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| liberated threads tanisha ford: Liberated Threads Tanisha C. Ford, 2015-09-14 From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the “soul style” movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women’s fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion. |
| liberated threads tanisha ford: Dressed in Dreams Tanisha C. Ford, 2019-06-25 NOW OPTIONED BY Sony Pictures TV FOR A LIVE-ACTION SERIES ADAPTATION: produced by Freida Pinto and Gabrielle Union A perfect time to look at the ethos of black hair in America — and the perfect person to do it is Tanisha Ford —Changing America Everyone from the shopaholic to the clearance rack queen will see themselves in [Ford's] pages. —Essence Takes you not only into the closet, but the inner sanctum of an ordinary extraordinary Black girl who discovered herself through clothes. —Michaela Angela Davis, Image Activist and Writer [A] delightful style story. —The Philadelphia Inquirer From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too. |
| liberated threads tanisha ford: Politics of Fashion in Eighteenth-Century America , 2011 The Politics of Fashion in Eighteenth-Century America |
| liberated threads tanisha ford: Hair Raising Noliwe M. Rooks, 1996 We all know there is a politics of skin color, but is there a politics of hair?In this book, Noliwe Rooks explores the history and politics of hair and beauty culture in African American communities from the nineteenth century to the 1990s. She discusses the ways in which African American women have located themselves in their own families, communities, and national culture through beauty advertisements, treatments, and styles. Bringing the story into today's beauty shop, listening to other women talk about braids, Afros, straighteners, and what they mean today to grandmothers, mothers, sisters, friends, and boyfriends, she also talks about her own family and has fun along the way. Hair Raising is that rare sort of book that manages both to entertain and to illuminate its subject. |
| liberated threads tanisha ford: The Hollywood Jim Crow Maryann Erigha, 2019-02-05 The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths. |
| liberated threads tanisha ford: A Companion to American Women's History Nancy A. Hewitt, 2008-04-15 This collection of twenty-four original essays by leading scholars in American women's history highlights the most recent important scholarship on the key debates and future directions of this popular and contemporary field. Covers the breadth of American Women's history, including the colonial family, marriage, health, sexuality, education, immigration, work, consumer culture, and feminism. Surveys and evaluates the best scholarship on every important era and topic. Includes expanded bibliography of titles to guide further research. |
| liberated threads tanisha ford: Latinx Aperture, Pilar Tompkins Rivas, 2021-12-07 This winter, Aperture magazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. Guest edited by Pilar Tompkins Rivas, chief curator at the Lucas Museum of Narrative Art in Los Angeles, Latinx spans a century of image making, connecting historical and contemporary photography, and covering the themes of political resistance, family and community, fashion and culture, and the complexity of identity in American life. In Latinx, Carribean Fragoza traces Laura Aguilar's influence on queer artmaking. Joiri Minaya remixes postcards from the Dominican Republic to unveil the fantasy of tourism. Christina Catherine Martinez profiles Reynaldo Rivera, who chronicled 1990s-era Los Angeles nightlife. Yxta Maya Murry considers three Latina curators and writers influencing how photography canons are made today. Collectively, their images cast a greater net for the multiple ways of seeing Latinx people, Tompkins Rivas notes of the issue's photographers, creating a visual archive whose edges are yet to be defined. |
| liberated threads tanisha ford: Jazz and Justice Gerald Horne, 2019-06-18 A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration. |
| liberated threads tanisha ford: Stylin' Shane White, Graham J. White, 1998 An exploration of African-American style from its African origins to the 1940s, looking at the ways in which African-American men and women have expressed themselves through clothing, hairstyles, gestures, dance, and other forms of bodily display. |
