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| les faux monnayeurs journal: The Counterfeiters André Gide, 1927 A young artist pursues a search for knowledge through the treatment of homosexuality and the collapse of morality in middle class France. |
| les faux monnayeurs journal: How it was Done in Paris Leonid Livak, 2003 Here, reintroduced into literary circulation, is an ignored yet rich and original page in Russian literary history--the unnoticed generation of Russian writers who took up residence in France after the Bolshevik coup of 1917. Leonid Livak analyzes the position of these writers in the context of French modernist literature, examining the ways in which French literary life influenced émigré artistic identities and oeuvre. The book challenges commonly accepted notions of émigré isolation from French literature and culture and is instrumental in reaching a fuller understanding of the cultural mechanisms involved in the effort by an expatriate community to carry on a creative existence. |
| les faux monnayeurs journal: Conrad and Gide Russell West-Pavlov, 2023-04-17 This study examines the relations between the work of the Polish-English novelist Joseph Conrad and the French Nobel Prize winner André Gide. Gide's translation of Conrad's Typhoon is read as a work belonging paradoxically to the oeuvres of both writers, where their respective preoccupations meet with illuminating results. Focusing also on other major works by Conrad and Gide, the study suggests that the intertextual and personal interaction between these two masters of 20th Century fiction was governed by processes of identification and projection, conflict between master and disciple and a consequent resistant reading of texts, and confrontation with linguistic and cultural heterogeneity. Issues of translation theory, psychoanalysis and intertextuality are brought together to offer a glimpse of a possible dialogue between literature and ethics. This study will be of interest to students and researchers in English, French and Comparative Literature. |
| les faux monnayeurs journal: The Counterfeiters. [Les Faux Monnayeurs] with Journal of the Counterfeiters [Journal Des Faux-Monnayeurs]. André Gide... The Novel Translated... by Dorothy Bussy, the Journal Translated... by Justin O'Brien André Gide, 1951 |
| les faux monnayeurs journal: Les faux monnayeurs André Gide, 1925 |
| les faux monnayeurs journal: A Specially Tender Piece of Eternity Teresa Prudente, 2009-01-01 A Specially Tender Piece of Eternity considers and redefines Virginia Woolf's treatment of time. By focusing on the key ideas of moments of being, ecstasy and rapture the book argues the close relation between Woolf's experiments in narrative and her concern to challenge ineffability in portraying the experience of a-linear time. |
| les faux monnayeurs journal: Diaries Real and Fictional in Twentieth-Century French Writing Sam Ferguson, 2018-03-16 This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries—a supposedly private form of writing —would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question. |
| les faux monnayeurs journal: Gide's Bent Michael Lucey, 1995 This study investigates the place of sexuality in the writings of Andre Gide. Focusing on his writing of the 1920s and 1930s, the years in which Gide wrote most openly about his homosexuality, and also the years of his most notable left-wing political activity, the work interrogates both the political content of his reflections on his homosexuality and the ways in which his sexuality inflected his political interests. |
| les faux monnayeurs journal: Faking Literature K. K. Ruthven, 2001-04-30 Faking Literature, first published in 2001, examines the role of forgery in literature. |
| les faux monnayeurs journal: A New History of French Literature Denis Hollier, 1998-08-19 This splendid introduction to French literature from 842 A.D. to the present decade is the most imaginative single-volume guide to the French literary tradition available in English. |
| les faux monnayeurs journal: Aquila , 2012-12-06 Aquila, aseries planned for biennial publication, is presented to scholars with a broad interest in modem languages and literatures. Each volume contains original material contributed by specialists within tbis general area, with minimallimitations as to language or length of the studies, the criteria being significance of the content and clear, interesting presentation. Aquila II includes four important monographs conceming Luther, literary criticism, Dante, and a French avant-garde salon featuring Mallarme, Verlaine, Charles Cros, Villiers de l'Isle-Adam, etc ... There are excellent articles on a French poetic form in the late Middle Ages, the concept of Encyclopedia and general education during the Renaissance, Voltaire's Candide, Gide's Faux-Monnayeurs, and hidden satire in Don Quijote. To the Administration of Boston College, we acknowledge a debt of gratitude for the generous subsidy which has given wings to Aquila, for the advancement of knowledge in modem languages and literatures. The Editors TABLE OF CONTENTS PREFACE v MONOGRAPHS HEINZ BLUHM, Das Erlebnis und die Interpretation in Luthers Erstlin- schr~ 1 ERICH VON RICHTHOFEN, Limitations of Literary Criticism 78 MARIA PICCHIO SIMONELLI, La prosa nutrice dei verso: dal Convivio aUa Divina Commedia 117 GEORGES ZAYED, Un salon parnassien d'avant-garde: Nina de Villard et ses hOtes 177 ARTICLES MARCEL FRAN~ON, Encyclopedie et culture genereale 230 MARCEL FRAN~ON, Sur la theorie du rondeau litteraire 244 JOSEPH D. GAUTIDER, S.J., The Organic Unity ofLes Faux-Monnayeurs 260 ERNEST A. |
| les faux monnayeurs journal: Journals: 1889-1913 André Gide, 2000 Available for the first time in paperback, the Journals of Andr Gide are remarkable literary works in their own right--they are unfailingly honest, endlessly fascinating, and a feast for the mind, enhanced by a new introduction by the Pulitzer Prize-winning poet, Richard Howard. |
| les faux monnayeurs journal: The Fictions of Anita Brookner John Skinner, 2016-07-27 The Fiction of Anita Brookner is the first full-length study of this controversial contemporary writer. After discussing critical assessments of Brookner, and attempts to relate her to various classics and contemporaries, Dr Skinner skilfully combines insights from recent narrative theory with close analyses of nine novels. Moving from the first novels, and their close relations to French literary models, he goes on to trace the increased sophistication of Hotel du Lac and the technical innovations of its successors. |
| les faux monnayeurs journal: The Image in the Modern French Novel Stephen Ullmann, |
| les faux monnayeurs journal: Andre Gide David H. Walker, 2017-09-29 This book presents a selection of some of the most significant critical work written on Andre Gide during his lifetime and since. As a major writer of the twentieth-century, his life and creative output, as well as his role as a leading intellectual, attracted comment from prominent contemporaries and continues to have relevance today. Containing a substantial introduction and overview, this compilation offers a variety of illuminating perspectives that will inform and guide the general and specialist reader. |
| les faux monnayeurs journal: The Counterfeiters Andre Gide, 1973-06-12 A young artist pursues a search for knowledge through the treatment of homosexuality and the collapse of morality in middle class France. |
| les faux monnayeurs journal: The Color-keys to "A la Recherche Du Temps Perdu" Allan H. Pasco, 1976 |
| les faux monnayeurs journal: Andre Gide's Politics NA NA, 2016-04-30 At the peak of his career, after having established himself as an accomplished writer, astute moraliste, and the foremost spokesperson of his generation for personal freedom and self-realization, Gide became aware, first, that his particular brand of bourgeois individualism was becoming increasingly irrelevant in the contemporary world and, second, that social commitment and even revolution could serve as a powerful source of inspiration and self-renewal. Over a ten-year period that began in the 1920s and ended with his public break with the Soviet Union in 1936, Gide the committed intellectual interacted with society in ways that were for him unprecedented. These essays examine the outcomes of Gide s evolving commitment to a host of controversial issues ranging from the sexual to the political, from the literary to the social. |
| les faux monnayeurs journal: The Modern Language Journal , 1927 Includes section Reviews. |
| les faux monnayeurs journal: Columbia University Course in Literature , 1928 |
| les faux monnayeurs journal: French Literature In/and the City Buford Norman, 1997 |
| les faux monnayeurs journal: The Realist Author and Sympathetic Imagination Sotirios Paraschas, 2017-12-02 The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as 'copies' of reality. He was a celebrity who found himself subservient to publishers and the public, in a newly-industrialised literary marketplace. He was the owner of his work who was divested of his property by imperfect copyright laws, playwrights who adapted his novels for the stage, and sequel-writers. This combination of a conspicuous yet precarious status with a self-effacing attitude was expressed by an image of the author as a plural, Protean subject, possessing the faculty of sympathetic imagination - which the realists incorporated in their works in the form of a series of fictional characters who functioned as 'doubles' of the author. Paraschas focuses on two realists, Honorede Balzac and George Eliot, and traces this authorial scenario from its origins in the late eighteenth century to its demise in the early twentieth century, examining its presence in the works of E.T.A. Hoffmann, Friedrich Schlegel, Charles Baudelaire and Andre Gide. |
| les faux monnayeurs journal: Montreal Pharmaceutical Journal , 1902 |
| les faux monnayeurs journal: Narcissistic Narrative Linda Hutcheon, 2010-01-01 Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982. |
| les faux monnayeurs journal: The Mother in/and French Literature , 2021-11-22 The essays in this volume investigate maternity and the figure of the mother in French literature from France, Switzerland, Quebec and Africa, from the seventeenth century to the present. Drawing on cultural history, psychoanalysis, and feminist theory, as well as more traditional methods, they present maternity as a source of frustration and of joy, mothers as repressed and revered, daughters as wounded and loving, sons as domineering and dependent. Indeed, few things are simple where mothers — and especially where writing about mothers — are concerned. |
| les faux monnayeurs journal: Aaron Copland and His World Carol J. Oja, Judith Tick, 2018-06-05 Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr. |
| les faux monnayeurs journal: Strategies of Rhetoric Freeman G. Henry, 1991 |
| les faux monnayeurs journal: Journals: 1914-1927 André Gide, 2000 Presents the author's journals that testify a disciplined intelligence in a constantly maturing thought. This book offers details of his personal life and spiritual conflicts, accounts of his travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation. |
| les faux monnayeurs journal: André Gide Alan Sheridan, 1999 Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones. |
| les faux monnayeurs journal: Encyclopedia of Life Writing Margaretta Jolly, 2013-12-04 First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company. |
| les faux monnayeurs journal: We Have Only This Life to Live Jean-Paul Sartre, 2013-06-04 Jean-Paul Sartre was a man of staggering gifts, whose accomplishments as philosopher, novelist, playwright, biographer, and activist still command attention and inspire debate. Sartre’s restless intelligence may have found its most characteristic outlet in the open-ended form of the essay. For Sartre the essay was an essentially dramatic form, the record of an encounter, the framing of a choice. Whether writing about literature, art, politics, or his own life, he seizes our attention and drives us to grapple with the living issues that are at stake. We Have Only This Life to Live is the first gathering of Sartre’s essays in English to draw on all ten volumes of Situations, the title under which Sartre collected his essays during his life, while also featuring previously uncollected work, including the reports Sartre filed during his 1945 trip to America. Here Sartre writes about Faulkner, Bataille, Giacometti, Fanon, the liberation of France, torture in Algeria, existentialism and Marxism, friends lost and found, and much else. We Have Only This Life to Live provides an indispensable, panoramic view of the world of Jean-Paul Sartre. |
| les faux monnayeurs journal: The French Renaissance and Its Heritage D. R. Haggis, 2019-07-02 Originally published in 1968 this collection of essays is authored by scholars from the UK, Europe and the U. S. A. and covers Renaissance art, prose and poetry including discussions on the work of Montaigne, Rabelais, Flaubert and Baudelaire. |
| les faux monnayeurs journal: Figures of Alterity Lawrence R. Schehr, 2003 This book focuses on the extension of realist writing toward alterity, toward otherness, in its ongoing efforts to enable individuals to speak and be heard correctly. Through a series of close readings of six authors from Balzac to Proust, the author shows the ways realist narrative engages the problem of bringing the other into the realm of the discursively representable. The acts of representation involved in that development were not necessarily coterminous with either the representation of the exotic and its attendant stereotypes or with the representation of individuals themselves. The representation of the other was the extension of discourse to what was previously unrepresentable. The author argues that the unrepresentable is often perceived as oppositional because of the structuring of discourse by hierarchies and metaphysics, whereby any bivalent pair is made into an oppositional pair. |
| les faux monnayeurs journal: The Portrait and the Colonial Imaginary Simon Dell, 2020-02-26 French colonisers of the Third Republic claimed not to oppress but to liberate, imagining they were spreading republican ideals to the colonies to make a Greater France. In this book Simon Dell explores the various roles played by portraiture in this colonial imaginary. Anyone interested in the history of colonial Africa will have encountered innumerable portraits of African elites produced during the first half of the twentieth century, yet no book to date has focused on these ubiquitous images. Dell analyses the production and dissemination of such portraits and situates them in a complex and conflicted field of representations. Moving between European and African perspectives, The Portrait and the Colonial Imaginary blends history with art history to provide insights into the larger processes that were transforming the French metropole and colonies during the early twentieth century. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). |
| les faux monnayeurs journal: Elysian Encounter G. Norman Laidlaw, 1963 This cleverly conceived book relates Denis Diderot and Andre Gide to each other as well as to their separate centuries ... Using a binocular approach similar to the double-spotlight technique of the theater, Professor Laidlaw juxtaposes the lives, works, and philosophies of the two French writers. Constant questioning, agnosticism to the deathbed, and voluminous literary output characterize both. Their catholic interests -- in science, in poetry and drama, in Russian ways as well as French behavior -- are similar. [Laidlaw] discusses their common concern with the dilemma of morality and sincerity, their fascination with literal or figurative blindness, their attitudes toward death, their strong sense of paradox, and the delight and inspiration they both drew from foolishness-- |
| les faux monnayeurs journal: Other Entertainment Ned Rorem, 2013-06-18 DIVDIVA collection of insightful essays, interviews, and commentaries on music, art, and those who make it, from acclaimed author and Pulitzer Prize–winning composer Ned Rorem/divDIV It is a rare artist who can deftly cross the boundaries separating one artistic endeavor from another. Contemporary American composer Ned Rorem is one of the able few, not only “the world’s best composer of art songs” (Time magazine) but a remarkable purveyor of prose works, as well. Rorem’s superb collection Other Entertainment features insightful and fascinating essays on music, musicians, and literature, as well as provocative interviews with well-known figures in the arts and elsewhere./divDIV /divDIVWhether he’s offering a cogent analysis of Benjamin Britten’s published diaries, confronting John Simon on the famously acerbic film and theater reviewer’s alleged homophobia, or providing in-depth commentary on the lives and accomplishments of major artists and musical colleagues—as well as moving obituaries for those we have lost—Rorem proves himself to be as entertaining and controversial a social and cultural critic as America has ever produced./div/div |
| les faux monnayeurs journal: Biography and the Question of Literature in France Ann Jefferson, 2007-01-04 Containing critical readings of some major French authors in the light of the evolving relations between biography and literature, this book offers a history of French literature over a 300-year period, and also a discussion of biography - its forms, history, and functions |
| les faux monnayeurs journal: The Thousand and One Nights and Twentieth-Century Fiction Richard van Leeuwen, 2018-07-17 It is gradually being acknowledged that the Arabic story-collection Thousand and One Nights has had a major influence on European and world literature. This study analyses the influence of Thousand and One Nights, as an intertextual model, on 20th-century prose from all over the world. Works of approximately forty authors are examined: those who were crucial to the development of the main currents in 20th-century fiction, such as modernism, magical realism and post-modernism. The book contains six thematic sections divided into chapters discussing two or three authors/works, each from a narratological perspective and supplemented by references to the cultural and literary context. It is shown how Thousand and One Nights became deeply rooted in modern world literature especially in phases of renewal and experiment. |
| les faux monnayeurs journal: Beckett and the Modern Novel John Bolin, 2013 John Bolin challenges the notion that Beckett's fiction is best understood through philosophical or Anglo-Irish literary contexts. |
| les faux monnayeurs journal: Proceedings - Pacific Northwest Conference on Foreign Languages , 1969 |
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在法语中les 和des 具体怎么使用 - 知乎
les Martin, les Durand, les Dubois, etc. —— 表示度量单位： 3 euros le kilo, 20 euros le mètre, 4 euro le litre, 50 km à l'heure. En ce moment, l'essence coûte un euro le litre. —— 表示大概的 …
如何理解萨特的「他人即地狱」？ - 知乎
这样的痛苦就是地狱的痛苦，l'enfer, c'est les autres。 此种情况下，他人的目光影响我的自由意志，左右我的选择，这令我痛苦，尤其是有时候在他人的影响之下做出违背心意的选择的时候。
Photos: Night 1 at the Albany Tournament - Maryville Forum
Dec 2, 2024 · Maryville, MO (64468) Today. Partly cloudy skies in the morning will give way to cloudy skies during the afternoon.
Worth County getting healthy | Sports | Maryville Forum
Feb 8, 2025 · GRANT CITY, Mo. — A healthier Worth County team drew a solid start as they would find success in Karson Briner with multiple blocks and tough finishes at the rim,
Les Miles - Keepin' it classy - K-StateFans.com • By Fans, For …
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