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| kufic calligraphy: Early Arabic Kufic Calligraphy of Mousavi Jazayeri S. M. V. Mousavi Jazayeri, 2016-11-01 Part 30 of the Quran, Juzu' 'Amma, written in the early Arabic Kufic calligraphy style, by Iranian master calligrapher Mousavi Jazayeri |
| kufic calligraphy: Kufic Stone Inscription Culture, Script, and Graphics S. M. V. Mousavi Jazayeri, S. M. H. Mousavi Jazayeri, Leonie M. Christian, 2013-10-27 This reference book studies the script, art, and culture of the early Arabic Kufic calligraphy. It presents around hundred historical stone inscriptions, coins, and manuscripts from early-Islamic Persia. In their book, the primary author and famed Iranian early Kufic expert and calligrapher, S.M.V. Mousavi Jazayeri, and his fellow co-authors read and analyze with meticulous detail the calligraphy, script, and art work of thirty-seven Kufic gravestone inscriptions, mainly from the Yazd providence of Iran. The carefully-selected inscriptional sample in this book illustrates the remarkable power and versatility of this early script, and the extent of the global role played by it in shaping societies and cultures of a vast area extending from China to Spain. |
| kufic calligraphy: A Handbook of Early Arabic Kufic Script S. M. V. Mousavi Jazayeri, Perette E. Michelli, Saad D. Abulhab, 2017-01-25 A comprehensive textbook of the early Arabic Kufic script, written as a complete reference book for calligraphers, designers, and students of art history and the history of Arabic language and scripts. This beautiful and powerful script was derived from the earlier Hijazi Mashq style of Mecca and Medina, which was invented by early Muslim scribes to record the Quran. Today, the many historical manuscripts displayed in numerous museums around the world can attest to development and evolution of this remarkable and versatile script. Authored by master calligrapher, Mousavi Jazayeri, this book is the only book written in English that is solely dedicated to the study, learning and revival of the fascinating script behind the first mature Arabic calligraphic style, which was the official script of the Islamic Near East for centuries, before being replaced by the modern Naskh style. In this handbook, Mousavi Jazayeri who had discovered the lost art of cutting the qalam (pen) for early Kufic more than twenty years ago, explains with detailed, clear illustrations how to write early Kufic using a calligraphic pen and even a regular pen. He guides students patiently through the process involved in creating amazing, modern monograms. With clear, ample examples taken from the old Quranic manuscripts, art history students, font designers, and scholars of the history of the Arabic language and scripts can use this reference book to learn the key aspects of the early Kufic script as a writing system. Mr. Mousavi Jazayeri is joined by two co-authors, Perette E. Michelli, a multi-disciplinary historian of medieval and later art, and Saad D. Abulhab, a known Arabic type designer and independent scholar of the history of Arabic language and scripts. The two co-authors are members of the first international group dedicated to the study and revival of the early Kufic script, Kuficpedia, which was formed a few years ago around the historical achievements of Mr. Mousavi. |
| kufic calligraphy: How to Read Islamic Calligraphy Maryam D. Ekhtiar, 2018-09-03 For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form--Publisher's description |
| kufic calligraphy: An Introduction to Arabic Calligraphy Ghani Alani, 2016-10-28 With a photo-rich teaching method that's welcoming to everyone, this introduction helps you use ink and a qalam a traditional reed pen to create flowing, timelessly decorative lines of Arabic script. The book begins with the history behind this art that decorates writings and architecture worldwide. Master calligrapher Alani next shows you how to choose the materials and prepare your tools. After a quick introduction to how the Arabic language works, he guides you through exercises to help you successfully write the 28 Arabic letters, join them together, and finally assemble them into phrases. Once you have mastered the basics, explore creating graphic compositions in each of seven major styles (Kufic, Thuluth, Naskh, Persian, Turkish, Riqaa and Maghrebi). Sometimes it takes years to be able to decipher a composition, but meanwhile, you can enjoy its aesthetic beauty. This guide helps beginners, like centuries of people before them, create graceful, meaningful art from words. |