| liberated threads tanisha ford: Zoot Suit Kathy Peiss, 2011-05-23 ZOOT SUIT (n.): the ultimate in clothes. The only totally and truly American civilian suit. —Cab Calloway, The Hepster's Dictionary, 1944 Before the fashion statements of hippies, punks, or hip-hop, there was the zoot suit, a striking urban look of the World War II era that captivated the imagination. Created by poor African American men and obscure tailors, the drape shape was embraced by Mexican American pachucos, working-class youth, entertainers, and swing dancers, yet condemned by the U.S. government as wasteful and unpatriotic in a time of war. The fashion became notorious when it appeared to trigger violence and disorder in Los Angeles in 1943—events forever known as the zoot suit riot. In its wake, social scientists, psychiatrists, journalists, and politicians all tried to explain the riddle of the zoot suit, transforming it into a multifaceted symbol: to some, a sign of social deviance and psychological disturbance, to others, a gesture of resistance against racial prejudice and discrimination. As controversy swirled at home, young men in other places—French zazous, South African tsotsi, Trinidadian saga boys, and Russian stiliagi—made the American zoot suit their own. In Zoot Suit, historian Kathy Peiss explores this extreme fashion and its mysterious career during World War II and after, as it spread from Harlem across the United States and around the world. She traces the unfolding history of this style and its importance to the youth who adopted it as their uniform, and at the same time considers the way public figures, experts, political activists, and historians have interpreted it. This outré style was a turning point in the way we understand the meaning of clothing as an expression of social conditions and power relations. Zoot Suit offers a new perspective on youth culture and the politics of style, tracing the seam between fashion and social action. |
| liberated threads tanisha ford: The Queer Nuyorican Karen Jaime, 2021-06-29 Finalist for The Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research. Silver Medal Winner of The Victor Villaseñor Best Latino Focused Non-Fiction Book Award, given by the International Latino Book Awards. Honorable Mention for the Best LGBTQ+ Themed Book, given by the International Latino Book Awards. A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City’s Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto Rican ethnic and cultural associations of the epithet “Nuyorican,” as the Cafe developed into a central hub for an artistic movement encompassing queer, trans, and diasporic performance. The Queer Nuyorican is the first queer genealogy and critical study of the historical, political, and cultural conditions under which the term “Nuyorican” shifted from a raced/ethnic identity marker to “nuyorican,” an aesthetic practice. The nuyorican aesthetic recognizes and includes queer poets and performers of color whose writing and performance build upon the politics inherent in the Cafe’s founding. Initially situated within the Cafe’s physical space and countercultural discursive history, the nuyorican aesthetic extends beyond these gendered and ethnic boundaries, broadening the ethnic marker Nuyorican to include queer, trans, and diasporic performance modalities. Hip-hop studies, alongside critical race, queer, literary, and performance theories, are used to document the interventions made by queer and trans artists of color—Miguel Piñero, Regie Cabico, Glam Slam participants, and Ellison Glenn/Black Cracker—whose works demonstrate how the Nuyorican Poets Cafe has operated as a queer space since its founding. In focusing on artists who began their careers as spoken word artists and slam poets at the Cafe, The Queer Nuyorican examines queer modes of circulation that are tethered to the increasing visibility, commodification, and normalization of spoken word, slam poetry, and hip-hop theater in the United States and abroad. |
| liberated threads tanisha ford: Remaking Black Power Ashley D. Farmer, 2017-10-10 In this comprehensive history, Ashley D. Farmer examines black women’s political, social, and cultural engagement with Black Power ideals and organizations. Complicating the assumption that sexism relegated black women to the margins of the movement, Farmer demonstrates how female activists fought for more inclusive understandings of Black Power and social justice by developing new ideas about black womanhood. This compelling book shows how the new tropes of womanhood that they created — the “Militant Black Domestic,” the “Revolutionary Black Woman,” and the “Third World Woman,” for instance — spurred debate among activists over the importance of women and gender to Black Power organizing, causing many of the era’s organizations and leaders to critique patriarchy and support gender equality. Making use of a vast and untapped array of black women’s artwork, political cartoons, manifestos, and political essays that they produced as members of groups such as the Black Panther Party and the Congress of African People, Farmer reveals how black women activists reimagined black womanhood, challenged sexism, and redefined the meaning of race, gender, and identity in American life. |
