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| laços de familia clarice lispector: Family Ties Clarice Lispector, 1972 Tells the stories of a fearful adolescent, an angry old woman, a dog's burial, a possessive mother and her son, a businessman's dinner, and a French explorer in Africa |
| laços de familia clarice lispector: Laços de família Clarice Lispector, 1998 Nesta coletânea de contos, as personagens - sejam adultos ou adolescentes - debatem-se nas cadeias de violência latente que podem emanar do círculo doméstico. Homens ou mulheres, os laços que os unem são, em sua maioria, elos familiares ao mesmo tempo de afeto e de aprisionamento. Clarice Lispector trata a solidão, a morte, a incomunicabilidade e os abismos da existência através da rotina de dona-de-casa ( ́Devaneio e embriaguez duma rapariga ́, ́Amor ́, ́A imitação da rosa ́), do mergulho trágico e m uma festa familiar nos 89 anos da matriarca ( ́Feliz aniversário ́), da domesticação da natureza mais selvagem das mulheres ( ́Preciosidade ́, ́O búfalo ́), ou dos pequenos crimes cometidos contra a consciência, como o drama do professor de Matemática diante do abandono e da morte de um animal. --Amazon.com. |
| laços de familia clarice lispector: The Hour of the Star Clarice Lispector, 1992 The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece. |
| laços de familia clarice lispector: The Foreign Legion Clarice Lispector, 1992-02-17 A radiant beauty of a writer.—The Los Angeles Times The Foreign Legion is a collection in two parts, gathering both stories and chronicles, and it offers wonderful evidence of Clarice Lispector's unique sensibility and range as an exponent of experimental prose. It opens with thirteen stories and the second part of the book presents her newspaper crônicas, which Lispector said she retrieved from a bottom drawer. |
| laços de familia clarice lispector: Complete Stories Clarice Lispector, 2017-05-04 The publication of Clarice Lispector's Collected Stories, eighty-five in all, is a major literary event. Now, for the first time in English, are all the stories that made her a Brazilian legend: from teenagers coming into awareness of their sexual and artistic powers to humdrum housewives whose lives are shattered by unexpected epiphanies to old people who don't know what to do with themselves. Lispector's stories take us through their lives - and ours. From one of the greatest modern writers, these 85 stories, gathered from the nine collections published during her lifetime, follow Clarice Lispector throughout her life. |
| laços de familia clarice lispector: The Besieged City Clarice Lispector, 2019-04-30 Seven decades after its original publication, Clarice Lispector’s third novel—the story of a girl and the city her gaze reveals—is in English at last Seven decades after its original publication, Clarice Lispector’s third novel—the story of a girl and the city her gaze reveals—is in English at last. Lucrécia Neves is ready to marry. Her suitors—soldierly Felipe, pensive Perseu, dependable Mateus—are attracted to her tawdry not-quite-beauty, which is of a piece with São Geraldo, the rough-and-ready township she inhabits. Civilization is on its way to this place, where wild horses still roam. As Lucrécia is tamed by marriage, São Geraldo gradually expels its horses; and as the town strives for the highest attainment it can conceive—a viaduct—it takes on the progressively more metropolitan manners that Lucrécia, with her vulgar ambitions, desires too. Yet it is precisely through this woman’s superficiality—her identification with the porcelain knickknacks in her mother’s parlor—that Clarice Lispector creates a profound and enigmatic meditation on “the mystery of the thing.” Written in Europe shortly after Clarice Lispector’s own marriage, The Besieged City is a proving ground for the intricate language and the radical ideas that characterize one of her century’s greatest writers—and an ironic ode to the magnetism of the material. |
| laços de familia clarice lispector: Clarice Lispector Maria José Somerlate Barbosa, 2001 |
| laços de familia clarice lispector: Clarice Lispector Earl E. Fitz, 1985 |
| laços de familia clarice lispector: Food and Femininity Kate Cairns, Josée Johnston, 2015-09-24 Over the space of a few generations, women's relationship with food has changed dramatically. Yet – despite significant advances in gender equality – food and femininity remain closely connected in the public imagination as well as the emotional lives of women. While women encounter food-related pressures and pleasures as individuals, the social challenge to perform food femininities remains: as the nurturing mother, the talented home cook, the conscientious consumer, the svelte and health-savvy eater. In Food and Femininity, Kate Cairns and Josée Johnston explore these complex and often emotionally-charged tensions to demonstrate that food is essential to the understanding of femininity today. Drawing on extensive qualitative research in Toronto, they present the voices of over 100 food-oriented men and women from a range of race and class backgrounds. Their research reveals gendered expectations to purchase, prepare, and enjoy food within the context of time crunches, budget restrictions, political commitments, and the pressure to manage health and body weight. The book analyses how women navigate multiple aspects of foodwork for themselves and others, from planning meals, grocery shopping, and feeding children, to navigating conflicting preferences, nutritional and ethical advice, and the often-inequitable division of household labour. What emerges is a world in which women's choices continue to be closely scrutinized – a world where 'failing' at food is still perceived as a failure of femininity. A compelling rethink of contemporary femininity, this is an indispensable read for anyone interested in the sociology of food, gender studies and consumer culture. |
| laços de familia clarice lispector: Lazos de familia Clarice Lispector, 1988 |
| laços de familia clarice lispector: Discovering the world , 1992 |
| laços de familia clarice lispector: Clarice Lispector Regina Lúcia Pontieri, 1999 Desde os primeiros livros de Clarice Lispector, o olhar aparece como o principal instrumento de conhecimento e autoconhecimento. O objetivo principal deste ensaio é desenhar a trajetória de gênese desse olhar, elegendo como momento privilegiado o romance A Cidade Sitiada, de 1949. Por meio dele, a autora procura compreender um dos aspectos centrais da obra de Clarice: o modo como sujeito e mundo se constituem. Regina Pontieri é professora de Teoria Literária e Literatura Comparada na USP. |
| laços de familia clarice lispector: A leitora Clarice Lispector Ricardo Iannace, 2001 |
| laços de familia clarice lispector: Laços de família Clarice Lispector, 2022-03-25 Nova edição de Laços de família em capa dura e forração de tecido para coleção Clarice Essencial. Clarice Lispector se aplica, mais do que a nenhum outro escritor brasileiro, aquilo que em si próprio detectava o escritor argentino Julio Cortázar, como um estranhamento, el sentimento de no estar del todo – a sensação de não pertencer, descrita por Clarice: “Tenho certeza de que no berço a minha primeira vontade foi de pertencer... de algum modo devia estar sentindo que não pertencia a nada nem a ninguém... Quem sabe se comecei a escrever tão cedo na vida porque, escrevendo, pelo menos eu pertencia um pouco a mim mesma.” O desajustamento crônico às pessoas, ao círculo social, às correntes literárias, ao casamento, ao próprio amor foi uma constante na vida da menina russa exilada que se transformou numa das maiores expressões da literatura brasileira. Clarice alternava sua produção de romances, crônicas e livros infantis com contos. Nestes se mostrou uma mestra incomparável. Laços de família, publicado pela primeira vez em 1960, chega às livrarias com novo projeto gráfico, idealizado por Victor Burton em comemoração ao centenário de Clarice Lispector, e posfácio inédito de Clarisse Fukelman. Esta edição em capa dura faz parte da coleção Clarice Essencial. São treze contos, hoje tidos como clássicos. Entre eles, os festejadíssimos “Amor”, “O crime do professor de Matemática”, “O búfalo” e “Feliz aniversário”. Neles os personagens são sempre surpreendidos por uma modalidade perturbadora do insólito, no meio da banalidade de seus cotidianos. Clarice cria situações onde uma revelação, que desconstrói e ameaça à realidade, desvela a existência e aponta para uma apreensão filosófica da vida. Em Laços de família, Clarice aprofunda sua técnica narrativa em uma abordagem quase fenomenológica. |
| laços de familia clarice lispector: The Marble Dance Lygia Fagundes Telles, 1986 |
| laços de familia clarice lispector: Laços de Família Clarice Lispector, 1973 |
| laços de familia clarice lispector: The Woman Who Killed the Fish Clarice Lispector, 2022-09-27 While explaining to her sons why their fish is dead, the author relates stories of memorable animals in her life. |
| laços de familia clarice lispector: The Queen of the Prisons of Greece Osman Lins, 1995 A Brazilian keeps a journal as he reads anunpublished novel by a dead writer. The journalrepresents his attempt to understand the novel andthrough it, its author, a woman with whom he was havingan affair. By the author of Avalovara. |
| laços de familia clarice lispector: The Chandelier Clarice Lispector, 2019-11-28 Clarice Lispector's masterly second novel, now available in English for the first time 'She found the best clay that one could desire: white, supple, sticky, cold ... She would get a clear and tender material from which she could shape a world' Like the clay from which she sculpts figurines as a girl, Virginia is constantly shifting and changing. From her dreamlike childhood on Quiet Farm with her adored brother Daniel, through an adulthood where the past continues to pull her back and shape her, she moves through life, grasping for the truth of existence. Illuminating Virginia's progress through intense flashes of image, sensation and perception, The Chandelier, Lispector's landmark second novel, is a disorienting and exhilarating portrait of one woman's inner life. 'Utterly original and brilliant, haunting and disturbing' Colm Tóibín Translated by Benjamin Moser and Magdalena Edwards |
| laços de familia clarice lispector: If I Close My Eyes Now Edney Silvestre, 2013-05-09 If I close my eyes now, I can still feel her blood on my fingers. If only I had closed my eyes then, or kept my mouth shut, not told anyone about our discovery by the swimming hole, we could have gone back to dreaming about spaceships. A horrifying discovery by two young boys while playing in a mango plantation marks the end of their childhood. As they finally open their eyes to the adult world, they see a place where storybook heroes don't exist but villains and lies do ... |
| laços de familia clarice lispector: The Three Trials of Manirema José J. Veiga, 1979 |
| laços de familia clarice lispector: Laços de família Clarice Lispector, 1961 |
| laços de familia clarice lispector: Selected Cronicas Clarice Lispector, 1996-11-17 Clarice Lispector was a born writer....she writes with sensuous verve, bringing her earliest passions into adult life intact, along with a child's undiminished capacity for wonder.—The New York Times Book Review In 1967, Brazil's leading newspaper asked the avant-garde writer Lispector to write a weekly column on any topic she wished. For almost seven years, Lispector showed Brazilian readers just how vast and passionate her interests were. This beautifully translated collection of selected columns, or crônicas, is just as immediately stimulating today and ably reinforces her reputation as one of Brazil's greatest writers. Indeed, these columns should establish her as being among the era's most brilliant essayists. She is masterful, even reminiscent of Montaigne, in her ability to spin the mundane events of life into moments of clarity that reveal greater truths.—Publishers Weekly |
| laços de familia clarice lispector: Daydream and Drunkenness of a Young Lady Clarice Lispector, 2022-02-24 'The morning became a long, drawn-out afternoon that became depthless night dawning innocently through the house' Tales of desire and madness from this giant of Brazilian literature. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space. |
| laços de familia clarice lispector: Who If I Cry Out Gustavo Corção, 1967 |
| laços de familia clarice lispector: O discurso da falta em Clarice Lispector Gilda Plastino, 2008 |
| laços de familia clarice lispector: Industrial Park Patrícia Galvão, 1993 A member of Brazil's avant-garde in its heyday. Patrícia Galvão (or to use her nickname, Pagu) was extraordinary. Not only was her work among the most exciting and innovative published in the 1930s, it was unique in portraying an avant-garde woman's view of women in Sao Paulo during that audacious period. Industrial Park, first published in 1933, is Galvão's most notable literary achieve-ment. Like Döblin's portrayal of Berlin in Alexanderplatz or Biely's St Petersburg, it is a book about the voices, clashes, and traffic of a city in the middle of rapid change. It includes fragments of public documents as well as dialogue and narration, giving a panorama of the city in a sequence of colorful slices. The novel dramatizes the problems of exploitation, poverty, racial prejudice, prostitution, state repression, and neocolonialism, but it is by no means a doctrinaire tract. Galvão's ironic wit pervades the novel, aspiring not only to describe the teeming city but also to put art and politics in each other's service. Like many of her contemporaries Galvão was a member of the Brazilian Communist Party. She attracted Party criticism for her unorthodox behavior and outspokenness. A visit to Moscow in 1934 disenchanted her with the communist state, but she continued to militate for change upon returning to Brazil. She was imprisoned and tortured under the Vargas dictatorship between 1935 and 1940. In the 1940s she returned to the public through her journalism and literary activities. She died in 1962. |
| laços de familia clarice lispector: Fifty Years of Good Reading University of Texas Press, 2000 50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing. |
| laços de familia clarice lispector: Clarice Lispector's Fiction Barbara Anne Slavinsky, 1993 |
| laços de familia clarice lispector: Clarice Lispector Sarah Hemelaer, 1995 |
| laços de familia clarice lispector: Boats on Land Janice Pariat, 2012-10-05 Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile and awkward place in the world. |
| laços de familia clarice lispector: A Hammock Beneath the Mangoes Thomas Colchie, 1991 These stories portray the Latin American vision of the world. |
| laços de familia clarice lispector: An Approach to Translation Criticism Lance Hewson, 2011 Lance Hewson's book on translation criticism sets out to examine ways in which a literary text may be explored as a translation, not primarily to judge it, but to understand where the text stands in relation to its original by examining the interpretative potential that results from the translational choices that have been made. After considering theoretical aspects of translation criticism, Hewson sets out a method of analysing originals and their translations on three different levels. Tools are provided to describe translational choices and their potential effects, and applied to two corpora: Flaubert's Madame Bovary and six of the English translations, and Austen's Emma, with three of the French translations. The results of the analyses are used to construct a hypothesis about each translation, which is classified according to two scales of measurement, one distinguishing between just and false interpretations, and the other between divergent similarity, relative divergence, radical divergence and adaptation. |
| laços de familia clarice lispector: the witch doesn't burn in this one Amanda Lovelace, ladybookmad, 2018-03-06 The witch: supernaturally powerful, inscrutably independent, and now—indestructible. These moving, relatable poems encourage resilience and embolden women to take control of their own stories. Enemies try to judge, oppress, and marginalize her, but the witch doesn’t burn in this one. |
| laços de familia clarice lispector: Por qué este mundo. Una biografía de Clarice Lispector Benjamin Moser, 2017-10-02 «Una biografía digna de su protagonista... Por fin una de las más enigmáticas escritoras del siglo XX retratada en todo su vibrante colorido». ORHAN PAMUK «Detallada, original y repleta de sensibilidad hacia lo que debe quedar oculto y lo que debe saberse. Moser ha escrito un libro fantástico sobre una heroína judía cuya familia vivió algunos de los peores episodios del siglo pasado en Europa. También hace un magnífico retrato del Brasil moderno donde se reconoce su genio y el trabajo de Lispector se considera un tesoro». COLM TÓIBÍN «Benjamin Moser ha recreado el contexto psicológico y social necesario para entender a esta gran escritora y ha insuflado vida a su naturaleza esencialmente trágica en toda su complejidad».EDMUND WHITE En esta biografía, que es ya un libro de referencia en todo el mundo, Benjamin Moser desentraña los mitos que rodean a una de las más extraordinarias figuras de la literatura contemporánea y nos muestra cómo Clarice Lispector transformó su lucha personal como mujer en una obra de resonancia universal. |
| laços de familia clarice lispector: Novels in Three Lines Félix Fénéon, 2007-08-21 A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol. |
| laços de familia clarice lispector: Bending the Rules in the Quest for an Authentic Female Identity Cristina Santos, 2004 The narrative style of both Clarice Lispector and Carmen Boullosa is characterized by a postmodern tendency toward an increased reader participation. This is accomplished by a process of liberalizing a pre-established socio-cultural repertoire with respect to female identity. The female protagonists, created by Lispector and Boullosa and examined in this book, struggle to find their true voices and their real life experiences. The resulting literary style of both these authors parallels this struggle, subverting traditional narrative structure and utilizing a dialogue that is particularly suited to describe this feminine process of conscientization. |
| laços de familia clarice lispector: Ancient Tillage Raduan Nassar, 2017-01-31 A Brazilian master novelist in English at last For André, a young man growing up on a farm in Brazil, life consists of “the earth, the wheat, the bread, our table, and our family.” He loves the land, fears his austere, pious father, who preaches from the head of the table as if from a pulpit, and loathes himself as he begins to harbor shameful feelings for his sister Ana. Lyrical and sensual, written with biblical intensity, this classic Brazilian coming-of-age novel follows André’s tormented path. He falls into the comforting embrace of liquor as—in his psychological and sexual awakening—he must choose between body and soul, obligation and freedom. |
| laços de familia clarice lispector: The Brothers Milton Hatoum, 2002-06-06 A tale of a disintegrating family, set in a Lebanese immigrant community in the Brazilian port of Manaus, finds identical twins Yaqub and Omar vying for their mother's attention. |
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