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lee maracle i am woman: I Am Woman Lee Maracle, 1996 One of the foremost Native writers in North America, Lee Maracle links her First Nations heritage with feminism in this visionary book. Maracle has created a book of true wisdom, intense pride, sisterhood and love. -Milestones Review |
lee maracle i am woman: Ravensong—A Novel Lee Maracle, 2017-05-15 WHERE DO YOU BEGIN TELLING SOMEONE THEIR WORLD IS NOT THE ONLY ONE? While Stacey, a 17-year-old Native girl, struggles to save her family and community from a devastating influenza epidemic, a white classmate’s suicide hints that the village is threatened by forces more sinister and powerful than the epidemic itself. Ravensong, the first novel of celebrated author Lee Maracle, tells an extraordinary story about a young woman’s quest for answers, combining both tragedy and joy in its unforgettable depiction of an urban Native community in the 1950s. Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says must be bridged. Evocative and prescient, filled with oral traditions, humour, and deep insight, Ravensong is more than just a novel—it is a necessary story for our time. |
lee maracle i am woman: Bobbi Lee Indian Rebel Lee Maracle, 2017-05-15 Bobbi Lee Indian Rebel is a gritty portrait of a turbulent home life and harrowing adventures on the road, from the mud flats of North Vancouver to the farm fields of California and the fringes of the hippie subculture in Toronto. Renowned author Lee Maracle’s groundbreaking biographical novel captures the spirit of Indigenous resistance during the Red Power movement of the 60s and 70s, chronicling a journey towards political consciousness in the movement for self-determination. A fearless portrayal of one woman’s struggle to make sense of the world as she fights to change it, Bobbi Lee is a powerful, unforgettable story that marks a significant beginning in the modern history of Indigenous people. |
lee maracle i am woman: Bearskin Diary Carol Daniels, 2015-10-17 Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women. Carol Daniels adds an important perspective to the Canadian literary landscape. Taken from the arms of her mother as soon as she was born, Sandy was only one of over twenty thousand Aboriginal children scooped up by the federal government between the 1960s and 1980s. Sandy was adopted by a Ukrainian family and grew up as the only First Nations child in a town of white people. Ostracized by everyone around her and tired of being different, at the early age of five she tried to scrub the brown off her skin. But she was never sent back into the foster system, and for that she considers herself lucky. From this tragic period in her personal life and in Canadian history, Sandy does not emerge unscathed, but she emerges strong—finding her way by embracing the First Nations culture that the Sixties Scoop had tried to deny. Those very roots allow Sandy to overcome the discriminations that she suffers every day from her co-workers, from strangers and sometimes even from herself. |
lee maracle i am woman: My Home as I Remember Lee Maracle, Sandra Laronde, 2000-05-15 My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents. Over 60 writers and visual artists are represented from nearly 25 nations, including writers such as Lee Maracle, Chrystos and Louise Bernice Halfe, and visual artists Joane Cardinal-Schubert, Teresa Marshall, Kenojuak Ashevak, Doreen Jensen and Shelley Niro; and some who are published for the first time in this landmark volume. Lee Maracle is the author of numerous books, including Ravensong. Sandra Laronde, writer/actor, is Executive Director of Native Women in the Arts. |
lee maracle i am woman: Hope Matters Lee Maracle, Columpa Bobb, Tania Carter, 2019 Hope Matters, written by multiple award-winning author Lee Maracle and her daughters Columpa Bobb and Tania Carter, focuses on the journey of Indigenous people from colonial beginnings to reconciliation. Maracle states that the book is also about the journey of myself and my two daughters. During their youth, Bobb and Carter wrote poetry with their mother, and they all decided that one day they would write a book together. This book is the result of that dream. Written collaboratively by all three women, the poems in Hope Matters blend their voices together into a shared song of hope and reconciliation.-- |
lee maracle i am woman: Talking to the Diaspora Lee Maracle, 2015 In a career that has spanned more than a quarter century, Lee Maracle has earned the reputation as one of Canada's most ardent and celebrated writers. Talking to the Diaspora, Maracle's second book of poetry, is at once personal and profound. From the revolutionary Where Is that Odd Dandelion-Looking-Flower to the tender poem Salmon Dance, from the biting Language to the elegiac Boy in the Archives, these poems embody the fearless passion and spirited wit for which Lee Maracle is beloved and revered. |