| liberated threads tanisha ford: Dressed for Freedom Einav Rabinovitch-Fox, 2021-11-16 Often condemned as a form of oppression, fashion could and did allow women to express modern gender identities and promote feminist ideas. Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She also highlights how trends in women’s sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. A fascinating account of clothing as an everyday feminist practice, Dressed for Freedom brings fashion into discussions of American feminism during the long twentieth century. |
| liberated threads tanisha ford: From Goodwill to Grunge Jennifer Le Zotte, 2017 In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of secondhand style and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion. Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt. |
| liberated threads tanisha ford: An Unseen Light Aram Goudsouzian, Charles W. McKinney, 2018-04-13 Scholars examine the activist efforts of Black Americans in Memphis in a series of essays ranging from the Reconstruction era to the twenty-first century. In An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee, eminent and rising scholars present a multidisciplinary examination of African American activism in Memphis from the dawn of emancipation to the twenty-first century. Together, they investigate episodes such as the 1940 “Reign of Terror” when Black Memphians experienced a prolonged campaign of harassment, mass arrests, and violence at the hands of police. They also examine topics including the relationship between the labor and civil rights movements, the fight for economic advancement in Black communities, and the impact of music on the city’s culture. Covering subjects as diverse as politics, sports, music, activism, and religion, An Unseen Light illuminates Memphis’s place in the long history of the struggle for African American freedom and human dignity. Praise for Unseen Light “From the aftermath of the post-Civil War race massacre to continuous violence, murder, and bitter confrontations into the twenty-first century, contributors illuminate An Unseen Light on those Black Memphians forging lives nonetheless, through negotiation, protest, music, accommodation, prayer, faith and sometimes sheer stubbornness . . . . Scholars intellectually and personally invested in the city as a site of family and community, and career, bring an unequivocal depth of understanding and richness about place and belonging that textures the pages with life, from the church pews, the music studios, or the myriad of social or political organizations, to the land itself, adding more layers to underscore how black lives have mattered in the historical grassroots building of the nation. This is thoughtful and beautiful work.” —Françoise Hamlin, author of Crossroads at Clarksdale: The Black Freedom Struggle After World War II “This rich collection covers a broad range of topics pertaining to the African American freedom struggle in Memphis, Tennessee. One of its greatest strengths is the breadth of the essays, which span a long period from the end of the Civil War to the twenty-first century. An Unseen Light is a valuable addition to civil rights scholarship.” —Cynthia Griggs Fleming, author of Yes We Did?: From King's Dream to Obama's Promise “The collection did an excellent job in explaining the inner workings of Memphis . . . . The works highlighted the past actions, organizing and insurgency which created the dynamics of racism, classism, social, and political power seen in modern Memphis. I recommend this collection to those interested in the shaping of a large southern city. I also recommend to new and lifelong Memphians to provide a blueprint of the historical legacy of Memphis and how this legacy continues to impact the lives of African Americans.” —Tennessee Libraries |
| liberated threads tanisha ford: On Writing Qualitative Research Margaret Anzul, Maryann Downing, Margot Ely, Ruth Vinz, 2003-12-16 This text is both about writing up qualitative research and is itself a qualitative study. The written reflections of students on the writing process and the interpretations and presentations of their findings provide a base of data which the authors have, in turn, analyzed and incorporated into their text. They have added accounts of their own experiences, and those of their colleagues and other published authors. All of these are woven into a theoretical framework that discusses them in detail. |
