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| leni riefenstahl nuba: The Last of the Nuba Leni Riefenstahl, 1974 First published in 1973 and long since out of print, a classic photo essay about life among Africa's Nuba tribe, by one of the century's foremost film directors, is presented in an impressive full-color gift edition. |
| leni riefenstahl nuba: People of Kau Leni Riefenstahl, 1997 The Nuba of Kau, known as the 'South East Nuba', live only a hundred miles away from the gentle and peace-loving Mesakin Nuba observed by Leni Riefenstahl in her first book. Yet they speak another language, follow different customs, and are very different in character and temperament. The knife-fights, dances of love and elaborately painted Picassoesque faces and bodies captured in the images of People of Kau show a wild and passionate people, unlike any other on earth today. Leni Riefenstahl, legendary film-maker and photographer, spent sixteen sweltering weeks with the Nuba of Kau in 1975, weeks she herself describes as 'a time of almost intolerable hardship and exertion.' Yet from those weeks emerged the extraordinary photographs that make up this ground-breaking monograph. People of Kau bears magnificent witness to a remarkable tribe menaced by the advance of industrial civilisation and sinking slowly into the mists of time. |
| leni riefenstahl nuba: Coral Gardens Leni Riefenstahl, 1978 |
| leni riefenstahl nuba: Leni Steven Bach, 2008-02-12 Leni Riefenstahl, the woman known as “Hitler’s filmmaker,” made some of the greatest and most innovative documentaries ever made. They are also insidious glorifications of Adolf Hitler and the Third Reich. Now, Steven Bach reveals the truths and lies behind Riefenstahl’s lifelong self-vindication as an apolitical artist who claimed to know nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified. A riveting and illuminating biography of one of the most fascinating and controversial personalities of the twentieth century. |
| leni riefenstahl nuba: Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives Karin Wieland, 2015-10-05 Finalist for the National Book Critics Circle Award (Biography) Named of the Best Books of the Year by the Washington Post and the Boston Globe Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Marlene Dietrich and Leni Riefenstahl, born less than a year apart, lived so close to each other that Riefenstahl could see into Dietrich’s Berlin apartment. Coming of age at the dawn of the Weimar Republic, both sought fame in Germany’s burgeoning motion picture industry. While Dietrich’s depiction of Lola-Lola in The Blue Angel catapulted her to Hollywood stardom, Riefenstahl—who missed out on the part—insinuated herself into Hitler’s inner circle to direct groundbreaking if infamous Nazi propaganda films, like Triumph of the Will. Dietrich, who toured tirelessly with the USO, could never truly go home again; Riefenstahl could never shake her Nazi past. Acclaimed German historian Karin Wieland examines these lives within the vicious crosscurrents of a turbulent century, evoking piercing insights into the modern era’s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation (New Yorker). |
| leni riefenstahl nuba: A Portrait of Leni Riefenstahl Audrey Salkeld, 1997 Leni Riefenstahl, who died in 2003, will always be remembered for her film of the 1936 Olympic Games in Berlin. After the war, Riefenstahl was shunned by the film industry both in Europe and America, despite a 1952 court ruling proclaiming her not guilty of supporting the Nazis in a punishable way. Winner of the Boardman Tasker Award, this is a fine and balanced study of a still-controversial figure. |
| leni riefenstahl nuba: Los nuba Leni Riefenstahl, 1978 |
| leni riefenstahl nuba: Leni Riefenstahl Jürgen Trimborn, 2008-01-22 Dancer, actress, mountaineer, and director Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched—until 1932, when she introduced herself to her future protector and patron: Adolf Hitler. Known internationally for two of the films she made for him, Triumph of the Will and Olympia, Riefenstahl's demanding and obsessive style introduced unusual angles, new approaches to tracking shots, and highly symbolic montages. Despite her lifelong claim to be an apolitical artist, Riefenstahl's monumental and nationalistic vision of Germany's traditions and landscape served to idealize the cause of one of the world's most violent and racist regimes. Riefenstahl ardently cast herself as a passionate young director who caved to the pressure to serve an all-powerful Führer, so focused on reinventing the cinema that she didn't recognize the goals of the Third Reich until too late. Jürgen Trimborn's revelatory biography celebrates this charismatic and adventurous woman who lived to 101, while also taking on the myths surrounding her. With refreshing distance and detailed research, Trimborn presents the story of a stubborn and intimidating filmmaker who refused to be held accountable for her role in the Holocaust but continued to inspire countless photographers and filmmakers with her artistry. |