| kufic calligraphy: Early Arabic Kufic Calligraphy of Mousavi Jazayeri , 2015-04-30 In this beautifully produced, limited print book, Iranian calligraphy master Seyed Mohammad Vahid Mousavi Jazayeri shares his relentless journey to bring alive a magnificent, but largely forgotten, calligraphy art: the early Arabic Kufic calligraphy. In his new generous calligraphy masterpiece that is made available openly in this limited edition print book he does not present the usual few sentences seen in most modern calligraphy works, but a complete manuscript. After all, the true challenge of script calligraphy is not only its visual and aesthetic quality and consistency but its utility as a reading and documenting medium. Mousavi Jazayeri's chosen manuscript for his new endeavor is the Glorious Quran, the book that early Kufic was conceived for originally. Early Kufic was the triggering spark for the art of calligraphy's magnificent journey through the Islamic era, a journey which has lasted for more than 14 centuries. In this work, as in all his previous pioneer research and art work, Mousavi Jazayeri digs fearlessly deep into the roots of Arabic calligraphy and script, choosing its original and natural incubating medium: the Quran. In the many pages of this astonishing resurrected Quranic manuscript, Mousavi Jazayeri not only invites its readers to absorb the magnificent spiritual teachings of Surat al- Mulk, but he dares them to become living witnesses of a great, long-gone Islamic age. This limited edition book is envisaged as the first of a series of books that will eventually reproduce, surah by surah, a full modern-day copy of the Quran in its earliest script: the Arabic Kufic script. |
| kufic calligraphy: Muthanna / Mirror Writing in Islamic Calligraphy Esra Akın-Kıvanç, 2020-09-15 Muthanna, also known as mirror writing, is a compelling style of Islamic calligraphy composed of a source text and its mirror image placed symmetrically on a horizontal or vertical axis. This style elaborates on various scripts such as Kufic, naskh, and muhaqqaq through compositional arrangements, including doubling, superimposing, and stacking. Muthanna is found in diverse media, ranging from architecture, textiles, and tiles to paper, metalwork, and woodwork. Yet despite its centuries-old history and popularity in countries from Iran to Spain, scholarship on the form has remained limited and flawed. Muthanna / Mirror Writing in Islamic Calligraphy provides a comprehensive study of the text and its forms, beginning with an explanation of the visual principles and techniques used in its creation. Author Esra Akın-Kıvanc explores muthanna's relationship to similar forms of writing in Judaic and Christian contexts, as well as the specifically Islamic contexts within which symmetrically mirrored compositions reached full fruition, were assigned new meanings, and transformed into more complex visual forms. Throughout, Akın-Kıvanc imaginatively plays on the implicit relationship between subject and object in muthanna by examining the point of view of the artist, the viewer, and the work of art. In doing so, this study elaborates on the vital links between outward form and inner meaning in Islamic calligraphy. |
| kufic calligraphy: The Rise of Islamic Calligraphy Alain George, 2010 Beautifully illustrated, this is an essential reference work for students and connoisseurs of calligraphy alike. |
| kufic calligraphy: Byzantium and Islam Metropolitan Museum of Art (New York, N.Y.), 2012 This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today. |
| kufic calligraphy: Arabic Calligraphy Mastery Series - Thuluth Omar N. Uddin, 2016-11-18 THULUTH is a game changing instructional book that aims to teach the art of Arabic Calligraphy in a truly comprehensive and step-wise method. The book looks to synergize traditional techniques of learning the art that have survived the test of time with contemporary learning methods that have proven to develop skills faster than ever. The result is a book that is not only an ultimate road map for absolute beginners but also a timeless guide for experienced calligraphers. |
| kufic calligraphy: Islamic Art Barbara Brend, 1991 Presents a region-by-region history of the art of the Islamic world, looking at architecture, the art of the book, mosaics, pottery, textiles, and other decorative art forms. |
| kufic calligraphy: Forgeries and the Authenticity of Archaeology Ahmed Hosni, 2021-11-12 Technological development has led to tremendous progress in forgery and fake monuments, which in turn has led to a great loss of the artistic and historical value of monuments. To counter this, this book presents a number of scientific methods for the detection of forgery and fake monuments, and will serve to help preserve our heritage. |
| kufic calligraphy: The Legacy of Muslim Spain Salma Khadra Jayyusi, Manuela Marín, 1992 The civilisation of medieval Muslim Spain is perhaps the most brilliant and prosperous of its age and has been essential to the direction which civilisation in medieval Europe took. This volume is the first ever in any language to deal in a really comprehensive manner with all major aspects of Islamic civilisation in medieval Spain. |
| kufic calligraphy: Square Kufic Calligraphy in Modern Art, Transmission and Transformation: Figures Mamoun Sakkal, 2010 |
| kufic calligraphy: Making Modernity in the Islamic Mediterranean Margaret S. Graves, Alex Dika Seggerman, 2022-04-19 The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives. |