| liberated threads tanisha ford: #identity Abigail De Kosnik, Keith Feldman, 2019-04-18 Since its launch in 2006, Twitter has served as a major platform for political performance, social justice activism, and large-scale public debates over race, ethnicity, gender, sexuality, and nationality. It has empowered minoritarian groups to organize protests, articulate often-underrepresented perspectives, and form community. It has also spread hashtags that have been used to bully and silence women, people of color, and LGBTQ people. #identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world. Hailing from diverse scholarly fields, all contributors are affiliated with The Color of New Media, a scholarly collective based at the University of California, Berkeley. The Color of New Media explores the intersections of new media studies, critical race theory, gender and women’s studies, and postcolonial studies. The essays in #identity consider topics such as the social justice movements organized through #BlackLivesMatter, #Ferguson, and #SayHerName; the controversies around #WhyIStayed and #CancelColbert; Twitter use in India and Africa; the integration of hashtags such as #nohomo and #onfleek that have become part of everyday online vernacular; and other ways in which Twitter has been used by, for, and against women, people of color, LGBTQ, and Global South communities. Collectively, the essays in this volume offer a critically interdisciplinary view of how and why social media has been at the heart of US and global political discourse for over a decade. |
| liberated threads tanisha ford: Fashion: A Very Short Introduction Rebecca Arnold, 2009-10-22 Fashion is a global industry, and plays a role in our economic, political, cultural, and social lives. However, fashion is often denigrated as trivial and superficial, a sign of vanity and narcissism. This Very Short Introduction will give a clear understanding of how fashion has developed while addressing these divergent views. |
| liberated threads tanisha ford: Photography and the Art of Chance Robin Kelsey, 2015-05-26 As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world. |
| liberated threads tanisha ford: Perfect Strangers: New York City Street Photographs , 2020-09-08 Perfect Strangers captures the kinetic bustle of changing streets and passing crowds in New York City. Over the last seven years, Melissa O'Shaughnessy has photographed daily on the streets of New York, capturing fleeting moments when the light, the people, and the chaos of the city collide in surprising, poignant, and humorous ways. As one of only a few women street photographers contributing to this dynamic genre, O'Shaughnessy enters the territory with clarity and a distinctly humanist eye. Perfect Strangers is a refreshing addition to the tradition of street photography. |
| liberated threads tanisha ford: Pageants, Parlors, & Pretty Women Blain Roberts, 2014 Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South |
| liberated threads tanisha ford: Dress Casual Deirdre Clemente, 2014 Dress Casual: How College Students Redefined American Style |
| liberated threads tanisha ford: The Woman in the Zoot Suit Catherine S. Ramírez, 2009-01-16 The Mexican American woman zoot suiter, or pachuca, often wore a V-neck sweater or a long, broad-shouldered coat, a knee-length pleated skirt, fishnet stockings or bobby socks, platform heels or saddle shoes, dark lipstick, and a bouffant. Or she donned the same style of zoot suit that her male counterparts wore. With their striking attire, pachucos and pachucas represented a new generation of Mexican American youth, which arrived on the public scene in the 1940s. Yet while pachucos have often been the subject of literature, visual art, and scholarship, The Woman in the Zoot Suit is the first book focused on pachucas. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In the Sleepy Lagoon incident, a man was murdered during a mass brawl in August 1942. Twenty-two young men, all but one of Mexican descent, were tried and convicted of the crime. In the Zoot Suit Riots of June 1943, white servicemen attacked young zoot suiters, particularly Mexican Americans, throughout Los Angeles. The Chicano movement of the 1960s–1980s cast these events as key moments in the political awakening of Mexican Americans and pachucos as exemplars of Chicano identity, resistance, and style. While pachucas and other Mexican American women figured in the two incidents, they were barely acknowledged in later Chicano movement narratives. Catherine S. Ramírez draws on interviews she conducted with Mexican American women who came of age in Los Angeles in the late 1930s, 1940s, and 1950s as she recovers the neglected stories of pachucas. Investigating their relative absence in scholarly and artistic works, she argues that both wartime U.S. culture and the Chicano movement rejected pachucas because they threatened traditional gender roles. Ramírez reveals how pachucas challenged dominant notions of Mexican American and Chicano identity, how feminists have reinterpreted la pachuca, and how attention to an overlooked figure can disclose much about history making, nationalism, and resistant identities. |
