Lata Mangeshkar Biography In Hindi

  lata mangeshkar biography in hindi: Hindi Film Songs and the Cinema Anna Morcom, 2017-07-05 Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
  lata mangeshkar biography in hindi: Hero Vol.1 Ashok Raj, 2009-11-01 This volume traces the growth of the indigenous Hindi film hero from the silent era up to Dilip Kumar. The film hero is depicted as a credible representative of the social, cultural and political milieu of his era. The author contends that the development of Hindi cinema has been largely centered round the frontal figure of the hero. In the course of the narrative, the subject matter presents a compact history of mainstream Hindi cinema by placing personalities, events and trends in specific time frames.
  lata mangeshkar biography in hindi: Encyclopedia of Indian Cinema Ashish Rajadhyaksha, Paul Willemen, 2014-07-10 The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
  lata mangeshkar biography in hindi: Lata Mangeshkar Raju Bharatan, 1995 This Biography Of Lata Mageshkar Covers Her Illustrious Singing Career Spanning 52 Years. Dusjacket Missing, Illustrations In Colour And B&W, Condition Good
  lata mangeshkar biography in hindi: Bollywood Sounds Jayson Beaster-Jones, 2014-10-09 Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema.
  lata mangeshkar biography in hindi: On Stage with Lata Mohan Deora, Rachana Shah, 2017-02-10 INTRODUCTION BY LATA MANGESHKAR Lata Mangeshkar's life and career are widely known, and yet there is an aspect that remains largely unrecorded: her life on the international stage. Beyond the confines of a recording booth, or as the voice of generations of actresses, she was an accomplished and magnetic performer on stage. She attracted vast audiences of Indian origin who have made their home in many countries, including the US and Canada. Mangeshkar transformed how the Indian film music concert was perceived in the West by refusing to be part of the low-key song-and-dance performances that were held earlier in community halls, schools and colleges. She insisted that she and her colleagues would sing only in mainstream auditoriums - this was an unheard-of demand because Indian film artistes had never performed on those stages at that time. In ON STAGE WITH LATA, Mohan Deora - co-promoter and co-organizer of Lata Mangeshkar's international tours from 1975 to 1998 - allows us to journey with her and the top male playback singers, including Mukesh (who tragically died during a Detroit tour), Manna Dey and Kishore Kumar. Deora and Shah write about the participation of big-name stars including Amitabh Bachchan and Dilip Kumar, Waheeda Rehman and Farida Jalal. Mangeshkar is described here in her interactions with musicians, colleagues and friends as she meticulously prepared to sing on stage. The tours led to planning and glitches, camaraderie and tension, and anecdotes galore. They also provided the authors with a unique opportunity to observe the clarity of thought with which Lata Mangeshkar approached her work, and to see a great artiste at the height of her powers. A fine eye for detail makes the book a delight to read as Mohan Deora and Rachana Shah record an important slice of India's cinematic and cultural history.
  lata mangeshkar biography in hindi: Social Voices Levi S. Gibbs, 2023-09-05 Singers generating cultural identity from K-Pop to Beverly Sills Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music. Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions. Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald
  lata mangeshkar biography in hindi: In The Space Of A Song Richard Dyer, 2013-07-03 Songs take up space and time in films. Richard Dyer's In the Space of a Song takes off from this perception, arguing that the way songs take up space indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. In the Space of a Song explores this perception through a range of examples, from classic MGM musicals to blaxploitation cinema, with the career of Lena Horne providing a turning point in the cultural dynamics of the feeling. Chapters include: The perfection of Meet Me in St. Louis A Star Is Born and the construction of authenticity ‘I seem to find the happiness I seek’: Heterosexuality and dance in the musical The space of happiness in the musical Singing prettily: Lena Horne in Hollywood Is Car Wash a musical? Music and presence in blaxploitation cinema In the Space of a Song is ideal for both scholars and students of film studies.
  lata mangeshkar biography in hindi: Anything But Khamosh: The Shatrughan Sinha Biography Bharathi S. Pradhan, 2016 About the Book Every success story has its price to pay. So did Shatrughan Sinha (SS) who achieved the impossible twice over. The youngest and the most pampered in a family of academics and doctors where four sons were named after the four brothers of the Ramayan, SS stood out defiantly different. He was born for applause and the limelight; he was besotted with Raj Kapoor and cinema. In the face of stiff opposition from disciplinarian father Bhuvaneshwar Prasad Sinha, mother Shyama Devi’s chhutka bauwa (little darling) set out for the Film Institute of India (now FTII) in Poona. Bombay was the next logical destination. Without Kapoorian good looks or any connection with the Hindi film industry, the unknown scarface from Patna went on to create history on celluloid. In politics too, with no known surname or family to power his entry, he set a record as the first film star from India to be sworn-in as a Cabinet Minister. Quotes Anything But Khamosh: The Shatrughan SinhaBiography, is a rivetingly honest read that retraces the hurrahs and heartaches of India’s most popular BihariBabu. “Do not attempt to change him. Of the 1.25 crore people of India, he stands out as unique” – Amitabh Bachchan, superstar, Hindi cinema “They used to call me the Shatrughan Sinha of the South” – Rajinikanth, superstar, Tamil Nadu “I became an actor because of Shatrughan Sinha” – Chiranjeevi, superstar & Congress-I leader, Andhra Pradesh “Ours is an Eklavya-Dronacharya story. He is my guru” – Ambareesh, superstar & Minister for Housing, Karnataka “A person who joined the Jan Sangh or the BJP when it was in the Opposition, had to be gutsy. Shatrughan is” – LK Advani, Senior Leader, BJP “I would give him sanyam ki salaah (advice on patience)” – Sushma Swaraj, Minister for External Affairs “I find there’s no chaploosi (sycophancy) in him. Our doors are open 24/7 to him” – Lalu Prasad Yadav, Leader, RJD “If the Bihari Babu is hurt, the whole of Bihar is hurt” – Nitish Kumar, Chief Minister, Bihar “If we had Shatrusaab on our side, we wouldn’t need anybody else on our team” – Nawaz Sharif, Prime Minister, Pakistan About the Author Renowned columnist, critic and author Bharathi S Pradhan has written both fiction and non-fiction. Mr Bidi – the life story of an industrialist; Heartfelt: The inspirational story of Medha Jalota; Colas, Cars & Communal Harmony on secularism and Valentine Lover, an adult novel, are some of her well-received books. She scripted a documentary on Mughal-e-Azam and ideated for Balaji Telefilms. She has been Chairperson, National Awards (for best writing on cinema), and has been on the jury of diverse awards committees. She was also on the jury of the Indian Panorama of IFFI 2015. Bharathi has edited a variety of magazines and contributed to several publications that include Reader’s Digest, Mid-day, Savvy, Femina and Movie. She continues to be a Sunday columnist with The Telegraph. She lives in Mumbai with Sanjaya, her Chartered Accountant husband and Siddhesh, her son who is currently studying Law.
  lata mangeshkar biography in hindi: Naushadnama Raju Bharatan, 2014-04-14 The seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960). No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hold on the public imagination. Although we continue to marvel at the incredible variety of his mellifluous creations that have withstood the test of time, how little most of us know about Naushad the man. Renowned song historian Raju Bharatan fleshes out the real Naushad – his triumphs and tragedies – bringing into play more than 50 years of personal interaction with the tuneful titan. In the process, the author makes the book more sparking with a string of anecdotal gems. For instance: • How Naushad and his contemporaries despite their professed bonhomie, were fiercely competitive (both musically and monetarily) in their attempts to occupy the ‘top spot’. • How many days of rehearsal were needed for some of the Baiju Bawara masterpieces? • How the immortal compositions of Mughal-e-Azam were recorded in a studio no better than a tin shed. This volume also throws new light on the relations and interactions between Naushad and his singers (especially Suraiya, Mohammed Rafi, Lata Mangeshkar, Asha Bhosle and Shamshad Begum); his songwriters (mainly D.N Madhok, Shakeel Badayuni and Majrooh Sultanpuri); and his ‘unsung’ instrumentalists (some of whom were geniuses in their own right).
  lata mangeshkar biography in hindi: Biography of Pandit Bhimsen Joshi Kishore Kumar, 2021-02-01 Biography of Pandit Bhimsen Joshi: Inspirational Biographies for Children by Kishore Kumar: This book is a biography of Pandit Bhimsen Joshi, one of India's most famous classical musicians. The book explores his early life, his training, and his achievements as a vocalist, as well as his contributions to Indian classical music and his legacy as a cultural icon. Key Aspects of the Book Biography of Pandit Bhimsen Joshi: Inspirational Biographies for Children: Biography of Pandit Bhimsen Joshi: The book provides an in-depth look at the life of Pandit Bhimsen Joshi, from his childhood to his accomplishments as a vocalist. Contributions to Indian Classical Music: The book explores Joshi's contributions to Indian classical music, highlighting his unique style and his innovations in the field. Cultural Icon: The book also highlights Joshi's legacy as a cultural icon in India, inspiring generations of musicians and music lovers. Kishore Kumar is an Indian writer and educator who has written several biographies of notable historical figures, including Biography of Pandit Bhimsen Joshi: Inspirational Biographies for Children, which explores the life and contributions of one of India's most famous classical musicians.
  lata mangeshkar biography in hindi: Encyclopedia of India Stanley A. Wolpert, 2006 A four-volume survey of the history, cultures, geography and religions of India from ancient times to the present day. Includes more than 600 entries, arranged alphabetically. For students and general readers.
  lata mangeshkar biography in hindi: Akhtari , 2021-04-30 Akhtaribai Faizabadi, or Begum Akhtar as she was better known, was a legend even during her own lifetime, and one of the last of the great singers from the tawaif community. Akhtari documents her eventful life and her music through essays and reminiscences by some of her closest friends and associates, and by people who knew her work deeply -- including the likes of Bismillah Khan, Lata Mangeshkar, Shubha Mudgal, etc. The volume also includes long interviews with Begum Akhtar herself as well as some of her disciples. A bestseller in the original Hindi -- and now available in English -- this is a volume to treasure for all of Begum Akhtar's fans and lovers of music.
  lata mangeshkar biography in hindi: Censorship and Sexuality in Bombay Cinema Monika Mehta, 2012-08-24 India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.
  lata mangeshkar biography in hindi: Asha Bhosle Raju Bharatan, 2016-08-01 The definitive saga, at once riveting and revelatory – studded with rare nuggets of information and fascinating anecdotes – that sparkingly brings out the life and times of an internationally acclaimed incredibly versatile singer. Asha Bhosle – a Guinness world record holder plus recipient of the Padma Vibhushan and the Dadasaheb Phalke Award – has held one and all spellbound for six decades now. Her voice, both fluid and flexible, has infused neo life into a variety of genres – from the melancholy melody to the rollicking rock-’n’-roll; from the soulful creation to the vibrant disco; from the romantic rhapsody to the rambunctious folk song; from the dainty ghazal to the boisterous qawwali; and from the pathos-filled rendition to the naughty-naugthy seductive number. The author – on the strength of his vast and varied exposure and experience – turns the focus on enthralling behind-the-scenes happenings that shaped the advance of this artiste with a remarkable range and a noteworthy body of work. ‘The world has no time for losers’ has remained Asha’s performing credo. This volume captures Asha Bhosle in her numberless shades. It is about how – in her silken rivalry with elder sister Lata Mangeshkar – she moved with panache from O. P. Nayyar to S. D. Burman to R. D. Burman. It is about how she served a galaxy of composers; about how, in the end, she reached the pinnacle all by herself. Against odds that would have driven any other woman into quitting. No quitter ever, Asha Bhosle, as the supernova supreme, just went on to underline the adage: ‘No power like woman power’. No more can you stay away from this marvel of a musical biography than you can stay away from the matchless musicality of Asha Bhosle. If she is one of a kind, so is this musical masterpiece capturing all the resonances and nuances going with her piquant persona. Here is a long-awaited career study shedding light on the twists and turns marking the starry-eyed world of Hindustani film music.
