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| leni riefenstahl a life: Leni Riefenstahl Jürgen Trimborn, 2008-01-22 Dancer, actress, mountaineer, and director Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched—until 1932, when she introduced herself to her future protector and patron: Adolf Hitler. Known internationally for two of the films she made for him, Triumph of the Will and Olympia, Riefenstahl's demanding and obsessive style introduced unusual angles, new approaches to tracking shots, and highly symbolic montages. Despite her lifelong claim to be an apolitical artist, Riefenstahl's monumental and nationalistic vision of Germany's traditions and landscape served to idealize the cause of one of the world's most violent and racist regimes. Riefenstahl ardently cast herself as a passionate young director who caved to the pressure to serve an all-powerful Führer, so focused on reinventing the cinema that she didn't recognize the goals of the Third Reich until too late. Jürgen Trimborn's revelatory biography celebrates this charismatic and adventurous woman who lived to 101, while also taking on the myths surrounding her. With refreshing distance and detailed research, Trimborn presents the story of a stubborn and intimidating filmmaker who refused to be held accountable for her role in the Holocaust but continued to inspire countless photographers and filmmakers with her artistry. |
| leni riefenstahl a life: Leni Steven Bach, 2008-02-12 Leni Riefenstahl, the woman known as “Hitler’s filmmaker,” made some of the greatest and most innovative documentaries ever made. They are also insidious glorifications of Adolf Hitler and the Third Reich. Now, Steven Bach reveals the truths and lies behind Riefenstahl’s lifelong self-vindication as an apolitical artist who claimed to know nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified. A riveting and illuminating biography of one of the most fascinating and controversial personalities of the twentieth century. |
| leni riefenstahl a life: Leni Riefenstahl Jürgen Trimborn, 2007-01-23 Dancer, actress, mountaineer, and director Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched--until 1932, when she introduced herself to her future protector and patron: Adolf Hitler. Known internationally for two of the films she made for him, Triumph of the Will and Olympia, Riefenstahl's demanding and obsessive style introduced unusual angles, new approaches to tracking shots, and highly symbolic montages. Despite her lifelong claim to be an apolitical artist, Riefenstahl's monumental and nationalistic vision of Germany's traditions and landscape served to idealize the cause of one of the world's most violent and racist regimes. Riefenstahl ardently cast herself as a passionate young director who caved to the pressure to serve an all-powerful Führer, so focused on reinventing the cinema that she didn't recognize the goals of the Third Reich until too late. Jürgen Trimborn's revelatory biography celebrates this charismatic and adventurous woman who lived to 101, while also taking on the myths surrounding her. With refreshing distance and detailed research, Trimborn presents the story of a stubborn and intimidating filmmaker who refused to be held accountable for her role in the Holocaust but continued to inspire countless photographers and filmmakers with her artistry. |
| leni riefenstahl a life: LIFE , 1938-11-21 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
| leni riefenstahl a life: Dietrich & Riefenstahl: Hollywood, Berlin, and a Century in Two Lives Karin Wieland, 2015-10-05 Finalist for the National Book Critics Circle Award (Biography) Named of the Best Books of the Year by the Washington Post and the Boston Globe Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Marlene Dietrich and Leni Riefenstahl, born less than a year apart, lived so close to each other that Riefenstahl could see into Dietrich’s Berlin apartment. Coming of age at the dawn of the Weimar Republic, both sought fame in Germany’s burgeoning motion picture industry. While Dietrich’s depiction of Lola-Lola in The Blue Angel catapulted her to Hollywood stardom, Riefenstahl—who missed out on the part—insinuated herself into Hitler’s inner circle to direct groundbreaking if infamous Nazi propaganda films, like Triumph of the Will. Dietrich, who toured tirelessly with the USO, could never truly go home again; Riefenstahl could never shake her Nazi past. Acclaimed German historian Karin Wieland examines these lives within the vicious crosscurrents of a turbulent century, evoking piercing insights into the modern era’s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation (New Yorker). |