| liberated threads tanisha ford: Stanley Wolukau-Wanambwa. One Wall a Web Stanley Wolukau-Wanambw, 2018 One Wall a Web' gathers together work from two photographic series, 'Our Present Invention' and 'All My Gone Life', as well as two text collages all made in, and focused on the United States. Through a mixture of writing, portraiture, landscape, and appropriated archival images, the book describes quotidian encounters with fraught desire, uneven freedom, irrational fear, and deep structural division, asking whether the historical and contemporary realities of anti-Black and gendered violence ? when treated as aberrations ? do not in fact serve to veil violence?s essential function in the maintenance of civil society. The book traces a chronological path through the two series, concluding with an extensive essay that explores resonances between questions of black life and the strange ontology of the photographic image. |
| liberated threads tanisha ford: How It Feels to Be Free Ruth Feldstein, 2013-11-26 Winner of the Benjamin L. Hooks National Book Award Winnter of the Michael Nelson Prize of the International Association for Media and History In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a show tune. Then she began to sing: Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam! Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that We Shall Overcome was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time. |
| liberated threads tanisha ford: Reading, Writing, and Racism Bree Picower, 2021-01-26 An examination of how curriculum choices can perpetuate White supremacy, and radical strategies for how schools and teacher education programs can disrupt and transform racism in education When racist curriculum “goes viral” on social media, it is typically dismissed as an isolated incident from a “bad” teacher. Educator Bree Picower, however, holds that racist curriculum isn’t an anomaly. It’s a systemic problem that reflects how Whiteness is embedded and reproduced in education. In Reading, Writing, and Racism, Picower argues that White teachers must reframe their understanding about race in order to advance racial justice and that this must begin in teacher education programs. Drawing on her experience teaching and developing a program that prepares teachers to focus on social justice and antiracism, Picower demonstrates how teachers’ ideology of race, consciously or unconsciously, shapes how they teach race in the classroom. She also examines current examples of racist curricula that have gone viral to demonstrate how Whiteness is entrenched in schools and how this reinforces racial hierarchies in the younger generation. With a focus on institutional strategies, Picower shows how racial justice can be built into programs across the teacher education pipeline—from admission to induction. By examining the who, what, why, and how of racial justice teacher education, she provides radical possibilities for transforming how teachers think about, and teach about, race in their classrooms. |
| liberated threads tanisha ford: Sundown Towns James Loewen, 2005-09-29 “Don't let the sun go down on you in this town.” We equate these words with the Jim Crow South but, in a sweeping analysis of American residential patterns, award-winning and bestselling author James W. Loewen demonstrates that strict racial exclusion was the norm in American towns and villages from sea to shining sea for much of the twentieth century. Weaving history, personal narrative, and hard-nosed analysis, Loewen shows that the sundown town was—and is—an American institution with a powerful and disturbing history of its own, told here for the first time. In Michigan, Indiana, Ohio, Illinois, Missouri, Pennsylvania, and elsewhere, sundown towns were created in waves of violence in the early decades of the twentieth century, and then maintained well into the contemporary era. Sundown Towns redraws the map of race relations, extending the lines of racial oppression through the backyard of millions of Americans—and lobbing an intellectual hand grenade into the debates over race and racism today. |