lee maracle i am woman: Memory Serves Lee Maracle, 2015 Memory Serves gathers together the oratories award-winning author Lee Maracle has delivered and performed over a twenty-year period. Revised for publication, the lectures hold the features and style of oratory intrinsic to the Salish people in general and the Sto: lo in particular. From her Coast Salish perspective and with great eloquence, Maracle shares her knowledge of Sto: lo history, memory, philosophy, law, spirituality, feminism and the colonial condition of her people. Powerful and inspiring, Memory Serves is an extremely timely book, not only because it is the first collection of oratories by one of the most important Indigenous authors in Canada, but also because it offers all Canadians, in Maracle's own words, another way to be, to think, to know, a way that holds the promise of a journey toward a common consciousness. |
lee maracle i am woman: First Wives Club Lee Maracle, 2010 This poignant and powerful collection of short stories provides revealing glimpses into the life experiences of an Aboriginal woman, a university professor, an activist and a single mother. With lyrical eloquence, Lee Maracle takes the reader on a deeply stirring and emotional journey that is at times humorous and heart-wrenching but not soon to be forgotten. |
lee maracle i am woman: Bent Box Lee Maracle, 2000 Bent Box is the first collection of poetry by Lee Maracle. The poems speak volumes of emotion ranging from quiet desperation to bitter anger to the depths of love. Maracle adds a rich blend of prose and poetry to her impressive list of fiction and autobiographical titles which include Bobbi Lee: Indian Rebel, I Am Woman, Ravensong, Sundogs and her latest novel, Will's Garden. |
lee maracle i am woman: The Truth about Stories Thomas King, 2003 Winner of the 2003 Trillium Book Award Stories are wondrous things, award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. And they are dangerous. Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well. |
lee maracle i am woman: Bawaajigan Nathan Niigan Noodin Adler, Christine Miskonoodinkwe Smith, 2019 Dreams play a powerful role in Indigenous culture, serving as warning, insight, guidance, solace, or hope. Bawaajigan - an Anishinaabemowin word for dream or vision - is a collection of powerful literary short fiction by Indigenous writers from across Turtle Island. Stories about the connection between the spirit world and everyday life and the rest of the cosmos; urban-fantasy and high-fantasy worlds; alternative histories, and alternative realities; brushes with the supernatural, the prophetic, the hallucinatory, and the surreal. Among these themes we find stories ranging from the gritty, the gothic, the comedic, and the heart-wrenchingly tragic: a tale about the state of sleep-deprivation that conjures an uncertainty as to where dream ends and reality begins; the ominous tension of television static that conjures a certainty of something terrible about to happen; encounters with spirit guides, and spirit enemies; confrontations with ghosts haunting residential school hallways, and ghosts looking on from the afterlife; and with concepts based on Ouija boards, bead-dreamers, Haudenosaunee wizards, talking eagles, giant snakes, sacred white buffalo calves, spider's silk, a burnt and blood-stained diary, longings for what could-have-been, worm holes fallen through reality, poppy-induced deliriums, imaginary friends, and knowledge revealed. Unifying everything: these are stories about the strength and power of dreams.-- |
lee maracle i am woman: A Recognition of Being Kim Anderson, 2016-05-02 Over 15 years ago, Kim Anderson set out to explore how Indigenous womanhood had been constructed and reconstructed in Canada, weaving her own journey as a Cree/Métis woman with the insights, knowledge, and stories of the forty Indigenous women she interviewed. The result was A Recognition of Being, a powerful work that identified both the painful legacy of colonialism and the vital potential of self-definition. In this second edition, Anderson revisits her groundbreaking text to include recent literature on Indigenous feminism and two-spirited theory and to document the efforts of Indigenous women to resist heteropatriarchy. Beginning with a look at the positions of women in traditional Indigenous societies and their status after colonization, this text shows how Indigenous women have since resisted imposed roles, reclaimed their traditions, and reconstructed a powerful Native womanhood. Featuring a new foreword by Maria Campbell and an updated closing dialogue with Bonita Lawrence, this revised edition will be a vital text for courses in women and gender studies and Indigenous studies as well as an important resource for anyone committed to the process of decolonization. |
lee maracle i am woman: Halfbreed Maria Campbell, 2019-11-05 A new, fully restored edition of the essential Canadian classic. An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's Halfbreed depicts the realities that she endured and, above all, overcame. Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman--a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indominatable spirit. This edition of Halfbreed includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work. |
lee maracle i am woman: Lee Maracle's writings: A Spider Continuum Dr. Anju Bala, 2021-07-08 This book is an outcome of my deep observations of Lee Maracle’s first-hand experience with racism, cultural discrimination, traditional spiritual beliefs besides infringement of social and political sovereignty of the Aboriginal. I venture to explain in this book, how Lee has sincerely represented the ‘Native’ world, once misinformed and misrepresented; how Lee struggled with honor for native womanhood/sisterhood, and her hope for the unity of humanity beyond the colonizer and the colonized, us and them, binaries |
lee maracle i am woman: Daughters are Forever Lee Maracle, 2017 The novel incorporates an innovative structure - one based on Salish Nation storytelling - to depict the transformation of Marilyn, a First Nations woman who is alienated from her culture, her family, and herself. By discovering her own culture's ways and listening to the natural world, Marilyn begins to heal her deep-rooted hurt and gradually become reconciled with her estranged daughters.--Back cover. |
lee maracle i am woman: The Break Katherena Vermette, 2024-01-30 International bestseller The Break is the first in Katherena Vermette's heart-rending, utterly immersive Indigenous family saga that includes The Strangers and The Circle. When Stella, a young Mé tis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. But when they arrive, no one is there; scuff marks in the compacted snow are the only sign anything may have happened. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Mé tis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg' s North End is exposed. |
lee maracle i am woman: Indigenous Men and Masculinities Robert Alexander Innes, Kim Anderson, 2015-11-06 What do we know of masculinities in non-patriarchal societies? Indigenous peoples of the Americas and beyond come from traditions of gender equity, complementarity, and the sacred feminine, concepts that were unimaginable and shocking to Euro-western peoples at contact. Indigenous Men and Masculinities, edited by Kim Anderson and Robert Alexander Innes, brings together prominent thinkers to explore the meaning of masculinities and being a man within such traditions, further examining the colonial disruption and imposition of patriarchy on Indigenous men. Building on Indigenous knowledge systems, Indigenous feminism, and queer theory, the sixteen essays by scholars and activists from Canada, the U.S., and New Zealand open pathways for the nascent field of Indigenous masculinities. The authors explore subjects of representation through art and literature, as well as Indigenous masculinities in sport, prisons, and gangs. Indigenous Men and Masculinities highlights voices of Indigenous male writers, traditional knowledge keepers, ex-gang members, war veterans, fathers, youth, two-spirited people, and Indigenous men working to end violence against women. It offers a refreshing vision toward equitable societies that celebrate healthy and diverse masculinities. |
lee maracle i am woman: Strong Women Stories Kim Anderson, Bonita Lawrence, 2012-01-01 This collection of seventeen essays presents original and critical perspectives from writers, scholars and activists on issues that are pertinent to Aboriginal women and their communities in both rural and urban settings in Canada. Their contributions explore the critical issues facing Native women as they rebuild and revive their communities. Through topics such as the role of tradition, reclaiming identities and protecting Native children and the environment, they identify the restraints that shape their actions and the inspirations that feed their visions.The contributors address issues of youth, health and sexual identity; women's aging, sexuality and health; caring for children and adults living with Fetal Alcohol Syndrome; First Nations education and schooling; community-based activism on issues of prostitution and sex workers; and reclaiming cultural identity through art and music. |
lee maracle i am woman: I Am a Body of Land Shannon Webb-Campbell, 2019 If poetry is a place to question, I Am a Body of Land by Shannon Webb-Campbell is an attempt to explore a relationship to poetic responsibility and accountability, and frame poetry as a form of re-visioning. Here Webb-Campbell revisits the text of her earlier work Who Took My Sister? to examine her self, her place and her own poetic strategies. These poems are efforts to decolonize, unlearn, and undo harm. Reconsidering individual poems and letters, Webb-Campbell’s confessional writing circles back, and challenges what it means ask questions of her own settler-Indigenous identity, belonging, and attempts to cry out for community, and call in with love. Edited for the press, and with an introduction by Lee Maracle; includes an an afterword by the author.-- |
