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| linda vista script: Straight Wheeler Winston Dixon, 2012-02-01 straight / 'strāt (adj.) . . . without curves . . . correct . . . honest . . . not deviating from the normal . . . conventional . . . Heterosexual Practically all mainstream cinema is straight, and has been since its inception. In Straight, Wheeler Winston Dixon explores how heterosexual performativity has been constructed in film, from early cinema to the present day. In addition to discussing how cinematic visions of masculine and feminine desire have been commodified and sold to reinforce existing societal constructs, Dixon also documents the recent emergence of hypermasculinity, a kinetic and exaggerated masculinity that has been created to counter the more gentle, thoughtful male portrayed in While You Were Sleeping, Sleepless in Seattle, and other films that seemingly threaten the established order of patriarchal cinematic discourse. |
| linda vista script: Resources in Education , 1996-10 |
| linda vista script: Siva's Arrow Linda Vista, 2013-07-03 Code breaking, knife fighting, lock picking, wiretapping, digging up your new boyfriend's real identity...High School is educational! Then again, Chloe's dad is trying to kidnap her, the Principal wants to make her shower with the boys, she's going to have to appear in court, and she's got a fan. But he looks cute in a uniform, and swears he's in love with her. If only he didn't seem so crazy. But he's...Chloe's never felt like this, what's going on? The girls will learn who Annie really works for, what she does for a living, and why she carries a gun. How many internets are there? One just for the hoods? Who knew? Chloe acquires a stalker, and his plans for her are direct...and final. Volume Two of My Friend Chloe cranks up the suspense, and turns up the heat a bit, too, in more ways than one. WHO burned those houses down? How do you get your boyfriend out of jail when you're only 14? |
| linda vista script: Streets, Bedrooms, and Patios Michael James Higgins, Tanya L. Coen, 2010-07-05 Diversity characterizes the people of Oaxaca, Mexico. Within this city of half a million, residents are rising against traditional barriers of race and class, defining new gender roles, and expanding access for the disabled. In this rich ethnography of the city, Michael Higgins and Tanya Coen explore how these activities fit into the ordinary daily lives of the people of Oaxaca. Higgins and Coen focus their attention on groups that are often marginalized—the urban poor, transvestite and female prostitutes, discapacitados (the physically challenged), gays and lesbians, and artists and intellectuals. Blending portraits of and comments by group members with their own ethnographic observations, the authors reveal how such issues as racism, sexism, sexuality, spirituality, and class struggle play out in the people's daily lives and in grassroots political activism. By doing so, they translate the abstract concepts of social action and identity formation into the actual lived experiences of real people. |
| linda vista script: Splatter E Stuart Marlowe, 207-07-20 Splatter horror film director Jonathon Gale is desperate for a hit. But his production seems plagued by problems. Innocuous at first. Then one of his actresses is shot dead by her boyfriend, and Jonathon is forced to accept that he’s facing not only a series of unrelated mishaps, but in fact, a full-blown curse. The violence escalates: demonic possession, blood-thirsty zombies, creatures from another world. Someone wants this film to stop. When the skittish financial backers begin to pull out, Jonathon considers dropping the project, cutting his losses, though doing so would surely lead to his shameful exile from the film world. And so he resolves to press on despite the chaos—even if it risks death—making his film while searching for the one who has cast the sinister curse. |
| linda vista script: Beach Erosion Control Report United States. Army. Corps of Engineers. Los Angeles District, 1970 |
| linda vista script: The Agricultural Digest , 1918 |
| linda vista script: California. Court of Appeal (1st Appellate District). Records and Briefs California (State)., |
| linda vista script: Understanding Tracy Letts Thomas Fahy, 2020-09-04 Winner of the Pulitzer Prize in drama as well as Tony Awards for best play and best actor, Tracy Letts has emerged as one of the greatest playwrights of the twenty-first century. Understanding Tracy Letts, the first book dedicated to his writing, is an introduction to his plays and an invitation to engage more deeply with his work—both for its emotional power and cultural commentary. Experiencing a Tracy Letts play often feels akin to reading a Cormac McCarthy novel, watching a Cohen Brothers film, and seeing an episode of Breaking Bad at the same time. His characters can be ruthlessly cruel and funny, selfish and generous, delusional and incisive, and deceptive and painfully honest. They keep secrets. They harbor biases and misconceptions. And in their quest to find love and understanding, they often end up being the greatest impediments to their own happiness. As