  lata mangeshkar biography in hindi: The New Grove Dictionary of Music and Musicians: Huuchir to Jennefelt Stanley Sadie, John Tyrrell, 2001
  lata mangeshkar biography in hindi: Mallika-e-Tarannum, Noorjehan Iʻjāz Gul, 2008 India split into India and Pakistan and forced people to opt for one or the other. It affected all sectors including the film industry. Singer-actress Noorjehan represented the generation that suffered the most. After becoming immensely popular across the country in the 1930s and 1940s, she opted for Pakistan after the Partition.But physical location of artists has often failed to divide them or their fan following. This was very true of Noorjehan. The magical quality of her voice continued to wield a charm on both the countries.Fans treated her as a common treasure and a symbol of shared tradition and values. She was the most sensational singer-star of the Indian film industry of her time and was often called Mallika-e-Tarannum (the queen of melody). Even Lata Mangeshkar, referred to as the nightingale because of her melodious voice, was inspired by her. She was born in Qasoor (Punjab) of undivided India in 1926. She perfected her classical singing under Ustad Ghulam Mohammad Khan and enthralled audience with her personality which was a rare blend of beauty, voice, acting and success. She passed away in Pakistan in 2000. Her first visit to India after Partition was in 1982, when she was welcomed with open arms by one and all including the then Prime Minister, Indira Gandhi. She was also received by Dilip Kumar and Lata Mangeshkar. The audience had got one more opportunity to hear her sing live Awaz De Kahan Hai& Her voice had not lost the magic touch. The 10,000 songs she rendered in Hindi, Urdu, Punjabi and Sindhi acted as a vibrant link between both sides of the border reminding people of their glorious past.Her first major hit was Khandaan in 1942, after which she married its director Shaukat Hussain Rizvi and shifted to Bombay (now Mumbai). Soon followed other hits such as Duhai (1943), Naukar (1943), Nandan (1943), Dost (1944), Badi Maa (1945), Gaon Ki Gori (1945) and Anmol Ghari (1946). In Jugnu in 1943, her lead actor was Dilip Kumar. In Zeenat (1945) she popularized Qawwali with songs such as Aahein Na Bhari Shikwein Na Kiye. While her professional side was exemplary, there was turmoil in her personal life. She had a series of flings, two divorces and many scandals. She was very possessive and thought she could hold people through emotions. Her failure to retain those she considered dear hurt her and left her heart-broken.
  lata mangeshkar biography in hindi: Bollywood Through Ages Sumit Joshi, Bollywood is one of the biggest industry in the world , the objective of the industry is to entertain people by all means , since 1900’s many people contributed to Bollywood ,from silent films to voice films , from black and white to colored but only few people know about those pioneer of the Indian cinema , this book throw the light on life of those people’s .As time moved more superstars came and gave strength to the industry, at present time also many superstars are making their name on the globe , this book provides information about the life and achievements of famous personalities of Indian cinema , like Shah Rukh Khan , Anil Kapoor ,Amitabh Bachchan, Priyanka Chopra , Aishwarya Rai Bachchan, Varun Dhawan and many more .This is the time to know more about Bollywood This is the first book about Bollywood that contains , the links to interesting videos and movies and biographies , first of the kind . More than that the Book also contains high resolution photos , and the information about Bollywood is up-to the date , and is cross checked before publishing . The contents are easy to Navigate , with different section for each Biography .
  lata mangeshkar biography in hindi: Indian Review of Books , 1994
  lata mangeshkar biography in hindi: The Palgrave Macmillan Dictionary of Women's Biography J. Uglow, M. Hendry, 2005-03-08 The Palgrave Macmillan Dictionary of Women's Biography contains details of the lives of over 2100 women from all periods, cultures and walks of life - from queens to TV chefs, engineers to stand up comics, pilots to poisoners. With subsections for further reading, comprehensive subject index and a bibliographical survey, this dictionary of women's biography is an invaluable reference source.
  lata mangeshkar biography in hindi: The Routledge Companion to Popular Music History and Heritage Sarah Baker, Catherine Strong, Lauren Istvandity, Zelmarie Cantillon, 2018-05-16 The Routledge Companion to Popular Music History and Heritage examines the social, cultural, political and economic value of popular music as history and heritage. Taking a cross-disciplinary approach, the volume explores the relationship between popular music and the past, and how interpretations of the changing nature of the past in post-industrial societies play out in the field of popular music. In-depth chapters cover key themes around historiography, heritage, memory and institutions, alongside case studies from around the world, including the UK, Australia, South Africa and India, exploring popular music’s connection to culture both past and present. Wide-ranging in scope, the book is an excellent introduction for students and scholars working in musicology, ethnomusicology, popular music studies, critical heritage studies, cultural studies, memory studies and other related fields.
  lata mangeshkar biography in hindi: Brought to Life by the Voice Amanda Weidman, 2021-06-15 A free open access ebook is available upon publication. Learn more at www.luminosoa.org. To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.
  lata mangeshkar biography in hindi: India Manish Telikicherla Chary, 2009 India has long been known for its rich and varied culture, venerable history, spirituality, and steadfast commitment to democracy. In this succinct and insightful guidebook, Manish Chary presents illuminating insight into a country with one of the fastest growing economies in the world. Once dismissed as a slumbering elephant for its slow economic growth, India has emerged as the darling of the West. Chary packs his all-in-one reference manual with facts, figures, and a practical introduction to India's culture, ancient and contemporary history, economy, foreign relations, and the challenges facing the Asian and Indian community. He provides an in-depth look into the fascinating aspects of Indian life including its Unique caste system, food habits, and marriage system Transition from a government-controlled economy to a market-focused economy Emergence as an information technology superpower Foreign relations with the United States, China, Russian, and Pakistan India: Nation on the Move helps build on the excitement that this country, once described by Mark Twain as the cradle of the human race, has the potential to become an increasing force in world affairs and a major driver of global economic growth in the twenty-first century.
  lata mangeshkar biography in hindi: Sounding the Nation Pavitra Sundar, 2007
  lata mangeshkar biography in hindi: Behind the Curtain Gregory D. Booth, 2008-10-13 Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, the original fusion music. They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name Bollywood, but the musicians themselves remain, in their own words, behind the curtain--the anonymous and unseen performers of one of the world's most celebrated popular music genres. Now, Gregory D. Booth offers a compelling account of the Bollywood film music industry from the perspective of the musicians who both experienced and shaped its history. In a rare insider's look at the process of musical production from the late 1940s to the mid 1990s, before the advent of digital recording technologies, Booth explains who these unknown musicians were and how they came to join the film music industry. On the basis of a fascinating set of first-hand accounts from the musicians themselves, he reveals how the day-to-day circumstances of technology and finance shaped both the songs and the careers of their creator and performers. Booth also unfolds the technological, cultural, and industrial developments that led to the enormous studio orchestras of the 1960s-90s as well as the factors which ultimately led to their demise in contemporary India. Featuring an extensive companion website with video interviews with the musicians themselves, Behind the Curtain is a powerful, ground-level view of this globally important music industry.
  lata mangeshkar biography in hindi: Yash Chopra Rachel Dwyer, 2019-07-25 As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.
