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| leila ahmed discourse of the veil: Women and Gender in Islam Leila Ahmed, 2021 A classic, pioneering account of the lives of women in Islamic history, republished for a new generation This pioneering study of the social and political lives of Muslim women has shaped a whole generation of scholarship. In it, Leila Ahmed explores the historical roots of contemporary debates, ambitiously surveying Islamic discourse on women from Arabia during the period in which Islam was founded to Iraq during the classical age to Egypt during the modern era. The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its subject, the best-informed, most sympathetic and reliable one that exists today.”—Edward W. Said “Destined to become a classic. . . . It gives [Muslim women] back our rightful place, at the center of our histories.”—Rana Kabbani, The Guardian |
| leila ahmed discourse of the veil: A Quiet Revolution Leila Ahmed, 2011-04-29 A probing study of the veil's recent return—from one of the world's foremost authorities on Muslim women—that reaches surprising conclusions about contemporary Islam's place in the West todayIn Cairo in the 1940s, Leila Ahmed was raised by a generation of women who never dressed in the veils and headscarves their mothers and grandmothers had worn. To them, these coverings seemed irrelevant to both modern life and Islamic piety. Today, however, the majority of Muslim women throughout the Islamic world again wear the veil. Why, Ahmed asks, did this change take root so swiftly, and what does this shift mean for women, Islam, and the West?When she began her study, Ahmed assumed that the veil's return indicated a backward step for Muslim women worldwide. What she discovered, however, in the stories of British colonial officials, young Muslim feminists, Arab nationalists, pious Islamic daughters, American Muslim immigrants, violent jihadists, and peaceful Islamic activists, confounded her expectations. Ahmed observed that Islamism, with its commitments to activism in the service of the poor and in pursuit of social justice, is the strain of Islam most easily and naturally merging with western democracies' own tradition of activism in the cause of justice and social change. It is often Islamists, even more than secular Muslims, who are at the forefront of such contemporary activist struggles as civil rights and women's rights. Ahmed's surprising conclusions represent a near reversal of her thinking on this topic.Richly insightful, intricately drawn, and passionately argued, this absorbing story of the veil's resurgence, from Egypt through Saudi Arabia and into the West, suggests a dramatically new portrait of contemporary Islam. |
| leila ahmed discourse of the veil: Feminist Theory Reader Carole Ruth McCann, Seung-Kyung Kim, 2010 Feminist Theory Reader, second edition, continues its unique approach of anthologizing the important works of feminist theory within a multiracial transnational framework. Classic works in feminist theory by scholars such as Simone De Beauvoir, Gloria Anzaldua, Judith Butler, belle hooks, Nancy Hartsock, Deniz Kandiyoti,and Chandra Talpade Mohanty appear alongside cutting-edge scholarship by Paula Moya, Aiwha Ong, Raewyn Connell, Suzanne Walters, Mrinalina Sinha, and Rhacel Parreas. The new edition significantly updates both the local and global perspectives that distinguished the first edition, incorporating themes and debates on the rise in the contemporary feminist scholarship. |
| leila ahmed discourse of the veil: Postcolonialisms Gaurav Gajanan Desai, Supriya Nair, 2005 Canonical articles, most unexcerpted, explore postcolonialism's key themes--power and knowledge--while articles by contemporary scholars expand the discipline to include discussions of the discovery of the New World, Native American and indigenous identities in Latin America and the Pacific, settler colonies in Africa and Australia, English colonialism in Ireland, and feminism in Nigeria and Egypt. The inclusion of a broad sampling of histories and theories attests to multiple, even competing postcolonialisms, while the skillful organization of the volume provides a useful map of the field in terms of recognizable patterns, shared family resemblances, and common genealogies. |
| leila ahmed discourse of the veil: The Letters of Lady M. W. Montagu, During the Embassy to Constantinople 1716-18 Lady Mary Wortley Montagu, 1835 |
| leila ahmed discourse of the veil: Do Muslim Women Need Saving? Lila Abu-Lughod, 2013-11-12 Do Muslim Women Need Saving? is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam. It offers a detailed, moving portrait of the actual experiences of ordinary Muslim women, and of the contingencies with which they live. |
| leila ahmed discourse of the veil: Being Muslim Sylvia Chan-Malik, 2018-06-26 Four american moslem ladies: early U.S. Muslim women in the Ahmadiyya Movement in Islam, 1920-1923 -- Insurgent domesticity: race and gender in representations of NOI Muslim women during the Cold War era -- Garments for one another: Islam and marriage in the lives of Betty Shabazz and Dakota Staton -- Chadors, feminists, terror: constructing a U.S. American discourse of the veil -- A third language: Muslim feminism in Smerica -- Conclusion: Soul Flower Farm |
| leila ahmed discourse of the veil: Books-In-Brief: Rethinking Muslim Women & The Veil Katherine Bullock, 2010-01-01 Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil. |
