survival. Dwelling on the personal as much as the historical, Some Are Always Hungry traces the lineage of the speaker's place in history and diaspora through mythmaking and cooking, which is to say, conjuring. |
korean poetry history: Sky, Wind, and Stars Dongju Yun , 2003 Born and raised in northern Manchuria during the colonial period of Korea, Yun Dong-ju was a poet of the utmost purity, beauty, and sincerity. His posthumously published collection of poems under the title Sky, wind, stars, and poems is one of the all-time favorites of Korean readers. Wishing not to have so much as a speck of shame toward heaven until the day I die, I suffered, even when the wind stirred the leaves. (From Foreword) In simple diction and straightforward expressions, his poems sing of his love for his people, his compassion for the poor and destitute, and his hopes for freedom and independence. These themes still resonate deep within the hearts of the Korean people. His imprisonment and eventual death in 1945 in a Japanese prison lend great poignancy to his work. |
korean poetry history: How to Read Chinese Poetry Zong-qi Cai, 2007-12-28 In this guided anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah) |
korean poetry history: Hardly War Don Mee Choi, 2016 Documents of war by Choi's father fuel her second collection of poetry, a passionate and personal defiance of nationalism. |
korean poetry history: The Koguryo Annals of the Samguk Sagi Pu-sik Kim, Edward J. Shultz, 2011 The Kogury Annals is placed in the middle section of the Samguk Sagi. Compared to The Silla Annals, which covers 705 years, it has fewer pages, and provides a proportionally more detailed presentation and many more derivatives from Chinese sources than the other two annals. Through the annals, Kogury heroes, landscapes, nomenclature and traditions constitute an integral part of Korea s past. |
korean poetry history: Premodern Korean Literary Prose Michael J. Pettid, Gregory N. Evon, Chan E. Park, 2018-01-23 This anthology presents new translations of Korean prose works from the tenth to the nineteenth century. It offers insight into past Korean societies by highlighting genres that have largely not been translated, such as diaries, short fictional biographies, erotic tales, oral narratives, and novellas, all of which illustrate the depth and variety of premodern Korean writings. The selections are intended to show what literate people of the premodern period enjoyed reading and demonstrate the cultural diversity of the creation of literature, including a range of writings by women and nonelites such as commoners. The volume also includes critical essays and short introductions to contextualize the materials and explain the ideological backdrop behind the creation of the works. |
korean poetry history: Writers of the Winter Republic Youngju Ryu, 2016 |
korean poetry history: Oral Literature of Korea Tae-sŏk Sŏ, Peter H. Lee, 2005 |
korean poetry history: Early Korean Literature David Richard McCann, 2000 Preeminent scholar and translator David R. McCann presents an anthology of his own translations of classic works encompassing the major genres and authors of the Korean literary tradition -- stories, legends, poems, historical vignettes, and other works -- with introductory essays to aid in their understanding. |
korean poetry history: First Person Sorrowful Ŭn Ko, 2012 Ko Un has long been a living legend in Korea, both as a poet and as a person. When a writer has published as much as Ko Un has in the course of more than fifty years of writing, it is hard to know where to begin, what to translate. For this collection, his translators have selected poems from the five collections published since 2002. Nothing shows more clearly his stature as a writer than the variety of themes and emotions found in his most recent work; as he approaches his eightieth year, with his energy and originality unabated. Un's poems take the ordinary world and peel the skin off, so that a gentle meditation on the passage of hours becomes something both beautiful and terrible as light shining through blood.-The Quarterly Conversation March 4, 2013 |
korean poetry history: Island H. Mark Lai, Genny Lim, Judy Yung, 1980 |
korean poetry history: Korea in World History Donald N. Clark, 2012 Donald Clark does a masterful job of situating the entire sweep of Korean history in its global context thus belying the shop worn stereotype of Korea as a hermit nation. Clark uses his mastery of both medieval and modern history to vividly describe the often ignored contributions of this fascinating society to East Asian civilization writ large. His concise chapter arrangement and lively narrative writing pulls the reader into the Korean story while showing just how relevant that story is, particularly in modern times, for an American readership. Clark has condensed without sacrificing important detail, and he emphasizes important themes from Korea's past that have combined with the turbulent 20th century to produce the complex strategic and economic situation at the beginning of the 21st century on the peninsula. Particularly trenchant are his chapters on the division of Korea as well as a thoughtful treatment of North Korea which is too often ignored in other texts. This book will make an excellent companion volume in East Asia survey courses, and other courses on East Asia. After all, as Prof. Clark points out again and again, understanding Korea remains vital to a true appreciation of East Asia's past and present. |