| liberated threads tanisha ford: The Global Beauty Industry Meeta Jha, 2015-09-16 The Global Beauty Industry is an interdisciplinary text that uses beauty to explore topics of gender, race, class, colorism, nation, bodies, multiculturalism, transnationalism, and intersectionality. Integrating materials from a wide range of cultural and geo-political contexts, it coalesces with initiatives to produce more internationally relevant curricula in fields such as sociology, as well as cultural, women's/gender, media, and globalization studies. |
| liberated threads tanisha ford: FROM SLAVERY TO FREEDOM. JOHN HOPE. FRANKLIN, 1950 |
| liberated threads tanisha ford: Sathya Sai Speaks , |
| liberated threads tanisha ford: The Modern Girl Around the World Modern Girl Around the World Research Group, 2008-12-24 DIVA collection that examines the global phenomenon of the Modern Girl that emerged in the 1920s and 30s./div |
| liberated threads tanisha ford: Curriculum Politics, Policy, Practice Catherine Cornbleth, 2000-05-26 Offering a range of studies on the intersections of curriculum politics, policy, and/or practice, this book addresses the following questions: Who decides what is taught in K-12 schools? On what basis? What actually happens in classroom practice? What do students have opportunities to learn? Who benefits from these decisions and practices? It includes case studies that span school levels, subject areas, and national boundaries, thus enriching the possibilities for cross-case analysis, interpretation, and insight. Curriculum dynamics are revealed in cases ranging from the macro—as in the case from South Africa—to the micro—as in the case of U.S. special education placement. Instances of curriculum politics, policy, and/or practice are brought to life and situated in their contemporary and historical contexts with particular attention to questions of knowledge control and distribution of benefits. Included is this uniquely comparative text are several American case studies, including a discussion of implications of science for all, the politics and consequences of placing a significantly disabled student in a separate classroom after several years of inclusion, trying to embrace multicultural literature without dealing with racism close to home, and history-social studies curriculum policy intended as cultural containment. Also examined are the business-education culture clash in creating meaningful technology education in Canada, the politics of mandating religious knowledge curricula in Singapore, white South African students negotiating divergent stories of their country's past and present while trying to make sense of their own roles and future, and critical analysis of British educational discourses of social justice and their impact in the 1940s and 1990s. Contributors include Angela Calabrese-Brown, Nadine Dolby, Vivian Forssman, Diana Lawrence-Brown, Suzanne Miller, Margery Osborne, Jason Tan, Gina DeBlase Trzyna, Gaby Weiner, and John Willinsky. |
| liberated threads tanisha ford: The Comanche Empire Pekka Hamalainen, 2008-10-01 A groundbreaking history of the rise and decline of the vast and imposing Native American empire. In the eighteenth and early nineteenth centuries, a Native American empire rose to dominate the fiercely contested lands of the American Southwest, the southern Great Plains, and northern Mexico. This powerful empire, built by the Comanche Indians, eclipsed its various European rivals in military prowess, political prestige, economic power, commercial reach, and cultural influence. Yet, until now, the Comanche empire has gone unrecognized in American history. This compelling and original book uncovers the lost story of the Comanches. It is a story that challenges the idea of indigenous peoples as victims of European expansion and offers a new model for the history of colonial expansion, colonial frontiers, and Native-European relations in North America and elsewhere. Pekka Hämäläinen shows in vivid detail how the Comanches built their unique empire and resisted European colonization, and why they fell to defeat in 1875. With extensive knowledge and deep insight, the author brings into clear relief the Comanches’ remarkable impact on the trajectory of history. 2009 Winner of the Bancroft Prize in American History “Cutting-edge revisionist western history…. Immensely informative, particularly about activities in the eighteenth century.”—Larry McMurtry, The New York Review of Books “Exhilarating…a pleasure to read…. It is a nuanced account of the complex social, cultural, and biological interactions that the acquisition of the horse unleashed in North America, and a brilliant analysis of a Comanche social formation that dominated the Southern Plains.”—Richard White, author of The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815 |
| liberated threads tanisha ford: Supreme Glamour Mary Wilson, Mark Bego, 2019-09-17 Sumptuously illustrated, engaging, and insightful, Mary Wilson’s book charts the glittering story of The Supremes, as it showcases their glamorous and iconic ensembles. As Motown’s leading act in the 1960s, The Supremes became synonymous with glamorous, elegant, coordinated ensembles. Supreme Glamour presents founding member Mary Wilson’s unparalleled collection, showcasing thirty-two of the group’s most eye-catching gowns, meticulously reassembled and photographed on the Grammy Museum stage. Detailed captions accompany each photograph, providing information about the design, fabric, and embellishments of each ensemble, as well as the occasion on which each was first worn. In addition to the fashion history of The Supremes, the book chronicles the evolution of the group and celebrates the cultural icons they became. Engaging and insightful narrative text by Mary Wilson and close personal friend Mark Bego is interspersed among hundreds of archival photos. Packed with anecdotes and insights, Mary Wilson tells the complete story of The Supremes, both on- and off- stage, from their founding in Detroit in 1959 as The Primettes to their 1964 breakthrough hit, “Where Did Our Love Go,” and from the departure of Diana Ross to The Supremes’ disco hits of the 1970s. Supreme Glamour builds a complete picture of the charm, sophistication, and magic of The Supremes. |
| liberated threads tanisha ford: Let the Future Begin Dennis W. Archer, Elizabeth Ann Atkins, 2017-06-17 LET THE FUTURE BEGIN is the autobiography of Dennis W. Archer, born in Detroit, who rose from humble beginnings in the small town of Cassopolis, Michigan, to become a celebrated attorney, a Michigan Supreme Court Justice, a two-term Mayor of Detroit, and the first person of color to serve as President of the 400,000-member American Bar Association. Thanks to education, hard work, impeccable integrity, and family values, Dennis Archer has blazed a trail of diversity and inclusion in the legal profession while laying a rock-solid foundation to transform Detroit into the comeback city of the millennium. He achieved this with the support of his wife Trudy, their sons, Dennis Jr. and Vincent, relatives, friends, and colleagues. This inspiring book shares how he did it, and provides a blueprint for how to emulate his success and commitment to helping others. |
| liberated threads tanisha ford: Lemon Swamp and Other Places Mamie Garvin Fields, 1985-03-01 Mamie Garvin Fields was born in Charleston, South Carolina in 1888. Though black, her family was gifted and she grew up not among house servants or sharecroppers but among artisans and professionals. In LEMON SWAMP, she looks back on this all-but-forgotten community of friends and family, and on the wider social landscape of the segregationist South of her youth. |
| liberated threads tanisha ford: Liberated Threads: Stories of Black Style Tanisha Ford, 2025-06 Exploring fashion and style as a political language and tool of resistance in the African diaspora. Aperture's Summer issue highlights image makers around the world who are exploring style and fashion as a language of Black resistance, refusal, and joy. Guest edited by the writer and researcher Tanisha C. Ford and titled after her 2015 book, Liberated Threads, this edition features photographers, stylists, and filmmakers who remix, reimagine, and in some cases, reject the aesthetic and politics of what she calls the soul style of the twentieth century--sparking a bold conversation about style's ability to create possibilities for solidarity and selfhood today. |
| liberated threads tanisha ford: Biomythography Bayou Mel Michelle Lewis, 2024-10-11 When your stories flow from the brackish waters of the Gulf South, where the land and water merge, your narratives cannot be contained or constrained by the Eurocentric conventions of autobiography. When your story is rooted in the histories of your West African, Creek, and Creole ancestors, as well as your Black, feminist, and queer communities, you must create a biomythography that transcends linear time and extends beyond the pages of a book. Biomythography Bayou is more than just a book of memoir; it is a ritual for conjuring queer embodied knowledges and decolonial perspectives. Blending a rich gumbo of genres—from ingredients such as praise songs, folk tales, recipes, incantations, and invocations—it also includes a multimedia component, with “bayou tableau” images and audio recording links. Inspired by such writers as Audre Lorde, Zora Neale Hurston, and Octavia Butler, Mel Michelle Lewis draws from the well of her ancestors in order to chart a course toward healing Afrofutures. Showcasing the nature, folklore, dialect, foodways, music, and art of the Gulf’s coastal communities, Lewis finds poetic ways to celebrate their power and wisdom. |