| leni riefenstahl a life: A Portrait of Leni Riefenstahl Audrey Salkeld, 1997 Leni Riefenstahl, who died in 2003, will always be remembered for her film of the 1936 Olympic Games in Berlin. After the war, Riefenstahl was shunned by the film industry both in Europe and America, despite a 1952 court ruling proclaiming her not guilty of supporting the Nazis in a punishable way. Winner of the Boardman Tasker Award, this is a fine and balanced study of a still-controversial figure. |
| leni riefenstahl a life: Coral Gardens Leni Riefenstahl, 1978 |
| leni riefenstahl a life: Leni Riefenstahl Rainer Rother, 2003-10-01 Leni Riefenstahl, now aged 101, achieved fame as a dancer, actress photographer, and director, but her entire career is colored by her association with the Nazi party. This overt tension between the political meaning of her work for National Socialism and its essential aesthetic quality forms the basis of the compelling account. Appointed by Hitler, Leni Riefenstahl directed the Nazi propaganda film Triumph des Willens along with her bestknown work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous women film director in the world; yet, after World War II, she was never again accepted as a filmmaker. Rainer Rother's book is a remarkable account of the fascinating life and work of Germany's most controversial photographer and filmmaker. |
| leni riefenstahl a life: The Films of Leni Riefenstahl David B. Hinton, 2000 With access to Leni Riefenstahl's personal archives and film collection, the author explores the contraversial filmmaker's career. |
| leni riefenstahl a life: The Last of the Nuba Leni Riefenstahl, 1974 First published in 1973 and long since out of print, a classic photo essay about life among Africa's Nuba tribe, by one of the century's foremost film directors, is presented in an impressive full-color gift edition. |
| leni riefenstahl a life: Leni Riefenstahl Glenn B. Infield, 1976 Biography of filmmaker Leni Riefenstahl. |
| leni riefenstahl a life: Behind the Scenes of the National Party Convention Film Leni Riefenstahl, 2010-01-01 |
| leni riefenstahl a life: My Life is like a Fairy Tale Robert Irwin, 2021-06-01 ‘Robert Irwin vividly and brilliantly blends the fictional life and all-too-real times of a film star of the Nazi era in this a narrative of diminishing options and the advance to death and destruction. Cultured, clever and funny at times, in a grim Charles Adams way, Robert Irwin’s novel is engrossing and enveloping. From a dull Dutch childhood in Dordrecht and a waitressing job, sexy Sonja Heda, cigarette in hand, wangles her way on to the film sets of various independent production companies making the films of the Weimar and Nazi eras. From The Blue Angel, The Gypsy Baron, Jew Suss, Habanera and Munchausen she lands the starring role in the Nazi screwball comedy Bagdad Capers. Although German cinema became a key part of the Nazi war effort, the film industry continued to produce commercial films appealing to the varying film tastes of German filmgoers. Joseph Goebbels at the head of the Ministry of Propaganda propagated Nazi supremacist ideology and indoctrinate the population of Germany though film and radio, not unlike the way reality TV and social media are used today by populist politicians in the US and UK.’ Georgia de Chamberet in Ten Books for Independent Minds from Bookblast |
| leni riefenstahl a life: Delayed Rays of a Star Amanda Lee Koe, 2019-07-09 An NPR Best Book of the Year A dazzling debut novel following the lives of three groundbreaking women--Marlene Dietrich, Anna May Wong, and Leni Riefenstahl--cinema legends who lit up the twentieth century At a chance encounter at a Berlin soirée in 1928, the photographer Alfred Eisenstaedt captures three very different women together in one frame: up-and-coming German actress Marlene Dietrich, who would wend her way into Hollywood as one of its lasting icons; Anna May Wong, the world's first Chinese American star, playing bit parts while dreaming of breaking away from her father's modest laundry; and Leni Riefenstahl, whose work as a director of propaganda art films would first make her famous--then, infamous. From this curious point of intersection, Delayed Rays of a Star lets loose the trajectories of these women's lives. From Weimar Berlin to LA's Chinatown, from a bucolic village in the Bavarian Alps to a luxury apartment on the Champs-Élysées, the different settings they inhabit are as richly textured as the roles they play: siren, victim, predator, or lover, each one a carefully calibrated performance. And in the orbit of each star live secondary players--a Chinese immigrant housemaid, a German soldier on leave from North Africa, a pompous Hollywood director--whose voices and viewpoints reveal the legacy each woman left in her own time, as well as in ours. Amanda Lee Koe's playful, wry prose guides the reader dexterously around murky questions of identity, complicity, desire, and difference. Intimate and clear-eyed, Delayed Rays of a Star is a visceral depiction of womanhood--its particular hungers, its oblique calculations, and its eventual betrayals--and announces a bold new literary voice. |