| leni riefenstahl nuba: Village of the Nubas George Rodger, 1999 A unique and highly influential photographic documentation of African life. |
| leni riefenstahl nuba: African and Diaspora Aesthetics Sarah Nuttall, 2006 In Cameroon, a monumental statue of liberty is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness. Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl's photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans' Africanization of the Santería movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Réunion; and the shockingly graphic images on painted plywood boards advertising morality plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly African aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope. Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Françoise Vergès |
| leni riefenstahl nuba: Under the Sign of Saturn Susan Sontag, 2013-05-16 Susan Sontag's third essay collection brings together her most important critical writing from 1972 to 1980. In these provocative and hugely influential works she explores some of the most controversial artists and thinkers of our time, including her now-famous polemic against Hitler's favourite film-maker, Leni Riefenstahl, and the cult of fascist art, as well as a dazzling analysis of Hans-Jürgen Syberberg's Hitler, a Film from Germany. There are also highly personal and powerful explorations of death, art, language, history, the imagination and writing itself. |
| leni riefenstahl nuba: War and Faith in Sudan Gabriel Meyer, 2005 This account of the tragic civil war in Sudan is more than a skillful journalist's firsthand report. Meyer also offers a deeper understanding of the cultural, racial, and religious fault-lines that divide the world at the start of the 21st century. |
| leni riefenstahl nuba: Leni Riefenstahl Rainer Rother, 2003-10-01 Leni Riefenstahl, now aged 101, achieved fame as a dancer, actress photographer, and director, but her entire career is colored by her association with the Nazi party. This overt tension between the political meaning of her work for National Socialism and its essential aesthetic quality forms the basis of the compelling account. Appointed by Hitler, Leni Riefenstahl directed the Nazi propaganda film Triumph des Willens along with her bestknown work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous women film director in the world; yet, after World War II, she was never again accepted as a filmmaker. Rainer Rother's book is a remarkable account of the fascinating life and work of Germany's most controversial photographer and filmmaker. |
| leni riefenstahl nuba: Bernatzik Kevin Conru, Hugo Adolf Bernatzik, Margarett Loke, 2003 A collection of beautiful and rare photographs from the continent of Africa |
| leni riefenstahl nuba: Nuba & Latuka Aaron Schuman, Chris Steele-Perkins, 2017 This classic series by legendary Magnum photographer George Rodger introduced the Western world to the Nuba peoples of Sudan. In 1949 the photographer and co-founder of Magnum Photos, George Rodger, learned of the Nuba tribe while traveling in the Kordofan region of the Sudan. Remarkably, he was granted permission by the Sudanese government to take pictures of these striking people, who lived as their ancestors had centuries before. After publication in National Geographic magazine, these pictures--as well as Rodger's fascinating journal entries from the shoot--have not been available to the wider public. Now, Rodger's rare softly colored Kodachrome images are gathered in a sumptuous volume, and introduced in an essay by photographer Chris Steele-Perkins. Beautifully reproduced, Rodger's photographs emphasize the muted colors of the Sudanese landscape as well as the Nuba's penchant for vivid body paint, clothing, and jewelry. They are a superb example of early color photography, and a stunning celebration of a little-known tribe that lives in one of the world's harshest environments. |
| leni riefenstahl nuba: The Films of Leni Riefenstahl David B. Hinton, 2000 With access to Leni Riefenstahl's personal archives and film collection, the author explores the contraversial filmmaker's career. |