| leila ahmed discourse of the veil: Muslims at the Margins of Europe Tuomas Martikainen, José Mapril, Adil Hussain Khan, 2019-07-29 This volume focuses on Muslims in Finland, Greece, Ireland and Portugal, representing the four corners of the European Union today. It highlights how Muslim experiences can be understood in relation to a country’s particular historical routes, political economies, colonial and post-colonial legacies, as well as other factors, such as church-state relations, the role of secularism(s), and urbanisation. This volume also reveals the incongruous nature of the fact that national particularities shaping European Muslim experiences cannot be understood independently of European and indeed global dynamics. This makes it even more important to consider every national context when analysing patterns in European Islam, especially those that have yet to be fully elaborated. The chapters in this volume demonstrate the contradictory dynamics of European Muslim contexts that are simultaneously distinct yet similar to the now familiar ones of Western Europe’s most populous countries. |
| leila ahmed discourse of the veil: Gender, Orientalism, and the War on Terror' Maryam Khalid, 2017-06-26 This book offers an accessible and timely analysis of the ‘War on Terror’, based on an innovative approach to a broad range of theoretical and empirical research. It uses ‘gendered orientalism’ as a lens through which to read the relationship between the George W. Bush administration, gendered and racialized military intervention, and global politics. Khalid argues that legitimacy, power, and authority in global politics, and the ‘War on Terror’ specifically, are discursively constructed through representations that are gendered and racialized, and often orientalist. Looking at the ways in which ‘official’ US ‘War on Terror’ discourse enabled military intervention into Afghanistan and Iraq, the book takes a postcolonial feminist approach to broaden the scope of critical analyses of the ‘War on Terror’ and reflect on the gendered and racial underpinnings of key relations of power within contemporary global politics. This book is a unique, innovative and significant analysis of the operation of race, orientalism, and gender in global politics, and the ‘War on Terror’ specifically. It will be of great interest to scholars and graduates interested in gender politics, development, humanitarian intervention, international (global) relations, Middle East politics, security, and US foreign policy. |
| leila ahmed discourse of the veil: Sex and Lies Leïla Slimani, 2020-02-18 'Striking' ELLE France 'Brave' iNews 'Powerful' TLS 'Urgent' Evening Standard 'Original' Cosmopolitan The first work of non-fiction in English from the prize-winning and internationally bestselling author of Lullaby and Adèle, translated by Sophie Lewis. In these essays, Leïla Slimani gives voice to young Moroccan women who are grappling with a conservative Arab culture that at once condemns and commodifies sex. In a country where the law punishes and outlaws all forms of sex outside marriage, as well as homosexuality and prostitution, women have only two options for their sexual identities: virgin or wife. Sex and Lies is an essential confrontation with Morocco's intimate demons and a vibrant appeal for the universal freedom to be, to love and to desire. |
| leila ahmed discourse of the veil: A Border Passage Leila Ahmed, 2012-04-24 An Egyptian woman's reflections on her changing homeland—updated with an afterword on the Arab Spring In language that vividly evokes the lush summers of Cairo and the stark beauty of the Arabian desert, Leila Ahmed movingly recounts her Egyptian childhood growing up in a rich tradition of Islamic women and describes how she eventually came to terms with her identity as a feminist living in America. As a young woman in Cairo in the forties and fifties, Ahmed witnessed some of the major transformations of this century—the end of British colonialism, the rise of Arab nationalism, and the breakdown of Egypt's once multireligious society. As today's Egypt continues to undergo revolutionary change, Ahmed's inspirational story remains as poignant and relevant as ever. |
| leila ahmed discourse of the veil: Politics of Piety Saba Mahmood, 2011-10-03 Politics of Piety is a groundbreaking analysis of Islamist cultural politics through the ethnography of a thriving, grassroots women's piety movement in the mosques of Cairo, Egypt. Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. Saba Mahmood's compelling exposition of these practices challenges this assumption by showing how the ethical and the political are indelibly linked within the context of such movements. Not only is this book a sensitive ethnography of a critical but largely ignored dimension of the Islamic revival, it is also an unflinching critique of the secular-liberal assumptions by which some people hold such movements to account. The book addresses three central questions: How do movements of moral reform help us rethink the normative liberal account of politics? How does the adherence of women to the patriarchal norms at the core of such movements parochialize key assumptions within feminist theory about freedom, agency, authority, and the human subject? How does a consideration of debates about embodied religious rituals among Islamists and their secular critics help us understand the conceptual relationship between bodily form and political imaginaries? Politics of Piety is essential reading for anyone interested in issues at the nexus of ethics and politics, embodiment and gender, and liberalism and postcolonialism. In a substantial new preface, Mahmood addresses the controversy sparked by the original publication of her book and the scholarly discussions that have ensued. |