a writer, Letts can move seamlessly from the milieu of a Texas trailer park to the pulsating nightlife of London's countercultural scene, the stifling quiet of small-town Ohio to the racial tensions of urban Chicago. He thrives in the one-act format, in plays like Mary Page Marlow and The Minutes, as well as the epic scope of August: Osage County and Linda Vista. With a musician's sense of timing, Letts shifts between humor and heartache, silence and sound, and the mundane and the poetic. And he fearlessly tackles issues such as gender bias, racism, homophobia, and disability rights. Contemporary American life thus becomes a way to comment on the country's troubled history from Native American genocide to the civil rights movement. The personal narratives of his characters become gateways to the political. Understanding Tracy Letts celebrates the range of Letts's writing, in part, by applying different critical approaches to his works. Whether through the lens of disability studies, the conspiracy genre, food studies, the feminist politics of quilting, or masculinity studies, these readings help bring out the thematic richness and sociopolitical dimensions of Letts's work. |
| linda vista script: Killer Joe Tracy Letts, 2014-06-02 One of the best American plays of the past quarter century. - Terry Teachout, Wall Street Journal An immensely entertaining pop artifact. Written with neon-lit flamboyance. - Vincent Canby, New York Times A brilliant play. A major theatrical event. - Michael Billington, Guardian “A visceral theatre experience of the highest order. For those who like their theatre strong, not tepid, it's immensely gratifying.” –Backstage The Smith family hatch a plan to murder their estranged matriarch for her insurance money and hire Killer Joe Cooper, a police detective and part-time contract killer, to do the job. Once he enters the trailer, their simple plan spirals out of control. Letts’s unforgettable first play is “a tense, gut-twisting thriller ride” and has been performed in fifteen countries in twelve languages (Chicago Tribune). The film adaptation, released in 2011 and starring Matthew McConaghey, is “written with merciless black humor…one hell of a movie” (Roger Ebert). Tracy Letts was awarded the 2008 Pulitzer Prize for Drama and Tony Award for Best Play for August: Osage County, which premiered at Steppenwolf Theatre Company in 2007 before playing Broadway, London's National Theatre, and a forty-week US tour. Other plays include Pulitzer Prize finalist Man from Nebraska; Killer Joe, which was adapted into a critically acclaimed film; and Bug, which has played in New York, Chicago, and London and was adapted into a film. Letts is an ensemble member of Steppenwolf Theatre Company and garnered a Tony Award for his performance in the Broadway revival of Who's Afraid of Virginia Woolf? |
| linda vista script: "Cape Times" Law Reports Cape of Good Hope (South Africa). Supreme Court, 1904 |
| linda vista script: Desert Hot Springs Desert Hot Springs Historical Society, 2014-12-15 Cabot Yerxas discovery of natural hot and cold mineral water in 1914 was the impetus for the establishment of Desert Hot Springs. His eccentric pueblo-style home, which is listed in the National Register of Historic Places, is a unique tourist attraction. L.W. Coffee also recognized the value of the hot water, so he drilled wells and opened his famous bathhouse in 1941. The development of more than 200 spas followed. Angel View Childrens Hospital, established in the 1950s, uses the therapeutic water to treat disabled children. The citys extraordinary, pure cold water wins awards such as best tasting in the world. Desert Hot Springs is the location of architect John Lautners first desert commission, and Mary Pickfords house still stands at the famous B-Bar-H Ranch that was frequented by movie stars during the 1940s and 1950s. The historic Two Bunch Palms Resort and Spa is known as an exclusive celebrity hideaway. The city, believed to have an unusually strong vortex, is located just south of Joshua Tree National Park. An elevation of 1,200 feet affords most residents magnificent views of both Mount San Jacinto and Mount San Gorgonio. |
| linda vista script: A Funeral in the Rain Linda Vista, 2013-10-11 Chloe and Ness make a new friend. So naturally they get caught up in secret plots involving atomic weapons and Cabinet secretaries. They're still breaking codes, but these codes are coming from a cult. Or is the cult a front? And is it a front for some airhead drug users, or a foreign intelligence service? Maggie, I hope you're sane, 'cause I really like you. Chloe smiled. You're brave, Chloe. You know how few people would say something like that? She was taken because her parents can build bombs. She'll have seconds to tell where she is, but you're the only ones who'll understand it. Willie gave Maggie a knife. It's sharp. It's the sharpest thing you've ever handled. If you get clumsy, you can lose fingers, or cut an artery. What makes it so sharp? I do. Willie never blinked. Ness nodded, The good news is, she works at a coffee house. There's no such thing as too much coffee! |