lee maracle i am woman: Earth Elder Stories Alexander Wolfe, 1988 These stories presented in English by a Saulteaux Indian story teller describe the events involving the family of Pinayzitt and one of his sons, Earth Elder along the Canada-United States border on the Prairies in the 1800s. |
lee maracle i am woman: Tricks with a Glass , 2022-04-19 Studies of literary reflections on ethnicity are essential to the ever-renewed definition of Canadian literature. The essays in this collection explore the diverse ways of negotiating identity and the articulation of space in Canada, taking ethnicity as a driving force with ideological and cultural implications that lend public and literary discourse an urgent dynamism. While theorizing ethnicity is a valuable critical enterprise, these essays centre on the concrete realization of the problematics of ethnicity in creative writing, covering a wide range of Canada's mosaic. The creative inscription of ethnicity stimulates the evolution and expansion of Canada's literary heritage, the complexity of this cultural experience being the focus of the present collection. Fourteen essays, including a personal account by the Ukrainian-Canadian Janice Kulyk Keefer on the merging of private and public history, and two interviews - with the Chinese-Canadian writer Wayson Choy and the critic Linda Hutcheon - analyze the manifestations of the pluralism that has always characterized Canadian writers' consciousness of themselves, their engagement with the notion of the ‘multicultural' and its significance in contemporary society and, in particular, its effect on creativity. |
lee maracle i am woman: Native Writers and Canadian Writing W. H. New, 2011-11-01 Sometimes people are willing to listen only to those voices that confirm the conventions they already know. The unfamiliar makes them fear. Or makes them condescend. Neither fear nor condescension encourages listening. And no one who does not listen learns to hear. - W.H. New, “Learning to Listen.” Native Writers and Canadian Writing is a co-publication with Canadian Literature – Canada’s foremost literary journal – of a special double issue which focuses on literature by and about Canada’s Native peoples and contains original articles and poems by both Native and non-Native writers. These not only reflect the growing prominence of contemporary Native writing but also direct the reader to the traditional literature from which it springs and which has been largely misunderstood by the non-Native community – myths, rituals, and songs having been interpreted more often as artistic “curiosities” rather than the masterworks of a different culture. Essays examining the conventional portrayals of Native people in literature touch on works which range from the eighteenth-century journals of explorer Alexander Mackenzie, to the novels of James Fenimore Cooper, and to early writers in Canada such as historian-humourist Thomas Chandler Haliburton. Studies of Native literature focus on the oral literary traditions of the Haida and Inuit and their transcribers and on modern works by playwright Tomson Highway and authors Lee Maracle and Thomas King, among others. These commentaries illuminate the way in which Native writers view themselves and their disparate worlds, their gifts for pathos, humour, and self-parody, and their search for their own voices and distinct forms of communication. Viewing Canada’s Native peoples in historical, anthropological, and political contexts, the book exposes prejudices and misconceptions entrenched since colonial days regarding Native societies and their moral, spiritual, and political values – values embodied in their hereditary literature. Just as Native visual art has flourished in recent years, the book records the initiatives now being taken by Native societies to preserve and promote their own cultural identity through the spoken and written word. These include control of their own education, creative writing programs, projects to preserve still extant languages, folklore, songs, and rituals, and the founding of Native publishing houses. Not only are these endeavours valuable contributions to tribal cultures, but they also contribute to the past and ongoing literary heritage of Canada as a nation. Recognition of the place of Native literature as an integral part of the Canadian cultural scene is one of the main goals of Native Writers and Canadian Writing. As W.H. New points out, this collection is “a speaking place ... a series of opportunities to begin listening.” Native Writers and Canadian Writing has been produced as one of the projects celebrating the 75th anniversary of the University of British Columbia. |