  lata mangeshkar biography in hindi: AKASHVANI All India Radio (AIR), New Delhi , 1969-09-28 Akashvani (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became Akashvani (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 28 SEPTEMBER, 1969 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 88 VOLUME NUMBER: Vol. XXXIV. No. 40 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 21-87 ARTICLE: 1. Leaves from A Disciple's Diary 2. Lord Mountbatten's Interview 3. From Means And End of Gandhiji AUTHOR: 1. Melville de Mellow 2. Ashok Sen 3. Leela Indira Sen KEYWORDS : 1. First Meeting,Grateful Villagers,Austere But not Difficult,A Busy Day,Views of Fasting,On Untouchability,Tell Us About Gandhi,Not a Dogmatist ,Take his Message to Youth.A Legendary Figure,No Bitterness,Might Have Altered History, Trancendered Religions, Arrest and Tn Carcaration 2.Might have Altered History,As Supreme Commander,So Punctual, Crucial Day of Silence,Devoted To Unity,Transfer of Power, Mass Migrations,Overnight Change,Present to the Queen The End,,Happy in Death,At Rajghat ,This Spirit Lives On. Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
  lata mangeshkar biography in hindi: Raj Khosla Amborish Roychoudhury, Uma Kapur, Anita Khosla Kapur, 2025-05-20 The 1940s witnessed the scripting of an origin story that would go down in the books. A young man was signed on by Guru Dutt as assistant director after eager assurances of his competency in Hindi, a white lie that was soon unmasked. This was Raj Khosla, an aspiring playback singer, eager to get a foot in the door any which way. In a plot twist he would have approved of, he became instead a filmmaker who made a habit of hits, routinely setting the box office on fire. He made taut thrillers (C.I.D.), family dramas (Do Raaste), timeless romances (Do Badan) and action spectacles (Dostana). Few filmmakers have demonstrated such versatility and command over their craft. He was behind some of Hindi cinema's most enduring soundtracks, from 'Lag ja gale' to 'Jhumka gira re' to 'Jaane kya baat hai'. Yet, Raj's legacy remains confined to the odd footnote. Through interviews with family, friends and coworkers - including Asha Bhosle, Waheeda Rehman, Mumtaz, Asha Parekh, Sharmila Tagore, Dharmendra, Manoj Kumar, Prem Chopra, Bindu, Mahesh Bhatt and Aamir Khan - this biography addresses this glaring gap in the history of Bollywood. Examining Raj Khosla's work, it reveals a director and a man who was as talented and sensitive as he was flawed. The result is a tender treatment that lays bare a caring employer, a Napoleon fanboy, a maudlin soul who wore his heart on his sleeve, a passionate lover of music, and a man who transformed Hindi cinema.
  lata mangeshkar biography in hindi: Verve , 1995
  lata mangeshkar biography in hindi: A Journey Down Melody Lane Raju Bharatan, 2010-09-01 The Hindi film song has held millions spellbound for nearly eight decades. In this unputdownable ‘labour of love’, India’s leading film song historian, Raju Bharatan, delves deep into his treasure trove to tell us how singing is all about romancing, how composing is all about feelings, how the twain, stardom and songdom, do meet to make the vintage film number a part of the nation’s psyche. He reconstructs song happenings over the last sixty years or so to condense the emotion and passion going into legendary star hook-ups, showing us how with the pairing comes the vibe, with the vibe comes the tune, and with the tune unfolds cinema that is a ‘Madhuballad’ all the way. This volume also describes the creative inputs of music directors, lyricists and singers that go into the making of a Hindi film song. It is a compendium that no one can afford to miss! Raju Bharatan is popularly recognized as the last word on film music in India – as the only one physically there ‘on the scene’ through the decades. His knowledge of Hindustani cinesangeet is matched only by his grip on Indian cricket. He now packs fifty years of musical lore into a work sure to command a niche on your bookshelf.
  lata mangeshkar biography in hindi: 2024-25 UPPCL Technician Electrician Trade Solved Papers YCT Expert Team , 2024-25 UPPCL Technician Electrician Trade Solved Papers
  lata mangeshkar biography in hindi: Encyclopaedia of Women Biography Nagendra Kr Singh, 2001
  lata mangeshkar biography in hindi: Me n Mine-English Saraswati Experts, A text book on English
  lata mangeshkar biography in hindi: The Man Who Became Cinema Ashok Chopra, 2025-05-30 Discover the magic of Indian cinema’s greatest legend with this in-depth analysis which delves into the art and craft of the cinema of Dilip Kumar. This volume intricately explores film by film, scene by scene, song by song coupled with some of the most epochal and quintessential dialogues from the iconic films of the ‘world’s first Method actor’. It fosters a profound understanding of the psychological, behavioural, and improvisational aspects of film acting and cinematic character as interpreted by the greatest phenomenon of Indian cinema. It minutely observes and comprehends the intricate characterizations he meticulously portrayed across various genres: from tragedy to comedy, from romance to malevolence, and from a bumpkin to a sophisticate. He could seamlessly change his persona on screen from a gangster to a law-abiding cop as also convincingly portray triple roles with each character distinct from the other two. Supported by astute research ensuring authenticity, it also explores the world of Hindi film music and those who made it an essential part of filmmaking in general and its significance to the films of Dilip Kumar in particular. Additionally, it also sheds light on the collaborative efforts of filmmakers, music composers, lyricists, writers, cinematographers and film critics and authors who contributed to the enduring legacy of his work. This is a must read for fans of Indian cinema, celebrating the timeless legacy of the one and only Dilip Kumar.
  lata mangeshkar biography in hindi: More Than Bollywood Gregory D. Booth, Bradley Shope, 2014 This is the first book to tackle the diverse styles and multiple histories of popular musics in India. It brings together fourteen of the world's leading scholars on Indian popular music to contribute chapters on a range of topics from the classic songs of Bollywood to contemporary remixes, summarized by a reflective afterword by popular music scholar Timothy Taylor. The chapters in this volume address the impact of media and technology on contemporary music, the variety of industrial developments and contexts for Indian popular music, and historical trends in popular music development both before and after the Indian Independence in 1947. The book identifies new ways of engaging popular music in India beyond the Bollywood musical canon, and offers several case studies of local and regional styles of music. The contributors address the subcontinent's historical relationships with colonialism, the transnational market economies, local governmental factors, international conventions, and a host of other circumstances to shed light on the development of popular music throughout India. To illustrate each chapter author's points, and to make available music not easily accessible in North America, the book features an Oxford web music companion website of audio and video tracks.
  lata mangeshkar biography in hindi: Historical Dictionary of the Bengalis Kunal Chakrabarti, Shubhra Chakrabarti, 2013-08-22 The Historical Dictionary of the Bengalis provides an overview of the Bengalis across the world from the earliest Chalcolithic cultures to the present. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 750 cross-referenced dictionary entries on politicians, educators and entrepreneurs, leaders of religious and secular institutions, writers, painters, actors and other cultural figures, and more generally, on the economy, education, political parties, religions, women and minorities, literature, art and architecture, music, cinema and other major sectors. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Bengalis.
  lata mangeshkar biography in hindi: Hindi Film Song Ashok Damodar Ranade, 2006
  lata mangeshkar biography in hindi: Dance of Life Craig Lockard, 1998-04-01 The rock era is over, according to one pop music expert. Another laments that rock music is metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s. Whatever its current role and significance in Anglo-American society, popular music has been and remains a tremendous social and cultural force in many parts of the world. This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore.
  lata mangeshkar biography in hindi: Religion and Public Memory Christian Lee Novetzke, 2008-07-01 Namdev is a central figure in the cultural history of India, especially within the field of bhakti, a devotional practice that has created publics of memory for over eight centuries. Born in the Marathi-speaking region of the Deccan in the late thirteenth century, Namdev is remembered as a simple, low-caste Hindu tailor whose innovative performances of devotional songs spread his fame widely. He is central to many religious traditions within Hinduism, as well as to Sikhism, and he is a key early literary figure in Maharashtra, northern India, and Punjab. In the modern period, Namdev appears throughout the public spheres of Marathi and Hindi and in India at large, where his identity fluctuates between regional associations and a quiet, pan-Indian, nationalist-secularist profile that champions the poor, oppressed, marginalized, and low caste. Christian Lee Novetzke considers the way social memory coheres around the figure of Namdev from the sixteenth century to the present, examining the practices that situate Namdev's memory in multiple historical publics. Focusing primarily on Maharashtra and drawing on ethnographies of devotional performance, archival materials, scholarly historiography, and popular media, especially film, Novetzke vividly illustrates how religious communities in India preserve their pasts and, in turn, create their own historical narratives.
  lata mangeshkar biography in hindi: Yesterday’s Melodies Today’s Memories Manek Premchand, 2018-12-27 Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.
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