| kufic calligraphy: the arab contribution to islamic art: from the seventh to the fifteenth centuries wijdan ali, 1999 Appraises the early periods of Islamic art within its own cultural framework and according to Islamic esthetics |
| kufic calligraphy: Arabic Calligraphy Tarek Mahfouz, 2013-05 The Diwani Jali script is one of the most beautiful and intriguing scripts of Arabic calligraphy. While the basic Diwani script was used for official business during the Ottoman Empire, Diwani Jali evolved as a cryptic code for powerful figures like the Sultan and Saray to communicate top-secret information. Its complex decorations and elaborate ornamentation served to obscure messages in the way that computer encryption codes protect classified information today. In modern times, Diwani Jali no longer serves its former clandestine purposes, but is still greatly appreciated throughout the Arabic and Islamic world for its aesthetic allure. This book is a guide to reading and writing this treasured script. |
| kufic calligraphy: Islamic Inscriptions Sheila Blair, 1998 Introducing Islamic inscriptions to newcomers to Islamic civilization and history, this work explains the importance of inscriptions, showing where they are recorded and how they can usefully supplement known documentary evidence. A fully annotated bibliography provides further reading on all aspects of Islamic epigraphy. |
| kufic calligraphy: The Aura of Alif Jürgen Wasim Frembgen, 2010 Starting with the alifA, the first letter of the Arabic alphabet that symbolizes divine beauty and exploring the fascinating aesthetic qualities of calligraphy, the book presents the contextual and symbolic intentions of writing in religion, magic, and poetry. Writing surfaces include not only parchment, papyrus, and paper, but also ceramics, metal, stone, wood, leather, and textiles. Ranging from the early period of Islam to the 21st century, the book presents works from the art of the ruling elite to folk art and everyday aesthetics. Muslim cultures' artistic forms of expression are brought to life in this lavishly illustrated book, which includes contributions by renowned international experts in their field and explores the art of writing in Islam in all its richness and diversity. -- Product Description. |
| kufic calligraphy: The Ayyubid Era. Art and Architecture in Medieval Syria Abd al-Razzaq Moaz, , , , , , , , , Yasser Tabbaa, Zina Takieddine, Verena Daiber, Dina Bakkour, Wa'al Hafian, Haytham Hasan, Balázs Mayor, Benjamin Michaudel, 2015 This new MWNF Travel Book was conceived not long before the war started. All texts refer to the pre-war situation and are our expression of hope that Syria, a land that witnessed the evolution of civilisation since the beginnings of human history, may soon become a place of peace and the driving force behind a new and peaceful beginning for the entire region. Bilad al-Sham testifies to a thorough and strategic programme of urban reconstruction and reunification during the 12th and 13th centuries. Amidst a period of fragmentation, visionary leadership came with the Atabeg Nur al-Din Zangi. He revived Syria’s cities as safe havens to restore order. His most agile Kurdish general, Salah al-Din (Saladin), assumed power after he died and unified Egypt and Sham into one force capable of re-conquering Jerusalem from the Crusaders. The Ayyubid Empire flourished and continued the policy of patronage. Though short-lived, this era held long-lasting resonance for the region. Its recognisable architectural aesthetic – austere, yet robust and perfected ‒ survived until modern times. The Ayyubid Era: Art and Architecture in Medieval Syria describes eight thematic Itineraries including, among others, the cities of Damascus, Bosra, Homs, Hama, Aleppo and Raqqa. |
| kufic calligraphy: A Dictionary of Iraqi Arabic Beverly E. Clarity, 2003 Annotation Originally offered in two separate volumes, this staple of Georgetown University Press's world-renowned Arabic language program now handily provides both the English to Arabic and Arabic to English texts in one volume. |
| kufic calligraphy: Bibliophobia Brian Cummings, 2022-02-10 Bibliophobia is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. |
| kufic calligraphy: The Paper Trail Alexander Monro, 2016-03-22 A sweeping, richly detailed history that tells the fascinating story of how paper—the simple Chinese invention of two thousand years ago—wrapped itself around our world, humankind’s most momentous ideas imprinted on its surface. The emergence of paper in the imperial court of Han China brought about a revolution in the transmission of knowledge and ideas, allowing religions, philosophies and propaganda to spread with ever greater ease. The first writing surface sufficiently cheap, portable and printable for books, pamphlets and journals to be mass-produced and distributed widely, paper opened the way for an unprecedented, ongoing dialogue between individuals and between communities across continents, oceans and time. The Paper Trail explores how the new substance was used to solidify social and political systems that influenced China even into our own time. We see