| leni riefenstahl a life: Riefenstahl Screened Neil Christian Pages, Mary Rhiel, Ingeborg Majer O'Sickey, 2008-01-01 Leni Riefenstahl is larger than life. From the lure of her persona as it enters our homes via television to our pleasure in the recognition of her film images at rock concerts, to her place as part of the history of the Nazi period, Riefenstahl lives on in our imagination and in our cultural productions. Thus, the editors' introduction to this volume examines the manner in which Riefenstahl 'haunts' debates on aesthetics and politics, and how her legacy reverberates in the contemporary cultural scene. The editors view the collection as a three-part framework. The essays in the opening section of the book show that Riefenstahl is still very much alive and well and controversial in popular culture. Her films continue to determine the way in which we think about the Nazi period, providing instantly recognizable images and messages that often go unquestioned. We cannot separate these phenomena from Riefenstahl's years of avid self-fashioning. The second section of the book offers treatments of the shifting, mobile relationship between Riefenstahl's stubborn attempts to create and control her personae and her reactions to others' re-appropriations of the meanings of her life and work. Reading the texts and discourses surrounding 'Riefenstahl, ' these scholars treat her memoirs - and her repeated assertions about herself as a springboard into understanding anew how we might approach her films in a productive way. The closing section of the volume comprises essays that go right to the heart of the matter: Riefenstahl's films and photography. The new contexts theoretical discussions and emerging discourses that animate these essays include Scarry's treatise on beauty, justice and the global, the problems of history and memory, the place of Riefenstahl's filmmaking technique in contemporary cinema, and her appropriation of German musical traditions. Fueled by the work of a diverse range of scholars, then, Riefenstahl Screened offers an opportunity to rethink the place of Leni Riefenstahl and her work in contemporary culture and in academic discourse. It insists upon a critical self-examination that maps a topography of how scholars and teachers avail themselves of Riefenstahl's corpus. |
| leni riefenstahl a life: Olympic Affair Terry Frei, 2012-12-16 Though not a member of the National Socialist Party, Leni Riefenstahl was the filmmaker darling of the Nazis and Adolf Hitler. First a successful dancer and actress in Germany, she became more notorious when she produced and directed Victory of Faith and Triumph of the Will, the chilling documentaries about Nazi Party Congresses at Nuremberg. Glenn Morris was an All-American farm boy from tiny Simla, Colorado, as well as a former college football star and student body president at the school now known as Colorado State University. At the 1936 Olympics, he won the decathlon, earning him the label “the world’s greatest athlete.” Among the American heroes at the Berlin Games, he was considered second only to Jesse Owens, who won four gold medals. Riefenstahl and Morris: An unlikely couple? Perhaps, but in her 1987 memoirs, the German filmmaker belatedly confirmed she had an affair with the American athlete during the filming of Olympia, Riefenstahl’s documentary about the Berlin Games. In fact, she portrayed it as much more than a dalliance, saying that she had dreamed of marrying Morris and that he broke her heart. Morris, who went on to Hollywood, the National Football League, and military service, spoke sparingly of the relationship, but mused late in life that he “should have stayed in Germany with Leni.” In Olympic Affair, author Terry Frei turns to historical fiction in a novel researched in much the same fashion as his widely praised works of nonfiction, including Horns, Hogs, and Nixon Coming and Third Down and a War to Go. Using deduction, imagination and narrative skill to augment documented fact (as well as debunk myths parroted for many years), Frei tells the story of their ill-fated affair . . . and beyond. Read the first chapter of Olympic Affair here. |
| leni riefenstahl a life: The Extra Kathryn Lasky, 2013-10-08 Is the chance to serve as an extra for Hitler’s favorite filmmaker a chance at life — or a detour on the path to inevitable extermination? One ordinary afternoon, fifeen-year-old Lilo and her family are suddenly picked up by Hitler’s police and imprisoned as part of the Gypsy plague. Just when it seems certain that they will be headed to a labor camp, Lilo is chosen by filmmaker Leni Riefenstahl to work as a film extra. Life on the film set is a bizarre alternate reality. The surroundings are glamorous, but Lilo and the other extras are barely fed, closely guarded, and kept in a locked barn when not on the movie set. And the beautiful, charming Riefenstahl is always present, answering the slightest provocation with malice, flaunting the power to assign prisoners to life or death. Lilo takes matters into her own hands, effecting an escape and running for her life. In this chilling but ultimately uplifting novel, Kathryn Lasky imagines the lives of the Gypsies who worked as extras for the real Nazi filmmaker Leni Riefenstahl, giving readers a story of survival unlike any other. |
| leni riefenstahl a life: I'm Off Then Hape Kerkeling, 2009-06-16 I'm Off Then has sold more than three million copies in Germany and has been translated into eleven languages. The number of pilgrims along the Camino has increased by 20 percent since the book was published. Hape Kerkeling's spiritual journey has struck a chord. Overweight, overworked, and disenchanted, Kerkeling was an unlikely candidate to make the arduous pilgrimage across the Pyrenees to the Spanish shrine of St. James, a 1,200-year-old journey undertaken by nearly 100,000 people every year. But he decided to get off the couch and do it anyway. Lonely and searching for meaning along the way, he began the journal that turned into this utterly frank, engaging book. Filled with unforgettable characters, historic landscapes, and Kerkeling's self-deprecating humor, I'm Off Then is an inspiring travelogue, a publishing phenomenon, and a spiritual journey unlike any other. |
| leni riefenstahl a life: Dvd Savant Glenn Erickson, 2004-11-01 A compilation of selected review essays from Erickson's DVD Savant internet column. |
| leni riefenstahl a life: Affections Rodrigo Hasbún, 2017-09-12 The award-winning and haunting novel from Rodrigo Hasbún, the literary star Jonathan Safran Foer calls, “a great writer,” about an unusual family’s breakdown—set in South America during the time of Che Guevara and inspired by the life of Third Reich cinematographer Hans Ertl. Inspired by real events, Affections is the story of the eccentric, fascinating Ertl clan, headed by the egocentric and extraordinary Hans, once the cameraman for the Nazi propagandist Leni Riefenstahl. Shortly after the end of World War II, Hans and his family flee to Bolivia to start over. There, the ever-restless Hans decides to embark on an expedition in search of the fabled lost Inca city of Paitití, enlisting two of his daughters to join him on his outlandish quest into the depths of the Amazon, with disastrous consequences. “A one-sitting tale of fragmented relationships with a broad scope, delivered with grace and power” (Kirkus Reviews, starred review), Affections traces the Ertls’s slow and inevitable breakdown through the various erratic trajectories of each family member: Hans’s undertakings of colossal, foolhardy projects and his subsequent spectacular failures; his daughter Monika, heir to his adventurous spirit, who joins the Bolivian Marxist guerrillas and becomes known as “Che Guevara’s avenger”; and his wife and two younger sisters left to pick up the pieces in their wake. “Hasbún writes with patience and precision, revealing the family’s most intimate thoughts and interactions: first smokes, blind love, and familial devotion. This is a novel to savor for its richness and grace and its historical and political scope” (Booklist, starred review)—a masterfully layered tale of how a family’s voyage of discovery ends up eroding the affections that once held it together. |
| leni riefenstahl a life: People of Kau Leni Riefenstahl, 1997 The Nuba of Kau, known as the 'South East Nuba', live only a hundred miles away from the gentle and peace-loving Mesakin Nuba observed by Leni Riefenstahl in her first book. Yet they speak another language, follow different customs, and are very different in character and temperament. The knife-fights, dances of love and elaborately painted Picassoesque faces and bodies captured in the images of People of Kau show a wild and passionate people, unlike any other on earth today. Leni Riefenstahl, legendary film-maker and photographer, spent sixteen sweltering weeks with the Nuba of Kau in 1975, weeks she herself describes as 'a time of almost intolerable hardship and exertion.' Yet from those weeks emerged the extraordinary photographs that make up this ground-breaking monograph. People of Kau bears magnificent witness to a remarkable tribe menaced by the advance of industrial civilisation and sinking slowly into the mists of time. |
| leni riefenstahl a life: The Dictator's Muse Nigel Farndale, 2022-09-27 '[A] riveting novel... a fast-paced, brilliantly constructed thriller, in which the fates of the three young British protagonists hang in the balance at the end of every chapter' A. N. Wilson, SPECTATOR 'I loved the brash brilliance of this' Peter Bradshaw, Guardian film critic It is the early 1930s, and Europe is holding its breath. As Hitler's grip on power tightens, preparations are being made for the Berlin Olympics. Leni Riefenstahl is the pioneering, sexually-liberated star film-maker of the Third Reich. She has been chosen by Hitler to capture the Olympics on celluloid but is about to find that even his closest friends have much to fear. Kim Newlands is the English athlete 'sponsored' by the Blackshirts and devoted to his mercurial, socialite girlfriend Connie. He is driven by a desire to win an Olympic gold but to do that he must first pretend to be someone he is not. Alun Pryce is the Welsh communist sent to infiltrate the Blackshirts. When he befriends Kim and Connie, his belief that the end justifies the means will be tested to the core. Through her camera lens and memoirs, Leni is able to manipulate the truth about what happens when their fates collide at the Olympics. But while some scenes from her life end up on the cutting room floor, this does not mean they are lost forever... 'Profound and moving... a beautifully written evocation of turbulent times' Daily Express 'A novel rich in historical detail, but wearing its research lightly, and the story is told in a French Lieutenant's Woman kind of way, veering from the present to the past with superb flair... this novel has an uncomfortable prescience, with a plot twist at the end which is ingenious. - IRISH INDEPENDENT 'A masterly exploration of conflicting loyalties ... Sharply characterised, richly atmospheric and completely engrossing' John Preston, author of The Dig ------------------ Readers love The Dictator's Muse: ***** 'An addictive, all-consuming read' ***** 'Flows beautifully with love, hopes, desires and propaganda of the time. Fascinating, engaging and terrifying' ***** 'Thoughtful, well researched and atmospheric with engaging characters' ***** 'I can't recommend this book highly enough' |
| leni riefenstahl a life: Two Fatherlands Chrystyna Lucyk-Berger, 2021-04-13 1938. South Tyrol. Hitler and Mussolini join forces to deal with the Tyrolean question. Their plan leads Katharina and Angelo to align with old enemies. Award-winning series. |
| leni riefenstahl a life: Hitler's Private Library Timothy W. Ryback, 2008-10-21 A Washington Post Notable Book With a new chapter on eugenicist Madison Grant’s The Passing of the Great Race In this brilliant and original exploration of some of the formative influences in Adolf Hitler’s life, Timothy Ryback examines the books that shaped the man and his thinking. Hitler was better known for burning books than collecting them but, as Ryback vividly shows us, books were Hitler’s constant companions throughout his life. They accompanied him from his years as a frontline corporal during the First World War to his final days before his suicide in Berlin. With remarkable attention to detail, Ryback examines the surviving volumes from Hitler’s private book collection, revealing the ideas and obsessions that occupied Hitler in his most private hours and the consequences they had for our world. A feat of scholarly detective work, and a captivating biographical portrait, Hitler’s Private Library is one of the most intimate and chilling works on Hitler yet written. |
| leni riefenstahl a life: The Conquest of Ruins Julia Hell, 2019-03-19 The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire. |
| leni riefenstahl a life: Celluloid Ivy David B. Hinton, 1994 From The Graduate to Revenge of the Nerds, this book delves into how movies treat the classroom. |
| leni riefenstahl a life: The Vanished Collection Pauline Baer de Perignon, 2023-01-05 A charming and heartfelt story about war, art, and the lengths a woman will go to find the truth about her family. 'As devourable as a thriller... Incredibly moving' Elle 'Pauline Baer de Perignon is a natural storyteller - refreshingly honest, curious and open' Menachem Kaiser 'A terrific book' Le Point It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents' elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time. |
| leni riefenstahl a life: Wall and Roof Climbing Geoffrey Winthrop Young, 1905 |
| leni riefenstahl a life: Leni Riefenstahl's Africa , 1982 |
| leni riefenstahl a life: Saving Private Ryan David James, 1998 |
| leni riefenstahl a life: New York Magazine , 1979-02-12 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| leni riefenstahl a life: Under the Sign of Saturn Susan Sontag, 2013-05-16 Susan Sontag's third essay collection brings together her most important critical writing from 1972 to 1980. In these provocative and hugely influential works she explores some of the most controversial artists and thinkers of our time, including her now-famous polemic against Hitler's favourite film-maker, Leni Riefenstahl, and the cult of fascist art, as well as a dazzling analysis of Hans-Jürgen Syberberg's Hitler, a Film from Germany. There are also highly personal and powerful explorations of death, art, language, history, the imagination and writing itself. |
| leni riefenstahl a life: In the Presence of Mine Enemies Harry Turtledove, 2013-08-29 Heinrich Gimpel is a respected officer with the Oberkommando Wehrmachts office in Berlin. His wife is a common hausfrau, raising his three precious daughters the same way he was raised - to be loyal, unquestioning citizens of the Third Reich, obedient to the will of the Führer. But Heinrich Gimpel has a secret. He is not, in fact, a member of the Master Race. He has been living a lie to protect his true identity as a Jew - and he's not alone. Throughout Berlin, Jews survive in secrecy...doing their jobs, caring for their families, maintaining the facade of perfect Aryans, and praying they will not be discovered. But a change is coming. And soon they will be forced to choose between safety and freedom... |
| leni riefenstahl a life: Gender and International Relations Jill Steans, 1998 In the book, Jill Steans illustrates how gender is central to nationalisms and political identity, the state, citizenship and conceptions of political community, security, and global political economy and development. Drawing on feminist scholarship from across the social sciences, she demonstrates the uses of feminism as critique. She also introduces readers to contemporary theoretical debates in international relations using concrete concerns and easily understandable issues to ground the discussion. |
| leni riefenstahl a life: Object:photo Mitra Abbaspour, Lee Ann Daffner, Maria Morris Hambourg, 2014 OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography. |
| leni riefenstahl a life: Los nuba Leni Riefenstahl, 1978 |
| leni riefenstahl a life: Imagining Blackness in Germany and Austria Sabrina K. Rahman, Michael Saman, Charlotte Szilagyi, 2020-05-15 Imagining Blackness in Germany and Austria offers a breadth of fresh and provocative perspectives on the ways that blackness has been configured and instrumentalized in cultural productions from around the modern German-speaking world. The essays collected here examine material ranging from eighteenth-century literary and philosophical landmarks, to Viennese modernist art; from colonial missionary literature, to twentieth-century sculpture, film, and music; from National Socialist ideology, to Leftist counterdiscourse. Spanning a range of literary, visual, and theoretical discourses, these essays identify crucial moments within radical paradigm shifts in the ways the concept of blackness has been employed by European intellectuals. One shift can be observed within the notion of blackness itself, which progresses from a state that precedes political articulation, to one that is negotiated discursively. Another shift sees conservative notions of “race” give way to a recodification of blackness as American rather than African. In this way, blackness becomes linked to the advent of a hegemonic power. A further shift can be discerned in the ways nationalist discourses of colonial supremacy and of an impending “darkening” of Europe progress toward the perception of blackness as an entry-point into the cultural complex known as Amerika, into mass culture, and into European modernity itself. With an introduction by Werner Sollors, this collection provides valuable, compelling, and timely material and insight for scholars and students interested in modern German-speaking culture, African American and African Diaspora studies, and their intersections. |
| leni riefenstahl a life: Realities and Fantasies of German Female Leadership Elisabeth Krimmer, 2019 The Western tradition of excluding women from leadership and disparaging their ability to lead has persisted for centuries, not least in Germany. Even today, resistance to women holding power is embedded in literary, cultural, and historical values that presume a fundamental opposition between the adjective female and the substantive leader. Women who do achieve positions of leadership are faced with a panoply of prejudicial misconceptions: either considered incapable of leadership (conceived of as alpha-male behavior), or pigeonholed as suited only to particular forms of leadership (nurturing, cooperative, egalitarian, communicative, etc.). Focusing on the German-speaking countries, this volume works to dismantle the prevailing disassociation of women and leadership across a range of disciplines. Contributions discuss literary works involving women's political authority and cultivation of community from Maria Antonia of Saxony to Elfriede Jelinek; women's social activism, as embodied by figures from Hedwig Dohm to Rosa Luxemburg; women in political film, environmentalism, neoliberalism, and the media from Leni Riefenstahl to Petra Kelly to Maren Ade; and political leaders Hillary Clinton and Angela Merkel. The essays achieve a deeper understanding of the historical roots and theoretical assumptions that inform ideas and realities of German female leadership. CONTRIBUTORS: Dorothee Beck, Seth Berk, Friederike Brühöfener, Margaretmary Daley, Aude Defurne, Helga Druxes, Sarah Vandegrift Eldridge, Anke Gilleir, Rachel J. Halverson, Peter Hudis, Elisabeth Krimmer, Stephen Milder, Joyce Marie Mushaben, Lauren Nossett, Patricia Anne Simpson, Almut Spalding, Inge Stephan, Lisa Fetheringill Zwicker. ELISABETH KRIMMER is Professor of German at the University of California, Davis. PATRICIA ANNE SIMPSON is Professor of German and Chairperson of the Department of Modern Languages and Literatures at the University of Nebraska-Lincoln. |
| leni riefenstahl a life: Documentary Film Carl Rollyson, 2006-11-28 Documentary Film: Contexts and Criticism is designed to complement Rollyson's Documentary Film: A Primer. The films discussed in this volume include Zelig, the Lumiere brothers documentaries, Nanook of the North, The Man With a Movie Camera, Triumph of the Will, Olympia, The Wonderful Horrible Life of Leni Riefenstahl, Why We Fight, Fires Were Started, and several Jill Craigie films, including an extended discussion of Two Hours From London, her controversial examination of the Balkan wars and the siege of Dubrovnik. What sets this text apart from other studies of documentary is that it includes a wide array of student comments on the films and reviews very much centered in discussions of the documentary tradition. In this same vein, Rollyson has included his essay, Jill Craigie and the Documentary Tradition exploring her relationship with John Grierson and other prominent documentary filmmakers. This dialogic text captures some of the actual give-and-take of the classroom and the range of opinion that even the best critics cannot convey. What should emerge from the reading of these comments are the different voices (mindsets) through which the films are viewed. |
Leni Klum - Wikipedia
Leni Olumi Klum (born May 4, 2004) is a German-American fashion model. She is the oldest child of Heidi Klum and Flavio Briatore, the adopted daughter of Seal, and the step …
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At 20, she’s making waves as a model in New York — on her own terms and nothing like your typical nepo baby. 💭 Leni opens up to GLAMOUR about the power of family, her …
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Leni L. Loud is a main character in The Loud House and a minor character in The Casagrandes. At 17-years-old (16-years-old before Season 5), Leni is the second oldest …
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Sep 6, 2023 · Heidi Klum and her oldest child, Leni Olumi Klum, live up to the phrase “like mother, like daughter.” Born in May 2004 in New York City, Leni is a model like her mom …
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Leni is an AI-powered platform for multifamily owners and operators. Helping them improve their bottom lines with better multifamily business intelligence, reporting and AI …
Leni Klum - Wikipedia
Leni Olumi Klum (born May 4, 2004) is a German-American fashion model. She is the oldest child of Heidi Klum and Flavio Briatore, the adopted daughter of Seal, and the step-daughter of Tom …
Leni Olumi Klum (@leniklum) • Instagram photos and videos
At 20, she’s making waves as a model in New York — on her own terms and nothing like your typical nepo baby. 💭 Leni opens up to GLAMOUR about the power of family, her passion with …
Leni Loud | The Loud House Encyclopedia | Fandom
Leni L. Loud is a main character in The Loud House and a minor character in The Casagrandes. At 17-years-old (16-years-old before Season 5), Leni is the second oldest child of the Loud …
All About Heidi Klum's Daughter Leni Klum - People.com
Sep 6, 2023 · Heidi Klum and her oldest child, Leni Olumi Klum, live up to the phrase “like mother, like daughter.” Born in May 2004 in New York City, Leni is a model like her mom and made her …
Advanced AI-Powered Real Estate Analytics & Reporting | Leni
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Jun 8, 2025 · The name Leni is a girl's name of German origin meaning "shining torch". An up-and-coming nickname-style name, hugely popular in Germany and on the rise in the UK, Leni …
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Leni Klum, a name that has been making waves in the modeling world, is more than just the daughter of the iconic supermodel Heidi Klum. Born into a family that exudes glamour and …
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Leni (name) - Wikipedia
Look up Leni or leni in Wiktionary, the free dictionary. Leni is both a given name and a surname. Notable people with the name include: Male and female:
