Advertisement
| letizia treves: I Know What I Am Gina Siciliano, 2019-09-11 In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Amhighlights a fierce artist who stood up to a shameful social status quo. |
| letizia treves: Alain Elkann Interviews , 2017-09-15 Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years. |
| letizia treves: Bartolomé Bermejo Letizia Treves, Paul Ackroyd, Rachel Billinge, Lorne Campbell, 2019 Published to accompany an exhibition held at The National Gallery, London, 12 June-29 September 2019. |
| letizia treves: Artemisia Letizia Treves, Sheila Barker, Patrizia Cavazzini, Elizabeth Cropper, Larry Keith, Francesca Whitlum-Cooper, Francesco Solinas, 2020 Published to accompany the exhibition Artemisia, The National Gallery, London, 4 April -26 July 2020. |
| letizia treves: National Gallery Technical Bulletin Susanna Avery-Quash, 2019-10-04 A collection of studies at the cutting edge of art conservation and the scientific examination of paintings This volume continues the National Gallery's acclaimed series of Technical Bulletins with a selection of studies across the range of the collection, jointly authored by experts in the field of conservation and the scientific examination of paintings. This issue focuses on the conservation and restoration of Artemisia Gentileschi's Self Portrait as Saint Catherine, Guido Reni's The Toilet of Venus, Scipione Pulzone's Portrait of a Cardinal, and Garofalo's Holy Family, as well as Charles Eastlake's research into Jan van Eyck's techniques. Published by National Gallery Company/Distributed by Yale University Press |
| letizia treves: Paternal Tyranny Arcangela Tarabotti, 2007-11-01 Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day. Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes. An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard. |
| letizia treves: Artemisia Gentileschi Jesse M. Locker, 2021-01-19 An important reassessment of the later career and life of a beloved baroque artist Hailed as one of the most influential and expressive painters of the seventeenth century, Artemisia Gentileschi (1593–ca. 1656) has figured prominently in the art historical discourse of the past two decades. This attention to Artemisia, after many years of scholarly neglect, is partially due to interest in the dramatic details of her early life, including the widely publicized rape trial of her painting tutor, Agostino Tassi, and her admission to Florence’s esteemed Accademia del Disegno. While the artist’s early paintings have been extensively discussed, her later work has been largely dismissed. This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia’s later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia’s paintings, Locker argues for her important place in the cultural dialogue of the seventeenth century. |
| letizia treves: The Monstrous Regiment of Women S. Jansen, 2002-10-17 In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective. |
| letizia treves: Goya Xavier Bray, Manuela B. Mena Marqués, Manuela Mena, Thomas Gayford, Allison Goudie, 2015 Published to accompany the exhibition Goya: the portraits, The National Gallery, 7 October 2015-10 January 2016.--Title page verso. |
| letizia treves: The Power of Art Caroline Campbell, 2024-01-02 An epic work of art history that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking readers from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives—and inspires us to benefit from its transformative and regenerative power. Unlike the majority of contemporary art history, this book is about much more than the cult of artists’ personalities. Instead, each chapter is structured around a city at a particularly vibrant moment in its history, describing what propelled its creativity and innovation. The emotions and societies she evokes are highly recognizable, revealing how great art resonates powerfully by transcending the boundaries of time. |
| letizia treves: Van Eyck Till-Holger Borchert, Jan Dumolyn, 2020-05-05 This stunning compilation of the work of Jan van Eyck, the master Flemish painter, is being published to coincide with a once-in-a-lifetime exhibition in Ghent. Flemish painter Jan van Eyck (1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge, and unparalleled powers of observation, Van Eyck lifted oil painting to previously unknown heights and helped determine the course of Western art. In 2020, the Museum of Fine Arts in Ghent will host the largest ever exhibition of Van Eyck’s work. Van Eyck: An Optical Revolution includes artwork by Van Eyck, several pieces from his studio, and international masterpieces from the late Middle Ages while making the world of Van Eyck more tangible than ever. This tie-in exhibition catalog unravels some of the myths that surround Van Eyck and his techniques, while showing his complete oeuvre and influence in a new perspective. Including essays by leading experts from around the world, Van Eyck will prove to be an indispensable resource for Van Eyck fans and scholars alike. |