| leila ahmed discourse of the veil: Speaking of Faith Krista Tippett, 2008-01-29 A thought-provoking, original appraisal of the meaning of religion by the host of public radio's On Being Krista Tippett, widely becoming known as the Bill Moyers of radio, is one of the country's most intelligent and insightful commentators on religion, ethics, and the human spirit. With this book, she draws on her own life story and her intimate conversations with both ordinary and famous figures, including Elie Wiesel, Karen Armstrong, and Thich Nhat Hanh, to explore complex subjects like science, love, virtue, and violence within the context of spirituality and everyday life. Her way of speaking about the mysteries of life-and of listening with care to those who endeavor to understand those mysteries--is nothing short of revolutionary. |
| leila ahmed discourse of the veil: Formations of the Secular Talal Asad, 2003-02-03 Opening with the provocative query what might an anthropology of the secular look like? this book explores the concepts, practices, and political formations of secularism, with emphasis on the major historical shifts that have shaped secular sensibilities and attitudes in the modern West and the Middle East. Talal Asad proceeds to dismantle commonly held assumptions about the secular and the terrain it allegedly covers. He argues that while anthropologists have oriented themselves to the study of the strangeness of the non-European world and to what are seen as non-rational dimensions of social life (things like myth, taboo, and religion),the modern and the secular have not been adequately examined. The conclusion is that the secular cannot be viewed as a successor to religion, or be seen as on the side of the rational. It is a category with a multi-layered history, related to major premises of modernity, democracy, and the concept of human rights. This book will appeal to anthropologists, historians, religious studies scholars, as well as scholars working on modernity. |
| leila ahmed discourse of the veil: Veil Institute of International Visual Arts, 2003 |
| leila ahmed discourse of the veil: Refusing the Veil Yasmin Alibhai-Brown, 2014-11-27 This topic divides people - and it will divide readers of this book too. Many Muslims worldwide either support or adopt religious veiling, and those who argue against it are often criticised, or worse. But, according to Yasmin Alibhai-Brown, the veil throws up a number of concerns, from questions of health and freedom of choice to issues of gender and personal identity. She argues that veiling conceals abuse, propagates eating disorders and restricts access to sunlight and exercise. It is imposed on babies and young girls, allows women to be shamed for not covering up, and has become associated with extremist factions. It demonises men, oppresses feminism and presents obstacles to performance and success. It even encourages racism, distorts Muslim values and strips women of autonomy and individuality. Written from a unique perspective and packed with personal experiences as well as public examples, Yasmin addresses the ultimate question of why Muslim women everywhere should refuse the veil. |
| leila ahmed discourse of the veil: Innovation in Islam Mehran Kamrava, 2011-04-18 “In a clear and historically incisive argument, Kamrava and the other contributors indicate how the Islamic concept of innovation (Arabic, bid ‘a) is an essentially contested and adaptive concept. Since the time of the Prophet Muhammad, Muslims have vigorously argued about its meaning and how to apply it. This incisive collection of essays range far beyond the confines of theology and jurisprudence, integrating ideological concerns with the exigencies of mundane ones, as well as crossing the sectarian divide of Sunni and Shia.” —Dale Eickelman, author of Muslim Politics The economic and political underdevelopment of the Islamic world is commonly attributed to conservatism rooted in Islam. This splendid collection of provocative essays addresses the issue from several different perspectives and in various contexts. Collectively, the essays provide a broad introduction to the topic of innovation in Islam, both through what they teach and what they invite the reader to pursue. —Timur Kuran, author of The Long Divergence: How Islamic Law Held Back the Middle East “Muhammad brought new ideas and practices to the monotheistic tradition, but Muslim scholars interpreting the Qur’an and ahadith sought to squelch ideas that smacked of innovation. Such is the conventional wisdom. But Mehran Kamrava leads a stable of distinguished scholars in demonstrating persuasively that innovation has never ceased to mark the Islamic tradition. Indeed, the greatest modern innovators may be those Islamists who denounce innovation! These powerful essays overwhelm the conventional wisdom.” —Robert D. Lee, author of Religion and Politics in the Middle East: Identity, Ideology, Institutions, and Attitudes |