| leni riefenstahl nuba: Sahel: Art and Empires on the Shores of the Sahara Alisa LaGamma, Yaëlle Biro, Mamadou Cissé, David C. Conrad, Souleymane Bachir Diagne, Roderick McIntosh, Paulo F. de Moraes Farias, Giulia Paoletti, Ibrahima Thiaw, 2020 This groundbreaking volume examines the extraordinary artistic and cultural traditions of the African region known as the western Sahel, a vast area on the southern edge of the Sahara desert that includes present-day Senegal, Mauritania, Mali, and Niger. This is the first book to present a comprehensive overview of the diverse cultural achievements and traditions of the region, spanning more than 1,300 years from the pre Islamic period through the nineteenth century. It features some of the earliest extant art from sub Saharan Africa as well as such iconic works as sculptures by the Dogon and Bamana peoples of Mali. Essays by leading international scholars discuss the art, architecture, archaeology, literature, philosophy, religion, and history of the Sahel, exploring the unique cultural landscape in which these ancient communities flourished. Richly illustrated and brilliantly argued, Sahel brings to life the enduring forms of expression created by the peoples who lived in this diverse crossroads of the world. |
| leni riefenstahl nuba: The Painted Body Michel Thévoz, 1984 Man is distinguished from animals by a self-retouching impulse, an urge to remake his own body. This book surveys and illustrates the different kinds of body decoration, such as painting, make-up, tattooing, and scarring, which have been practiced all over the world from prehistoric times to the Body Art and cosmetics of today. The social implications are spelled out in detail. |
| leni riefenstahl nuba: Leni Riefenstahl's Africa , 1982 |
| leni riefenstahl nuba: After Photography Fred Ritchin, 2010 A survey of the ways in which digital technology has altered the way visual information is dispersed and experienced presents arguments for using new technological opportunities as a vehicle for understanding today's changing world. |
| leni riefenstahl nuba: Natural Visions Finis Dunaway, 2016-12-20 Walden Pond. The Grand Canyon.Yosemite National Park. Throughout the twentieth century, photographers and filmmakers created unforgettable images of these and other American natural treasures. Many of these images, including the work of Ansel Adams, continue to occupy a prominent place in the American imagination. Making these representations, though, was more than a purely aesthetic project. In fact, portraying majestic scenes and threatened places galvanized concern for the environment and its protection. Natural Visions documents through images the history of environmental reform from the Progressive era to the first Earth Day celebration in 1970, showing the crucial role the camera played in the development of the conservation movement. In Natural Visions, Finis Dunaway tells the story of how visual imagery—such as wilderness photographs, New Deal documentary films, and Sierra Club coffee-table books—shaped modern perceptions of the natural world. By examining the relationship between the camera and environmental politics through detailed studies of key artists and activists, Dunaway captures the emotional and spiritual meaning that became associated with the American landscape. Throughout the book, he reveals how photographers and filmmakers adapted longstanding traditions in American culture—the Puritan jeremiad, the romantic sublime, and the frontier myth—to literally picture nature as a place of grace for the individual and the nation. Beautifully illustrated with photographs by Ansel Adams, Eliot Porter, and a host of other artists, Natural Visions will appeal to a wide range of readers interested in American cultural history, the visual arts, and environmentalism. |
| leni riefenstahl nuba: Leni Riefenstahl's Encounter with the Nuba Alexandra Ludewig, 2006 |
| leni riefenstahl nuba: In the Presence of Mine Enemies Harry Turtledove, 2013-08-29 Heinrich Gimpel is a respected officer with the Oberkommando Wehrmachts office in Berlin. His wife is a common hausfrau, raising his three precious daughters the same way he was raised - to be loyal, unquestioning citizens of the Third Reich, obedient to the will of the Führer. But Heinrich Gimpel has a secret. He is not, in fact, a member of the Master Race. He has been living a lie to protect his true identity as a Jew - and he's not alone. Throughout Berlin, Jews survive in secrecy...doing their jobs, caring for their families, maintaining the facade of perfect Aryans, and praying they will not be discovered. But a change is coming. And soon they will be forced to choose between safety and freedom... |
| leni riefenstahl nuba: Nazi Nuba Catherine Lyons, 1998 |