korean poetry history: Azalea 4 David R. McCann, Korea Foundation Professor of Korean Literature Emeritus David R McCann, 2011-04 How do writers make it new in their work? How do they find new readers, publishers, and in this new century, languages and audiences beyond the southern half of the Korean peninsula? Azalea has sought to embody and exemplify that quest, publishing the new work of today's Korean literary world, and seeking to make connections, to be a bridge to readers in the English language realms of North America and elsewhere. The current issue presents new writers of fiction and poetry through the work of several different translators. An interview with Gong Jiyoung offers the writer's views on the present-day Korean literary world. A Korean writer, to be sure, Gong has spent substantial intervals outside of Korea, and even in Korea, somewhat apart from the literary world. As she says, at least among women readers she is viewed as someone who used to be bound by the fetters conventionally applied to women in Korea, but who has shaken them off. We also offer a special feature section on contemporary sijo poetry. The sijo poet Hong Sung-ran compiled for this issue a selection of fifty sijo poets, and several different translators have chosen poets to their various likings, and here offer their readings. To introduce the section and the idea of modern sijo, an essay presents the life work and the writings of Yi Pyŏnggi (1891-1968), whose 1932 newspaper article Let's Revitalize the Sijo might be read as a Korean response to Ezra Pound: Make it--the sijo--new! Special sections on the writers Yi Sang and Yi Kwang-su, landmark figures from the same Korean Modern period as Yi Pyŏnggi, explore how these seminal figures sought also to make literature new through their work in the literary world they both inhabited and distanced themselves from. Local, urban, dialect, foreign: these vectors of their literary universe still seem to mark the realms of contemporary Korean literature some ninety years later. |
korean poetry history: Pillar of Books Bo Young Moon, 2021-04 |
korean poetry history: A Drink of Red Mirror Hyesoon Kim, 2019-03-20 Poetry. Asian & Asian American Studies. Translated from the Korean by Jiwon Shin, Lauren Albin, and Sue Hyon Bae. A landmark feminist poet and critic in her native South Korea, Kim Hyesoon's surreal, dagger-sharp poetry has spread from hemisphere to hemisphere in the past ten years, her works translated to Chinese, Swedish, English, French, German, Dutch, and beyond. In A DRINK OF RED MIRROR, Kim Hyesoon raises a glass to the reader in the form of a series of riddles, poems conjuring the you inside the me, the night inside the day, the outside inside the inside, the ocean inside the tear. Kim's radical, paradoxical intimacies entail sites of pain as well as wonder, opening onto impossible--which is to say, visionary--vistas. Again and again, in these poems as across her career, Kim unlocks a horizon inside the vanishing point. |
korean poetry history: A History of the Korean Language Ki-Moon Lee, S. Robert Ramsey, 2011-03-03 A History of the Korean Language is the first book on the subject ever published in English. It traces the origin, formation, and various historical stages through which the language has passed, from Old Korean through to the present day. Each chapter begins with an account of the historical and cultural background. A comprehensive list of the literature of each period is then provided and the textual record described, along with the script or scripts used to write it. Finally, each stage of the language is analyzed, offering new details supplementing what is known about its phonology, morphology, syntax, and lexicon. The extraordinary alphabetic materials of the 15th and 16th centuries are given special attention, and are used to shed light on earlier, pre-alphabetic periods. |
korean poetry history: The Lure of Painted Poetry Cleveland Museum of Art, Seunghye Sun, Sŭng-hye Sŏn, 2011 Traces the Cleveland Museum of Art's collection of Japenese and Korean Art. |
korean poetry history: An Anthology of Traditional Korean Literature Peter H. Lee, 2017-03-31 This revised, expanded anthology, compiled and edited by pioneering scholar and translator Peter H. Lee, offers a representative selection of traditional Korean literature. Its rich and diverse selections, covering all genres and forms written in classical (literary) Chinese and the vernacular Korean language, were chosen for both their literary merit and socio-historical engagement with their times. Divided into four parts—verse, prose, fiction, and oral literature—representing the four major branches of traditional Korean literature, it includes previously undervalued or suppressed texts such as Koryǒ love lyrics, shamanist narrative songs, and p’ansori—creations composed in the mind, retained in memory, sung to audiences, and heard, not read. Every effort has been made to render Korea’s literary past credibly and meaningfully. With its fresh translations and new examples of oral literature and fiction, this comprehensive, one-volume anthology will provide students and general readers with the means to gain a deep appreciation of Korean literature and its interconnections with other East Asian literatures. |
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12003245 - ATLANTA KOREAN GOLFERS ASSOCIATION, INC.
Title Name Address; Secretary: DONG M. SON: 8160 PRESTWICK CIRCLE, DULUTH, GA, 30097, USA: CFO: JENNI …
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