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| la petite bijou: Present Pasts Dervila Cooke, 2005-01-01 This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l’étoile (1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano’s use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context– French, postmodern, post-World War II, and post-Holocaust. |
| la petite bijou: Patrick Modiano , 2007-01-01 While his preoccupation with the period of the Occupation remains a permanent theme, Patrick Modiano is increasingly interested in the exploration of time and memory, and the attendant problem of reconstituting the past. This volume explores all these features. It casts new light on Modiano’s earliest novels, examines afresh his more recent work including his stories for children, situates it in the context of contemporary writing and unravels the intricacies and subtleties of his style. It underlines Modiano’s position as one of France’s major writers of the twentieth and twenty-first centuries and will be of interest to all who are interested in the modern French novel and the complex interactions between fiction and history. |
| la petite bijou: Protean Selves Adrienne Angelo, 2014-08-20 What does it mean to write “I” in postmodern society, in a world in which technological advances and increased globalization have complicated notions of authenticity, origins, and selfhood? Under what circumstances and to what extent do authors lend their scriptural authority to fictional counterparts? What role does naming, or, conversely, anonymity play vis-à-vis the writing and written “I”? What aspects of identity are subject to (auto)fictional manipulations? And how do these complicated and multilayered narrating selves problematize the reader’s engagement with the text? Seeking answers to these questions, Protean Selves brings together essays which explore the intricate relations between language, self, identity, otherness, and the world through the analysis of the forms and uses of the first-person voice. Written by specialists of a variety of approaches and authors from across the world, the studies in this volume follow up a number of critical inquiries on the thorny problematic of self-representation and the representation of the self in contemporary French and francophone literatures, and extend the theoretical analysis to narratives and authors who have gained increasing commercial and academic visibility in the twenty-first century. |
| la petite bijou: Patrick Modiano Akane Kawakami, 2015 The most up-to-date and comprehensive critical study of Nobel Prize winning author Patrick Modiano. |
| la petite bijou: Violent Histories David Gascoigne, 2007 This volume presents selected papers from the conference 'Violence, Culture and Identity' held at St Andrews University in 2003. It seeks to explore the ways in which French writing since 1920 has registered and reflected on the violent national traumas of the World Wars, the Occupation and decolonisation. The essays consider how these crises have led French writers to a critical, often painful reassessment of national, cultural and individual identity. Contributors trace the different challenges offered to any comfortable consensual notions of Frenchness, and to the structures of authority which invest in such a consensus. A recurrent preoccupation is the problematic issue of 'memory culture', especially of how a post-conflict generation copes with an avowed or concealed inheritance of violence and guilt. The thematics, ethics, rhetoric and imagery of violence are charted through debates around surrealism and in writings by major figures, such as Malraux, Sartre, Camus, Genet and Modiano, while a final group of essays looks closely at how a new wave within the popular roman noir genre (the 'néo-polar') engages emphatically and controversially with these issues and their political implications. |
| la petite bijou: Balzac and the Model of Painting Diana Knight, 2017-12-02 Texts about paintings, painters and sculptors are obvious test cases for issues of representation. A significant corpus of artist stories is scattered through Honore de Balzac's Comedie humaine which, from Marx to Lukacs to Roland Barthes's enormously influential S/Z (1970), has been a key literary work for critical debates around French realism. In a series of close readings, Diana Knight explores Barthes's 'model of painting' - the metaphorical code of painting and sculpture that underpins realist discourse - in the context of Balzac's fictional representations of the relation between artists, their models and their works of art. Whereas critics have tended to denounce Balzac's realist aesthetic as complicit with the misogyny of the society he portrays,Balzac and the Model of Painting takes the artist-model relationship, variously gendered in these stories, as the focus of the author's powerful realist critique of the sexual politics of prostitution and marriage in nineteenth-century France. |
| la petite bijou: French Fiction into the Twenty-First Century Simon Kemp, 2010-07-15 Explores the state of French fiction through an examination of the work of five major French writers, Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz and Patrick Modiano. This book deals with some of the writers on British and American university French courses. |
| la petite bijou: OEuvres Complètes de H. de Balzac Honoré de Balzac, 1877 |
| la petite bijou: Odysseys / Odyssées Jeanne M. Garane, 2017-02-06 The volume explores diverse aspects of French-language travel writing. Arranged chronologically by topic, the essays cover the medieval Anglo-Norman story of the Irish traveller Saint Brendan's fantastical visit to hell; the sixteenth-century French expeditions to Florida; the seventeenth-century Dernières découvertes dans l’Amérique septentrionale de M. de la Sale mises au jour par le chevalier Tonti, 1697; the eighteenth-century Histoire générale des voyages by l’abbé Prévost; the eighteenth-century Impressions d' Orient et d'Arabie written in French by the Polish count Waclaw Seweryn Rzewuski; nineteenth-century tales of travel in Algeria by the orientalist painter Eugène Fromentin; early twentieth-century travel narratives by the modernist Blaise Cendrars; the 1936 visit to the Soviet Union by Louis-Ferdinand Céline and André Gide, odyssean thematics in the late twentieth-century work of Nobel prize winner Patrick Modiano; the thematics of nomadism in the twentieth-century writing of Albert Memmi, and the thematics of travel in works by Bernard Ollivier, Rachid Bouchareb, Fatou Diome, Christine Montalbetti, Marie Ndiaye and Emmanuel Lepage. |
| la petite bijou: Paths to Contemporary French Literature John Taylor, 2011-12-31 Although the great French novelists of the last two centuries are widely read in America, there is a widespread notion that little of importance has happened in French literature since the heyday of Sartre, Camus, and the nouveau roman. Some might argue that even well read Americans are ignorant about what is happening in European literature generally. Certainly, there has never been so few translations of foreign books in the United States, or so little coverage of foreign writers. Curious American readers need new, up-to-date information and analyses about what is happening elsewhere. Paths to Contemporary French Literature is a stimulating and much-needed guide to the major currents of one of the world's great literatures. This critical panorama of contemporary French literature introduces English-language readers to over fifty important writers and poets, many of whom are still little known outside of France. Emphasizing authors who are admired by their peers (as opposed to those with overnight reputations), John Taylor offers a compelling insider's view. The pioneering essays included in this book offer incisive analyses of the ideas motivating current writing and delve into a writer's or poet's entire output. Although some names may be familiar (Marguerite Duras, HÚlÞne Cixous, Philippe Jaccottet, Henri Michaux), the reader obtains fresh reappraisals of their seminal work. Especially noteworthy, however, are Taylor's lively introductions to many other key writers who either have not yet crossed the English Channel, let alone the Atlantic. Combating the notion that French literature is overtly intellectual, inaccessible, or interested only in formal experimentation, Taylor shows that many French writers are instead acutely inquisitive about the outside world, shrewd observers of reality, even very funny. Although not conceived as a reference book, the volume possesses some qualities of a reference work: a good bibliography, reliable dates and biographical facts. Paths to Contemporary French Literature will be of interest to students of French literature and culture, literary scholars, and readers of contemporary fiction and poetry. |
| la petite bijou: Paths to Contemporary French Literature, Volume 1 John Taylor, 2005-04-27 Although the great French novelists of the last two centuries are widely read in America, there is a widespread notion that little of importance has happened in French literature since the heyday of Sartre, Camus, and the nouveau roman. Some might argue that even well read Americans are ignorant about what is happening in European literature generally. Certainly, there has never been so few translations of foreign books in the United States, or so little coverage of foreign writers. Curious American readers need new, up-to-date information and analyses about what is happening elsewhere. Paths to Contemporary French Literature is a stimulating and much-needed guide to the major currents of one of the world's great literatures. This critical panorama of contemporary French literature introduces English-language readers to over fifty important writers and poets, many of whom are still little known outside of France. Emphasizing authors who are admired by their peers (as opposed to those with overnight reputations), John Taylor offers a compelling insider's view. The pioneering essays included in this book offer incisive analyses of the ideas motivating current writing and delve into a writer's or poet's entire output. Although some names may be familiar (Marguerite Duras, Hulne Cixous, Philippe Jaccottet, Henri Michaux), the reader obtains fresh reappraisals of their seminal work. Especially noteworthy, however, are Taylor's lively introductions to many other key writers who either have not yet crossed the English Channel, let alone the Atlantic. Combating the notion that French literature is overtly intellectual, inaccessible, or interested only in formal experimentation, Taylor shows that many French writers are instead acutely inquisitive about the outside world, shrewd observers of reality, even very funny. Although not conceived as a reference book, the volume possesses some qualities of a reference work: a good bibliography, reliable dates and biographical facts. Paths to Contemporary French Literature will be of interest to students of French literature and culture, literary scholars, and readers of contemporary fiction and poetry. |
| la petite bijou: A Riffaterrean Reading of Patrick Modiano's La Place de L'étoile Charles O'Keefe, 2005 |
| la petite bijou: Nottingham French Studies , 2006 |
| la petite bijou: , |
| la petite bijou: A Companion to François Truffaut Dudley Andrew, Anne Gillain, 2013-02-11 A Companion to François Truffaut “An unprecedented critical tribute to the director who, in France, wound up becoming the most controversial figure of the New Wave he helped found.” Raymond Bellour, Centre National de la Recherche Scientifique “This exciting collection breaks through the widely held critical view that Truffaut abandoned the iconoclasm of his early work for an academicism he had consistently railed against in his own film criticism. Indeed, if ‘fever’ and ‘fire’ were Truffaut’s most consistent motifs, the essays in this collection live up to his lifelong, burning passion for the cinema. Written by world-famous scholars, the essays exhaustively explore the themes and styles of the films, as well as Truffaut’s relationships to André Bazin, Alfred Hitchcock, and the directors of the New Wave, his ground-breaking and controversial film criticism, and his position in the complex politics of French cultural life from the Popular Front to 1968 and after.” Angelo Restivo, Georgia State University Although the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, François Truffaut has largely been ignored by film scholars since his death almost thirty years ago. As an innovative theoretician, an influential critic, and a celebrated filmmaker, Truffaut formulated, disseminated, and illustrated the ideals of the New Wave with exceptional energy and distinction. Yet no book in recent years has focused on Truffaut’s value, and his overall contribution to cinema deserves to be redefined not only to reinstate him in his proper place but to let us rethink how cinema developed during his lifetime. In this new Companion, thirty-four original essays by leading film scholars offer new readings of individual films and original perspectives on the filmmaker’s background, influences, and consequence. Hugely influential around the globe, Truffaut is assessed by international contributors who delve into the unique quality of his narratives and establish the depth of his distinctively styled work. An extended interview with French filmmaker Arnaud Desplechin tracks Truffaut’s controversial stature within French cinema and vividly identifies how he thinks and works as a director, adding an irreplaceable perspective to this essential volume. |
| la petite bijou: Literary Translation, Reception, and Transfer Norbert Bachleitner, 2020-09-21 The three concepts mentioned in the title of this volume imply the contact between two or more literary phenomena; they are based on similarities that are related to a form of ‘travelling’ and imitation or adaptation of entire texts, genres, forms or contents. Transfer comprises all sorts of ‘travelling’, with translation as a major instrument of transferring literature across linguistic and cultural barriers. Transfer aims at the process of communication, starting with the source product and its cultural context and then highlighting the mediation by certain agents and institutions to end up with inclusion in the target culture. Reception lays its focus on the receiving culture, especially on critcism, reading, and interpretation. Translation, therefore, forms a major factor in reception with the general aim of reception studies being to reveal the wide spectrum of interpretations each text offers. Moreover, translations are the prime instrument in the distribution of literature across linguistic and cultural borders; thus, they pave the way for gaining prestige in the world of literature. The thirty-eight papers included in this volume and dedicated to research in this area were previously read at the ICLA conference 2016 in Vienna. They are ample proof that the field remains at the center of interest in Comparative Literature. |
| la petite bijou: American Kennel Club Stud Book Register , 1918 |
| la petite bijou: National American Kennel Club Stud Book , 1911 |
| la petite bijou: Miniature Books Rupert Neelands, Stephen Joffe, 2022-01-28 This catalogue gives detailed description of 220 miniature books divided into eight sections located in the library of Dunderave Castle in Scotland. The three major sections include Rare Books, Almanacs and Thumb Bibles followed by five minor sections which include Prayer Books, the Koran with other works from 18th, 19th Centuries, post 1900 and Objets d’Art. The collection at Dunderave Castle consists of two collections purchased at auction. The initial was from the Dutch book dealer Nico Israel and his wife Nanni collected over their lifetime from important collections such as the Houghton sale in 1979 and include the earliest published miniature the Kalendarium of 1570 by Plantin. The other titles purchased from Mr. and Mrs. John Gutfreund from New York included several books from the Salomon collection. Following the introduction, a detailed description is given of the books with photographic images taken by Iain McLean and John Linton. Miniature books are defined as 3 inches (77cm) or less in height but for books printed in 19th Century or earlier it can be extended to 4 inches. The Israel collection was housed in a Miniature revolving bookcase, a bureau cabinet and a pedestal bookcase. |
| la petite bijou: La pluie n'a pas cessé de la nuit Dominique Solamens, 2011-01-21 « Je marchais vers la mer, vers l’enfant. Il faisait noir. Le long de la voie ferrée, le visage en sang, les mains tendues en avant, crispées. Je râlais aussi, souffle ténu et aigre d’une flûte qu’on étrangle. Je me disais, au bout de ce chemin, de cette voie ferrée, il y a la mer... Je m’y jetterai, je me laverai de tout ce sang qui dégouline sur ma figure et dans mon cou, dans mon dos. Et peut-être qu’il m’attendra sur la plage, avec son petit bonnet passe-montagne et son duffle-coat marine. » Dominique Solamens |
| la petite bijou: Michaël Ferrier, Transnational Novelist: French Without Borders Akane Kawakami, 2023-11-15 Michaël Ferrier is a prize-winning novelist, essayist and academic whose cosmopolitan life – he grew up in Chad and France, has Mauritian roots and lives in Japan – has inspired him to write some fascinating novels that cross generic and geographical boundaries. This book is the first ever monograph dedicated to his works, which explore themes as various as an African childhood, notions of Frenchness, inter-identities, and post-Fukushima life in Japan. Hybridity is key to his themes, forms and genres, which include – as befits a twenty-first century author – a website, called ‘Tokyo-Time-Table’ and discussed in this study. Kawakami uses an eclectic range of frameworks to analyse Ferrier’s output, ranging from translingualism to Environmental Humanities and Ferrier’s own vision of his oeuvre, which he discloses for the first time in this book in the interview that he grants Kawakami. This interview, first published in this volume, is rich in insights into Ferrier’s views on dreams, Japan, the internet, and collaborating with other artists. This book is an indispensable guide to an author who is one of the rising stars of contemporary French and Francophone literature, and a unique voice that crosses all kinds of borders across the globe. |
| la petite bijou: Karl Popper and Literary Theory Thomas Trzyna, 2017-01-05 Karl Popper’s philosophy of science, with its focus on falsifiability and critical rationalism, provides a firm foundation for a theory of literary interpretation that avoids the pitfalls of many contemporary theories. Building on the work of Popper, John Eccles, Imre Lakatos, Ernst Gombrich, Louise DeSalvo and James Battersby, this study outlines the approach, sets it in a theoretical context, and applies the theory to challenging works by Anne Finch, Countess of Winchelsea, Jean Toomer, Shakespeare, Henry Fielding, J-M.G. LeClézio, J.M. Coetzee, Jonathan Littell, Patrick Modiano, Albert Schweitzer, Popper’s protégé William Warren Bartley III and the Gospel of Mark. The book concludes with a set of general principles for understanding literature as a mode of investigation in what Popper called the unended quest. |
| la petite bijou: Canadian Ayrshire Herd Book Canadian Ayrshire Breeders' Association, 1926 |
| la petite bijou: Directory of the Breesers & Exhibitors of Dogs in the U.S. and Canada , 1912 |
| la petite bijou: The Cambridge History of the Novel in French Adam Watt, 2021-02-25 This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods. |
| la petite bijou: Les Almanachs Français: Bibliographie-iconographie John Grand-Carteret, 1896 |
| la petite bijou: Patrick Modiano Manuel Peris Mir, 2020-06-29 En Modiano la figura del perro es a veces un explorador anímico en el deambular del protagonista por las calles de París, a veces un guía en la búsqueda fantasmagórica de personajes desaparecidos, en ocasiones un doble simbólico del narrador, cuando no del hermano muerto, e incluso de ambos, en un sujeto desdoblado que los aúna: el perro y yo / mi hermano y yo; de forma que la muerte del hermano y el temor a ser también él víctima del abandono familiar se expresan en su narrativa mediante el recuerdo encubridor de la muerte de un perro durante su infancia. La figura del perro se convierte así en una máscara con la que el autor de “Un pedigrí” utiliza la verdad de las mentiras literarias para ajustar cuentas con sus progenitores, especialmente con la madre. La decodificación de una misteriosa lista de garajes modianescos desvela la soterrada acusación del escritor a sus padres por su negligencia en la muerte del hijo pequeño, a quien el escritor ha rendido un homenaje secreto en el Nobel Museum. Estas páginas constituyen una aproximación a la vida y a la obra de Patrick Modiano a partir de un original análisis de la figura del perro en su narrativa. El libro muestra cómo los cuentos de Marcel Aymé aportan a su imaginario de lector infantil un mundo en el que los animales viven y dialogan con una pareja de hermanas con las que el pequeño Modiano se identifica junto a su hermano Rudy. Luego, en un juego de espejos literario, ese mundo lo proyectará sobre la actriz Françoise Dorlèac y su hermana Catherine Deneuve. |
| la petite bijou: Dans la peau de Patrick Modiano Denis Cosnard, 2011-01-05 Tout commence en 1968, lorsque l’écrivain Patrick Modiano, à la parution de son premier roman La place de l’étoile, triche sur sa date de naissance : 1947 au lieu de 1945. Il mettra près de dix ans avant de s’en expliquer plus ou moins bien... Ce choix de 1947 lui a-t-il permis de s’éloigner de la période de l’Occupation qui l’obsède, ou de rendre hommage, à sa manière, à son frère disparu, né cette année-là ? Modiano, qui se présente comme le fils « d’un juif et d’une Flamande », s’est constitué une famille de papier originale : des personnages obscurs au passé louche ou à la destinée tragique, qui, pour la plupart d’entre eux, ont bien existé. Se détachent des héros récurrents. A commencer par son propre père, Albert Modiano, affairiste pendant la guerre, qui a échappé deux fois à une rafle, sans doute grâce à l’obscur Eddy Pagnon, persécuteur de juifs et de résistants. Le même Pagnon qui, aux côtés du duo Bonny-Laffont, gestapistes de la rue Lauriston, hantent une vingtaine de livres de Modiano. Fantômes tapis à la fameuse adresse 15 quai Conti (Albert Sciaky, Maurice Sachs), pères de substitution dont Emmanuel Berl, lecture choc du Mémorial de la déportation des juifs de France de Klarsfeld qui incitera l’écrivain à demander à l’historien des informations sur la jeune Dora Bruder, figure du père salaud qui devient peu à peu un héros pendant que la mère actrice sombre, rien n’est oublié dans cette enquête passionnante que mène Denis Cosnard. |
| la petite bijou: World Literature Today , 2002 |
| la petite bijou: Bibliography of Eighteenth Century Art and Illustrated Books J. Lewine, 1898 |
| la petite bijou: Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum British Museum. Department of Printed Books, William Barclay Squire, 1912 |
| la petite bijou: La Petite illustration , 1913 |
| la petite bijou: Scènes de la vie parisienne : [10] Le Père Goriot. [11] César Birotteau. [12] La cousine Bette. [13] Le cousin Pons. [14-15] Splendeurs et misères des courtisanes. [16] La maison Nucingen. [17] Les employés. [18] Histoire des Treize. [19-20] Les petits bourgeois. [21-29]. Scènes de la vie de province : [21] Eugénie Grandet. [22] Le lys dans la vallée. [23-25] Illusions perdues. [26-27] Les célibataires. [28] Ursule Mirouet. [29] La vieille fille Honoré de Balzac, 1879 |
| la petite bijou: Scénes de la vie Parisienne Honoré de Balzac, 1874 |
| la petite bijou: Scènes de la vie parisienne Honoré de Balzac, 1870 |
| la petite bijou: Scènes de la vie parisienne, I-VIII. 1927 Honoré de Balzac, 1927 |
| la petite bijou: Oeuvres complètes: Scènes de la vie parisienne Honoré de Balzac, 1874 |
| la petite bijou: Les parents pauvres : (1re partie) La cousine Bette ; (2e partie) Le cousin Pons Honoré de Balzac, 1870 |
| la petite bijou: H. de Balzac. Oeuvres complètes. Scènes de la vie parisienne. Les parents pauvres : La cousine Bette Honoré de Balzac, 1900 |
| la petite bijou: Les parents pauvres Honoré de Balzac, 1874 |
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Los Angeles - Wikipedia
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Los Angeles is home to renowned museums, unique hotels, diverse experiences and 75 miles of sunny coastline. The best way to discover LA is by exploring all of the vibrant multicultural …
Los Angeles | History, Map, Population, Climate, & Facts | Britannica
2 days ago · Los Angeles , city, seat of Los Angeles county, southern California, U.S. It is the second most populous city and metropolitan area (after New York City) in the United States.
News from California, across the nation and world - Los Angeles Times
Produced and operated by LA Times Studios, the video stream showcases premium content, including news, entertainment, food, business, culture, lifestyle and true crime. Read today’s …
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The official website of the City of Los Angeles. Find popular City services and information useful to residents, businesses, and visitors.
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