how paper made possible the spread of the then new religions of Buddhism and Manichaeism into Japan, Korea and Vietnam . . . how it enabled theologians, scientists and artists to build the vast and signally intellectual empire of the Abbasid Caliphate and embed the Koran in popular culture . . . how paper was carried along the Silk Road by merchants and missionaries, finally reaching Europe in the late thirteenth century . . . and how, once established in Europe, along with the printing press, paper played an essential role in the three great foundations of Western modernity: the Renaissance, the Reformation and the Scientific Revolution. Here is a dramatic, comprehensively researched, vividly written story populated by holy men and scholars, warriors and poets, rulers and ordinary men and women—an essential story brilliantly told in this luminous work of history. |
| kufic calligraphy: Abbasid Traditions Francois Deroche, 1992-12 This splendid book describes the Qur'ans of the eight to tenth centuries in the Khalili Collection. It provides an exotically illustrated catalogue with detailed scholarship encompassing the history of the subject. |
| kufic calligraphy: Collected Works of Mousavi Jazayeri , 2015 This catalog contains a selected collection of Mousavi Jazayeri's works from 1993 until 2015. It includes a rich gallery of his manuscript and ceramic calligraphy works, his calligraphic art paintings, and his numerous logotype designs. Seyed Mohammad Vahid Mousavi Jazayeri is an established Iranian calligrapher, researcher, graphic designer and expert in early Arabic Kufic script. He has introduced groundbreaking achievements since his rediscovery of the lost art for cutting the qalam (pen) for early Kufic, twenty years ago. Born in 1969, Vahid holds a Bachelor of Art in Graphics. He has published extensively and held numerous workshops on reviving the early Quranic Kufic calligraphic style. Vahid started his career studying the Thulth and Naskh scripts in 1982 and after nearly ten years of training he began teaching in Tehran art schools from 1991. Within a year, he was producing significant work in two additional fields: historical calligraphy research in a range of media (ceramics, coins, plaster and stone, as well as manuscripts) and contemporary type design. |
| kufic calligraphy: Women's Costume of the Near and Middle East Jennifer M. Scarce, 2014-04-08 The historical and cultural richness of the Near and Middle East is reflected visually in its costume. In this book, Jennifer Scarce makes brilliant use of years or research to provide a lucid acount of the development of women's dress from the fourteenth to the early twentieth centuries. Her study of costume is set in th ebroader context of the social and economic background of the Ottoman Empire, giving the subject a new an fascinating slant. A detailed discussion of cut and construction is accompanied by pattern layouts and numerous photographs which clearly illustrate the different styles of dress through the centuries. Women's costume of the Near and Middle East is a hitherto sadly neglected subject. After years of original research across the world, this gap has been admirably filled by Jennifer Scarce's scholarly readable study. |
| kufic calligraphy: The Abbasid Caliphate Tayeb El-Hibri, 2021-04-22 The period of the Abbasid Caliphate (750–1258) has long been recognized as the formative period of Islamic civilization with its various achievements in the areas of science, literature, and culture. This history of the Abbasid Caliphate from its foundation in 750 and golden age under Harun al-Rashid to the conquest of Baghdad by the Mongols in 1258 examines the Caliphate as an empire and institution, and probes its influence over Islamic culture and society. Ranging widely to survey the entire five-century history of the Abbasid dynasty, Tayeb El-Hibri examines the resilience of the Caliphate as an institution, as a focal point of religious definitions, and as a source of legitimacy to various contemporary Islamic monarchies. The study revisits ideas of 'golden age' and 'decline' with a new reading, tries to separate Abbasid history from the myths of the Arabian Nights, and shows how the legacy of the caliphs continues to resonate in the modern world in direct and indirect ways. |
| kufic calligraphy: The Development of An Art History in the UAE Sophie Kazan Makhlouf, 2024-10-15 This book draws together an oral and visual art history of a country that is extremely rich in culture and history but that is often overlooked or underestimated. By observing the country’s history and visual culture and the artistic practices of select artists from the UAE, it considers the development of contemporary art from the UAE. This will increase accessibility to art by Emiratis and underline its wider relevance. There is a dearth of literature on contemporary art by Emiratis, and this may be one of the reasons contemporary art from the UAE is under-represented globally. In order to help the reader better understand art from the UAE, this book traces the country’s