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| last call new yorker: Last Call Elon Green, 2022-06-07 In this work of nonfiction, Elon Green reports on a series of baffling and brutal crimes. The victims of the serial murderer dubbed the 'Last Call Killer' were all gay men, and Green tries to shine a light onto their complicated lives and the queer community in New York City in the 1980s and 1990s as well. Peter Stickney Anderson was the first of the known victims-- Adapted from the publisher's description. |
| last call new yorker: Last Call Daniel Okrent, 2010-05-11 A brilliant, authoritative, and fascinating history of America’s most puzzling era, the years 1920 to 1933, when the U.S. Constitution was amended to restrict one of America’s favorite pastimes: drinking alcoholic beverages. From its start, America has been awash in drink. The sailing vessel that brought John Winthrop to the shores of the New World in 1630 carried more beer than water. By the 1820s, liquor flowed so plentifully it was cheaper than tea. That Americans would ever agree to relinquish their booze was as improbable as it was astonishing. Yet we did, and Last Call is Daniel Okrent’s dazzling explanation of why we did it, what life under Prohibition was like, and how such an unprecedented degree of government interference in the private lives of Americans changed the country forever. Writing with both wit and historical acuity, Okrent reveals how Prohibition marked a confluence of diverse forces: the growing political power of the women’s suffrage movement, which allied itself with the antiliquor campaign; the fear of small-town, native-stock Protestants that they were losing control of their country to the immigrants of the large cities; the anti-German sentiment stoked by World War I; and a variety of other unlikely factors, ranging from the rise of the automobile to the advent of the income tax. Through it all, Americans kept drinking, going to remarkably creative lengths to smuggle, sell, conceal, and convivially (and sometimes fatally) imbibe their favorite intoxicants. Last Call is peopled with vivid characters of an astonishing variety: Susan B. Anthony and Billy Sunday, William Jennings Bryan and bootlegger Sam Bronfman, Pierre S. du Pont and H. L. Mencken, Meyer Lansky and the incredible—if long-forgotten—federal official Mabel Walker Willebrandt, who throughout the twenties was the most powerful woman in the country. (Perhaps most surprising of all is Okrent’s account of Joseph P. Kennedy’s legendary, and long-misunderstood, role in the liquor business.) It’s a book rich with stories from nearly all parts of the country. Okrent’s narrative runs through smoky Manhattan speakeasies, where relations between the sexes were changed forever; California vineyards busily producing “sacramental” wine; New England fishing communities that gave up fishing for the more lucrative rum-running business; and in Washington, the halls of Congress itself, where politicians who had voted for Prohibition drank openly and without apology. Last Call is capacious, meticulous, and thrillingly told. It stands as the most complete history of Prohibition ever written and confirms Daniel Okrent’s rank as a major American writer. |
| last call new yorker: The Virgin Suicides Jeffrey Eugenides, 1993-04-01 The national bestseller from Jeffrey Eugenides, the Pulitzer Prize–Winning Author of Middlesex and The Marriage Plot With a New Introduction by Emma Cline Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life. First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family's fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. |
| last call new yorker: Notes on Grief Chimamanda Ngozi Adichie, 2021-05-11 From the globally acclaimed, best-selling novelist and author of We Should All Be Feminists, a timely and deeply personal account of the loss of her father: “With raw eloquence, Notes on Grief … captures the bewildering messiness of loss in a society that requires serenity, when you’d rather just scream. Grief is impolite ... Adichie’s words put welcome, authentic voice to this most universal of emotions, which is also one of the most universally avoided” (The Washington Post). Notes on Grief is an exquisite work of meditation, remembrance, and hope, written in the wake of Chimamanda Ngozi Adichie's beloved father’s death in the summer of 2020. As the COVID-19 pandemic raged around the world, and kept Adichie and her family members separated from one another, her father succumbed unexpectedly to complications of kidney failure. Expanding on her original New Yorker piece, Adichie shares how this loss shook her to her core. She writes about being one of the millions of people grieving this year; about the familial and cultural dimensions of grief and also about the loneliness and anger that are unavoidable in it. With signature precision of language, and glittering, devastating detail on the page—and never without touches of rich, honest humor—Adichie weaves together her own experience of her father’s death with threads of his life story, from his remarkable survival during the Biafran war, through a long career as a statistics professor, into the days of the pandemic in which he’d stay connected with his children and grandchildren over video chat from the family home in Abba, Nigeria. In the compact format of We Should All Be Feminists and Dear Ijeawele, Adichie delivers a gem of a book—a book that fundamentally connects us to one another as it probes one of the most universal human experiences. Notes on Grief is a book for this moment—a work readers will treasure and share now more than ever—and yet will prove durable and timeless, an indispensable addition to Adichie's canon. |
| last call new yorker: Deaths of Despair and the Future of Capitalism Anne Case, Angus Deaton, 2021-03-02 A New York Times Bestseller A Wall Street Journal Bestseller A New York Times Notable Book of 2020 A New York Times Book Review Editors’ Choice Shortlisted for the Financial Times and McKinsey Business Book of the Year A New Statesman Book to Read From economist Anne Case and Nobel Prize winner Angus Deaton, a groundbreaking account of how the flaws in capitalism are fatal for America's working class Deaths of despair from suicide, drug overdose, and alcoholism are rising dramatically in the United States, claiming hundreds of thousands of American lives. Anne Case and Angus Deaton explain the overwhelming surge in these deaths and shed light on the social and economic forces that are making life harder for the working class. As the college educated become healthier and wealthier, adults without a degree are literally dying from pain and despair. Case and Deaton tie the crisis to the weakening position of labor, the growing power of corporations, and a rapacious health-care sector that redistributes working-class wages into the pockets of the wealthy. This critically important book paints a troubling portrait of the American dream in decline, and provides solutions that can rein in capitalism's excesses and make it work for everyone. |
| last call new yorker: Last Call Elon Green, 2021-03-09 **WINNER OF THE EDGAR® AWARD FOR BEST FACT CRIME** A terrific, harrowing, true-crime account of an elusive serial killer who preyed upon gay men in the 1990s. -The New York Times (Editor's Pick) In this astonishing and powerful work of nonfiction, Green meticulously reports on a series of baffling and brutal crimes targeting gay men. It is an investigation filled with twists and turns, but this is much more than a compelling true crime story. Green has shed light on those whose lives for too long have been forgotten, and rescued an important part of American history. -David Grann, #1 New York Times bestselling author of Killers of the Flower Moon The gripping true story, told here for the first time, of the Last Call Killer and the gay community of New York City that he preyed upon. The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable. He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim. Nor will he be his last. The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten. This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience. |
| last call new yorker: Last Call Brad Thomas Parsons, 2019-10-22 From the James Beard Award-winning author of Bitters and Amaro comes this poignant, funny, and often elegiac exploration of the question, What is the last thing you'd want to drink before you die?, with bartender profiles, portraits, and cocktail recipes. JAMES BEARD AWARD FINALIST • WINNER OF THE TALES OF THE COCKTAIL SPIRITED AWARD® • NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY CHICAGO TRIBUNE Everyone knows the parlor game question asked of every chef and food personality in countless interviews: What is the last meal you'd want to eat before you die? But what does it look like when you pose the question to bartenders? In Last Call, James Beard Award-winning author Brad Thomas Parsons gathers the intriguing responses from a diverse range of bartenders around the country, including Guido Martelli at the Palizzi Social Club in Philadelphia (he chooses an extra-dry Martini), Joseph Stinchcomb at Saint Leo in Oxford, Mississippi (he picks the Last Word, a pre-Prohibition-era cocktail that's now a cult favorite), and Natasha David at Nitecap in New York City (she would be sipping an extra-salty Margarita). The resulting interviews and essays reveal a personal portrait of some of the country's top bartenders and their favorite drinks, while over 40 cocktail recipes and stunning photography make this a keepsake for barflies and cocktail enthusiasts of all stripes. Praise for Last Call “[Parsons] captures the people and places through stunning photographs and prose. Like a perfectly balanced cocktail, it is equal parts cocktail recipes, travelogue and mixtape.”—The Atlanta Journal-Constitution “Measure equal parts travelogue, tell-all, discography, and cocktail companion—in service of an obituary of all patrons—and you have Last Call; Brad Thomas Parsons’s best book yet. Through soulful photos and gritty interviews, he and photographer Ed Anderson capture the rawness, vulnerability, and ecstasy of the metamorphosis between the end of a guest’s night and the beginning of a bartender’s.”—Jim Meehan, author of Meehan’s Bartender Manual and The PDT Cocktail Book “This book is a delight. Last Call shows us the sense of community evoked by bartenders across the country, whose wisdom and tenderness are captured here both in words and beautiful photographs. It made me—an erstwhile bartender and faithful customer—happy to remember that we all have nights when we unexpectedly hear the words ‘last call,’ and that noble and fascinating bartenders are out there waiting to share it with us.”—Alan Cumming |
| last call new yorker: Last Call at the Hotel Imperial: The Reporters Who Took on a World at War Deborah Cohen, 2022-03-15 ‘Effervescent’ New Yorker Best Books Of 2022 So Far ‘Bursts with colour and incident’ FT Best Books of Summer |
| last call new yorker: The Complete Manual of Suicide Wataru Wataru Tsurumi, 2018-11-20 When all the joy in life is over, when simply waiting for an unavoidable and imminent death, it is the simplest of human rights to choose a quick and easy death in place of a slow and horrible one. This book covers the practicalities of implementing a quick, easy and painless suicide, and where to obtain the necessary equipment. |
| last call new yorker: When Tito Loved Clara Jon Michaud, 2011-03-08 Clara Lugo grew up in a home that would have rattled the most grounded of children. Through brains and determination, she has long since slipped the bonds of her confining Dominican neighborhood in the northern reaches of Manhattan. Now she tries to live a settled professional life with her American husband and son in the suburbs of New Jersey—often thwarted by her constellation of relatives who don’t understand her gringa ways. Her mostly happy life is disrupted, however, when Tito, a former boyfriend from fifteen years earlier, reappears. Something has impeded his passage into adulthood. His mother calls him an Unfinished Man. He still carries a torch for Clara; and she harbors a secret from their past. Their reacquaintance sets in motion an unraveling of both of their lives and reveals what the cost of assimilation—or the absence of it—has meant for each of them. This immensely entertaining novel—filled with wit and compassion—marks the debut of a fine writer. |
| last call new yorker: Last Call Sarah Gorham, Jeffrey Skinner, 1997 Groundbreaking anthology of poetry on substance abuse and recovery. |
| last call new yorker: Voluntary Death in Japan Maurice Pinguet, 1993-06-14 For most Western observers, the Japanese practice of voluntary death, whether the self-inflicted sword-stroke of a warrior or the simultaneous suicide of lovers, is shocking and difficult to understand. The practice of voluntary death is deeply alien to Western Culture and to the Christian view that God alone is entrusted with power over life and death. In Japan, however,a tradition of voluntary death has existed for more than a millenium. The suicides of samurai warriors, of kamikaze fighter pilots, of artists and lovers are part of a tradition which stretches back over many centuries and which expresses a distinctive way of relating to death. In this profound and sensitive study, Maurice Pinguet carefully reconstructs this tradition of voluntary death and relates it to other aspects of Japanese culture and society. He shows that, in early Japanese myths and legends, acts of self-immolation were often exalted as an ideal. A self-effacing suicide was viewed as an ethical act: a way of restoring order in a world disrupted by conflict or marred by failure. Pinguet examines in detail the customs and elaborate rituals which surrounded the practice of voluntary death in different times and among different groups, from the seppuka practised by warriors in the thirteenth century to the suicide of Mishima in the twentieth. The result is a brilliant and absorbing analysis of Japanese culture and society - an analysis which, by focusing on a practice that is radically different from our own, tells us something about Western civilization as well. |
| last call new yorker: Last Call Lorraine Marlin, 2014-02-11 Life is good for thirty-something New Yorker, Elizabeth Archer, who lives in an apartment overlooking Washington Square Park, enjoys a lucrative job in midtown, and is engaged to marry man of means. But things are about to change, forcing Elizabeth to question long-held beliefs about herself and come to terms with who she really is. Set in New York City and on the island of St. Thomas in the 1990s, Elizabeths story unfolds through her interaction with family, friends, and most of all with the men she allows into her life |
| last call new yorker: A Carnival of Snackery David Sedaris, 2021-10-07 There's no right way to keep a diary, but if there's an entertaining way, David Sedaris seems to have mastered it. If it's navel-gazing you're after, you've come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street; collecting Romanian insults, or being taken round a Japanese parasite museum. There's a dirty joke shared at a book signing, then a dirtier one told at a dinner party-lots of jokes here. Plenty of laughs. These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in fine hotel dining rooms and Serbian motels, records it. The entries here reflect an ever-changing background-new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can't by the end. Sedaris has been compared to Truman Capote and Tennessee Williams, Lewis Carroll and a 'sexy Alan Bennett'. A Carnival of Snackery illustrates that he is very much his own, singular self. |
| last call new yorker: Final Exit Derek Humphry, Helga Kuhse, 1992 First published in the US in 1991 by the Hemlock Society, it discusses the practicalities of suicide and assisted suicide for those terminally ill, and is intended to inform mature adults suffering from a terminal illness. It also gives guidance to those who may support the option of suicide under those circumstances. The Australian edition was prepared by Dr Helga Kuhse. The author is a US journalist who has written or co-authored books on civil liberties, racial integration and euthanasia and is a past president of the World Federation of Right to Die societies. Sales of the book are category one restricted: not available to persons under 18. |
| last call new yorker: An Odyssey: A Father, A Son and an Epic: SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 Daniel Mendelsohn, 2017-09-07 SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece. |
| last call new yorker: Surviving Autocracy Masha Gessen, 2021-06-01 “When Gessen speaks about autocracy, you listen.” —The New York Times “A reckoning with what has been lost in the past few years and a map forward with our beliefs intact.” —Interview As seen on MSNBC’s Morning Joe and heard on NPR’s All Things Considered: the bestselling, National Book Award–winning journalist offers an essential guide to understanding, resisting, and recovering from the ravages of our tumultuous times. This incisive book provides an essential guide to understanding and recovering from the calamitous corrosion of American democracy over the past few years. Thanks to the special perspective that is the legacy of a Soviet childhood and two decades covering the resurgence of totalitarianism in Russia, Masha Gessen has a sixth sense for the manifestations of autocracy—and the unique cross-cultural fluency to delineate their emergence to Americans. Gessen not only anatomizes the corrosion of the institutions and cultural norms we hoped would save us but also tells us the story of how a short few years changed us from a people who saw ourselves as a nation of immigrants to a populace haggling over a border wall, heirs to a degraded sense of truth, meaning, and possibility. Surviving Autocracy is an inventory of ravages and a call to account but also a beacon to recovery—and to the hope of what comes next. |
| last call new yorker: Strange Stones Peter Hessler, 2013-05-07 Full of unforgettable figures and an unrelenting spirit of adventure, Strange Stones is a far-ranging, thought-provoking collection of Peter Hessler’s best reportage—a dazzling display of the powerful storytelling, shrewd cultural insight, and warm sense of humor that are the trademarks of his work. Over the last decade, as a staff writer for The New Yorker and the author of three books, Peter Hessler has lived in Asia and the United States, writing as both native and knowledgeable outsider in these two very different regions. This unusual perspective distinguishes Strange Stones, which showcases Hessler’s unmatched range as a storyteller. “Wild Flavor” invites readers along on a taste test between two rat restaurants in South China. One story profiles Yao Ming, basketball star and China’s most beloved export, another David Spindler, an obsessive and passionate historian of the Great Wall. In “Dr. Don,” Hessler writes movingly about a small-town pharmacist and his relationship with the people he serves. While Hessler’s subjects and locations vary, subtle but deeply important thematic links bind these pieces—the strength of local traditions, the surprising overlap between apparently opposing cultures, and the powerful lessons drawn from individuals who straddle different worlds. |
| last call new yorker: Come As You Are Michael Azerrad, 2013-01-23 The definitive biography of the revolutionary band Nirvana and its star-crossed frontman Kurt Cobain, hailed by Rolling Stone as “the first [book] to comprehensively tell the band’s tale from Aberdeen, Wash., to world domination” “Amazingly raw and candid . . . an unsparing and extremely honest depiction of the group’s highly tumultuous history . . . Come As You Are is as good as rock bios get.”—Billboard “Just tell the truth. That’ll be better than anything else that’s been written about me.”—Kurt Cobain Nirvana came out of nowhere in 1991 to sell nearly five million copies of their landmark album Nevermind, whose thunderous sound and indelible melodies embodied all the confusion, frustration, and passion of the emerging Generation X. Come As You Are is the close-up, intimate story of Nirvana—the only book with exclusive in-depth interviews with bandmembers Kurt Cobain, Krist Noveselic, and Dave Grohl, as well as friends, relatives, former bandmembers, and associates—now updated to include a final chapter detailing the last year of Kurt Cobain's life, before his tragic suicide in April 1994. Vivid, evocative, and thought-provoking, Come As You Are is an essential document not just for Nirvana fans but for anyone interested in the cultural legacy of the 1990s. |
| last call new yorker: Collected Poems Ciaran Carson, 2008 Ciaran Carson's 'Collected Poems', published on the occasion of his 60th birthday, gathers work from eight collections. |
| last call new yorker: Last Call at Elaine's Brian McDonald, 2008-04-15 Brian McDonald was a few years sober when he took a job as bartender at the renowned Elaine's restaurant on Second Avenue at 88th street in Manhattan. During his eleven years at Elaine's, he saw, served, and overheard many famous customers, from Woody Allen to Kurt Vonnegut to Mick Jaggar. He also developed a unique friendship with Elaine herself. Last Call At Elaine’s is an intimate look at the well-known and beloved restaurant, its owner, and its famous literary and luminary clientele. At the same time, McDonald’s memoir is the deeply personal story of how a bartender became a writer, fell off the wagon and got back on, and found himself through the window of a very famous restaurant. Last Call at Elaine's is Brian McDonald's colorful and sensitively drawn memoir of drinking, serving, writing, and finding his way out from behind the bar. |
| last call new yorker: Say Nothing Patrick Radden Keefe, 2020-02-25 NEW YORK TIMES BESTSELLER • NOW AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century • A Kirkus Reviews Best Nonfiction Book of the Century • A Los Angeles Times Best Nonfiction Book of the Last 30 Years Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga. —New York Times Book Review Reads like a novel. . . . Keefe is . . . a master of narrative nonfiction. . . . An incredible story.—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish. |
| last call new yorker: Dissipatio H.G. Guido Morselli, 2020-12-01 A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider. |
| last call new yorker: Sleeper Spy William Safire, 2011-10-12 “An international insider’s feel for a story with a master’s touch for telling it. Pick it up and you won’t put it down.”—Dan Rather In the wake of an important KGB agent's disappearance, an event of international proportions, journalist Irving Fein teams up with a television anchorwoman and stumbles on the story of a lifetime. “Immensely entertaining . . . engaging and cunningly plotted—with a walth of diverting asides on the self-importance of journalists, the duplicity of officialdom, the venality of big-time literary agents and other of civilized society’s burdens.”—Kirkus Reviews “The spy novel thought dead at the end of the Cold War, is alive and well, rising to new heights in Bill Safire’s Sleeper Spy.”—Richard Helms, former head of the CIA |
| last call new yorker: I Walk Between the Raindrops T.C. Boyle, 2022-09-13 An electric collection of new short stories from the inimitable, bestselling writer of Talk to Me and Outside Looking In In the title story of Walk Between the Raindrops, a woman sits down next to a man at a bar and claims she has ESP. In “Thirteen Days,” passengers on a cruise line are quarantined, to horrifying and hilarious effect. And “Hyena” begins simply: “That was the day the hyena came for him, and never mind that there were no hyenas in the South of France, and especially not in Pont-Saint-Esprit—it was there and it came for him.” A virtuoso of the short form, T.C. Boyle returns with an inventive, uproarious, and masterfully told collection of short stories characterized by biting satire, resonant wit, and a boundless, irrepressible imagination. |
| last call new yorker: Last Call: Chapter Sampler Elon Green, 2021-02-08 This excerpt from Last Call by Elon Green contains the first two chapters of the book. The gripping true story, told here for the first time, of the Last Call Killer and the gay community of New York City that he preyed upon. The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable. He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim. Nor will he be his last. The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten. This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience. |
| last call new yorker: The Right Wing: the Good, the Bad, and the Crazy Charles Phillip Rider, 2013-05-31 The book The Right Wing: the Good, the Bad, and the Crazy discusses the political right in the United States from Prohibition through recent speculation concerning the presidential campaign of 2016. A chapter is devoted to each U.S. President from Franklin Delano Roosevelt to George W. Bush. Many references are contained in the book concerning right wing personalities such as Robert Welch, Joe McCarthy, Barry Goldwater, Rush Limbaugh, Darrel Issa and others. Right wing organizations such as the John Birch Society, Fox News, and the Tea Party are analyzed. The Afterword section contains the authors solution to issues such as gun control, the U.S. Debt, the need for additional federal revenues, and the lack of medium and large U.S. corporations tax support of the U.S. government. Controversial issues such as sex education, immigration, and the present large gap between wealthy and middle class income are discussed in the book. The influence of the religious right in politics is analyzed. The author, Charles Rider, analyzes some of the above issues from an attorneys perspective. The book contains facts not generally known by readers such as Senator McCarthy, the communist witch hunter, subpoenaed many witnesses and forced them to testify in front of the Senate Permanent Sub Committee on Investigations. None of the witnesses ever went to jail or prison for communist activity. McCarthys committee records of witnesses testimony and background disappeared from the FBI files and the National Archives. During the Afghan War, Secretary of Defense, Donald Rumsfeld created a monetary reward program for information as to names of terrorists. Leaflets were distributed that the U.S. Government would pay up to $15,000 for names of terrorists. People turned in their enemies and sometimes goat herders and store clerks ended up in Guantanamo. |
| last call new yorker: Volume Control David Owen, 2019-10-29 The surprising science of hearing and the remarkable technologies that can help us hear better Our sense of hearing makes it easy to connect with the world and the people around us. The human system for processing sound is a biological marvel, an intricate assembly of delicate membranes, bones, receptor cells, and neurons. Yet many people take their ears for granted, abusing them with loud restaurants, rock concerts, and Q-tips. And then, eventually, most of us start to go deaf. Millions of Americans suffer from hearing loss. Faced with the cost and stigma of hearing aids, the natural human tendency is to do nothing and hope for the best, usually while pretending that nothing is wrong. In Volume Control, David Owen argues this inaction comes with a huge social cost. He demystifies the science of hearing while encouraging readers to get the treatment they need for hearing loss and protect the hearing they still have. Hearing aids are rapidly improving and becoming more versatile. Inexpensive high-tech substitutes are increasingly available, making it possible for more of us to boost our weakening ears without bankrupting ourselves. Relatively soon, physicians may be able to reverse losses that have always been considered irreversible. Even the insistent buzz of tinnitus may soon yield to relatively simple treatments and techniques. With wit and clarity, Owen explores the incredible possibilities of technologically assisted hearing. And he proves that ears, whether they're working or not, are endlessly interesting. |
| last call new yorker: Amusing Ourselves to Death Neil Postman, 2005-12-27 What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World |
| last call new yorker: Yearbook Seth Rogen, 2021-05-11 #2 NEW YORK TIMES BESTSELLER* • “Rogen’s candid collection of sidesplitting essays . . . thrives at both explaining and encapsulating a generational comedic voice.”—The Washington Post A collection of funny personal essays from one of the writers of Superbad and Pineapple Express and one of the producers of The Disaster Artist, Neighbors, and The Boys. (All of these words have been added to help this book show up in people’s searches using the wonders of algorithmic technology. Thanks for bearing with us!) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • New York Post • Marie Claire • Self • BookRiot Hi! I’m Seth! I was asked to describe my book, Yearbook, for the inside flap (which is a gross phrase) and for websites and shit like that, so… here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it’s likely the former, which is a fancy “book” way of saying “the first one.”) I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs, and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. I hope you enjoy the book should you buy it, and if you don’t enjoy it, I’m sorry. If you ever see me on the street and explain the situation, I’ll do my best to make it up to you. *I was beaten by Bill O’Reilly, which really sucks. |
| last call new yorker: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century. |
| last call new yorker: Last Call at Coogan's Jon Michaud, 2023-06-06 The uniquely inspiring story of a beloved neighborhood bar that united the communities it served. Coogan’s Bar and Restaurant opened in New York City’s Washington Heights in 1985 and closed its doors for good in the pandemic spring of 2020. Sometimes called Uptown City Hall, it became a staple of neighborhood life during its 35 years in operation—a place of safety and a bulwark against prejudice in a multi-ethnic, majority-immigrant community undergoing rapid change. Last Call at Coogan’s by Jon Michaud tells the story of this beloved saloon, from the challenging years of the late 80's and early 90's, when Washington Heights suffered from the highest crime rate in the city, to the 2010’s, when gentrification pushed out longtime residents and nearly closed Coogan's itself; only a massive community mobilization including local politicians and Lin-Manuel Miranda kept the doors open. This book touches on many serious issues facing the country today: race relations, policing, gentrification, and the COVID-19 pandemic. Along the way, readers will meet the bar’s owners and an array of its most colorful regulars, such as an aspiring actor from Kentucky who dreams of bringing a theater company to Washington Heights, a television reporter who loves karaoke, and a Puerto Rican community board manager who falls in love with an Irish cop from the local precinct. At its core, this is the story of one small business, the people who worked there, the customers they served, and the community they all called home. |
| last call new yorker: Proceedings of the New York State Stenographers' Association New York State Stenographers' Association, 1910 |
| last call new yorker: Prohibition and Bootlegging in the American West Jeremy Agnew, 2022-10-25 Prohibition was imposed by eager temperance movements organizers who sought to shape public behavior through alcoholic beverage control in the 19th and early 20th centuries. The success of reformers' efforts resulted in National Prohibition in America from 1920 to 1933, but it also resulted in a thriving illegal business in the manufacture and distribution of illegal liquor. The history of Prohibition and the resulting illegal drinking is frequently told through the lens of crime and violence in Chicago and other major East Coast cities. Often neglected are the effects of Prohibition on the Western part of the United States and how Westerners rose to the challenge of avoiding the consequences of illegal drinking. Illegal liquor was imported from abroad, made in stills using strange ingredients that were sometimes poisonous to the unlucky drinker. This history includes stories ranging from serious to quirky, and provides an entertaining account of how misguided efforts resulted in numerous unintended consequences. |
| last call new yorker: One More Last Chance Dawn Anita Plumlee, 2010-01-08 Dawn Anita Diffie, a young naïve country girl from Oklahoma, runs away from home at the age of sixteen to marry her sweetheart, Jerry Plumlee. Boarding a bus bound for Seattle with only $5.00 to her name, she volunteers her story to total strangers. A smooth-talking Californian tells her, “You’re welcome to come to my apartment and freshen up since you have an eight-hour layover in LA.” Unwary, she happily relates the offer to Jerry by phone, and he informs her “You get back on that bus, sit behind the driver, and don’t talk to anyone until you get to Seattle.” A quick wedding before the justice of the peace leads to a long and lasting marriage filled with love and turmoil as they struggle to survive. They celebrate love, mourn loss, and share many victories and disappointments, but they are always there for each other through even the most turbulent times. Their adventurous spirit takes them from Seattle to a small, isolated log cabin in the mountains of Idaho where they are stranded in a snowstorm for more than two months with nothing to eat but the fourteen loaves of bread they baked in their wood stove. The small cabin becomes cramped after two months, and unrest leads to a fight. Desperate to make a point, Dawn Anita jumps into a snowbank stark naked while Jerry looks on laughing as she lies “sizzling in the snow.” They journey back to Oklahoma to a remote 1,700-acre ranch, facing the perils of snakes, scorpions, wasps, rats, and wild cows. Always willing to try the unknown, these two set out on a hazardous journey from Oklahoma to Idaho with their two-week-old son and wind up stranded in Idaho with no money, food, or shelter. Overcoming many obstacles, their journey leads them back to Oklahoma where Jerry is the foreman on a huge cattle ranch, and she finds a career as a secretary in a law firm. With a family whose heritage is richly steeped in music, she yearns to find her place in country music, only to discover that when the opportunity presents itself for her to sign a major recording contract with RCA, she cannot bear the thought of leaving her two children at home to pursue the stardom she desires. Many offers, which hold promise of her becoming a celebrity, elude her grasp, and when the couple finally takes the leap of faith and journeys to Nashville after their children graduate, they find that Music City USA welcomes an over-the-hill, forty-year-old female with closed minds and a cold heart. Never one to give up on her dreams, at the age of fifty, she and her husband take an unprecedented six-hundred-mile journey on horseback from Broken Bow, Oklahoma, to Nashville to pursue her music career after a shady business partner leaves them penniless. Along the way, they are amazed to find total strangers who open their hearts, their homes, and their pocketbooks to help them on their journey and realize their journey has given them hope for one more last chance to feel whole again. |
| last call new yorker: Smashing the Liquor Machine Mark Lawrence Schrad, 2021 When most people think of the prohibition era, they think of speakeasies, gin runners, and backwoods fundamentalists railing about the ills of strong drink. In other words, in the popular imagination, it is a peculiarly American event. Yet, as Mark Lawrence Schrad shows in Smashing the Liquor Machine, the conventional scholarship on prohibition is extremely misleading for a simple reason: American prohibition was just one piece of a global wave of prohibition laws that occurred around the same time. Schrad's counterintuitive global history of prohibition looks at the anti-alcohol movement around the globe through the experiences of pro-temperance leaders like Thomas Masaryk, founder of Czechoslovakia, Vladimir Lenin, Leo Tolstoy, and anti-colonial activists in India. Schrad argues that temperance wasn't American exceptionalism at all, but rather one of the most broad-based and successful transnational social movements of the modern era. In fact, Schrad offers a fundamental re-appraisal of this colorful era to reveal that temperance forces frequently aligned with progressivism, social justice, liberal self-determination, democratic socialism, labor rights, women's rights, and indigenous rights. By placing the temperance movement in a deep global context, he forces us to fundamentally rethink all that we think we know about the movement. Rather than a motley collection of puritanical American evangelicals, the global temperance movement advocated communal self-protection against the corrupt and predatory liquor machine that had become exceedingly rich off the misery and addictions of the poor around the world, from the slums of South Asia to central Europe to the Indian reservations of the American west. Unlike many traditional dry histories, Smashing the Liquor Machine gives voice to minority and subaltern figures who resisted the global liquor industry, and further highlights that the impulses that led to the temperance movement were far more progressive and variegated than American readers have been led to believe. |
| last call new yorker: Journal of the Assembly of the State of New York; ... New York (State). Legislature. Assembly, 1865 |
| last call new yorker: Last Call at the Oasis Participant, 2012-04-24 If there was a price placed on clean water we might start treating it like it has value. Maybe when it's gone we'll realize we can't drink oil or money. -- Dave Matthews Less than 1 percent of the world's water is fresh and potable -- and no more will ever be available. Thanks to pollution, global warming, and population growth, water access is poised to become today's most explosive global issue. This book, based on the film Last Call at the Oasis by Academy Award-winning director Jessica Yu, offers insights into the coming water crisis from visionary scientists, policymakers, activists, and environmentalists, including: ROBERT MORAN on how oil and mineral development pollute and divert water supplies -- often beyond public scrutiny PETER H. GLEICK on discovering the soft path to global water security ROBERT GLENNON on how the power of markets can help protect the world's water LYNN HENNING on how a family farmer became a passionate water activist ALEX PRUD'HOMME on how the water crisis affects us all GARY WHITE on how innovative social and economic strategies can make clean water available even for the world's poorest people HADLEY ARNOLD AND PETER ARNOLD on how arid regions like America's Southwest can wisely husband water supplies for cities and farmers alike ROBYN BEAVERS on how today's smartest businesses are making sustainable water management a competitive advantage ZEM JOAQUIN on nine ecofabulous ways of saving water at home -- and doing it with style BILL MCDONOUGH on how smart design can preserve water's Endless Resourcefulness for generations to come No resource on earth is more precious -- or more endangered -- than water. Last Call at the Oasis is a powerful tool for learning about the water challenges we face as well as the remarkable solutions available to us -- if we have the will to use them. |
| last call new yorker: How to Fall in Love with Anyone Mandy Len Catron, 2017-06-27 “A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star). |
| last call new yorker: Caste Isabel Wilkerson, 2023-02-14 #1 NEW YORK TIMES BESTSELLER • NEW YORK TIMES READERS PICK: 100 BEST BOOKS OF THE 21st CENTURY • OPRAH’S BOOK CLUB PICK • “An instant American classic and almost certainly the keynote nonfiction book of the American century thus far.”—Dwight Garner, The New York Times The Pulitzer Prize-winning author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions—now with a new Afterword by the author. #1 NONFICTION BOOK OF THE YEAR: Time ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, The New York Times, Los Angeles Times, Boston Globe, O: The Oprah Magazine, NPR, Bloomberg, The Christian Science Monitor, New York Post, The New York Public Library, Fortune, Smithsonian Magazine, Marie Claire, Slate, Library Journal, Kirkus Reviews Winner of the Los Angeles Times Book Prize • National Book Critics Circle Award Finalist • Winner of the Carl Sandburg Literary Award • Dayton Literary Prize Finalist • PEN/John Kenneth Galbraith Award for Nonfiction Finalist • PEN/Jean Stein Book Award Finalist • Kirkus Prize Finalist “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Isabel Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. |
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