| leni riefenstahl nuba: George Rodger Carole Naggar, 2003-10-01 He was a trailblazing twentieth-century British photojournalist but George Rodger lived in the adventurous tradition of nineteenth-century explorers. Cofounding Magnum Photos in 1947 with Henri Cartier-Bresson and Robert Capa, the modest Rodger was eclipsed by his partnersuntil now. Rodger's Indiana Jones-style escapades are legendary and worth the telling. He once covered over 75,000 miles of old Africa in a Land Rover. He even survived a white rhino charge. He went on to become a key photographer of African tribal life. During World War II he covered sixty-one countries for Life magazine. He was chased through three hundred miles of Burmese jungles by both the Japanese army and a tribe of headhunters. And he was the first to record the liberation of the Bergen-Belsen concentration camp. He quit photography when he realized he was arranging thousands of Jewish corpses in nice photographic compositions. In fascinating detail Carol Naggar not only recalls Roger's singular life and artistic contribution, but she also provides an in-depth look at the complex dynamics of ethics, violence, and photojournalism. As such, it places the legacy of George Rodger within a broader sociohistorical context. |
| leni riefenstahl nuba: The Man with the Iron Heart Harry Turtledove, 2009-07-28 What if V-E Day hadn’t ended World War II in Europe? What if, instead, the Allies had to face a potent, even fanatical, postwar Nazi resistance? Such a movement, based in the fabled Alpine Redoubt, was in fact a real threat, ultimately neutralized by Germany’s flagging resources and squabbling officials. But had SS Obergruppenführer Reinhard Heydrich, the notorious Man with the Iron Heart, not been assassinated in 1942, fate might have taken a different turn. In this imagined world, Nazi forces launch a guerrilla war, using the quick and dirty tactics of terrorism to overturn what seemed to be a decisive victory. Suddenly the Allies–especially the United States–are mired in a long, seemingly unwinnable conflict while battling an invisible, unrelenting enemy. |
| leni riefenstahl nuba: Riefenstahl Screened Neil Christian Pages, Ingeborg Majer O'Sickey, Mary Rhiel, 2008-05-16 Leni Riefenstahl is larger than life. From the lure of her persona as it enters our homes via television to our pleasure in the recognition of her film images at rock concerts, to her place as part of the history of the Nazi period, Riefenstahl lives on in our imagination and in our cultural productions. Thus, the editors' introduction to this volume examines the manner in which Riefenstahl 'haunts' debates on aesthetics and politics, and how her legacy reverberates in the contemporary cultural scene. The editors view the collection as a three-part framework. The essays in the opening section of the book show that Riefenstahl is still very much alive and well - and controversial - in popular culture. Her films continue to determine the way in which we think about the Nazi period, providing instantly recognizable images and messages that often go unquestioned. We cannot separate these phenomena from Riefenstahl's years of avid self-fashioning. The second section of the book offers treatments of the shifting, mobile relationship between Riefenstahl's stubborn attempts to create and control her personae and her reactions to others' re-appropriations of the meanings of her life and work. Reading the texts and discourses surrounding 'Riefenstahl,' these scholars treat her memoirs - and her repeated assertions about herself - as a springboard into understanding anew how we might approach her films in a productive way. The closing section of the volume comprises essays that go right to the heart of the matter: Riefenstahl's films and photography. The new contexts-theoretical discussions and emerging discourses that animate these essays-include Scarry's treatise on beauty, justice and the global, the problems of history and memory, the place of Riefenstahl's filmmaking technique in contemporary cinema, and her appropriation of German musical traditions. Fueled by the work of a diverse range of scholars, then, Riefenstahl Screened offers an opportunity to rethink the place of Leni Riefenstahl and her work in contemporary culture and in academic discourse. It insists upon a critical self-examination that maps a topography of how scholars and teachers avail themselves of Riefenstahl's corpus. |
| leni riefenstahl nuba: The People of Kau , 1976 This is a photographic monograph on the life of the people of Kau. Leni Riefenstahl spent 16 weeks with the Nuba of Kau in 1975. These people, known as the South East Nuba, live only 100 miles away from the Mesakin Nuba. Yet, they speak another language, follow different customs, and are very different in character and temperament. The knife-fights, dances of love and elaborately painted faces and bodies are photographed in the book--Taken from Wikipedia. |
| leni riefenstahl nuba: Anthropological Filmmaking Jack R. Rollwagen, 1988 First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company. |
| leni riefenstahl nuba: Our Secret Life in the Movies Michael McGriff, J. M. Tyree, 2014-10-04 A whip-smart fiction debut, Our Secret Life in the Movies riffs on classic and cult cinema. Inspired by films from silent-era documentaries to music videos, the authors unfold a dual narrative about two boys growing up in the 1980s. Coming of age during the last days of the Cold War, these boys dream of space exploration and nuclear winter, Reaganomics and Dungeons & Dragons, Blade Runner and Red Dawn. Haunting, cinematic, and full of life, Our Secret Life makes it clear that we are in the movies and the movies are in us. |
| leni riefenstahl nuba: Propaganda and the German Cinema, 1933-1945 David Welch, 2001-03-23 This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment. |
| leni riefenstahl nuba: African Ceremonies Angela Fisher, 2010 |
| leni riefenstahl nuba: For the Heart of Africa Ruth Christiansen, 1956 |
| leni riefenstahl nuba: Photography in Print Vicki Goldberg, 1990 |
| leni riefenstahl nuba: Come Bury Me Andrej Krementschouk, 2010 Following the success of his prize-winning book No Direction Home (Kehrer, 2009), the recipient of the 2010 German Photo Book Award, Krementschouk tells the story of his homeland and the stark realities of homelessness. The setting is a dilapidated cottage in a small Russian town, where a group of people have made a home for themselves on the fringes of society. They invited Krementschouk into their world, where he captured a moving blend of despair and addiction coupled with warmth and affection, creating what is now a lasting document of a community lost. |
| leni riefenstahl nuba: Fashion Cathy Newman, 2003 Explores clothing and adornment from a global perspective. |
| leni riefenstahl nuba: Natural Fashion Hans Silvester, 2009-03-24 Over the course of numerous voyages to Africa's Omo Valley, Hans Silvester became fascinated by the beauty of the Surma, Mursi, Hamer and Kurma tribes, who share a taste for body painting and extravagant decorations borrowed from nature. This collection of photographs captures these accoutrements. |
| leni riefenstahl nuba: A Writer's Eye: Collected Book Reviews Welty, Eudora, 1994 Although she is eminent primarily as the prize-winning author of classic works of fiction, Eudora Welty is notable also as an astute literary critic. Her essays on the art of fiction and on the writers who enlarged the range of the short story and the novel are definitive pieces. Her distinguished book reviews, along with her critical essays, augment her reputation for being one of the most discerning author-critics in literary America. This collection of her book reviews manifests the connecting of her penetrating eye with her responsive intellect in forming sympathetic judgments of the books she reviewed. Between 1942 and 1984 Welty wrote sixty-seven reviews of seventy-four books. Fifty-eight of these appeared in the New York Times Book Review, and others in the Saturday Review of Literature, Tomorrow, the Hudson Review, the New York Post, and the Sewanee Review. The reviewed books include novels, short story collections, books of essays, biographies and memoirs, books of letters, children's books, books of ghost stories, photography books, books of literary criticism, and books of World War II art. Over nearly half a century she reviewed books by some of the foremost authors of her time - Virginia Woolf, William Faulkner, V.S. Pritchett, Colette, Isak Dinesen, E.B. White, E.M. Forster, J.D. Salinger, Ross Macdonald, Patrick White, S.J. Perelman, Annie Dillard, Elizabeth Bowen, and Katherine Anne Porter. A Writer's Eye includes all of Welty's book reviews, even one published in the New York Times Book Review under the pseudonym Michael Ravenna. Sixteen of the reviews were collected previously in Welty's The Eye of the Story (1978). In this collection Pearl Amelia McHaney's introduction records the history of Welty's career in book reviewing and illuminates the honesty and compassion with which Welty wrote reviews. Welty's keen vision, her wit, and her refined style make these monuments to interruption, a phrase she wrote in description of Virginia Woolf's essays and reviews, an important record of her literary standards and special interests. They show as well how book reviewing consumed a large measure of creative time that she customarily devoted to fiction writing. Placed beside her authoritative critical essays, this volume enhances Welty's considerable literary stature and completes the image of Eudora Welty as a consummate woman of letters. |
| leni riefenstahl nuba: The Second World War Antony Beevor, 2012-06-05 A masterful and comprehensive chronicle of World War II, by internationally bestselling historian Antony Beevor. Over the past two decades, Antony Beevor has established himself as one of the world's premier historians of WWII. His multi-award winning books have included Stalingrad and The Fall of Berlin 1945. Now, in his newest and most ambitious book, he turns his focus to one of the bloodiest and most tragic events of the twentieth century, the Second World War. In this searing narrative that takes us from Hitler's invasion of Poland on September 1st, 1939 to V-J day on August 14, 1945 and the war's aftermath, Beevor describes the conflict and its global reach -- one that included every major power. The result is a dramatic and breathtaking single-volume history that provides a remarkably intimate account of the war that, more than any other, still commands attention and an audience. Thrillingly written and brilliantly researched, Beevor's grand and provocative account is destined to become the definitive work on this complex, tragic, and endlessly fascinating period in world history, and confirms once more that he is a military historian of the first rank. |
Leni Klum - Wikipedia
Leni Olumi Klum (born May 4, 2004) is a German-American fashion model. She is the oldest child of Heidi Klum and Flavio Briatore, the adopted daughter of Seal, and the step-daughter of Tom …
Leni Olumi Klum (@leniklum) • Instagram photos and videos
At 20, she’s making waves as a model in New York — on her own terms and nothing like your typical nepo baby. 💭 Leni opens up to GLAMOUR about the power of family, her passion with …
Leni Loud | The Loud House Encyclopedia | Fandom
Leni L. Loud is a main character in The Loud House and a minor character in The Casagrandes. At 17-years-old (16-years-old before Season 5), Leni is the second oldest child of the Loud …
All About Heidi Klum's Daughter Leni Klum - People.com
Sep 6, 2023 · Heidi Klum and her oldest child, Leni Olumi Klum, live up to the phrase “like mother, like daughter.” Born in May 2004 in New York City, Leni is a model like her mom and made her …
Advanced AI-Powered Real Estate Analytics & Reporting | Leni
Leni is an AI-powered platform for multifamily owners and operators. Helping them improve their bottom lines with better multifamily business intelligence, reporting and AI-driven actionable …
Leni - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Leni is a girl's name of German origin meaning "shining torch". An up-and-coming nickname-style name, hugely popular in Germany and on the rise in the UK, Leni …
Who is Leni Klum? (Heidi Klum’s Daughter) Bio, Age, Height, Father
Leni Klum, a name that has been making waves in the modeling world, is more than just the daughter of the iconic supermodel Heidi Klum. Born into a family that exudes glamour and …
leni (@leniklum) Official - TikTok
leni (@leniklum) on TikTok | 5.7M Likes. 657.9K Followers. hi.Watch the latest video from leni (@leniklum).
Heidi Klum's 4 Kids: All About Leni, Henry, Johan and Lou
May 5, 2025 · Heidi Klum shares four children with her ex-husband Seal. Here is everything to know about Leni, Henry, Johan and Lou.
Leni (name) - Wikipedia
Look up Leni or leni in Wiktionary, the free dictionary. Leni is both a given name and a surname. Notable people with the name include: Male and female:
Leni Klum - Wikipedia
Leni Olumi Klum (born May 4, 2004) is a German-American fashion model. She is the oldest child of Heidi Klum and Flavio Briatore, the adopted daughter of Seal, and the step-daughter of Tom …
Leni Olumi Klum (@leniklum) • Instagram photos and videos
At 20, she’s making waves as a model in New York — on her own terms and nothing like your typical nepo baby. 💭 Leni opens up to GLAMOUR about the power of family, her passion with …
Leni Loud | The Loud House Encyclopedia | Fandom
Leni L. Loud is a main character in The Loud House and a minor character in The Casagrandes. At 17-years-old (16-years-old before Season 5), Leni is the second oldest child of the Loud …
All About Heidi Klum's Daughter Leni Klum - People.com
Sep 6, 2023 · Heidi Klum and her oldest child, Leni Olumi Klum, live up to the phrase “like mother, like daughter.” Born in May 2004 in New York City, Leni is a model like her mom and made her …
Advanced AI-Powered Real Estate Analytics & Reporting | Leni
Leni is an AI-powered platform for multifamily owners and operators. Helping them improve their bottom lines with better multifamily business intelligence, reporting and AI-driven actionable …
Leni - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Leni is a girl's name of German origin meaning "shining torch". An up-and-coming nickname-style name, hugely popular in Germany and on the rise in the UK, Leni …
Who is Leni Klum? (Heidi Klum’s Daughter) Bio, Age, Height, Father
Leni Klum, a name that has been making waves in the modeling world, is more than just the daughter of the iconic supermodel Heidi Klum. Born into a family that exudes glamour and …
leni (@leniklum) Official - TikTok
leni (@leniklum) on TikTok | 5.7M Likes. 657.9K Followers. hi.Watch the latest video from leni (@leniklum).
Heidi Klum's 4 Kids: All About Leni, Henry, Johan and Lou
May 5, 2025 · Heidi Klum shares four children with her ex-husband Seal. Here is everything to know about Leni, Henry, Johan and Lou.
Leni (name) - Wikipedia
Look up Leni or leni in Wiktionary, the free dictionary. Leni is both a given name and a surname. Notable people with the name include: Male and female:
