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| la lupa 1953 film: The Encyclopedia of Film James Monaco, 1991 An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR |
| la lupa 1953 film: Operatic and the Everyday in Postwar Italian Film Melodrama Louis Bayman, 2015-03-05 Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form. |
| la lupa 1953 film: Film and Literature , 1988 |
| la lupa 1953 film: The New Biographical Dictionary of Film David Thomson, 2014-05-06 With more than 100 new entries, from Amy Adams, Benedict Cumberbatch, and Cary Joji Fukunaga to Joaquin Phoenix, Mia Wasikowska, and Robin Wright, and completely updated, here from David Thomson—“The greatest living writer on the movies” (John Banville, New Statesman); “Our most argumentative and trustworthy historian of the screen” (Michael Ondaatje)—is the latest edition of The New Biographical Dictionary of Film, which topped Sight & Sound’s poll of international critics and writers as THE BEST FILM BOOK EVER WRITTEN. 3/7 |
| la lupa 1953 film: Tuscany. A movie that never ends. A guide to film location Guido Persichino, 2002 |
| la lupa 1953 film: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
| la lupa 1953 film: The Film Daily Year Book of Motion Pictures , 1963 |
| la lupa 1953 film: Proibito! Roberto Curti, 2023-09-20 From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate. |
| la lupa 1953 film: The Monstrous-Feminine Barbara Creed, 2023-11-02 This is a timely update of a seminal text which re-interprets key films of the horror genre, including Carrie, The Exorcist, The Brood and Psycho. In the first edition, Creed draws on Julia Kristeva’s theory of abjection to challenge the popular view that women in horror are almost always victims, and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies, the monstrous-feminine is nonetheless a terrifying figure. Creed’s argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror. This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman – while questioning patriarchy, anthropocentrism, misogyny and the meaning of the human. Films discussed include Ginger Snaps, Teeth, Atlantics, The Girl with All the Gifts, Border and Titane. Barbara Creed’s classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory, nonhuman theory, critical animal studies, race, and queer theory. |
| la lupa 1953 film: Directors Michael Singer, 1987 |
| la lupa 1953 film: Historical Dictionary of Italian Cinema Gino Moliterno, 2020-12-08 This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. |
| la lupa 1953 film: Città e guerra : difese, distruzioni, permanenze delle memorie e dell’immagine urbana. Tomo I : fonti e testimonianze Francesca Capano, Emma Maglio, Massimo Visone, 2023-12-31 I contributi contenuti in questo volume indagano il rapporto tra città e guerra dal punto di vista dell’archeologia, della storia e dell’architettura, saperi tra loro sempre fortemente connessi e collaboranti per studiare, analizzare, decodificare e ricostruire criticamente tracce, memorie e parole che riguardano i contesti urbani e i conflitti dall’antichità a oggi, all’interno di un paesaggio in eterno divenire. Proprio nella peculiarità degli approcci della ricerca, i diversi contributi disegnano un ricco mosaico di casi studio, di oggetti di indagine e di progetto che lascia appena intravedere l'estrema complessità di un tema di stringente attualità. |
| la lupa 1953 film: I film di Alberto Lattuada Callisto Cosulich, 1985 |
| la lupa 1953 film: Two Friends Alberto Moravia, 2011-08-16 In this set of novellas, a few facts are constant. Sergio is a young intellectual, poor and proud of his new membership in the Communist Party. Maurizio is handsome, rich, successful with women, and morally ambiguous. Sergio’s young, sensual lover becomes collateral damage in the struggle between these two men. All three of these unfinished stories, found packed in a suitcase after Alberto Moravia’s death, share this narrative premise. But from there, each story unfolds in a unique way. The first patiently explores the slow unfurling of Sergio’s resentment toward Maurizio. The second reveals the calculated bargain Maurizio offers in exchange for his conversion to Sergio’s beloved Communism. And the third switches dramatically to the first person, laying bare Sergio’s conflicted soul. Anyone interested in literature will relish the opportunity to watch Moravia at work, tinkering with his story and working at it from three unique perspectives. |
| la lupa 1953 film: The History of Italian Cinema Gian Piero Brunetta, 2009 Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema. |
| la lupa 1953 film: Photography and Italy Maria Antonella Pelizzari, 2010-11-15 In this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s. Featuring unpublished works and a rare selection of over one hundred images, this book will appeal to art collectors and students of art history and Italian culture. |
| la lupa 1953 film: Twentieth-century Italian Literature in English Translation Robin Healey, 1998-01-01 This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence. |
| la lupa 1953 film: Italian Literature since 1900 in English Translation 1929-2016 Robin Healey, 2019-03-07 Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature. |
| la lupa 1953 film: Le straniere del nostro cinema Enrico Lancia, Fabio Melelli, 2005 |
| la lupa 1953 film: Puglia e Basilicata Luca Iaccarino, 2011 |
| la lupa 1953 film: Almanacco dell'orrore popolare Camilletti Fabio, Foni Fabrizio, 2021-10-25 Da qualche tempo, in Gran Bretagna, si parla di folk horror per indicare quel miscuglio di isolamento rurale, paganesimo e paure ctonie che sembra animare come un filo segreto la cultura degli anni Settanta, tesa fra occultismo, psichedelia e incubi rurali. Al tempo stesso, sulla scia di pensatori come Jacques Derrida e Mark Fisher, folk horror ha preso a indicare qualcos’altro: non solo certe atmosfere del passato più prossimo, ma anche e soprattutto i rapporti che noi contemporanei intratteniamo con quelle atmosfere, cercando in esse un antidoto al vuoto di senso che sembra caratterizzare il presente. Almanacco dell’orrore popolare non è solo un viaggio alla scoperta del folk horror della provincia italiana. È, anzitutto, un’indagine sulle tensioni più segrete che animano la cultura della penisola: l’onnipresenza del passato e la compresenza di antico e moderno, la permeabilità tra mondo subalterno e cultura alta e lo slittare continuo tra centro e margine – sia esso geografico, sociale o culturale – che dà alla cultura italiana un’impronta perennemente decentrata, diasporica, soggetta a ibridazioni. Almanacco dell’orrore popolare raccoglie saggi, racconti e testimonianze senza inseguire una (impossibile) completezza. Ne risulta un singolare missaggio, nel quale pop e folk, invenzione e tradizione si confondono: delineando così l’ombra di una Repubblica Invisibile della quale facciamo tutti, inconsapevolmente, parte. |
| la lupa 1953 film: Dallo schermo alla carta Raffaele De Berti, 2000 |
| la lupa 1953 film: Così piangevano Emiliano Morreale, 2012-10-08T00:00:00+02:00 Nel cinema italiano non si è mai pianto così tanto come negli anni cinquanta. E mai si sono viste tante protagoniste femminili. Le platee del nostro paese sono conquistate dai mélo di Raffaello Matarazzo, con Amedeo Nazzari e Yvonne Sanson, nei quali confluiscono le eredità della sceneggiata napoletana e del romanzo d’appendice, gli scenari del neorealismo e la novità del fotoromanzo. Donne piangenti o perdute, mariti emigrati o reduci: personaggi che parlano a un pubblico che è l’ultimo dell’Italia contadina. Eppure, in questi film non solo si dà vita a un nuovo divismo, quello delle Mangano, delle Bosè e delle Loren, ma matura anche il grande cinema moderno: le eroine di Antonioni nascono qui,mentre registi come Lattuada, Comencini, Cottafavi caricano il mélo di spinte trasgressive. E su questo immaginario lavorerà astutamente, da subito, un nuovo mezzo: la tv. Il cinema strappalacrime è al centro di un gioco di incroci e di mutazioni: tra autori e genere, tra film e aspettative del pubblico, tra nuovo sistema dei media e antiche forme di spettacolo popolare,mentre si affaccia la «prima generazione» di giovani. Il saggio di Emiliano Morreale parla di film e non solo, tracciando una mappa dell’«immaginazione melodrammatica» nel nostro paese. In un periodo in cui la condizione femminile è uno dei momenti di maggior contraddizione della società, il cinematografo è un luogo di evasione e consolazione, ma anche di inquietudini e tensioni che diventano immagini, metafore volontarie o casuali, sfoghi, catarsi, scene madri. |
| la lupa 1953 film: The A to Z of Italian Cinema Gino Moliterno, 2009-10-12 The A to Z of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology. |
| la lupa 1953 film: I registi Roberto Poppi, 2002 |
| la lupa 1953 film: Gli Attori Vol. 2 M-z - 8884402697 , 2003 |
| la lupa 1953 film: Les séductrices du cinéma italien Stefano Masi, Enrico Lancia, 1997 |
| la lupa 1953 film: Film Year Book , 1959 |
| la lupa 1953 film: Dal romanzo al set Vito Attolini, 1988 |
| la lupa 1953 film: L'eccezione alla regola Vito Zagarrio, Christian Uva, 2024-06-28T00:00:00+02:00 I saggi contenuti in questo volume indagano i molteplici modi di produzione “fuori dal sistema” del cinema italiano con riferimento a un periodo storico ricco di trasformazioni e quindi a sua volta complesso. Si va dal cooperativismo, che nasce già all’inizio degli anni cinquanta ma che permea anche l’ideologia del futuro articolo 28 della legge 1213, al caso dei Programmi Sperimentali della RAI degli anni settanta, fino all’impiego del videotape per scopi politici e sociali. In mezzo ci sono tanti altri esempi di modi di produzione fuori dagli schemi, come l’esperienza televisiva di Roberto Rossellini, i cinegiornali liberi di Cesare Zavattini, i video di propaganda prodotti da associazioni e partiti, il cinema amatoriale, i film didattici e le produzioni animate. Un mondo, insomma, in cui cambia l’idea stessa di “settima arte” e nel quale avviene una mutazione costruttiva di cui solo in parte il cinema italiano è riuscito a fare tesoro negli anni a venire. |
| la lupa 1953 film: Dizionario Larousse del cinema americano Enrico Lancia, 1998 |
| la lupa 1953 film: Visto si stampi Martina Zanco, 2023-05-05T00:00:00+02:00 Tra gli anni cinquanta e gli anni settanta, veri e propri romanzi tratti da film circolano sugli scaffali delle librerie e delle edicole italiane. Il volume è dedicato a queste pubblicazioni e si interroga, in particolare, sulle tendenze industriali sottese alla diffusione di simili tipologie di novellizzazione. Basandosi su un lavoro d’archivio e adottando un approccio interdisciplinare che coniuga gli studi sull’industria cinematografica con i contributi sull’editoria, il libro offre un affondo sui “retroscena” dei romanzi-film. Rapporti, strategie e pratiche che, data l’esistenza di questi prodotti, in maniera più o meno estemporanea, prendono forma nello scenario cine-editoriale nazionale, rivelando un cinema più complesso di quanto siamo abituati a considerare. |
| la lupa 1953 film: La Civiltà cattolica , 1975 |
| la lupa 1953 film: Vademecum Storico Alfabetico Biografico Alfredo Raneri, 2020-02-19 Vademecum Storico Alfabetico Biografico da leggere come un libro per conoscere la storia da consultare come un vocabolario per conoscere personaggi ed eventi italiani per non dimenticare i dimenticati |
| la lupa 1953 film: MATHERA 5 - Anno II - Rivista trimestrale di storia e cultura del territorio Francesco Foschino, Raffaele Paolicelli , 2018-09-21 Pubblichiamo materiale inedito sui temi di storia e cultura delle regioni di Puglia e Basilicata. Gli articoli sono redatti con metodo scientifico e con spirito divulgativo. Le riviste pubblicate da almeno un anno sono liberamente scaricabili in pdf. |
| la lupa 1953 film: Filmleksikon Peter Schepelern, 2010 Opslagsværk med korte artikler om skuespillere, instruktører, filmbegreber, filmlande m.m. |
| la lupa 1953 film: Catalog of Copyright Entries Library of Congress. Copyright Office, 1953 |
| la lupa 1953 film: The Film Encyclopedia Ephraim Katz, 1979 An encyclopedia of world cinema listing American, British, and international subjects and artistic, technical, and commercial aspects of the motion picture. |
| la lupa 1953 film: Annali D'italianistica , 1988 |
| la lupa 1953 film: Magill's Survey of Cinema, Foreign Language Films Frank Northen Magill, 1985 |
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Los Angeles - Wikipedia
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2 days ago · Los Angeles , city, seat of Los Angeles county, southern California, U.S. It is the second most populous city and metropolitan area (after New York City) in the United States.
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Produced and operated by LA Times Studios, the video stream showcases premium content, including news, entertainment, food, business, culture, lifestyle and true crime. Read today’s …
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The official website of the City of Los Angeles. Find popular City services and information useful to residents, businesses, and visitors.
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