| leila ahmed discourse of the veil: Palestinian Art Gannit Ankori, 2013-06-01 Turmoil and violence have defined the lives of Palestinian people over the last few decades, yet in the midst of the chaos artists live and thrive, creating little-seen work that is a powerful response to their situation. Gannit Ankori's Palestinian Art is the first in-depth English-language assessment of contemporary Palestinian art, and it offers an unprecedented and wholly original overview of this art in all its complexity. Ankori comprehensively traces the full history and development of Palestinian art, from its roots in folk art and traditional Christian and Islamic painting to the predominance of nationalistic themes and diverse media used today. Drawing on over a decade of extensive research, studio visits, and interviews, Ankori explores the vast oeuvre of prominent contemporary Palestinian artists, navigating between the personal and biographical dimensions of specific artworks and the symbolic meanings embedded within them. She provides detailed interpretations of many works and considers the complex historical, geographical, political, and cultural contexts in which the art was created. Questions of gender, exile, colonialism, postcolonialism, and hybridity are integral to Ankori's investigation as she probes the influence and thematic dominance of issues such as rootedness and displacement in Palestinian art. Palestinian Art is a fascinating introduction to a virtually unknown visual culture that has been subsumed under the torrent of current political turmoil. A groundbreaking and essential work of art scholarship, Palestinian Art illuminates new and unique facets of the Palestinian cultural identity. |
| leila ahmed discourse of the veil: Black Morocco Chouki El Hamel, 2014-02-27 Black Morocco: A History of Slavery, Race, and Islam chronicles the experiences, identity and achievements of enslaved black people in Morocco from the sixteenth century to the beginning of the twentieth century. Chouki El Hamel argues that we cannot rely solely on Islamic ideology as the key to explain social relations and particularly the history of black slavery in the Muslim world, for this viewpoint yields an inaccurate historical record of the people, institutions and social practices of slavery in Northwest Africa. El Hamel focuses on black Moroccans' collective experience beginning with their enslavement to serve as the loyal army of the Sultan Isma'il. By the time the Sultan died in 1727, they had become a political force, making and unmaking rulers well into the nineteenth century. The emphasis on the political history of the black army is augmented by a close examination of the continuity of black Moroccan identity through the musical and cultural practices of the Gnawa. |
| leila ahmed discourse of the veil: Muslims in the West Yvonne Yazbeck Haddad, 2002-04-11 Today, Muslims are the second largest religious group in much of Europe and North America. The essays in this collection look both at the impact of the growing Muslim population on Western societies, and how Muslims are adapting to life in the West. Part I looks at the Muslim diaspora in Europe, comprising essays on Britain, France, Germany, Switzerland, Norway, Sweden, Denmark, Italy, and the Netherlands. Part II turns to the Western Hemisphere and Muslims in the U.S. , Canada, and Mexico. Throughout, the authors contend with such questions as: Can Muslims retain their faith and identity and at the same time accept and function within the secular and pluralistic traditions of Europe and America? What are the limits of Western pluralism? Will Muslims come to be fully accepted as fellow citizens with equal rights? An excellent guide to the changing landscape of Islam, this volume is an indispensable introduction to the experiences of Muslims in the West, and the diverse responses of their adopted countries. |
| leila ahmed discourse of the veil: Discourse and Discrimination Geneva Smitherman, Teun A. van Dijk, 1988 Discourse and Discrimination is a study of how racism, antisemitism and ethnicism are reflected in discourse. The authors first survey five established discourse analysis approaches before providing their own model and three case-studies. Drawing on a wide range of sources, they question why racism and anti-Semitism are still virulent worldwide. |
| leila ahmed discourse of the veil: The Veil And The Male Elite Fatima Mernissi, 1992-12-21 Convinced that the veil is a symbol of unjust male authority over women, in The Veil and the Male Elite, Moroccan feminist Fatima Mernissi aims to investigate the origins of the practice in the first Islamic community. |
| leila ahmed discourse of the veil: Discourse, War and Terrorism Adam Hodges, Chad Nilep, 2007-01-01 Discourse since September 11, 2001 has constrained and shaped public discussion and debate surrounding terrorism worldwide. Social actors in the Americas, Europe, Asia, the Middle East and elsewhere employ the language of the war on terror to explain, react to, justify and understand a broad range of political, economic and social phenomena. Discourse, War and Terrorism explores the discursive production of identities, the shaping of ideologies, and the formation of collective understandings in response to 9/11 in the United States and around the world. At issue are how enemies are defined and identified, how political leaders and citizens react, and how members of societies understand their position in the world in relation to terrorism. Contributors to this volume represent diverse sub-fields involved in the critical study of language, including perspectives from sociocultural linguistics, communication, media, cultural and political studies. |
| leila ahmed discourse of the veil: When Women Speak... Moyra Dale, Cathy Hine, Carol Walker, 2018 The twentieth century should be remembered in missions as the time when women got lost. Over that time, the voices of women missionaries, leaders, and facilitators of new Christian movements were all too often excluded from missiological discourse and strategic mission discussion. It is hoped that this book signals a revival in the contribution of women to mission in a way that values what they have to offer. |