| linda vista script: Kimball's Dairy Farmer , 1916 |
| linda vista script: Glass Mountain R M Koster, 2001-06-05 Glass Mountain renders the details and tension of a covert military operation with riveting immediacy, then turns the excitement higher through a rescue and escape Carlos improvises on the fly.--BOOK JACKET. |
| linda vista script: West's California Reporter , 1990 |
| linda vista script: Reports of All Cases Decided in the Supreme Court , 1904 |
| linda vista script: Focus On: 100 Most Popular Television Series by Warner Bros. Television Wikipedia contributors, |
| linda vista script: Man in Black Deirdre O'Dare, 2022-11-05 Melissa Hartford, burdened by guilt over her domineering father's death, meets Lawton Kane in a wild west re-enactment. She must become independent, and fears Lawton's strength will curtail this, yet her heart recognizes him as her savior. Haunted by ghosts from a brutal past, Lawton dares not let Melissa close lest enemies target him through her. When one closes in, they must combine forces for safety though enforced intimacy creates its own hazards. |
| linda vista script: Resources in Education , 1981 |
| linda vista script: Los Angeles Financier , 1908 |
| linda vista script: A Companion to California Wine Charles L. Sullivan, 1998-10 Sullivan's encyclopedic handbook traces the Golden State's wine industry from its mission period and Gold Rush origins down to last year's planting and vintage statistics--a complete reference, in handy A to Z format. 75 photos plus maps & tables. |
| linda vista script: Handsome Heroes & Vile Villains Amy M. Davis, 2014-01-31 From dwarves to princes, heroes to heartbreakers, the Disney treatment of male characters in the studio’s animated features. One of PopSugar’s Best Books for Women (2013) From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion volume to Good Girls and Wicked Witches places these depictions within the context of Hollywood and American popular culture at the time of each film’s release. “Within her idealism and love for the House of the Mouse, it seems Davis is on to something. Whether idealistic or delusional, the Disney she talks about seems to be a thing that’s waiting just around the corner.” —PopMatters |
| linda vista script: Popular Gardening and Living Outdoors , 1963 |
| linda vista script: Cumulative List of Organizations Described in Section 170 (c) of the Internal Revenue Code of 1954 United States. Internal Revenue Service, 1991 |
| linda vista script: Energy Conservation Activity Packet: Grade 6 , 1980 |
| linda vista script: Development of an interpretive structural model and strategies for implementation based on a descriptive and prescriptive analysis of resources for environmental education/studies John N. Warfield, 1978 |
| linda vista script: The Journal of Biological Psychology , 1971 |
| linda vista script: Energy Conservation Activity Packet: Grade 5 , 1980 |
| linda vista script: San Diego Magazine , 2003-04 |
| linda vista script: Energy Conservation Activity Packet: Grade 4 , 1980 |
| linda vista script: The Episcopalian , 1966 |
| linda vista script: Half Moon Bay Jonathan Kellerman, Jesse Kellerman, 2021-06-29 Deputy Coroner Clay Edison discovers that buried secrets can be deadly in this riveting thriller from a father-son team of bestselling authors who write “brilliant, page-turning fiction” (Stephen King). An ID Book Club Selection Clay Edison has his hands full. He’s got a new baby who won't sleep. He’s working the graveyard shift. And he’s trying, for once, to mind his own business. Then comes the first call. Workers demolishing a local park have made a haunting discovery: the decades-old skeleton of a child. But whose? And how did it get there? No sooner has Clay begun to investigate than he receives a second call—this one from a local businessman, wondering if the body could belong to his sister. She went missing fifty years ago, the man says. Or at least I think she did. It’s a little complicated. And things only get stranger from there. Clay’s relentless search for answers will unearth a history of violence and secrets, revolution and betrayal. Because in this town, the past isn’t dead. It’s very much alive. And it can be murderous. |
| linda vista script: Instruction Delivery Systems , 1992 |
| linda vista script: World Who's who in Commerce and Industry , 1951 |
| linda vista script: Bug Tracy Letts, 2005 THE STORY: Set in a seedy Oklahoma City motel room, the play centers on the meeting between Agnes, a divorced waitress with a fondness for cocaine and isolation, and Peter, a soft-spoken Gulf War drifter introduced to her by her lesbian friend, R.C |
| linda vista script: School Library Media Quarterly , 1989 |
| linda vista script: Kimball's Dairy Farmer , 1916 |
| linda vista script: Who's who in California Russell Holmes Fletcher, 1941 |
| linda vista script: Fast Cars and Frybread Gordon Johnson, 2007 A heartfelt, yet honest look at Rez lifeThis is a collection of approximately 40 columns about life on the Pala Indian Reservation from the Riverside Press-Enterprise. It is a sequel to his self-published book, Rez Dogs Eat Beans. |
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