| letizia treves: The Spanish Presence in Sixteenth-Century Italy Piers Baker-Bates, Miles Pattenden, 2016-02-17 The sixteenth century was a critical period both for Spain’s formation and for the imperial dominance of her Crown. Spanish monarchs ruled far and wide, spreading agents and culture across Europe and the wider world. Yet in Italy they encountered another culture whose achievements were even prouder and whose aspirations often even grander than their own. Italians, the nominally subaltern group, did not readily accept Spanish dominance and exercised considerable agency over how imperial Spanish identity developed within their borders. In the end Italians’ views sometimes even shaped how their Spanish colonizers eventually came to see themselves. The essays collected here evaluate the broad range of contexts in which Spaniards were present in early modern Italy. They consider diplomacy, sanctity, art, politics and even popular verse. Each essay excavates how Italians who came into contact with the Spanish crown’s power perceived and interacted with the wider range of identities brought amongst them by its servants and subjects. Together they demonstrate what influenced and what determined Italians’ responses to Spain; they show Spanish Italy in its full transcultural glory and how its inhabitants projected its culture - throughout the sixteenth century and beyond. |
| letizia treves: Artemisia Gentileschi and the Business of Art Christopher R. Marshall, 2024-06-11 A new account of the renowned Baroque painter, revealing how her astute professional decisions shaped her career, style, and legacy Art has long been viewed as a calling—a quasi-religious vocation that drives artists to seek answers to humanity’s deepest questions. Yet the art world is a risky, competitive business that requires artists to make strategic decisions, especially if the artist is a woman. In Artemisia Gentileschi and the Business of Art, Christopher Marshall presents a new account of the life, work, and legacy of the Italian Baroque painter, revealing how she built a successful four-decade career in a male-dominated field—and how her business acumen has even influenced the resurrection of her reputation today, when she has been transformed from a footnote of art history to a globally famous artist and feminist icon. Combining the most recent research with detailed analyses of newly attributed paintings, the book highlights the business considerations behind Gentileschi’s development of a trademark style as she marketed herself to the public across a range of Italian artistic centers. The disguised self-portraits in her early Florentine paintings are reevaluated as an effort to make a celebrity brand of her own image. And, challenging the common perception that Gentileschi’s only masterpieces are her early Caravaggesque paintings, the book emphasizes the importance of her neglected late Neapolitan works, which are reinterpreted as innovative responses to the conventional practices of Baroque workshops. Artemisia Gentileschi and the Business of Art shows that Gentileschi’s remarkable success as a painter was due not only to her enormous talent but also to her ability to respond creatively to the continuously evolving trends and challenges of the Italian Baroque art world. |
| letizia treves: Artemisia Gentileschi and Feminism in Early Modern Europe Mary D. Garrard, 2023-08-25 An accessible introduction to the life of the seventeenth-century's most celebrated women artists, now in paperback. Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. This book breaks new ground by placing Gentileschi in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the artist most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. |
| letizia treves: The Moment of Caravaggio Michael Fried, 2023-10-17 A major reevaluation of Caravaggio from one of today's leading art historians This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. The result is an electrifying new perspective on a crucial episode in the history of European painting. Focusing on the emergence of the full-blown gallery picture in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne. Please note: All images in this ebook are presented in black and white and have been reduced in size. |
| letizia treves: Orazio and Artemisia Gentileschi [published to Accompany the Exhibition Held at the Museo Del Palazzo Di Venezia, Rome, 15 October - 6 January 2002 ; the Metropolian Museum of Art, New York, 14 February - 12 May 2002 ; the Saint Louis Art Museum, 15 June - 15 September 2002 Keith Christiansen, Judith Walker Mann, Orazio Gentileschi, Artemisia Gentileschi, 2001 This beautiful book presents the work of these two painters, exploring the artistic development of each, comparing their achievements and showing how both were influenced by their times and the milieus in which they worked. |
| letizia treves: National Gallery Technical Bulletin Jill Dunkerton, Rachel Billinge, Britta New, 2019-01-04 Giovanni Bellini (active c. 1459; died 1516) was one of the most innovative and influential painters of the Venetian Renaissance and was among the first Italian artists to paint in oil, rather than the more traditional medium of egg tempera. This special edition of the National Gallery Technical Bulletin offers a revelatory in-depth investigation of Bellini's technique, and how it evolved over more than five decades, through an examination of the artist's works in the National Gallery's collection. With twelve focused entries on specific paintings, including masterpieces such as The Agony in the Garden and Doge Leonardo Loredan, this volume is full of new and exciting discoveries that expand our understanding of Bellini's painting practice. In addition, there is an account of the long and challenging restoration of The Assassination of Saint Peter Martyr and an introductory essay that places Bellini's technical achievements in the context of Venetian painting of the 15th century, including his early training with his father, Jacopo; his working relationship with his brother, Gentile, and brother-in-law, Andrea Mantegna; and the practices of Giovanni's own workshop. Published by National Gallery Company/Distributed by Yale University Press |
| letizia treves: Artivisim Alexander Adams, 2022-07-21 From Banksy to Extinction Rebellion, artivism (activism through art) is the art of our era. From international biennale to newspaper pages, artivism is everywhere. Both inside museums and on the streets, global artivism spreads political messages and raises social issues, capturing attention with shocking protests and weird stunts. Yet, is this fusion of art and activism all it seems? Are artivist messages as subversive and anti-authoritarian we assume they are? How has the art trade commodified protest and how have activists parasitised art venues? Is artivism actually an arm of the establishment? Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism. He uncovers troubling ethical infractions within public organisations and a culture of complacent self-congratulation in the arts. His findings suggest the perception of artivism – the most influential art practice of the twenty-first century – as a grassroots humanitarian movement could not be more misleading. Adams concludes that artivism erodes the principles underpinning museums, putting their existence at risk. |
| letizia treves: The Art of Copying Art Penelope Jackson, 2022-08-26 This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples—from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy’s role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork. |
| letizia treves: Eyewitness Views Peter Björn Kerber, 2017-05-09 Canaletto, Bernardo Bellotto, Luca Carlevarijs, Giovanni Paolo Panini, Francesco Guardi, Hubert Robert—these renowned view painters are perhaps most famous for their expansive canvases depicting the ruins of Rome or the canals of Venice. Many of their most splendid paintings, however, feature important contemporary events. These occasions motivated some of the greatest artists of the era to produce their most exceptional work. Little explored by scholars, these paintings stand out by virtue of their extraordinary artistic quality, vibrant atmosphere, and historical interest. They are imbued with a sense of occasion, even drama, and were often commissioned by or for rulers, princes, and ambassadors as records of significant events in which they participated. Lavishly illustrated and meticulously researched, this volume provides the first-ever comprehensive study—in any language—of this type of view painting. In examining these paintings alongside the historical events depicted in them, Peter Björn Kerber carefully reconstructs the meaning and context these paintings possessed for the artists who produced them and the patrons who commissioned them, as well as for their contemporary viewers. This vital book represents a major contribution to the field of view painting studies and will be an essential resource for scholars and enthusiasts. |
| letizia treves: Conserving Canvas Cynthia Schwarz, Ian McClure , Jim Coddington, 2023-10-24 The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witnessed the reevaluation of traditional practices as well as focused research supporting significant new methodologies, procedures, and synthetic materials for the care and conservation of paintings on fabric supports. Conserving Canvas compiles the proceedings of the conference, presenting a wide array of papers and posters that provide important global perspectives on the history, current state, and future needs of the field. Featuring an expansive glossary of terms that will be an invaluable resource for conservators, this publication promises to become a standard reference for the international conservation community. The free online edition of this open-access publication is available at getty.edu/publications/conserving-canvas. Also available are free PDF and EPUB downloads of the book. |
| letizia treves: John Law James Buchan, 2018-09-06 At the summit of his power, John Law was the most famous man in Europe. Born in Scotland in 1671, he was convicted of murder in London and, after his escape from prison, fled Scotland for the mainland when Union with England brought with it a warrant for his arrest. On the continent he lurched from one money-making scheme to the next - selling insurance against losing lottery tickets in Holland, advising the Duke of Savoy - amassing a fortune of some £80,000. But for his next trick he had grander ambitions. When Louis XIV died, leaving a thoroughly bankrupt France to his five-year-old heir, Law gained the ear of the Regent, Philippe D'Orleans. In the years that followed, Law's financial wizardry transformed the fortunes of France, enriching speculators and investors across the continent, and he was made Controller-General of Finances, effectively becoming the French Prime Minister. But the fall from grace that was to follow was every bit as spectacular as his meteoric rise. John Law, by a biographer of Adam Smith and the author of Frozen Desire and Capital of the Mind, dramatises the life of one of the most inventive financiers in history, a man who was born before his time and in whose day the word millionaire came to be coined. |
| letizia treves: Peopling Marketing, Organization, and Technology Dirk vom Lehn, 2024-01-31 Peopling Marketing, Organization, and Technology takes an interactionist attitude to study the organization of marketing interaction and the embedding of technology within that organization. By analysing clear illustrative studies, this book explicates the interactionist attitude and demonstrates that production, placing, promotion, and pricing are achieved in, and through, marketing interaction. The studies investigate marketing interaction on street-markets, decision-making about the digitalization of supermarkets, the design of exhibitions and social media to generate memorable experiences, the interactive experiencing of exhibits, and the development of guiding visions in the promotion of Virtual Reality. The analyses reveal the practical and social organization of actions through which marketing and consumption are accomplished. By using different interactionist research methods, they show the contribution research using the interactionist attitude can make to marketing and consumer research, as well as to interactionist sociology concerned with marketing interaction. Aimed at academics, researchers, and students in the fields of marketing and consumer research, as well as in social psychology and sociology, this book will encourage scholars and students in marketing and consumer research to shift their focus from the symbolic to marketing interaction. |
| letizia treves: Poussin and the Dance Emily A. Beeny, Francesca Whitlum-Cooper, 2021-10-05 Richly illustrated and engagingly written, this publication examines how the pioneer of French classicism brought dance to bear on every aspect of his artistic production. Scenes of tripping maenads and skipping maidens, Nicolas Poussin’s dancing pictures, painted in the 1620s and 1630s, helped him formulate a new style. This style would make him the model for three centuries of artists in the French classical tradition, from Jacques-Louis David and Edgar Degas to Paul Cézanne and Pablo Picasso. Poussin and the Dance, the first published study devoted to this theme, situates the artist in seventeenth-century Rome, a city rich with the ancient sculptures and Renaissance paintings that informed his dancing pictures. Tracing the motif of dance through his early Roman production, this book examines how these works helped their maker confront the problem of arresting motion, explore the expressive potential of the body, and devise new methods of composition. The essays investigate how dance informed nearly every aspect of Poussin's artistic production, notably through his use of wax figurines to choreograph the compositions he drew and painted. This publication also considers Poussin’s dancing pictures within a broader context of seventeenth-century European culture, collecting, and patronage. This volume is published to accompany an exhibition on view at the National Gallery, London from October 9, 2021, to January 2, 2022 and at the J. Paul Getty Museum at the Getty Center from February 15 to May 8, 2022. |
| letizia treves: Artemisia Gentileschi Sheila Barker, 2022-02-15 This second volume in the groundbreaking Illuminating Women Artists series delves into the stirring life and work of the Baroque painter Artemisia Gentileschi. The life of Artemisia Gentileschi (1593–after 1654) was as exceptional as her paintings. She was a child prodigy, raised without a mother by her artist father, a follower of Caravaggio. Although she learned to paint under her father, she became an artist against his wishes. Later, as she moved between Florence, Rome, Venice, Naples, and London, her artistic style evolved, but throughout her career she specialized in large-scale, powerful, nuanced portrayals of women. This book highlights Gentileschi’s enterprising and original engagement with emerging feminist notions of the value and dignity of womanhood. Sheila Barker’s cutting-edge scholarship in Artemisia Gentileschi clears a pathway for all audiences to appreciate the artist’s pictorial intelligence, as well as her achievement of a remarkably lucrative and high-profile career at a time when few women were artists. Bringing to light newly attributed paintings and archival discoveries, this is the first biography to be written by an authority on Gentileschi since 1999. The volume is beautifully illustrated, and Barker weaves this extraordinary story with in-depth discussions of key artworks, such as Susanna and the Elders (1610), Judith Beheading Holofernes (c.1619–20), and Lot and His Daughters (1640–45). Also included is the J. Paul Getty Museum’s recent acquisition, Lucretia (c.1635–45). Through such works, Barker explores the evolution of Gentileschi’s expressive goals and techniques. |