historical make-up, its culture and contemporary art tradition through oral histories based on interviews with a wide variety of artists and people working in the art industries. It also explores this development using global art discourses that are relevant to art produced in the UAE today. This book also considers how cultural and artistic identities are formed and explores the political and socio-economic interests in the country that have stimulated art practices and appreciation. For so long, an exclusively Western narrative has dominated Art, and popular media portrays the Gulf’s accomplishments in development and modernity with suspicion. Thanks to the UAE’s espousal of the Internet and online communities over the last decade, this book is particularly timely. Following the pandemic, a wider understanding of global art discourses, values and perceptions are increasingly welcomed. Art from the UAE bridges the local and the global, giving a voice and a visual presence to a country’s contemporary art tradition that has been widely overlooked. The UAE has a distinct visual arts tradition that relates to a broader and inclusive understanding of art centered on development and change. |
| kufic calligraphy: The Topkapi Scroll Gülru Necipoğlu, 1996-03-01 Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault. |
| kufic calligraphy: Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set Jonathan Bloom, Sheila Blair, 2009-05-14 The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art. |
| kufic calligraphy: Learn to speak and write Arabic in 30 days YouGuide Ltd, 2023-12-09 |
| kufic calligraphy: Islamic Art and Geometric Design Metropolitan Museum of Art (New York, N.Y.), Metropolitan Museum of Art (New York, N.Y.). Education Department, 2004 Examine the principles of geometric design that are the basis for the beautiful and intricate patterns in the art of the Islamic world. Includes a brief overview of Islamic art, an introduction to related works in the Museum, and a series of pattern-making activities (including reproducible grids) for use in the classroom. Teachers can readily adapt these materials to create exciting lessons in art, culture, math, and geometry--Metropolitan Museum of Art website. |
| kufic calligraphy: DK Eyewitness Tunisia DK Eyewitness, 2016-06-21 DK Eyewitness Travel Guide: Tunisia is your in-depth guide to the very best of this country in North Africa. Whether you want to lounge on its picture-perfect beaches, visit the ruins in Carthage and other treasures the ancient Romans left behind, or cross the vast Sahara on camelback as the sun sets, Tunisia proves to be a beguiling country steeped in a strong culture and history that truly has a little bit of everything to offer. Discover DK Eyewitness Travel Guide: Tunisia: + Detailed itineraries and don't-miss destination highlights at a glance. + Illustrated cutaway 3-D drawings of important sights. + Floor plans and guided visitor information for major museums. + Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. + Area maps marked with sights. + Insights into history and culture to help you understand the stories behind the sights. + Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Tunisia truly shows you this country as no one else can. About DK Eyewitness Travel Guides: For more than two decades, DK Eyewitness Travel Guides have helped travelers experience the world through the history, art, architecture, and culture of their destinations. Expert travel writers and researchers provide independent editorial advice, recommendations, and reviews. With guidebooks to hundreds of places around the globe available in print and digital formats, DK Eyewitness Travel Guides show travelers how they can discover more. DK Eyewitness Travel Guides: the most maps, photography, and illustrations of any guide. Awards: Wanderlust Travel Awards 2009-2015 Reviews: Known... for its four-color maps, photos and illustrations, the [DK] Eyewitness Guides are extremely user-friendly for travelers who want their information delivered in a concise, visual way. - Chicago Tribune The best option... Color photos, maps, and diagrams bring the place to life. - The Philadelphia Inquirer |
| kufic calligraphy: DK Eyewitness Travel Guide: Tunisia DK, 2011-08-01 The lavishly illustrated and fully updated DK Eyewitness Travel Guide: Tunisia is the perfect companion to this stunning island with its charming blend of Islamic, Berber, and European culture. Tunisia is covered in exhaustive detail with cutaways, 3D aerial views, and floor plans of all the major sights from the Roman ruins in Sbeitla and the baths at Carthage to the pit homes of Matmata (featured in Star Wars) and the magical atmosphere of desert oases in the south. Full-color maps and plans enable you to explore the island in depth, while walks, scenic routes, and thematic tours will ensure you won't miss a thing. Illustrated food features highlight regional gastronomic delights and the guide comes complete with an impressive selection of restaurants and hotels. With its abundance of sumptuous photographs and expert information on everything from where to go diving to the low-down on the best beaches in Hammamet and sights, markets, beaches, and festivals listed town by town, this DK Eyewitness Travel Guide provides everything you need to ensure the perfect Tunisian break. Don't miss a thing on your vacation with DK Eyewitness Travel: Tunisia. |
| kufic calligraphy: Writing As Intermediary Korn, Lorenz , Metzler, Berenike, 2022-12-20 For the cultural history of the Islamic World, writing has long been recognized as a highly important form of art, as calligraphy has traditionally held a particular place in the perception of Islamic elites and their artistic practices. The culture of calligraphy was intimately connected with the production of prestigious book manuscripts, but reached a climax in the creation of single-leaf calligraphies that were also highly appreciated by collectors in centres of Islamic culture from the Ottoman Mediterranean to post-Timurid Central Asia, Safavid Iran and Mughal India. At the same time, writing by its very nature fulfilled its age-old functions of encoding verbal language as text.The present volume approaches the variegated aspects of writing, fathoming its ambiguous character between text and image. It contains ten contributions that originated from a conference held at the University of Bamberg in 2019. These studies range from text-image relations in precious manuscripts through the use of Chinese decorated paper for artistic book production, the training of calligraphers and the process of design, to the iconic character of writing in the layout of books, single-leaf works of calligraphy, iconic writing in contemporary art, to more theoretical considerations on aesthetic perception. |
| kufic calligraphy: Histories of Ornament Gülru Necipoğlu, Alina Payne, 2016-03-08 This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence). |
| kufic calligraphy: Society and Culture in Bengal Achintya Kumar Dutta, Subhayu Chattopadhyay, 2024-10-31 This book examines the social and cultural history of Bengal through two major themes — the intellectual and cultural dimension, and the socio-economic changes from the ancient to the postcolonial. Essays by major scholars highlight and analyse major debates as well as little known aspects of the region. From currency in ancient Bengal to the establishment of Calcutta, from the social history of Rahr to the challenges of writing history of mediaeval Bengal, from modern medicine to man-made famines, this book brings to the fore the diverse socio-cultural threads that constitute this region. The volume will be of great interest to scholars and researchers of Indian history and culture and South Asian studies. |
| kufic calligraphy: Hiob Ludolf and Johann Michael Wansleben , 2023-12-11 Hiob Ludolf (1624-1704) and Johann Michael Wansleben (1635-1679), the master and his erstwhile student could not be more different. Ludolf was a celebrated member of the Republic of Letters and the towering authority on Ethiopian studies. Wansleben, himself a brilliant scholar and, unlike Ludolf, a seasoned traveller in the Middle East, converted to Catholicism and eventually died impoverished and marginalized. Both stood at the centre of the burgeoning study of Ethiopia and spent a formative part of their career in middle sized Duchy of Saxe-Gotha which for several years played a pivotal role in Ethiopian-European encounters. This volume offers in-depth studies of the remarkable life and work of these two scholars in a broader intellectual, political, and confessional context. |
| kufic calligraphy: Islamic Monuments in Cairo Caroline Williams, 2008-10-01 Cairo's Islamic monuments are part of an uninterrupted tradition that spans over a thousand years of building activity. No other Islamic city can equal Cairo's spectacular heritage, nor trace its historical and architectural development with such clarity. The discovery of this historic core, first visually by nineteenth-century western artists then intellectually by twentieth-century Islamic art specialists, now awaits the delight of the general visitor. This new, fully revised edition of a popular and handy guide continues to walk the visitor around two hundred of the city's most interesting Islamic monuments. It also keeps pace with recent restoration initiatives and newly opened monuments such as the Amir Taz Palace and the Sitt Wasila House. This book ought to be in the luggage of every visitor to Cairo. Furthermore, once home, lovers and students of Cairo's architecture will find it a convenient and accurate quick reference as well as a cherished souvenir of many profitable and enjoyable rambles among the monuments of Cairo. -Jonathan M. Bloom, Journal of the American Research Center in Egypt Any visitor to Cairo who wants to see the monuments should not be without it. -Bernard O'Kane Anyone interested in knowing more about Cairo's Islamic architecture should pick up the excellent Islamic Monuments in Cairo: The Practical Guide. -Lonely Planet: Cairo, 1998 |
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