| leila ahmed discourse of the veil: Islam in Liberalism Joseph A. Massad, 2015-01-06 “Demonstrates that Western liberal ‘democracy’, portrayed as foreign to ‘Islam’, necessarily serves an imperial project. . . . timely and controversial.” —Politics, Religion & Ideology Islam is often associated with words like oppression, totalitarianism, intolerance, cruelty, misogyny, and homophobia, while its presumed antonyms are Christianity, the West, liberalism, individualism, freedom, citizenship, and democracy. In the most alarmist views, the West’s most cherished values—freedom, equality, and tolerance—are said to be endangered by Islam worldwide. Joseph Massad’s Islam in Liberalism explores what Islam has become in today’s world. He seeks to understand how anxieties about tyranny, intolerance, misogyny, and homophobia, seen in the politics of the Middle East, are projected onto Islam itself. Massad shows that through this projection Europe emerges as democratic and tolerant, feminist, and pro-LGBT rights—or, in short, Islam-free. Massad documents the Christian and liberal idea that we should missionize democracy, women’s rights, sexual rights, tolerance, equality, and even therapies to cure Muslims of their un-European, un-Christian, and illiberal ways. Along the way he sheds light on a variety of controversial topics, including the meanings of democracy—and the ideological assumption that Islam is not compatible with it while Christianity is. Islam in Liberalism is an unflinching critique of Western assumptions and of the liberalism that Europe and America present as salvation to Islam. “Essential reading for all scholars of Islam and Middle East politics.” —Cambridge Review of International Affairs “Reminds us that in order to move beyond scholarship revolving around a simplistic binarism between West and non-West, we must never forget how this opposition has shaped and continues to actively influence scholarship today.” —Los Angeles Review of Books |
| leila ahmed discourse of the veil: What is Veiling? Sahar Amer, 2014-09-09 In an environment of increasing conservatism, in a world where a woman's right to wear the headscarf has become a touchstone for issues of all sorts, and at a time when racial and religious profiling has become commonplace, it is our political and social |
| leila ahmed discourse of the veil: Feminist Practices Lori A. Brown, 2016-04-15 Women continue to be extremely under-represented in the architectural profession. Despite equal numbers of male and female students entering architectural studies, there is at least 17-25% attrition of female students and not all remaining become practicing architects. In both the academic and the professional fields of architecture, positions of power and authority are almost entirely male, and as such, the profession is defined by a heterosexual, Eurasian male perspective. This book argues that it is vital for all architectural students and practitioners to be exposed to a diversity of contemporary architectural practices, as this might provide a first step into broadening awareness and transforming architectural engagement. It considers the relationships between feminist methodologies and the various approaches toward design and their impact upon our understanding and relationship to the built environment. In doing so, this collection challenges two conventional ideas: firstly, the definition of architecture and secondly, what constitutes a feminist practice. This collection of up-and-coming female architects and designers use a wide range of local and global examples of their work to question different aspects of these two conventional ideas. While focusing on feminist perspectives, the book offers insights into many different issues, concerns and interpretations of architecture, proposing through these types of engagement, architecture can become more culturally, politically and environmentally relevant. This 'next generation' of architects claim feminism as their own and through doing so, help define what feminism means and how it is evolving in the 21st century. |
| leila ahmed discourse of the veil: The Subject of Liberty Nancy J. Hirschmann, 2009-01-10 This book reconsiders the dominant Western understandings of freedom through the lens of women's real-life experiences of domestic violence, welfare, and Islamic veiling. Nancy Hirschmann argues that the typical approach to freedom found in political philosophy severely reduces the concept's complexity, which is more fully revealed by taking such practical issues into account. Hirschmann begins by arguing that the dominant Western understanding of freedom does not provide a conceptual vocabulary for accurately characterizing women's experiences. Often, free choice is assumed when women are in fact coerced--as when a battered woman who stays with her abuser out of fear or economic necessity is said to make this choice because it must not be so bad--and coercion is assumed when free choices are made--such as when Westerners assume that all veiled women are oppressed, even though many Islamic women view veiling as an important symbol of cultural identity. Understanding the contexts in which choices arise and are made is central to understanding that freedom is socially constructed through systems of power such as patriarchy, capitalism, and race privilege. Social norms, practices, and language set the conditions within which choices are made, determine what options are available, and shape our individual subjectivity, desires, and self-understandings. Attending to the ways in which contexts construct us as subjects of liberty, Hirschmann argues, provides a firmer empirical and theoretical footing for understanding what freedom means and entails politically, intellectually, and socially. |
| leila ahmed discourse of the veil: Does My Head Look Big in This? Randa Abdel-Fattah, 2014-05-01 Don't panic - I'm Islamic! Amal is a 16-year-old Melbourne teen with all the usual obsessions about boys, chocolate and Cosmo magazine. She's also a Muslim, struggling to honour the Islamic faith in a society that doesn't understand it. The story of her decision to shawl up is funny, surprising and touching by turns. |
| leila ahmed discourse of the veil: Muhammad in the Digital Age Ruqayya Yasmine Khan, 2015-11-15 The early twenty-first century has experienced an unrivaled dissemination of information and misinformation about Islam, its prophet Muhammad, and its followers, largely facilitated by the fact that the tragedy of 9/11 roughly coincided with the advent of the digital age. In the first collection of its kind, Ruqayya Khan has compiled essays that treat Muhammad and the core elements of Islam as focal points in an exploration of how the digital era—including social media and other expressions—have both had an effect on and been affected by Islam. Scholars from a variety of fields deal with topics such as the 2005 cartoon controversy in Denmark and the infamous 2012 movie trailer “Innocence of Muslims” that some believe sparked the attacks on the US consulate in Benghazi, as well as how the digitization of ancient texts have allowed the origins of Islam to be studied in new ways. Other essays examine how Muhammad’s wives have been represented in various online sources, including a web comic; the contrasting depictions of Muhammad as both a warrior and peacemaker; and how the widespread distribution of “the look” of Islamic terrorists has led to attacks on Sikhs, whose only point of resemblance to them may be a full beard. These findings illuminate the role of the Internet in forms of representation, advocacy, and engagement concerning Islam and Muslims in our world today. |
| leila ahmed discourse of the veil: Getting Even Evelyn Murphy, E.J. Graff, 2006-10-10 In a book sure to explode into public debate, Getting Even reveals why the wage gap between men and women is not going away on its own. |
| leila ahmed discourse of the veil: Sexual Ethics and Islam Kecia Ali, 2016-01-07 Whether exploring the thorny issues of wives’ sexual duties, divorce, homosexuality, or sex outside marriage, discussions of sexual ethics and Islam often spark heated conflict rather than reasoned argument. In this updated and expanded edition of her ground-breaking work, feminist Muslim scholar Dr Kecia Ali asks how one can determine what makes sex lawful and ethical in the sight of God. Drawing on both revealed and interpretative Muslim texts, Ali critiques medieval and contemporary commentators alike to produce a balanced and comprehensive study of a subject both sensitive and urgent, making this an invaluable resource for students, scholars, and interested readers. |
| leila ahmed discourse of the veil: The Girl in the Tangerine Scarf Mojha Kahf, 2009-03-17 Syrian immigrant Khadra Shamy is growing up in a devout, tightly knit Muslim family in 1970s Indiana, at the crossroads of bad polyester and Islamic dress codes. Along with her brother Eyad and her African-American friends, Hakim and Hanifa, she bikes the Indianapolis streets exploring the fault-lines between Muslim and American. When her picture-perfect marriage goes sour, Khadra flees to Syria and learns how to pray again. On returning to America she works in an eastern state -- taking care to stay away from Indiana, where the murder of her friend Tayiba's sister by Klan violence years before still haunts her. But when her job sends her to cover a national Islamic conference in Indianapolis, she's back on familiar ground: Attending a concert by her brother's interfaith band The Clash of Civilizations, dodging questions from the aunties and uncles, and running into the recently divorced Hakim everywhere. Beautifully written and featuring an exuberant cast of characters, The Girl in the Tangerine Scarf charts the spiritual and social landscape of Muslims in middle America, from five daily prayers to the Indy 500 car race. It is a riveting debut from an important new voice. |
| leila ahmed discourse of the veil: Out of Egypt Ihab Hassan, 1986 Like The Cross-Legged Scribe he describes so vividly, Ihab Hassan lives under Medu-netcher, the sign of the word. For Hassan, a critic is far more than a conservator or maker of judgments. In his work he has investigated not only the state of current literature but the thoughts and feelings that inform it. The important questions before the human race are not literary questions, he acknowledges in Paracriticisms (1975). They are questions of consciousness-- reason, dream, love. If humanity, as Hassan's work progressively suggests, is being transformed by a new universal consciousness, it is appropriate, perhaps essential, that critics such as he examine their own evolution as thinking and feeling beings. Out of Egypt, Hassan has never returned, preferring instead the continuing journey: In journeys, we hear the cadences of the universe itself, and endure our death, going hence, coming hither. 'Ripeness is all.' The process of ripening is dependent in this inter-textual age upon the blending of minds into minds, voices into voices, making it necessary for Hassan to weave into his narrative brief essays, citations, and quotations--including some from his previous work. |
| leila ahmed discourse of the veil: Minaret Leila Aboulela, 2007-12-01 “A beautiful, daring, challenging novel” of a young Muslim immigrant—from the author of the New York Times Notable Book, The Translator (The Guardian). Leila Aboulela’s American debut is a provocative, timely, and engaging novel about a young Muslim woman—once privileged and secular in her native land and now impoverished in London—gradually embracing her orthodox faith. With her Muslim hijab and down-turned gaze, Najwa is invisible to most eyes, especially to the rich families whose houses she cleans in London. Twenty years ago, Najwa, then at university in Khartoum, would never have imagined that one day she would be a maid. An upperclass Westernized Sudanese, her dreams were to marry well and raise a family. But a coup forces the young woman and her family into political exile in London. Soon orphaned, she finds solace and companionship within the Muslim community. Then Najwa meets Tamer, the intense, lonely younger brother of her employer. They find a common bond in faith and slowly, silently, begin to fall in love. Written with directness and force, Minaret is a lyric and insightful novel about Islam and an alluring glimpse into a culture Westerners are only just beginning to understand. “Lit up by a highly unusual sensibility and world view, so rarefied and uncompromising that it is likely to throw the reader out of kilter . . . Her delicacy of touch is to be complimented.” —Chandrahas Choudhury, San Francisco Chronicle |
| leila ahmed discourse of the veil: Between Warrior Brother and Veiled Sister Minoo Moallem, 2005-07-11 This is a stunning and original book. It will intervene in existing fields and discourses to change the way Islamic fundamentalism is viewed in the West.—Caren Kaplan, Associate Professor of Women and Gender Studies and Chair of Cultural Studies at the University of California Davis. Between Warrior Brother and Veiled Sister is an original and venturesome piece of work. It is daring in its willingness to test just how far the definition of 'fundamentalism' might be extended in contemporary Iran. It sketches lucidly the gendered crises of identity that have emerged there in the wake of colonization/Europeanization and decolonization.—Parama Roy, Associate Professor of English at UC Riverside, author of Indian Traffic: Identities in Question in Colonial and Postcolonial India. Between Warrior Brother and Veiled Sister is ground-breaking, enlightening, and challenges mainstream constructions of Islam as fanatic and backward. This book will similarly contribute to the writings on race and gender relations, religion and secularism, cultural nationalism, religious fundamentalism, and popular culture and visual media. The personal, biographical and visual examples are effective in making the more nuanced and complex theoretical arguments tangible and provocative. Exciting and innovative.—Ella Shohat, Professor of Cultural Studies, New York University |
| leila ahmed discourse of the veil: Women and Politics in Iran Hamideh Sedghi, 2007 Why were urban women veiled in early 1900s, unveiled 1936 to 1979, and reveiled after 1979 revolution? This question is the basis of Hamideh Sedghi's contribution to politics and Middle Eastern studies. Sedghi gives new knowledge on women's agency in relation to state power. She places contention over women at center of political struggle between secular and religious forces and shows that control over women's identities, sexuality, and labor has been central to consolidation of state power. She links politics and culture with economics to present an analysis of private and public lives of different classes of women and their modes of resistance to state power. Sedghi incorporates women in Iranian history, focuses on state-gender-religion relations and addresses women's responses to Iranian state, women's agency, and their resistance-- Publisher's description. |
| leila ahmed discourse of the veil: Postmodernism and The Other Ziauddin Sardar, 1998 Postmodernism has often been presented as a new theory of liberation that promotes pluralism and gives representation to the marginalised peoples of the non-west and 'other' cultures.In this major assessment of postmodernism from a non-western perspective, Ziauddin Sardar offers a radical critique of this view. Covering the salient spheres of postmodernism - from architecture, film, television and pop music, to philosophy, consumer lifestyles and new age religions - Sardar reveals that postmodernism in fact operates to further marginalise the reality of the non-west and confound its aspirations.By tracing postmodernism's roots in colonialism and modernity, Sardar demonstrates that the dominant contemporary intellectual fashion, peddling an insidiously oppressive and subtle revisionism, is the most comprehensive onslaught on the non-west ever experienced. In stern retort, the author offers ways in which the peoples of the non-west can counter the postmodern assault and survive with their identities, histories and cultures intact. |
| leila ahmed discourse of the veil: Literature after 9/11 Ann Keniston, Jeanne Follansbee Quinn, 2013-04-15 Drawing on trauma theory, genre theory, political theory, and theories of postmodernity, space, and temporality, Literature After 9/11 suggests ways that these often distinct discourses can be recombined and set into dialogue with one another as it explores 9/11’s effects on literature and literature’s attempts to convey 9/11. |
Leila (name) - Wikipedia
Leila (Arabic: لَيْلَى, Hebrew: לילה, Syriac: ܠܹܠܝܵܐ) is a feminine given name primarily found in the Middle East, including all Arab countries, as well as Iran, Turkey, and Israel. In the Latin alphabet, the …
Leila - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Leila is a girl's name of Arabic, Persian origin meaning "night". Leila was popularized in the West by the poet Byron, who used it in his poem Don Juan for a ten-year-old …
Leila Name Meaning, Origin, Popularity, Girl Names Like Leila
What is the meaning of the name Leila? Discover the origin, popularity, Leila name meaning, and names related to Leila with Mama Natural’s fantastic baby names guide.
Leila Name Meaning. Origin, History, And Popularity - MomJunction
Sep 24, 2024 · Leila, a feminine given name, has originated from the Persian, Hebrew, and Arabic languages. In Hebrew and Arabic, Laila or Leila means ‘dark’ or ‘night.’ It symbolizes daughters …
Leila (TV Series 2019– ) - IMDb
Leila: Created by Urmi Juvekar. With Huma Qureshi, Rahul Khanna, Siddharth, Leysha Mange. In a near-future world where an oppressive regime segregates society, one woman skirts the system …
Meaning, origin and history of the name Leila
Apr 5, 2022 · Variant of Layla, and the usual Persian transcription. This spelling was used by Lord Byron for characters in The Giaour (1813) and Don Juan (1819), and it is through him that the …
Leila - Name Meaning, What does Leila mean? - Think Baby Names
It is of Arabic origin, and the meaning of Leila is "night beauty". Used by authors for the names of exotic female characters in the early 19th century. The name is popular in the Middle East.
Leila: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · The name Leila is primarily a female name of Arabic origin that means Night, Black. Click through to find out more information about the name Leila on BabyNames.com.
Leila - Name Meaning and Origin
The name Leila is of Arabic origin and means "night" or "dark beauty." It is derived from the Arabic word "laylah," which refers to the darkness of the night. Leila is often associated with mystery, …
Leila - Baby Name Meaning, Origin and Popularity - TheBump.com
Learn about the baby name Leila including baby name meaning, gender, origin, and more.
Leila (name) - Wikipedia
Leila (Arabic: لَيْلَى, Hebrew: לילה, Syriac: ܠܹܠܝܵܐ) is a feminine given name primarily found in the Middle East, including all Arab countries, as well as Iran, Turkey, and Israel. In the Latin …
Leila - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Leila is a girl's name of Arabic, Persian origin meaning "night". Leila was popularized in the West by the poet Byron, who used it in his poem Don Juan for a ten-year …
Leila Name Meaning, Origin, Popularity, Girl Names Like Leila
What is the meaning of the name Leila? Discover the origin, popularity, Leila name meaning, and names related to Leila with Mama Natural’s fantastic baby names guide.
Leila Name Meaning. Origin, History, And Popularity - MomJunction
Sep 24, 2024 · Leila, a feminine given name, has originated from the Persian, Hebrew, and Arabic languages. In Hebrew and Arabic, Laila or Leila means ‘dark’ or ‘night.’ It symbolizes …
Leila (TV Series 2019– ) - IMDb
Leila: Created by Urmi Juvekar. With Huma Qureshi, Rahul Khanna, Siddharth, Leysha Mange. In a near-future world where an oppressive regime segregates society, one woman skirts the …
Meaning, origin and history of the name Leila
Apr 5, 2022 · Variant of Layla, and the usual Persian transcription. This spelling was used by Lord Byron for characters in The Giaour (1813) and Don Juan (1819), and it is through him that the …
Leila - Name Meaning, What does Leila mean? - Think Baby Names
It is of Arabic origin, and the meaning of Leila is "night beauty". Used by authors for the names of exotic female characters in the early 19th century. The name is popular in the Middle East.
Leila: Name Meaning, Popularity and Info on BabyNames.com
Jun 8, 2025 · The name Leila is primarily a female name of Arabic origin that means Night, Black. Click through to find out more information about the name Leila on BabyNames.com.
Leila - Name Meaning and Origin
The name Leila is of Arabic origin and means "night" or "dark beauty." It is derived from the Arabic word "laylah," which refers to the darkness of the night. Leila is often associated with mystery, …
Leila - Baby Name Meaning, Origin and Popularity - TheBump.com
Learn about the baby name Leila including baby name meaning, gender, origin, and more.
