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| lauren berlant the female complaint: The Female Complaint Lauren Berlant, 2008-03-17 The Female Complaint is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist. |
| lauren berlant the female complaint: The Female Complaint Lauren Berlant, 2008-03-17 A literary critical and historical chronicle of womens culture in the United States from 1830 to the present, by a leading Americanist. |
| lauren berlant the female complaint: Cruel Optimism Lauren Berlant, 2011-10-27 A relation of cruel optimism exists when something you desire is actually an obstacle to your flourishing. Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. People have remained attached to unachievable fantasies of the good life—with its promises of upward mobility, job security, political and social equality, and durable intimacy—despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.” Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory—with its focus on reactions to the exceptional event that shatters the ordinary—is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present. |
| lauren berlant the female complaint: Females Andrea Long Chu, 2025-03-04 A groundbreaking exploration of gender and desire from the Pulitzer Prize–winning essayist and critic With a New Afterword by the Author ABA IndieBound Bestseller “Everyone is female, and everyone hates it.” So begins Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas—who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential condition that afflicts the entire human race—men, women, and everyone else. In a new afterword, Chu reflects on the book’s reception, the growing anti-trans movement in America, and the continuing need for a radical theory of desire. |
| lauren berlant the female complaint: The Queen of America Goes to Washington City Lauren Gail Berlant, 1997 Drawing on literature, the law, and popular media--and taking her (counter)cue from that celebrated sitcom of American life, 'The Reagan Years' (Homi K. Bhabha)--Berlant presents a stunning and major statement about the nation and its citizens in an age of mass mediation. Her intriguing narratives and gallery of images will challenge readers to rethink what it means to be an American and seek salvation in its promise. 57 photos. |
| lauren berlant the female complaint: Desire/Love Lauren Gail Berlant, 2012 There is nothing more alienating than having your pleasures disputed by someone with a theory, writes Lauren Berlant. Yet the ways in which we live sexuality and intimacy have been profoundly shaped by theories - especially psychoanalytic ones, which have helped to place sexuality and desire at the center of the modern story about what a person is and how her history should be read. At the same time, other modes of explanation have been offered by popular and mass culture. In these domains, sexual desire is not deemed the core story of life; it is mixed up with romance, a particular version of the story of love. In this small theoretical novella-cum-dictionary entry, Lauren Berlant engages love and desire in separate entries. In the first entry, Desire mainly describes the feeling one person has for something else: it is organized by psychoanalytic accounts of attachment, and tells briefly the history of their importance in critical theory and practice. The second entry, on Love, begins with an excursion into fantasy, moving away from the parent-child structure so central to psychoanalysis and looking instead at the centrality of context, environment, and history. The entry on Love describes some workings of romance across personal life and commodity culture, the place where subjects start to think about fantasy on behalf of their actual lives. Whether viewed psychoanalytically, institutionally, or ideologically, love is deemed always an outcome of fantasy. Without fantasy, there would be no love. Desire/Love takes us on a tour of all of the things that sentence might mean. |
| lauren berlant the female complaint: Intimacy Lauren Gail Berlant, 2000 Last year's impeachment of President Bill Clinton demonstrated the paradox, but did not begin to explain it. How is it that private matters are analyzed endlessly in public forums on a daily basis? Why is it assumed that getting a life means having a private relationship? Intended to unravel some of the tangled relations that fall under the broad category of intimacy, this provocative collection of sixteen essays articulates the ways in which intimate lives are connected with the institutions, ideologies, and desires that organize people's worlds. Locating its domain in the familiar spaces of friendship, love, sex, family, and feeling at home, Intimacy also examines the estrangement, betrayal, loneliness, and even violence that may accompany the demise of relationships, both personal and political. These include intimacies among strangers, such as happens in times of national scandal or habits of everyday life. The contributors to this volume traverse many disciplines and cultures, tracking the processes by which intimate lives absorb and repel the dominant rhetoric, law, ethics, and ideologies of public spheres. Drawing on examples from contemporary culture, history, art, literature, and music, this book illuminates the ways in which intimacy has become linked with stories of citizenship, capitalism, aesthetic forms, and the writing of history. As it challenges conventional notions of private life, Intimacy is sure to spark controversy about its institutions as well. Some of these essays in this book were previously published in an award-winning issue of the journal Critical Inquiry. Contributors include Lauren Berlant, Svetlana Boym, Steven Feld, Deborah R. Grayson, Michael Hanchard, Dagmar Herzog, Annamarie Jagose, Laura Kipnis, Laura Letinsky, Biddy Martin, Maureen McLane, Mary Poovey, Elizabeth A. Povinelli, Eve Kosovsky Sedgwick, Joel Snyder, Candace Vogler, Michael Warner, and others. |
| lauren berlant the female complaint: The Anatomy of National Fantasy Lauren Berlant, 1991-08-13 Examining the complex relationships between the political, popular, sexual, and textual interests of Nathaniel Hawthorne's work, Lauren Berlant argues that Hawthorne mounted a sophisticated challenge to America's collective fantasy of national unity. She shows how Hawthorne's idea of citizenship emerged from an attempt to adjudicate among the official and the popular, the national and the local, the collective and the individual, utopia and history. At the core of Berlant's work is a three-part study of The Scarlet Letter, analyzing the modes and effects of national identity that characterize the narrator's representation of Puritan culture and his construction of the novel's political present tense. This analysis emerges from an introductory chapter on American citizenship in the 1850s and a following chapter on national fantasy, ranging from Hawthorne's early work Alice Doane's Appeal to the Statue of Liberty. In her conclusion, Berlant suggests that Hawthorne views everyday life and local political identities as alternate routes to the revitalization of the political and utopian promises of modern national life. |
| lauren berlant the female complaint: Sex, or the Unbearable Lauren Berlant, Lee Edelman, 2013-12-09 Sex, or the Unbearable is a dialogue between Lauren Berlant and Lee Edelman, two of our leading theorists of sexuality, politics, and culture. In juxtaposing sex and the unbearable they don't propose that sex is unbearable, only that it unleashes unbearable contradictions that we nonetheless struggle to bear. In Berlant and Edelman's exchange, those terms invoke disturbances produced in encounters with others, ourselves, and the world, disturbances that tap into threats induced by fears of loss or rupture as well as by our hopes for repair. Through virtuoso interpretations of works of cinema, photography, critical theory, and literature, including Lydia Davis's story Break It Down (reprinted in full here), Berlant and Edelman explore what it means to live with negativity, with those divisions that may be irreparable. Together, they consider how such negativity affects politics, theory, and intimately felt encounters. But where their critical approaches differ, neither hesitates to voice disagreement. Their very discussion—punctuated with moments of frustration, misconstruction, anxiety, aggression, recognition, exhilaration, and inspiration—enacts both the difficulty and the potential of encounter, the subject of this unusual exchange between two eminent critics and close friends. |
| lauren berlant the female complaint: The Hundreds Lauren Berlant, Kathleen Stewart, 2019-02-22 In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book. |
| lauren berlant the female complaint: Against the Postcolonial Richard Serrano, 2006-11-24 Against the Postcolonial is at once a study of five writers from lands formerly or currently ruled by France (Algeria, Cambodia, Guiana, Madagascar, and Mali) and an interrogation of the relevance of postcolonial theory, criticism and studies to these writers. The authors are necessarily placed against the background of postcolonial studies, but since they have radically different backgrounds, histories, and careers, Serrano argues against the relevance of a homogenizing critical practice most interested in replicating itself. |
| lauren berlant the female complaint: The Culture of Sentiment Shirley Samuels, 1992-12-17 Samuels's collection of critical essays gives body and scope to the subject of nineteenth-century sentimentality by situating it in terms of women's culture and issues of race. Presenting an interdisciplinary range of approaches that consider sentimental culture before and after the Civil War, these critical studies of American literature and culture fundamentally reorient the field. Moving beyond alignment with either pro- or anti-sentimentality camps, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the culture of sentiment. Drawing on the fields of American cultural history, American studies, and literary criticism, the contributors include Lauren Berlant, Ann Fabian, Susan Gillman, Karen Halttunen, Carolyn L. Karcher, Joy Kasson, Amy Schrager Lang, Isabelle Lehuu, Harryette Mullen, Dana Nelson, Lora Romero, Shirley Samuels, Karen Sanchez-Eppler, Lynn Wardley, and Laura Wexler. |
| lauren berlant the female complaint: British Women Writing Fiction Abby H.P. Werlock, 2000-02-09 Original essays by American and British scholars offer a reader-friendly introduction to the work of Angela Carter, Doris Lessing, and a dozen other British women writers British women in the second half of the 20th century have produced a body of work that is as diverse as it is entertaining. This book offers an informal, jargon-free introduction to the fiction of sixteen contemporary writers either brought up or now living in England, from Muriel Spark to Jeanette Winterson. British Women Writing Fiction presents a balanced view comprising women writing since the 1950s and 1960s, those who attracted critical attention during the 1970s and 1980s, and those who have burst upon the literary scene more recently, including African-Caribbean and African women. The essays show how all of these writers treat British subjects and themes, sometimes from radically different perspectives, and how those who are daughters of immigrants see themselves as women writing on the margins of society. Abby Werlock's introduction explores the historical and aesthetic factors that have contributed to the genre, showing how even those writers who began in a traditional vein have created experimental work. The contributors provide complete bibliographies of each writer's works and selected bibliographies of criticism. Exceptional both in its breadth of subjects covered and critical approaches taken, this book provides essential background that will enable readers to appreciate the singular merits of each writer. It offers an approach toward better understanding favorite authors and provides a way to become acquainted with new ones. |
| lauren berlant the female complaint: Leaving My Father's House Marion Woodman, 1992-11-17 The renowned analyst and author here provides deep insight into the process required to bring feminize wisdom to consciousness in a patriarchal culture—as struggle in which many women are more fully engaged today that ever before. Presenting the personal journeys of three wise women as maps, she points the way to the state of inner wholeness and balance she calls conscious femininity. |
| lauren berlant the female complaint: The University of Chicago Magazine , 1922 |
| lauren berlant the female complaint: Mean Girl Lisa Duggan, 2019-05-14 Astute.—New York Times Ayn Rand’s complicated notoriety as popular writer, leader of a political and philosophical cult, reviled intellectual, and ostentatious public figure endured beyond her death in 1982. In the twenty-first century, she has been resurrected as a serious reference point for mainstream figures, especially those on the political right from Paul Ryan to Donald Trump. Mean Girl follows Rand’s trail through the twentieth century from the Russian Revolution to the Cold War and traces her posthumous appeal and the influence of her novels via her cruel, surly, sexy heroes. Outlining the impact of Rand’s philosophy of selfishness, Mean Girl illuminates the Randian shape of our neoliberal, contemporary culture of greed and the dilemmas we face in our political present. |
| lauren berlant the female complaint: Advertising and Popular Culture Jib Fowles, 1996-02-21 Is it possible that consumers exploit advertising even more so than advertising exploits and influences our culture? Author Jib Fowles argues that consumers look to advertising to provide them with images that can assist them in negotiating the personal dilemmas of advanced industrial life. Advertising and Popular Culture is the first comprehensive text to provide a balanced analysis of advertising and its companion, the popular culture, conveyed through the mass media. Reflecting current theories, this thoughtful critique uses excerpts from advertising campaigns to illustrate how modern advertising both draws from and contributes to popular culture. Fowles traces the role of advertising in our culture from its evolution as part of the culture of mass consumption in the late 19th century, the development of advertising agencies, and the creation of a consumer culture to an exploration of the major themes of American advertising. Advertising and Popular Culture represents a fresh and fully elaborated conceptualization of the services that advertising and popular culture provide. This text will be a vital tool in departments and schools of advertising, journalism, and communication where increasing emphasis is being placed on studying the cultural significance of advertising. |
| lauren berlant the female complaint: Our Monica, Ourselves Lauren Berlant, Lisa Duggan, 2001-03 Alongside the O.J. Simpson trial, the affair between Bill Clinton and Monica Lewinsky now stands as the seminal cultural event of the 90s. Alternatively transfixed and repelled by this sexual scandal, confusion still reigns over its meanings and implications. How are we to make sense of a tale that is often wild and bizarre, yet replete with serious political and cultural implications? Our Monica, Ourselves provides a forum for thinking through the cultural, political, and public policy issues raised by the investigation, publicity, and Congressional impeachment proceedings surrounding the affair. It pulls this spectacle out of the framework provided by the conventions of the corporate news media, with its particular notions of what constitutes a newsworthy event. Drawing from a broad range of scholars, Our Monica, Ourselves considers Monica Lewinsky's Jewishness, Linda Tripp's face, the President's penis, the role of shame in public discourse, and what it's like to have sex as the president, as well as specific legal and historical issues at stake in the impeachment of Bill Clinton. Thoughtful but accessible, immediate yet far reaching, Our Monica, Ourselves will change the way we think about the Clinton affair, while helping us reimagine culture and politics writ large. Contributors include: Lauren Berlant, Eric O. Clarke, Ann Cvetkovich, Simone Weil Davis, Lisa Duggan, Jane Gallop, Marjorie Garber, Janet R. Jakobsen, James R. Kincaid, Laura Kipnis, Tomasz Kitlinski, Pawel Leszkowicz, Joe Lockard, Catharine Lumby, Toby Miller, Dana D. Nelson, Anna Marie Smith, Ellen Willis, and Eli Zaretsky. |
| lauren berlant the female complaint: Complaint! Sara Ahmed, 2021-09-24 Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Sara Ahmed examines what we can learn about power from those who complain about abuses of power. |
| lauren berlant the female complaint: Reinventing Japan Y. Takao, 2008-07-01 The book is about new dynamic forces that are driving change in Japan. It is developed around two key concepts of civil society and social capital. The focus is on pathways to Japan's social renewal that promotes stronger communities and more participatory citizenship beyond the reach of economic growth. |
| lauren berlant the female complaint: Fashioning Diaspora Vanita Reddy, 2016-02 The author maps how transnational itineraries of Indian beauty and fashion shaped South Asian American cultural identities and racialized belonging from the 1990s through the first decade of the twenty-first century. She observes how diasporic subjects engage with and respond to various encounters with Indian beauty and fashion. She examines a range of literature, visual art, and live performance, such as novels by Bharati Mukherjee and Jhumpa Lahiri, young adult literature, performance art by Shailja Patel, beauty and adornment practices, as well as objects of popular culture including an Indian American fashion doll, Reddy challenges fashion and beauty as a set of dematerialized, overly commodified cultural practices. She argues instead that beauty and fashion structure South Asian Americans' uneven access to social mobility, capital, and citizenship, and she demonstrates their varying capacities to produce social attachments across national, class, racial, gender, and generational divides. |
| lauren berlant the female complaint: Compassion Lauren Berlant, 2014-03-14 In Compassion, ten scholars draw on literature, psychoanalysis, and social history to provide an archive of cases and genealogies of compassion. Together these essays demonstrate how being compassionate is shaped by historical specificity and social training, and how the idea of compassion takes place in scenes that are anxious, volatile, surprising, and even contradictory. |
| lauren berlant the female complaint: Underworld Lit Srikanth Reddy, 2020-08-04 Simultaneously funny and frightful, Srikanth Reddy's Underworld Lit is a multiverse quest through various cultures' realms of the dead. Couched in a literature professor's daily mishaps with family life and his sudden reckoning with mortality, this adventurous serial prose poem moves from the college classroom to the oncologist's office to the mythic underworlds of Mayan civilization, the ancient Egyptian place of judgment and rebirth, the infernal court of Qing dynasty China, and beyond—testing readers along with the way with diabolically demanding quizzes. It unsettles our sense of home as it ferries us back and forth across cultures, languages, epochs, and the shifting border between the living and the dead. |
| lauren berlant the female complaint: Fado Resounding Lila Ellen Gray, 2013-10-16 Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the soul of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon's fado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and soul. |
| lauren berlant the female complaint: Cultural Politics of Emotion Sara Ahmed, 2014-06-11 Emotions work to define who we are as well as shape what we do and this is no more powerfully at play than in the world of politics. Ahmed considers how emotions keep us invested in relationships of power, and also shows how this use of emotion could be crucial to areas such as feminist and queer politics. Debates on international terrorism, asylum and migration, as well as reconciliation and reparation, are explored through topical case studies. In this book the difficult issues are confronted head on. The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives. New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout. |
| lauren berlant the female complaint: Taking Liberties Amy B. Aronson, 2002-10-30 Unlike its British forebears, the early American magazine, or periodical miscellany, functioned in culture as a forum driven by manifold contributions and perpetuated by reader response. Arising in colonial Philadelphia, America's more democratic magazine sustained a range of conflicting ideas, norms, and beliefs—indeed, it promoted their very exchange. It invited and embraced competing voices, particularly during the first 75 years of the Republic. In this first-ever account of the early American magazine as a distinct form, Amy Beth Aronson reveals how such participatory dynamics and public visibility offered special advantages to women, especially to those with sufficient education, access, and financial means, for whom ladies magazines offered unusual opportunities for self-expression, collective discussion, and cultural response. Moreover, the genre opened and sustained dialogue among contributors, whose competing voices played off each other, provoking rebuttal and revision by subsequent contributors and noncontributing readers. This free play of discourse positioned women's words in a uniquely productive way, offering a kind of community of women readers who, together, wrote and revised magazine content and collectively negotiated and authorized new language for a new public's use. |
| lauren berlant the female complaint: Mental Traveler W. J. T. Mitchell, 2020-09-01 How does a parent make sense of a child’s severe mental illness? How does a father meet the daily challenges of caring for his gifted but delusional son, while seeking to overcome the stigma of madness and the limits of psychiatry? W. J. T. Mitchell’s memoir tells the story—at once representative and unique—of one family’s encounter with mental illness and bears witness to the life of the talented young man who was his son. Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death, Gabe had been working on a film that would show madness from inside and out, as media stereotype and spectacle, symptom and stigma, malady and minority status, disability and gateway to insight. He was convinced that madness is an extreme form of subjective experience that we all endure at some point in our lives, whether in moments of ecstasy or melancholy, or in the enduring trauma of a broken heart. Gabe’s declared ambition was to transform schizophrenia from a death sentence to a learning experience, and madness from a curse to a critical perspective. Shot through with love and pain, Mental Traveler shows how Gabe drew his father into his quest for enlightenment within madness. It is a book that will touch anyone struggling to cope with mental illness, and especially for parents and caregivers of those caught in its grasp. |
| lauren berlant the female complaint: The Grateful Slave George Boulukos, 2012-01-26 The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research. Challenging previous accounts of the relationship between sentiment and slavery, in this book George Boulukos shows how the image of the grateful slave contributed to colonial practices of white supremacy in the later eighteenth century. Seemingly sympathetic to slaves, the trope actually undermines their cause and denies their humanity by showing African slaves as willingly accepting their condition. Taking in literary sources as well as texts on colonialism and slavery, Boulukos offers a fresh account of the development of racial difference, and of its transatlantic dissemination, in the eighteenth-century English-speaking world. |
| lauren berlant the female complaint: The Phantom Public Sphere Bruce Robbins, Social Text Collective, 1993 In the recent “culture wars” over canon, curriculum, and multiculturalism, enraged voices repeatedly claim that the academy has failed in its duty to “the public.” These cries echo older charges against the schools and the media for failing to produce active, informed citizens and, more recently, against race and gender politics for dividing the body politic against itself. The Phantom Public Sphere interrogates the concept of the public in whose name all such charges are leveled. The public sphere is presented as something already lost, an unrepresented absence. In the heterogeneous, electronically mediated society we call postmodern, can we still speak meaningfully of a public sphere? On the other hand, can supporters of democracy afford not to speak of it? In The Phantom Public Sphere, voices from numerous disciplines and perspectives share a common concern with what the public means now - not as an object of nostalgia, but as a presence within the institutions, movements, and events that have redefined contemporary life, including Jesse Helm's censorship campaign and the televised Senate hearing that made the names of Clarence Thomas and Anita Hill household words. Provocative and disturbing, The Phantom Public Sphere both engages the challenge Walter Lippmann posed for democracy in 1925 when he called the public a “phantom” and speaks in the name of democracy and its radical possibilities. |
| lauren berlant the female complaint: Early American Women Critics Gay Gibson Cima, 2006-05-25 Early American Women Critics demonstrates that performances of various kinds - religious, political and cultural - enabled women to enter the human rights debates that roiled the American colonies and young republic. Black and white women staked their claims on American citizenship through disparate performances of spirit possession, patriotism, poetic and theatrical production. They protected themselves within various shields which allowed them to speak openly while keeping the individual basis of their identities invisible. Cima shows that between the First and Second Great Religious Awakenings (1730s–1830s), women from West Africa, Europe, and various corners of the American colonies self-consciously adopted performance strategies that enabled them to critique American culture and establish their own diverse and contradictory claims on the body politic. This book restores the primacy of religious performances - Christian, Yoruban, Bantu and Muslim - to the study of early American cultural and political histories, revealing that religion and race are inseparable. |
| lauren berlant the female complaint: Publics and Counterpublics Michael Warner, 2005 An investigation of how the idea of a public as a central fiction of modern life informs our literature, politics, and culture. |
| lauren berlant the female complaint: The Life and Loves of a She Devil Fay Weldon, 2009-10-15 'ONE OF OUR VERY BEST WRITERS' Sunday Times 'A tour de force' The Times 'Intoxicating' Daily Telegraph 'Devilishly delightful' New York Times Book Review 'Beautifully and compellingly written' Sunday Express 'Audacious' Times Literary Supplement THE BESTSELLING CLASSIC TALE OF A WOMAN SCORNED, FROM A MUCH-LOVED BRITISH AUTHOR Ruth Patchett never thought of herself as particularly devilish. Rather the opposite in fact - simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly diabolic. Within weeks she has burnt down the family home, collected the insurance, made love to the local drunk and embarked on a course of destruction and revenge. A blackly comic satire of the war of the sexes, The Life and Loves of a She Devil is the fantasy of the wronged woman made real. PRAISE FOR FAY WELDON 'She's a Queen of Words' Caitlin Moran 'A national treasure' Literary Review 'The literary equivalent of a stiff drink, a dip in the Atlantic in January, a pep talk by a mildly sadistic coach' New York Times 'Times have changed and Weldon is one of the people who have changed them' The Times 'One of the great lionesses of modern English literature' Harper's Bazaar 'Fay Weldon's voice is as unmistakeable as her acerbic wit' Financial Times |
| lauren berlant the female complaint: Reading Sedgwick Lauren Berlant, 2019-10-29 Over the course of her long career, Eve Kosofsky Sedgwick became one of the most important voices in queer theory, and her calls for reparative criticism and reading practices grounded in affect and performance have transformed understandings of affect, intimacy, politics, and identity. With marked tenderness, the contributors to Reading Sedgwick reflect on Sedgwick's many critical inventions, from her elucidation of poetry's close relation to criticism and development of new versions of queer performativity to highlighting the power of writing to engender new forms of life. As the essays in Reading Sedgwick demonstrate, Sedgwick's work is not only an ongoing vital force in queer theory and affect theory; it can help us build a more positive world in the midst of the bleak contemporary moment. Contributors. Lauren Berlant, Kathryn Bond Stockton, Judith Butler, Lee Edelman, Jason Edwards, Ramzi Fawaz, Denis Flannery, Jane Gallop, Jonathan Goldberg, Meridith Kruse, Michael Moon, José Esteban Muñoz, Chris Nealon, Andrew Parker, H. A. Sedgwick, Karin Sellberg, Michael D. Snediker, Melissa Solomon, Robyn Wiegman |
| lauren berlant the female complaint: No One Belongs Here More Than You Miranda July, 2008-05-06 These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque, which is to say: infused with wonder at the things of the world. --George Saunders, author of Tenth of December Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly--they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice. |
| lauren berlant the female complaint: Fresh Leaves Fanny Fern, 2020-08-02 Reproduction of the original: Fresh Leaves by Fanny Fern |
| lauren berlant the female complaint: Iraqi Women Nadje Sadig Al-Ali, 2007-02-12 Publisher description |
| lauren berlant the female complaint: On Being Included Sara Ahmed, 2012-03-28 Ahmed argues that a commitment to diversity is frequently substituted for a commitment to actual change. She traces the work that diversity does, examining how the term is used and the way it serves to make questions about racism seem impertinent. Her study is based in universities and her research is primarily in the UK and Australia, but the argument is equally valid in North America and beyond. |
| lauren berlant the female complaint: Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory Noreen Giffney, Eve Watson, 2017 What are the discourses of sexuality underpinning psychoanalysis, and how to they impact on clinical practices? Clinical Encounters in Sexuality makes an intervention into the fields of clinical psychoanalysis and sexuality studies and stages, but for the first time, a sustained clinical psychoanalytic engagement with queer theory. Themes focused on include identity, pleasure, perversion, ethics, and discourse. This interdisciplinary collection of essays includes thirty-two contributors working in queer theory and/or clinical psychoanalysis and from a number of different psychoanalytic traditions: Freudian, Kleinian, Lacanian, Independent, Jungian, and Relational. This book invites readers to enter into a self-reflective engagement with the text and their own views on sexuality, paying particular attention to the psychosocial attention underpinnings of sexuality as it exists and can play out in the consulting room--Page 4 of cover. |
| lauren berlant the female complaint: Reading the Romance Janice A. Radway, 2009-11-18 Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention must shift from the text itself, taken in isolation, to the complex social event of reading. She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. We read books so we won't cry is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations. |
| lauren berlant the female complaint: Family Affair Gil L. Robertson, 2009-03-01 It’s no secret that the African American community is in crisis. From health disparities and political injustice to crime statistics and a variety of social ills, it is a community teetering on the edge. Through personal stories and essays, Family Affair addresses this imbalance, offering insight on issues and topics that the majority of African Americans only talk about in secret. The goal: to stimulate dialogue that supports reflection, healing, and understanding. Family Affair comprises five sections representing the key features that influence the African American identity: History, Politics, Behavior, Beliefs, and Self-evaluation. The book showcases a wide cross-section of contributors representing various elements of the black community. Each section features at least one religious leader and one institutional leader, as well as many celebrities from the worlds of music and broadcasting, along with ordinary people with extraordinary stories. |
Lauren Monroe – Vocalist, Songwriter, Musician, & Author » Spirit ...
Lauren Monroe is an international speaker, musician, healing channel, and educator with over 25 years of experience in energy medicine, mind-body wellness, spiritual healing and music.
Alcohol Removed Wine – Lauren Monroe
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3 Songs From Lauren Monroe’s ‘Messages From Aphrodite’ As …
rawing from legendary folk and Americana influences while sprinkling her own glitter on every song she releases, Lauren Monroe puts forward a new classic with Messages From Aphrodite, …
12 Drummers Drumming – Lauren Monroe
Raven Drum invited a stellar group of world class drummers, Veterans, first responders and supporters to the beautiful Amazing Grace estate to experience the magic of a drum circle, led …
Four Focus Points for Activation: Acceptance – Lauren Monroe
Jul 11, 2018 · You are invited to a webinar workshop with Lauren Monroe. Pre-Register here! When: July 25th, 2018 5:00 PM Pacific Time (US and Canada) Topic: Mindfulness Acceptance …
Lauren Monroe – Vocalist, Songwriter, Musician, & Author » Spirit ...
Lauren Monroe is an international speaker, musician, healing channel, and educator with over 25 years of experience in energy medicine, mind-body wellness, spiritual healing and music.
Alcohol Removed Wine – Lauren Monroe
HOW TO MAKE SANGRIA WITH LAUREN MONROE AND RICK ALLEN. 2 - PACK AVAILABLE NOW. ALCOHOL REDUCTION AND PRODUCTION NOTES. In creating the wines used to in …
Magnetic – Lauren Monroe
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Events – Lauren Monroe
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Resources – Lauren Monroe
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Magnetic Listen – Lauren Monroe
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3 Songs From Lauren Monroe’s ‘Messages From Aphrodite’ As …
rawing from legendary folk and Americana influences while sprinkling her own glitter on every song she releases, Lauren Monroe puts forward a new classic with Messages From Aphrodite, …
12 Drummers Drumming – Lauren Monroe
Raven Drum invited a stellar group of world class drummers, Veterans, first responders and supporters to the beautiful Amazing Grace estate to experience the magic of a drum circle, led …
Four Focus Points for Activation: Acceptance – Lauren Monroe
Jul 11, 2018 · You are invited to a webinar workshop with Lauren Monroe. Pre-Register here! When: July 25th, 2018 5:00 PM Pacific Time (US and Canada) Topic: Mindfulness Acceptance …