lee maracle i am woman: Indigenous Women and Feminism Cheryl Suzack, Shari M. Huhndorf, Jeanne Perreault, Jean Barman, 2011-01-01 Can the specific concerns of Indigenous women be addressed by mainstream feminism? Indigenous Women and Feminism proposes that a dynamic new line of inquiry – Indigenous feminism – is necessary to truly engage with the crucial issues of cultural identity, nationalism, and decolonization particular to Indigenous contexts. Through the lenses of politics, activism, and culture, this wide-ranging collection crosses disciplinary, national, academic, and activist boundaries to explore deeply the unique political and social positions of Indigenous women. A vital and sophisticated discussion, these timely essays will change the way we think about modern feminism and Indigenous women. |
lee maracle i am woman: Feminisms and Womanisms Althea Prince, Susan Silva-Wayne, 2004 This book brings together theory and praxis, so that feminist discourse interacts as a partner with the lived experience of women's social action. The selections combine classics in feminist thought with work from modern theorists and offer a solid foundation in international feminism. The conceptual understanding embedded in the terms 'feminism' and 'womanism' contributes to feminist discourse, a carefully differentiated focus on the ideological uses of language to define relationships that have been historically mired in domination. The terms also define the way gender often has been used to signify and support domination. Given that feminism and womanism are interpretative concepts, there is always a sense that knowledge-making is in progress; for there is nothing static or stagnant about feminism, feminist theory, and feminist action. The formative nature of the feminist movement has, of necessity, a parallel interpretative theory. This Reader embraces both the formative nature of the movement and the accompanying interpretative theories.It also pays attention to the chronological, cultural, geo-political, racial, and ethnic landscapes and sites where women live, carry out social action, and theorise issues of equality. For both the general and the academic reader, this book will be edifying while providing exposure to the feminist and womanist voices that inform the scholarship. |
lee maracle i am woman: Sundogs Lee Maracle, 1992 With Elijah Harper's symbolic blockage of the Meech Lake Accord and the high intensity of the Mohawk Warrior Society's defiant stand, 1990 marked a significant change for both First Nations and all the other people living in Canada. Sundogs is a novel about the struggle of a young First Nations family for love and solidarity in the context of that turbulent year. From urban Vancouver, to a small town in the Okanagan Valley, and across the country on a desperate bid for peace between the Canadian government and the Mohawk Nation, Marianne, Sundog's heroine, finds a moment of peace from the confusion and dis-unity in her own life. In returning to the beliefs of her ancestry, she comes to chart the course of her life anew. Through Sundogs, Lee Maracle takes the reader on a cultural and spiritual journey into the heart of First Nations country. The agony, the joy and humour of First Nation's people makes the novel a lively and inspirational piece of work. Sundogs presents the reader an intimate look at the lives of one family during the momentous events surrounding the downfall of Meech Lake and the Oka crisis from a very personal perspective. |
lee maracle i am woman: First Fish, First People Judith Roche, Meg McHutchison, 1998 This collection brings together writers from two continents and four countries whose traditional cultures are based on Pacific wild salmon. 72 duotone photos. Line drawings. Copyright © Libri GmbH. All rights reserved. |
lee maracle i am woman: History in the Humanities and Social Sciences Richard Bourke, Quentin Skinner, 2022-12-22 Offers a collaborative exploration of the role of historical understanding in leading disciplines across the humanities and social sciences. |
lee maracle i am woman: History of Literature in Canada Reingard M. Nischik, 2008 The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. CanLit has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany. |
lee maracle i am woman: Civil Courage Naomi Kramer, 2007 If we are responsible educators, the causes of the Holocaust must be addressed in order to prevent future genocide. Contemporary Jewish Identity: Emanuele Ottolenghi and Mark Weitzman examine contemporary antisemitism in Europe and North America respectively. Michael Pollan reflects upon Jewish identity from the unique perspective of a young Jew who worked as a civil servant for the Austrian government in a program designed to acknowledge Austria's role as a perpetrator of the Shoah. Testimony: Firsthand testimony will soon be available only in memoirs or recorded oral histories. In the future, second and subsequent generations must speak as witnesses. Sheldon Schreter, a grandchild of Holocaust victims, describes a visit with his four sons to Sighet, Romania, his parents' birthplace, and struggles with the question of 'Why?' The prevention of genocide is, in large measure, dependent upon the good will and intervention of citizens living in modern cultures. |
lee maracle i am woman: Indigenous Biography and Autobiography Peter Read, Frances Peters-Little, Anna Haebich, 2008-12-01 In this absorbing collection of papers Aboriginal, Maori, Dalit and western scholars discuss and analyse the difficulties they have faced in writing Indigenous biographies and autobiographies. The issues range from balancing the demands of western and non-western scholarship, through writing about a family that refuses to acknowledge its identity, to considering a community demand not to write anything at all. The collection also presents some state-of-the-art issues in teaching Indigenous Studies based on auto/biography in Austria, Spain and Italy. |
lee maracle i am woman: The Portable Feminist Reader Roxane Gay, 2025-03-25 A New York Times Bestseller A dynamic and strikingly relevant look at a feminist canon as expansive rather than definitive A Penguin Classic For Roxane Gay, a feminist canon is subjective and always evolving. A feminist canon represents a long history of feminist scholarship, embraces skepticism, and invites robust discussion and debate. Selected writings by ancient, historic, and more recent feminist voices include Henricus Cornelius Agrippa, Anna Julia Cooper, Kimberlé Crenshaw, Dorothy Allison, Leslie Feinberg, Eileen Myles, Mona Eltahawy, bell hooks, Sara Ahmed, Cherríe Moraga, Audre Lorde, The Guerrilla Girls, and many more. With an introduction, headnotes, and an inspired list of multimedia recommendations, Roxane Gay presents multicultural perspectives, ecofeminism, feminism and disability, feminist labor, gender perspectives, and Black feminism. Through the Portable Feminist Reader, readers explore the state of American feminism, its successes and failures, and what feminism looks like in practice, as a complex, contradictory, personal and political, and ever-growing legacy of feminist thought. |
lee maracle i am woman: The Routledge Concise History of Canadian Literature Richard J. Lane, 2012-04-27 The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature. |
lee maracle i am woman: First Person Plural Sophie McCall, 2011-05-15 In this innovative exploration, told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration. Focused on the 1990s, when debates over voice and representation were particularly explosive, this captivating study examines a range of told-to narratives in conjunction with key political events that have shaped the struggle for Aboriginal rights to reveal how these narratives impact larger debates about Indigenous voice and literary and political sovereignty. |
lee maracle i am woman: Thamyris 6.1 Nanny M. W. de Vries, Jan Best, |
lee maracle i am woman: Children’s Health Issues in Historical Perspective Cheryl Krasnick Warsh, Veronica Strong-Boag, 2006-01-01 From sentimental stories about polio to the latest cherub in hospital commercials, sick children tug at the public’s heartstrings. However sick children have not always had adequate medical care or protection. The essays in Children’s Issues in Historical Perspective investigate the identification, prevention, and treatment of childhood diseases from the 1800s onwards, in areas ranging from French-colonial Vietnam to nineteenth-century northern British Columbia, from New Zealand fresh air camps to American health fairs. Themes include: the role of government and/or the private sector in initiating and underwriting child public health programs; the growth of the profession of pediatrics and its views on “proper” mothering techniques; the role of nationalism, as well as ethnic and racial dimensions in child-saving movements; normative behaviour, social control, and the treatment of “deviant” children and adolescents; poverty, wealth, and child health measures; and the development of the modern children’s hospital. This liberally illustrated collection reflects the growing academic interest in all aspects of childhood, especially child health, and originates from health care professionals and scholars across the disciplines. An introduction by the editors places the historical themes in context and offers an overview of the contemporary study of children’s health. |
lee maracle i am woman: Northern Wildflower Catherine Lafferty, 2018-11-01T00:00:00Z Northern Wildflower is the beautifully written and powerful memoir of Catherine Lafferty. With startling honesty and a distinct voice, Lafferty tells her story of being a Dene woman growing up in Canada’s North and her struggles with intergenerational trauma, discrimination, poverty, addiction, love, and loss. Focusing on the importance of family ties, education, spiritualism, cultural identity, health, happiness, and the courage to speak the truth, Lafferty’s words bring cultural awareness and relativity to Indigenous and non-Indigenous readers alike, giving insight into the real issues many Indigenous women face and dispelling misconceptions about what life in the North is like. |
lee maracle i am woman: Gender and Women's Studies, Second Edition Margaret Hobbs, Carla Rice, 2018-05-03 Now in its second edition, Gender and Women’s Studies: Critical Terrain provides students with an essential introduction to key issues, approaches, and concerns of the field. This comprehensive anthology celebrates a diversity of influential feminist thought on a broad range of topics using analyses sensitive to the intersections of gender, race, class, ability, age, and sexuality. Featuring both contemporary and classic pieces, the carefully selected and edited readings centre Indigenous, racialized, disabled, and queer voices. With over sixty percent new content, this thoroughly updated second edition contains infographics, original activist artwork, and a new section on gender, migration, and citizenship. The editors have also added chapters on issues surrounding sex work as labour, the politics of veiling, trans and queer identities, Indigenous sovereignty, decolonization, masculinity, online activism, and contemporary social justice movements including Black Lives Matter and Idle No More. The multidisciplinary focus and the unique combination of scholarly articles, interviews, fact sheets, reports, blog posts, poetry, artwork, and personal narratives reflect the vitality of the field and keep the collection engaging and varied. Concerned with the past, present, and future of gender identity, gendered representation, feminism, and activism, this anthology is an indispensable resource for students in gender and women’s studies classrooms across Canada and the United States. |
lee maracle i am woman: Indigenous Perspectives of North America Judit Nagy, Enikő Sepsi, Miklós Vassányi, 2014-08-20 The present volume brings to North American Native Studies – with its rich tradition and accumulated expertise in the Central European region – the new complexities and challenges of contemporary Native reality. The umbrella theme ‘Indigenous perspectives’ brings together researchers from a great variety of disciplines, focusing on issues such as democracy and human rights, international law, multiculturalism, peace and security, economic and scientific development, sustainability, literature, and arts and culture, as well as religion. The thirty-five topical and thought-provoking articles written in English, French and Spanish offer a solid platform for further critical investigations and a useful tool for classroom discussions in a wide variety of academic fields. |
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Take the 5-digit STYLE code or 7-digit SKU code and enter it in the SEARCH box on Lee.com. The SEARCH box on Lee.com is located at the top of the navigation. PLEASE NOTE We …
Jeans | Apparel for Men and Women | Lee Official Site
Upptäck herrkläder från Lee, inklusive klassiska jeans och bekväma skjortor. Hitta din nya favoritoutfit i vårt sortiment idag!
Lee UK Official Store | Denim Jeans and Clothing
Lee UK Official Store | Denim Jeans and Clothing
Limited Time Promotion | Lee®
Shop Limited Time Promotion at Lee.com, the official site for Lee branded apparel including jeans, shorts, shirts and more for men, women, and kids.
lee-101
The Lee 101® collection elevates artisan denim by combining heritage-inspired designs, world-class fabrics, superior cuts, clean lines, and vintage detailing, all complemented by a curated …
Men's Jeans - Lee
Shop Lee for a wide selection of men's jeans. Get the ideal fit with regular, straight, or athletic styles. Find your favorite pair in our denim collection.
Women's Jeans - Lee
Looking for women's jeans that fit your unique style? Lee has many styles, including skinny, straight, bootcut, and flare. Find your perfect fit today.
Jeans | Apparel for Men and Women | Lee Official Site
Jeans | Apparel for Men and Women | Lee Official Site
Men's Jackets | Lee®
Fashion collabs with some of America's most stylish brands ensure you stay on-trend, while Lee workwear jackets are made tough so you can get through the workday comfortably. Find your …
Women's Pants | Casual Utility, Cargo, & Crop | Lee®
Offer valid on phone orders for products available online at Lee.com and orders placed online at Lee.com. Lee reserves the right to modify or terminate this offer at any time without notice.
Find The Product You Need | SKU Code Lookup | Lee®
Take the 5-digit STYLE code or 7-digit SKU code and enter it in the SEARCH box on Lee.com. The SEARCH box on Lee.com is located at the top of the navigation. PLEASE NOTE We …
Jeans | Apparel for Men and Women | Lee Official Site
Upptäck herrkläder från Lee, inklusive klassiska jeans och bekväma skjortor. Hitta din nya favoritoutfit i vårt sortiment idag!
Lee UK Official Store | Denim Jeans and Clothing
Lee UK Official Store | Denim Jeans and Clothing
Limited Time Promotion | Lee®
Shop Limited Time Promotion at Lee.com, the official site for Lee branded apparel including jeans, shorts, shirts and more for men, women, and kids.
lee-101
The Lee 101® collection elevates artisan denim by combining heritage-inspired designs, world-class fabrics, superior cuts, clean lines, and vintage detailing, all complemented by a curated …