| letizia treves: Valentin de Boulogne Annick Lemoine, Keith Christiansen, 2016-10-07 Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as the most energetic and passionate of Caravaggio's naturalist followers. In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later. |
| letizia treves: A Companion to the Queenship of Isabel la Católica Hilaire Kallendorf, 2022-11-14 The queenship of the first European Renaissance queen regnant never ceases to fascinate. Was she a saint or a bigoted zealot? A pious wife or the one wearing the pants? Was she ultimately responsible for genocide? A case has been made to canonize her. Does she deserve to be called Saint Isabel? As different groups from fascists to feminists continue to fight over Isabel as cultural capital, we ask which (if any) of these recyclings are legitimate or appropriate. Or has this figure taken on a life of her own? Contributors to this volume: Roger Boase, David A. Boruchoff, John Edwards, Emily Francomano, Edward Friedman, Cristina Guardiola-Griffiths, Michelle Hamilton, Elizabeth Teresa Howe, Hilaire Kallendorf, William D. Phillips, Jr., Nuria Silleras-Fernandez, Caroline Travalia, and Jessica Weiss. |
| letizia treves: Art, Ethics and the Human-Animal Relationship Linda Johnson, 2021-09-20 This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathers and shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings. |
| letizia treves: Beyond Genius Bulent Atalay, 2023-11-07 An in-depth and unified exploration of genius in the arts and sciences through the life and works of five seminal intellectual and cultural figures: Leonardo da Vinci, William Shakespeare, Isaac Newton, Ludwig von Beethoven, and Albert Einstein. Who among us hasn't read Hamlet, listened to the Fifth Symphony, gazed at the Mona Lisa, or marveled at the three laws of physics and the Theory of Relativity and been struck with the same simple question: how on Earth did they do it? Where did these masters draw inspiration to produce some of the most stunning achievements in human history? Were their brains wired differently than ours? Did they have special traits or unique experiences that set them on the path to greatness? Genius is a broad and elusive concept, one that is divisive and hard to define—and gravely misunderstood. There are “ordinary” geniuses who achieve remarkable feats of brilliance, as well as “magicians” (a term James Gleick invoked to describe Richard Feynman) who make an outsize impact on their given field. But highest among them are transformative geniuses, those rare individuals who redefine their fields or open up new universes of thought altogether. These are the masters whose genius Bulent Atalay decodes in his engrossing, enlightening, and revelatory book. No, Atalay doesn’t have a road map for how we might become the next Einstein or Leonardo, but his revolutionary study of genius gives us a stunning new lens through which to view humanity’s most prolific thinkers and creators and perhaps pick up some inspiration along the way. At first, it seems that transformative geniuses don’t follow any sort of topography. Their prodigious output looks effortless, they leap from summit to summit, and they probably couldn’t explain exactly how they went about solving their problems. They might not even recognize themselves in the ways we talk about them today. Atalay argues that these heroes fit more of a mold than we might think. As evidence, he rigorously dissects the lives, traits, habits, and thought patterns of five exemplars—Leonardo, Shakespeare, Newton, Beethoven, and Einstein— to map the path of the transformative genius. How did Beethoven, who could not perform basic multiplication, innately encode the Fibonacci Sequence in his symphonies? Is it possible that we understate Shakespeare’s poetic influence? How did Leonardo become equally prolific in both the arts and the sciences? How did Newton formulate the universal laws of physics, the basis of so many other sciences? And what prompted TIME Magazine to declare Einstein, a man whose very name is synonymous with genius, the “Individual of the 20th Century”? With great clarity and attention to detail, Atalay expertly traces how these five exemplars ascended to immortality and what their lives and legacies reveal about how transformative geniuses are made |
| letizia treves: Michelangelo's Art of Devotion in the Age of Reform Emily A. Fenichel, 2023-07-20 In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era. |
| letizia treves: Voice, Slavery, and Race in Seventeenth-Century Florence Emily Wilbourne, 2023 Voice, Slavery, and Race in Seventeenth-Century Florence argues for the power of sound -- particularly musical and vocal sounds -- to systems of racial and ethnic difference. Foregrounding newly discovered archival sources, Emily Wilbourne documents the significant presence of foreign and racially-marked individuals in Medici Florence, many of whom were living under conditions of slavery or unfree labor. This book considers how the musical and verbal sounds of these individuals were recruited to represent or communicate access to subjectivity, agency, and voice. |
| letizia treves: Painting and Devotion in Golden Age Iberia Jean Andrews, 2020-06-01 It is the first monograph in English on Luis de Morales since the 1960s, which is essential for those who do not read Spanish because most of the literature on Morales is in Spanish It provides an extended consideration of the relationship between Morales’ paintings and the devotional practices of his times, using devotional writing aimed at a lay readership and sermons It highlights the importance of Portuguese cultural influences on his work and notes the significance of his work in Portugal as an influence on Portuguese painters and style. |
| letizia treves: New Horizons for Early Modern European Scholarship Ann Blair, Nicholas Popper, 2021-08-10 An illuminating exploration of the new frontiers—and unsettled geographical, temporal, and thematic borders—of early modern European history. The study of early modern Europe has long been the source of some of the most creative and influential movements in historical scholarship. New Horizons for Early Modern European Scholarship explores recent developments in historiography both to exhibit the field's continuing vibrancy and to highlight emerging challenges to long-assumed truths. Essays examine • how key ideas and intellectual practices arose, circulated through scholarly culture, and gave way to subsequent forms • Europe's transforming relationship with Asia, the Americas, Africa, and the rest of the world • how overlooked evidence illuminates vital but obscured people, practices, and objects • connections between disciplines, types of sources, time periods, and places Opening up emerging possibilities, this book demonstrates that early modern European scholarship remains a source for groundbreaking historical insights and methodologies that would benefit the study of any time and place. Contributors: Alexander Bevilacqua, Ann Blair, Daniela Bleichmar, William J. Bulman, Frederic Clark, Anthony Grafton, Jill Kraye, Yuen-Gen Liang, Elizabeth McCahill, Nicholas Popper, Amanda Wunder |
| letizia treves: In Michelangelo's Mirror Morten Steen Hansen, 2013 Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from to the older artist--Provided by publisher. |
| letizia treves: Creation John-Paul Stonard, 2021-10-14 **SELECTED AS A BEST ART BOOK OF THE YEAR BY THE SUNDAY TIMES** 'Stonard traverses the sweep of human history, moving between cultures and hemispheres ... His book consists of myriad flashes of brilliance and inventiveness' LITERARY REVIEW 'A worthy and richly illustrated successor to Ernst Gombrich's fabled The Story of Art' SUNDAY TIMES 'This bountifully illustrated book is a history of connections ... Lucid and thoughtful' COUNTRY LIFE _____________________________________ A fully illustrated, panoramic world history of art from ancient civilisation to the present day, exploring the remarkable endurance of humankind's creative impulse. Fifty thousand years ago on an island in Indonesia, an early human used red ochre pigment to capture the likeness of a pig on a limestone cave wall. Around the same time in Europe, another human retrieved a lump of charcoal from a fire and sketched four galloping horses. It was like a light turning on in the human mind. Our instinct to produce images in response to nature allowed the earliest Homo sapiens to understand the world around them, and to thrive. Now, art historian John-Paul Stonard has travelled across continents to take us on a panoramic journey through the history of art – from ancient Anatolian standing stones to a Qing Dynasty ink handscroll, from a drawing by a Kiowa artist on America's Great Plains to a post-independence Congolese painting and on to Rachel Whiteread's House. Brilliantly illustrated throughout, with a mixture of black and white and full colour images, Stonard's Creation is an ambitious, thrilling and landmark work that leads us from Benin to Belgium, China to Constantinople, Mexico to Mesopotamia. Journeying from pre-history to the present day, it explores the remarkable endurance of humankind's creative impulse, and asks how – and why – we create. |
| letizia treves: Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez David Pullins, Vanessa K. Valdés, 2023-04-03 Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja. |
| letizia treves: When the World Answered. Florence, Women Artists and the 1966 Flood Jane Fortune, Linda Falcone, 2014 |
| letizia treves: Michelangelo Carmen C. Bambach, Claire Barry, Francesco Caglioti, Caroline Elam, Marcella Marongiu, Mauro Mussolin, 2017-11-05 Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist. |
| letizia treves: Ribera Edward Payne, Xavier Bray, 2018 Explores the representation of highly realistic and violent subjects in the paintings, prints and drawings of Jusepe de Ribera (1591-1652). |
| letizia treves: The Shaping of Tuscany Dario Gaggio, 2018-11-01 To its many tourists and visitors, the Tuscan landscape evokes a sense of timelessness and harmony. Yet, the upheavals of the twentieth century profoundly reshaped rural Tuscany. Uncovering the experiences of ordinary people, Professor Gaggio traces the history of Tuscany to show how the region's modern conflicts and aspirations have contributed to forging its modern-day beauty. He demonstrates how the rise of Fascism was particularly violent in rural Tuscany, and how struggles between Communist sharecroppers and their landlords raged long after the end of the dictatorship. The flight from the farms in the 1950s and 1960s disorientated many Tuscans, prompting ambitious development projects, and in more recent decades the emergence of the heritage industry has raised the spectre of commodification. This book tells the story of how many Tuscans themselves have become tourists in their own land - forced to adapt to rapid change and reinvent their landscape in the process. |
Queen Letizia of Spain - Wikipedia
Letizia Ortiz Rocasolano (pronounced [leˈtiθja oɾˈtiθ rokasoˈlano]; born 15 September 1972) is Queen of Spain as the wife of King Felipe VI. Letizia was born in Oviedo, Asturias. She worked …
Queen Letizia Of Spain: Latest News On King Felipe VI's Wife
Jun 7, 2025 · Queen Letizia proves her power dressing skills in vibrant 'illusion' suit The wife of King Felipe of Spain recycled her beloved Carolina Herrera suit for a poignant engagement in …
Queen Letizia Cried in Public During Emotional Farewell to Her …
Jan 13, 2025 · The 19-year-old princess's departure tugged at heartstrings, especially her mother Queen Letizia's, who couldn't quite hide her emotions during the formal send-off.
Royal House confirms the breakup: it's final and Queen Letizia is ...
5 days ago · The void in Queen Letizia's circle forces a rethink of the internal balance in the Royal Household. This unexpected resignation has created a significant void and many doubts about …
Queen Letizia: Celebrity news, royals, entertainment and lifestyle
Jun 4, 2025 · Queen Letizia - Top U.S. Latino publication covering celebrities, entertainment, fashion, beauty, recipes, lifestyle and updates about the world’s royals families.
Los Reyes Felipe y Letizia retoman su agenda internacional
23 hours ago · Los Reyes don Felipe y doña Letizia están a pocos días de retomar su agenda internacional. Mientras la princesa de Asturias se encuentra centrada en su instrucción en la …
Royal house announcement about Letizia: it's happening very …
Jun 6, 2025 · The royal household has shown Letizia's commitment to social causes. Since this initiative was launched, €6.7 million ($6.7 million) have already been distributed. They have …
Queen Letizia of Spain Does Colorblocking in Massimo Dutti …
Jun 9, 2025 · Queen Letizia of Spain Favors Classic Black and White Colorblocking in Massimo Dutti for Public Engagement in Madrid. The Spanish royal attended the "Euros De Tu Nomina" …
Queen Letizia is an absolute vision in white as she steps out …
Jul 18, 2024 · Queen Letizia, 52, chose a sophisticated white dress featuring a structured waistcoat-effect detail and a flared skirt from the brand Self Portrait, often preferred by UK royals.
Queen Letizia of Spain: A Life of Dedication and Influence
Feb 9, 2025 · Discover the inspiring journey of Queen Letizia—from award-winning journalist to dedicated Spanish monarch. Learn about her life, career, and contributions to education, …
Queen Letizia of Spain - Wikipedia
Letizia Ortiz Rocasolano (pronounced [leˈtiθja oɾˈtiθ rokasoˈlano]; born 15 September 1972) is Queen of Spain as the wife of King Felipe VI. Letizia was …
Queen Letizia Of Spain: Latest News On King Felipe VI's Wif…
Jun 7, 2025 · Queen Letizia proves her power dressing skills in vibrant 'illusion' suit The wife of King Felipe of Spain recycled her beloved Carolina …
Queen Letizia Cried in Public During Emotional Farewell to …
Jan 13, 2025 · The 19-year-old princess's departure tugged at heartstrings, especially her mother Queen Letizia's, who couldn't quite hide her …
Royal House confirms the breakup: it's final and Queen …
5 days ago · The void in Queen Letizia's circle forces a rethink of the internal balance in the Royal Household. This unexpected resignation has created …
Queen Letizia: Celebrity news, royals, entertainment and life…
Jun 4, 2025 · Queen Letizia - Top U.S. Latino publication covering celebrities, entertainment, fashion, beauty, recipes, lifestyle and updates about the …
