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lana del rey question for culture: Blues Legacies and Black Feminism Angela Y. Davis, 1999-01-26 From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith—published here in their entirety for the first time—Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph. |
lana del rey question for culture: Violet Bent Backwards Over the Grass Lana Del Rey, 2020-09-29 The New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass. “Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” —Lana Del Rey Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award–winning musician Jack Antonoff. |
lana del rey question for culture: Culture Crash Scott Timberg, 2015-01-01 Argues that United States' creative class is fighting for survival and explains why this should matter to all Americans. |
lana del rey question for culture: Too Much Rachel Vorona Cote, 2020-04-23 Lacing cultural criticism, Victorian literature, and storytelling together, Too Much explores how culture corsets women's bodies, souls, and sexualities - and how we might finally undo the strings. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, Too Much encourages women to reconsider the beauty of their excesses - emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's 'hysterical' behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us 'too much'. |
lana del rey question for culture: I Love Dick Chris Kraus, 2016-07-22 A self-described failed filmmaker falls obsessively in love with her theorist-husband's colleague: a manifesto for a new kind of feminism and the power of first-person narration. In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first person narrative. I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation. |
lana del rey question for culture: Tragedy Queens LISA MARIE. IGLESIAS BASILE (GABINO.), Gabino Iglesias, 2018-03-13 Archetypes are real. Muses are real. Writers are the channels of these spirits & if that sounds like witchcraft that's because it is. These stories gave me chills. Sylvia Plath & Lana Del Rey course through the veins of these dark, sexy, mind-bending, fantastical, romantic, & haunting tales. Authors from different genres came together in their love & passion for these muses. The Blacklist: Kathryn Louise Crazy Mary: Patricia Grisafi Pipedreams: Devora Gray And All the World Drops Dead: Max Booth III Without Him (and Him, and Him) There is No Me: Laura Diaz de Arce Going About 99: Christine Stoddard The Lazarus Wife: Tiffany Morris Stag Loop: Brendan Vidito SP World: Lorraine Schein A Ghost of My Own Making: Ashley Inguanta Loose Ends: A Movie: Tiffany Scandal Girls in the Garden of Holy Suffering: Lisa Marie Basile The Gods in the Blood: Gabino Iglesias The Land of Other: Farah Rose Smith Sad Girl: Monique Quintana Corinne: JC Drake Sphinx Tears: Cara DiGirolamo Rituals of Gorgons: Larissa Glasser The Wife: Victoria Dalpe Dayglo Reflection: Manuel Chavarria Catman's Heart: Laura Lee Bahr Panic Bird: Selene MacLeod Because of Their Different Deaths: Stephanie Wytovich |
lana del rey question for culture: Taipei Tao Lin, 2013-06-04 The basis for the movie High Resolution From one of this generation's most talked about and enigmatic writers comes a deeply personal, powerful, and moving novel about family, relationships, accelerating drug use, and the lingering possibility of death. Taipei by Tao Lin is an ode--or lament--to the way we live now. Following Paul from New York, where he comically navigates Manhattan's art and literary scenes, to Taipei, Taiwan, where he confronts his family's roots, we see one relationship fail, while another is born on the internet and blooms into an unexpected wedding in Las Vegas. Along the way—whether on all night drives up the East Coast, shoplifting excursions in the South, book readings on the West Coast, or ill advised grocery runs in Ohio—movies are made with laptop cameras, massive amounts of drugs are ingested, and two young lovers come to learn what it means to share themselves completely. The result is a suspenseful meditation on memory, love, and what it means to be alive, young, and on the fringe in America, or anywhere else for that matter. |
lana del rey question for culture: People of Paradox Terryl L. Givens, 2007-08-29 In People of Paradox, Terryl Givens traces the rise and development of Mormon culture from the days of Joseph Smith in upstate New York, through Brigham Young's founding of the Territory of Deseret on the shores of Great Salt Lake, to the spread of the Latter-Day Saints around the globe. Throughout the last century and a half, Givens notes, distinctive traditions have emerged among the Latter-Day Saints, shaped by dynamic tensions--or paradoxes--that give Mormon cultural expression much of its vitality. Here is a religion shaped by a rigid authoritarian hierarchy and radical individualism; by prophetic certainty and a celebration of learning and intellectual investigation; by existence in exile and a yearning for integration and acceptance by the larger world. Givens divides Mormon history into two periods, separated by the renunciation of polygamy in 1890. In each, he explores the life of the mind, the emphasis on education, the importance of architecture and urban planning (so apparent in Salt Lake City and Mormon temples around the world), and Mormon accomplishments in music and dance, theater, film, literature, and the visual arts. He situates such cultural practices in the context of the society of the larger nation and, in more recent years, the world. Today, he observes, only fourteen percent of Mormon believers live in the United States. Mormonism has never been more prominent in public life. But there is a rich inner life beneath the public surface, one deftly captured in this sympathetic, nuanced account by a leading authority on Mormon history and thought. |
lana del rey question for culture: Collaborative Media Jonas Lowgren, Bo Reimer, 2013-11-15 A thorough analysis of contemporary digital media practices, showing how people increasingly not only consume but also produce and even design media. With many new forms of digital media–including such popular social media as Facebook, Twitter, and Flickr—the people formerly known as the audience no longer only consume but also produce and even design media. Jonas Löwgren and Bo Reimer term this phenomenon collaborative media, and in this book they investigate the qualities and characteristics of these forms of media in terms of what they enable people to do. They do so through an interdisciplinary research approach that combines the social sciences and humanities traditions of empirical and theoretical work with practice-based, design-oriented interventions. Löwgren and Reimer offer analysis and a series of illuminating case studies—examples of projects in collaborative media that range from small multidisciplinary research experiments to commercial projects used by millions of people. Löwgren and Reimer discuss the case studies at three levels of analysis: society and the role of collaborative media in societal change; institutions and the relationship of collaborative media with established media structures; and tribes, the nurturing of small communities within a large technical infrastructure. They conclude by advocating an interventionist turn within social analysis and media design. |
lana del rey question for culture: Pop Magick Alex Kazemi, 2020-02-18 Talent is great if you have it and luck is fine if you can find it, but Alex Kazemi learned it would take something more to make dreams come true. It would take magick—a real, spiritual force that anyone can learn to harness. You have the power within you. “Alex Kazemi is a boy wonder.” —Shirley Manson “My favorite millennial provocateur.” —Bret Easton Ellis Magick isn't a treasured secret for a privileged few. It's meant for everyone. It’s meant for you. Are you ready to bend reality? Do you want to get out of The Simulation? Do you want to unlock your creative potential? Do you hunger for a more balanced, awakened life? Magick offers this and more. Follow Alex on his journey from troubled outsider to an enlightened young man as he shares the secret power of pop magick. “Alex Kazemi has his finger on the pulse of magick and all its wonders. —George Noory, Host of Coast to Coast AM “I want to heal. This book should help me along my treacherous path to better understanding myself.” —Bella Thorne “If Alex is a magician, then he would disappear.” —Marilyn Manson “Alex’s creativity is off the charts.” —The AstroTwins, Ophira & Tali Edut (Astrostyle.com) |
lana del rey question for culture: The Lolita Effect M. Gigi Durham, 2009-06-30 Pop culture—and the advertising that surrounds it—teaches young girls and boys five myths about sex and sexuality: Girls don't choose boys, boys choose girls—but only sexy girls; there's only one kind of sexy—slender, curvy, white beauty; girls should work to be that type of sexy; the younger a girl is, the sexier she is; and sexual violence can be hot. Together, these five myths make up the Lolita Effect, the mass media trends that work to undermine girls’ self-confidence, that condone female objectification, and that tacitly foster sex crimes. But identifying these myths and breaking them down can help girls learn to recognize progressive and healthy sexuality and protect themselves from degrading media ideas and sexual vulnerability. |
lana del rey question for culture: It Gets Me Home, This Curving Track Ian Penman, 2022-04-05 When all else fails, when our compass is broken, there is one thing some of us have come to rely on: music really can give us a sense of something like home. With It Gets Me Home, This Curving Track, legendary music critic Ian Penman reaches for a vanished moment in musical history when cultures collided and a certain kind of cross-generational and 'cross-colour' awareness was born. His cast of characters includes the Mods, James Brown, Charlie Parker, Frank Sinatra, Elvis Presley, John Fahey, Steely Dan and Prince - black artists who were innovators, and white musicians who copied them for the mainstream. In prose that glides and shimmies and pivots on risky metaphors, low puns and highbrow reference points (Brian Dillon, frieze), Ian Penman's first book in twenty years is cause for celebration. |
lana del rey question for culture: Undoing Gender Judith Butler, 2004-10-22 Undoing Gender constitutes Judith Butler's recent reflections on gender and sexuality, focusing on new kinship, psychoanalysis and the incest taboo, transgender, intersex, diagnostic categories, social violence, and the tasks of social transformation. In terms that draw from feminist and queer theory, Butler considers the norms that govern--and fail to govern--gender and sexuality as they relate to the constraints on recognizable personhood. The book constitutes a reconsideration of her earlier view on gender performativity from Gender Trouble. In this work, the critique of gender norms is clearly situated within the framework of human persistence and survival. And to do one's gender in certain ways sometimes implies undoing dominant notions of personhood. She writes about the New Gender Politics that has emerged in recent years, a combination of movements concerned with transgender, transsexuality, intersex, and their complex relations to feminist and queer theory. |
lana del rey question for culture: All the Lives I Want Alana Massey, 2017 From columnist and critic Alana Massey, a collection of essays examining the intersection of the personal with pop culture through the lives of pivotal female figures--from Sylvia Plath to Britney Spears--in the spirit of Chuck Klosterman, with the heart of a true fan. Mixing Didion's affected cool with moments of giddy celebrity worship, Massey examines the lives of the women who reflect our greatest aspirations and darkest fears back onto us. These essays are personal without being confessional and clever in a way that invites readers into the joke. A cultural critique and a finely wrought fan letter, interwoven with stories that are achingly personal, All the lives I want is also an exploration of mental illness, the sex industry, and the dangers of loving too hard. But it is, above all, a paean to the celebrities who have shaped a generation of women--from Scarlett Johansson to Amber Rose, Lil' Kim, Anjelica Huston, Lana Del Rey, Anna Nicole Smith and many more. These reflections aim to reimagine these women's legacies, and in the process, teach us new ways of forgiving ourselves-- |
lana del rey question for culture: Straight James / Gay James James Franco, 2015-12-21 Straight James / Gay James, actor James Franco’s new chapbook of poems, explores the facets of his public and private personas. Straight James / Gay James is a poetic bildungsroman—raw, candid, and uninhibited. James Franco writes about life as an actor, sexuality, questions of identity, gender, family, Gucci, Lana Del Rey, James Dean, Hollywood, and more. His poetic style varies from the imagistic to the prosaic. The chapbook also contains an interview of “Gay James” conducted by “Straight James.” Yes, Straight James asks the question: “Let’s get substantial: are you f*****g gay or what?” |
lana del rey question for culture: The Middle Stories Sheila Heti, 2001-04-01 Balancing wisdom and innocence, joy and foreboding, Sheila Heti’s completely original stories lead you to surprising places. This edition featuring nine new stories. A frog doles out sage advice to a plumber infatuated with a princess, a boy falls hopelessly in love with a monkey, and a man with a hat keeps apocalyptic thoughts at bay by resolving to follow a plan that he admits he won’t stick to. Globe and Mail critic Russell Smith has described Heti’s stories as cryptic fairy tales without morals at the end, but really the morals are in the quality of the telling and in the details disclosed along the way. Look where you weren’t going to look, think what you wouldn't have thought, Heti seems to say, and meaning itself gains more meaning, more dimensions. Heti’s stories are not what you expect, but why did you expect that anyway? This special new edition features nine new stories that were not available in the first Canadian edition. |
lana del rey question for culture: You're History Lesley Chow, 2021-03-09 Raucous, sensual and sublime: how twelve pioneering female artists rewrote the rules of pop. From Kate Bush to Nicki Minaj, from Janet Jackson to TLC and Taylor Swift, pop's greatest female pioneers are simply strange: smashing notions of taste and decorum, and replacing them with new ideals of pleasure. Instead of rehashing biographies, Lesley Chow dives deep into the music of these groundbreaking performers, identifying the ecstatic moments in their songs and finding out what makes them unique. You're History is a love letter to pop's most singular achievements, celebrating the innovations of women who are still critically underrated. It's a ride that includes tributes to Chaka Khan, Rihanna, Neneh Cherry, Sade, Shakespears Sister, Azealia Banks, and many more... “The slim, sharp book considers a range of female artists from Janet Jackson and Taylor Swift to TLC and Nicki Minaj, a group that the Australian cultural critic Chow views as ‘outliers, marking moments where the culture might have swerved to incorporate their influence, but somehow contrived not to.’” — New York Times summer reads |
lana del rey question for culture: Creativity, Spirituality, and Making a Buck David Nichtern, 2019-10-08 A friendly, funny, practical guide for creatives and entrepreneurs, written by a four-time Emmy award-winning and two-time Grammy-nominated composer-guitarist-producer who has worked with Paul Simon, Stevie Wonder, Jerry Garcia, Lana Del Rey, and Krishna Das, among many others. Also a beloved and highly regarded Buddhist teacher, David teaches readers how to integrate their creative process with their spiritual practice and livelihood. “How do I make a living doing what I love?” “Am I a sellout as an artist if I want to be successful?” “How do I integrate my spiritual principles with the art of running a business? And actually, um, how do I run a business?” Wondering how to reconcile your calling with your need to make a living wage, or what to do once your art starts selling, or how to achieve success in your field, or what it even means to be successful? David Nichtern offers his lived, learned experience as an entrepreneur, musician, and Buddhist teacher to first help you figure out what “success” means to you and then show you how to get there. He offers advice on the creative process and principles of business and ethics—everything from “listen to the muse!” to “protect your intellectual property!”—and provides mindfulness exercises to help you integrate inspiration and aspiration, vocation and avocation—to go from surviving to thriving. Whether you’re a baker trying to grow from the farmer’s market to a brick-and-mortar or a CEO exploring how taking care of your employees can be the same as taking care of your business—if you’re trying to align your spiritual, creative, and financial pursuits and discover what it means to truly live well, this book is for you. |
lana del rey question for culture: The Sick Bag Song Nick Cave, 2016-03-03 The Sick Bag Song chronicles Cave’s 22-city journey around North America in 2014. Racked by romantic longing and exhaustion, Cave teases out the significant moments – the people, the books and the music – that have influenced and inspired him, and drops them into his sick bag. The book began its life scribbled onto airline sick bags and later evolves into a restless contemporary epic, exploring love, loss, inspiration and memory. |
lana del rey question for culture: Cult Musicians Robert Dimery, 2020-05-26 Cult Musicians handpicks 50 notable figures from the modern world of music and explores the creative genius that earned them the cult label, while celebrating the works that made their names. What makes a cult musician? Whether pioneering in their craft, fiercely and undeniably unique or critically divisive, cult musicians come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight. In Cult Musicians Robert Dimery introduces 50 musicians deserving of a cult status. The book will cover a plethora of genres and boundary-breakers, from afrobeat and art pop to glam rock and proto punk – Bjork and PJ Harvey to Aphex Twin and Wiley. Discover little knowns with small, devout followings and superstars gracing the covers of magazines: each musician is special in their individuality and their ability to inspire, antagonise and delight. Following Cult Artists, Cult Filmmakers and Cult Writers, Cult Musicians is an essential addition to any music lover's library, as well as an entertaining introduction to our weird and wonderful world of music. The Musicians: Alex Chilton, Alice Coltrane, Aphex Twin, Arthur Lee, Arthur Russell, Betty Davis, Bjork, Bobbie Gentry, Brian Eno, Brigitte Fontaine, Captain Beefheart, Delia Derbyshire, Edith Piaf, Fela Kuti, Frank Zappa, Gil Scott-Heron, Iggy Pop, J Dilla, John Cage, Karlheinz Stockhausen, Kat Bjelland, Kool Keith, Laurie Anderson, Lee 'Scratch' Perry, Lili Boulanger, Lydia Lunch, Manu Chao, Marianne Faithfull, Mark E. Smith, Mark Hollis, Moondog, Nick Cave, Nick Drake, Nico, Patti Smith, Peaches, PJ Harvey, Robert Wyatt, Roky Erickson, Ryuichi Sakamoto, Sandy Denny, Scott Walker, Serge Gainsbourg, Sixto Rodriguez, Sun Ra, Syd Barrett, The Slits, Tom Waits, Wiley, Yoko Ono. |
lana del rey question for culture: What Purpose Did I Serve in Your Life Marie Calloway, 2013 By the author of Adrien Brody, the controversial Internet piece, Marie Calloway effaces the boundary between life and narrative. |
lana del rey question for culture: The Promiscuity of Network Culture Robert Payne, 2014-12-05 Liking, sharing, friending, going viral: what would it mean to recognize these current modes of media interaction as promiscuous? In a contemporary network culture characterized by a proliferation of new forms of intimate mediated sociality, this book argues that promiscuity is a new standard of user engagement. Intimate relations among media users and between users and their media are increasingly structured by an entrepreneurial logic and put to work for the economic interests of media corporations. But these multiple intimacies can also be understood as technologies of promiscuous desire serving both to liberalize mediated social connection and to contain it within normative frames of value. Payne brings crucial questions of gender, sexuality, intimacy, and attention back into conversation with recent thinking on network culture and social media, identifying the queer undercurrents of these current media dynamics. |
lana del rey question for culture: College Andrew Delbanco, 2023-04-18 The strengths and failures of the American college, and why liberal education still matters As the commercialization of American higher education accelerates, more and more students are coming to college with the narrow aim of obtaining a preprofessional credential. The traditional four-year college experience—an exploratory time for students to discover their passions and test ideas and values with the help of teachers and peers—is in danger of becoming a thing of the past. In College, prominent cultural critic Andrew Delbanco offers a trenchant defense of such an education, and warns that it is becoming a privilege reserved for the relatively rich. In describing what a true college education should be, he demonstrates why making it available to as many young people as possible remains central to America's democratic promise. In a brisk and vivid historical narrative, Delbanco explains how the idea of college arose in the colonial period from the Puritan idea of the gathered church, how it struggled to survive in the nineteenth century in the shadow of the new research universities, and how, in the twentieth century, it slowly opened its doors to women, minorities, and students from low-income families. He describes the unique strengths of America’s colleges in our era of globalization and, while recognizing the growing centrality of science, technology, and vocational subjects in the curriculum, he mounts a vigorous defense of a broadly humanistic education for all. Acknowledging the serious financial, intellectual, and ethical challenges that all colleges face today, Delbanco considers what is at stake in the urgent effort to protect these venerable institutions for future generations. |
lana del rey question for culture: Janelle Monáe’s "Dirty Computer" Dan Hassler-Forest, 2022-01-11 This book offers an in-depth analysis of Janelle Monáe’s Dirty Computer, an Afrofuturist project that appeared simultaneously as a concept album and a visual album or “emotion picture” in spring 2018. In the previous decade, Janelle Monáe has developed into a global media personality who effortlessly unites speculative world-building with social and political activism. Across the intersecting album and film that together make up Dirty Computer, Monáe brings together the science-fictional themes that informed her previous work, resulting in a powerfully focused artistic and political statement. While the music on the album can be enjoyed as an accessible collection of pop tracks, the accompanying film, music videos, and media paratexts add layers of meaning that combine speculative world-building with anti-racist activism. This unique convergence of energies, ideas, and media platforms has made Dirty Computer a new classic of Afrofuturist science fiction. |
lana del rey question for culture: Music is My Life Myles Tanzer, 2020 Learn about emotion and music in this beautifully produced anthology |
lana del rey question for culture: Portishead's Dummy RJ Wheaton, 2011-12-08 |
lana del rey question for culture: The Song Machine: Inside the Hit Factory John Seabrook, 2015-10-05 An utterly satisfying examination of the business of popular music. —Nathaniel Rich, The Atlantic There’s a reason today’s ubiquitous pop hits are so hard to ignore—they’re designed that way. The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked. Full of vivid, unexpected characters—alongside industry heavy-hitters like Katy Perry, Rihanna, Max Martin, and Ester Dean—this fascinating journey into the strange world of pop music reveals how a new approach to crafting smash hits is transforming marketing, technology, and even listeners’ brains. You’ll never think about music the same way again. A Wall Street Journal Best Business Book |
lana del rey question for culture: Pop Culture in Language Education Valentin Werner, Friederike Tegge, 2020-11-23 Pop Culture in Language Education provides comprehensive insight on how studies of pop culture can inform language teaching and learning. The volume offers a state-of-the-art overview of empirically informed, cutting-edge research that tackles both theoretical concerns and practical implications. The book focuses on how a diverse array of pop culture artifacts such as pop and rap music, movies and TV series, comics and cartoons, fan fiction, and video games can be exploited for the development of language skills. It establishes the study of pop culture and its language as a serious subfield within language education and applied linguistics and explores how studies of pop culture, its language, and its non-linguistic affordances can inform language education at various levels of proficiency and with various learner populations. Presenting a broad range of quantitative and qualitative research approaches including case studies on how pop culture has been used successfully in language education in and beyond the classroom, this book will be of great interest for academics, researchers, and students in the field of language education, applied linguistics, psycholinguistics, and sociolinguistics, as well as for language teachers and materials developers. |
lana del rey question for culture: Pulp Art Book Joni Harbeck, Neil Krug, 2012-01-01 Pulp Art Book--the multi-media collaboration between photographer Neil Krug and model Joni Harbeck--has become a virtual sensation online, and is now the subject of the artists' first monograph. Pulp Art Book: Volume One is an LP-sized hardcover book, split into several vignettes ranging from a spaghetti western theme to a Bonnie and Clyde revival and to the struggles of a 1950s housewife. These series tell the story of each character, and will be expanded in subsequent volumes. The inspiration for the pulp theme comes from the artists' collective appreciation of societal life and the artistic expressions of the 1960s and 70s. Old LP jackets, Giallo posters, vintage book covers, and B-movie cinema themes have defined their taste for this project. Initially they set out to capture something simple and sexy; as the shoots progressed, however, natural story lines emerged. The resulting work captures the smell of those decades and expresses them in a fresh way.-- |
lana del rey question for culture: Talking About BPD Rosie Cappuccino, 2021-10-21 'I am Rosie. I have BPD. I am not an attention-seeker, manipulative, dangerous, hopeless, unlovable, 'broken', 'difficult to reach' or 'unwilling to engage'. I am caring, creative, courageous, determined, full of life and love.' Talking About BPD is a positive, stigma-free guide to life with borderline personality disorder (BPD) from award-winning blogger Rosie Cappuccino. Addressing what BPD is, the journey to diagnosis and available treatments, Rosie offers advice on life with BPD and shares practical tips and DBT-based techniques for coping day to day. Topics such as how to talk about BPD to those around you, managing relationships and self-harm are also explored. Throughout, Rosie shares her own experiences and works to dispel stigma and challenge the stereotypes often associated with the disorder. This much-needed, hopeful guide will offer support, understanding, validation and empowerment for all living with BPD, as well as those who support them. |
lana del rey question for culture: Hit Me #1 Christa Faust, 2022-03-02 A high-octane crime thriller from Christa Faust (Bad Mother, Redemption) and Priscilla Petraites (Chariot). Lulu has a very unique profession: She gets paid by the bruise. When she is witness to the execution of one of her regular clients, she escapes into the night with a briefcase filled with diamonds and a pack of killers on her trail. Navigating the dark underbelly of decaying, early-90’s Atlantic City, one step ahead of her pursuers, Lulu must call upon every one of her street-born instincts and underworld connections in what will be the longest – and possibly last – night of her life. |
lana del rey question for culture: After the Witch Hunt Megan Falley, 2014-04-22 As if she discovered a small army of silenced women captive in her pen, Megan Falley releases them in the spilled ink that is her most brilliant collection of poems, After the Witch Hunt. Demanding if you really love a writer, bury her in all your awful and watch as she scrawls her way out, her book does exactly that. An incessant digging, a journey in building escape routes, armed with both humor and a brazen darkness, each poem in this book of bloodletting is another swing of the pick and axe in this young woman's labor, insistent upon light. |
lana del rey question for culture: Gurlesque Lara Glenum, Arielle Greenberg, 2010 A new anthology of wicked, subversive young women poets |
lana del rey question for culture: Ticknor Sheila Heti, 2005 Ticknoris the first novel by Sheila Heti, the author of the acclaimed story collectionThe Middle Storiesand, with Misha Glouberman, the essay collectionThe Chairs are Where the People Go. George Ticknor is trying to reconcile his own failure with the success of his boyhood friend, the famous American historian William Prescott. Ticknor's life has been reduced to a series of awkward meetings, failed dinner parties, and other misfortunes he is loath to own up to. Situated in the complicated and contradictory moments that make friendships both tenuous and difficult to relinquish, Ticknor's fixated thoughts about his and Prescott's dissimilar fates lead him through a litany of rationalizations and recriminations, a psychological maze that is paranoid and harrowing as well as ludicrous and absurd. In George Ticknor, Sheila Heti has created a memorable new hero of Prufrockian dimension.Ticknoris an exquisite singularity. |
lana del rey question for culture: Then It Fell Apart Moby, 2019-04-30 *Featured in The Times' 'Best Books of the Year So Far' 2019* 'Somehow this chronicle of a long, dark night of the soul also involves funny stories involving Trump, Putin, and a truly baffling array of degenerates .' Stephen Colbert *** What do you do when you realise you have everything you think you've ever wanted but still feel completely empty? What do you do when it all starts to fall apart? The second volume of Moby's extraordinary life story is a journey into the dark heart of fame and the demons that lurk just beneath the bling and bluster of the celebrity lifestyle. In summer 1999, Moby released the album that defined the millennium, PLAY. Like generation-defining albums before it, PLAY was ubiquitous, and catapulted Moby to superstardom. Suddenly he was hanging out with David Bowie and Lou Reed, Christina Ricci and Madonna, taking ecstasy for breakfast (most days), drinking litres of vodka (every day), and sleeping with super models (infrequently). It was a diet that couldn't last. And then it fell apart. The second volume of Moby's memoir is a classic about the banality of fame. It is shocking, riotously entertaining, extreme, and unforgiving. It is unedifying, but you can never tear your eyes away from the page. |
lana del rey question for culture: Who You Think I Am? Sebastian Berlich, 2023-10-27 Pop stars are close to us. In their songs, their pictures, their stories on Instagram. What we are looking for is an authentic impression. Real feelings on real faces. But what happens when they cover their face with a mask? Permanently, as a second face. The phenomenon can be found in the mainstream as well as in the underground. The mask does not break with the ideal of authenticity. Rather, depending on how it is staged, it refers to the most diverse discourses, can appear cool or grotesque, become a logo or create anonymity. The essay uses mainly two examples (Sido, Slipknot) to show how the mask constructs the persona of pop stars - and thus reveals structures of pop music. The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content. |
lana del rey question for culture: Howl: A Graphic Novel Allen Ginsberg, Eric Drooker, 2010-08-31 Now a Major Motion Picture! First published in 1956, Allen Ginsberg's Howl is a prophetic masterpiece—an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century. |
lana del rey question for culture: Painting Their Portraits in Winter Myriam Gurba, 2015 Painting Portraits in Winter is a story collection that redefines, sharpens, deepens, and revivifies the Chicana archetype. |
lana del rey question for culture: The First Collection of Criticism by a Living Female Rock Critic Jessica Hopper, 2021-07-06 Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large. —Annie Clark, St. Vincent An acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need “the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together.” The First Collection of Criticism by a Living Female Rock Critic—published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby—is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation. |
lana del rey question for culture: Pony Castle Sofia Banzhaf, 2015-10 Fiction. Life is snaking its way through the characters in PONY CASTLE. Bad things are happening to good people. Winner of the 2015 Metatron Prize, Sofia Banzhaf's literary debut is enthralling, like staring into the dark and seeing a prism. |
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