| liberated threads tanisha ford: Clothing and Fashion in Southern History Ted Ownby, Becca Walton, 2020-07-23 Contributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones Weicksel Fashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used in the study of southern history have gaps and silences. Yet, little study has been given to the approach of clothing as something made, worn, and intimately experienced by enslaved people, incarcerated people, and the poor and working class, and by subcultures perceived as transgressive. The essays in the volume, using clothing as a point of departure, encourage readers to imagine the South’s centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants. Contributors explore such topics as how free and enslaved women with few or no legal rights claimed to own clothing in the mid-1800s, how white women in the Confederacy claimed the making of clothing as a form of patriotism, how imprisoned men and women made and imagined their clothing, and clothing cooperatives in civil rights–era Mississippi. An introduction by editors Ted Ownby and Becca Walton asks how best to begin studying clothing and fashion in southern history, and an afterword by Jonathan Prude asks how best to conclude. |
LIBERATED Definition & Meaning - Merriam-Webster
The meaning of LIBERATED is freed from or opposed to traditional social and sexual attitudes or roles. How to use liberated in a sentence.
LIBERATED | English meaning - Cambridge Dictionary
LIBERATED definition: 1. released from a prison or a place where you have been kept : 2. A liberated place is one where…. Learn more.
LIBERATED definition and meaning | Collins English Dictionary
3 meanings: 1. given liberty; freed; released 2. released from occupation or subjugation by a foreign power 3. (esp in feminist.... Click for more definitions.
Liberated - definition of liberated by The Free Dictionary
liberated - free from traditional social restraints; "an emancipated young woman pursuing her career"; "a liberated lifestyle"
Liberate - Definition, Meaning & Synonyms | Vocabulary.com
To liberate something means to release it from confinement. As the saying goes, "If you love something, set it free," — liberate it. Liberate is a powerful verb he verb that has been an …
What does LIBERATED mean? - Definitions.net
liberated. Liberated typically means to be set free from a situation, condition, or control that restricts or limits. This could involve freedom from oppressive social conventions, political …
Liberate Definition & Meaning | Britannica Dictionary
Rebels fought to liberate the country. Soldiers liberated the hostages from their captors. Laptop computers could liberate workers from their desks. He was using materials that he had …
LIBERATED Definition & Meaning - Dictionary.com
In a message on X, rebel spokesperson Lawrence Kanyuka welcomed Kabila to Goma saying: "We wish him a pleasant stay in the liberated areas." All of these animals are loose, liberated …
LIBERATE Definition & Meaning - Merriam-Webster
The meaning of LIBERATE is to set at liberty : free; specifically : to free (something, such as a country) from domination by a foreign power. How to use liberate in a sentence. Synonym …
LIBERATE | English meaning - Cambridge Dictionary
LIBERATE definition: 1. to help someone or something to be free: 2. to steal something: 3. to help someone or…. Learn more.
LIBERATED Definition & Meaning - Merriam-Webster
The meaning of LIBERATED is freed from or opposed to traditional social and sexual attitudes or roles. How to use liberated in a sentence.
LIBERATED | English meaning - Cambridge Dictionary
LIBERATED definition: 1. released from a prison or a place where you have been kept : 2. A liberated place is one where…. Learn more.
LIBERATED definition and meaning | Collins English Dictionary
3 meanings: 1. given liberty; freed; released 2. released from occupation or subjugation by a foreign power 3. (esp in feminist.... Click for more definitions.
Liberated - definition of liberated by The Free Dictionary
liberated - free from traditional social restraints; "an emancipated young woman pursuing her career"; "a liberated lifestyle"
Liberate - Definition, Meaning & Synonyms | Vocabulary.com
To liberate something means to release it from confinement. As the saying goes, "If you love something, set it free," — liberate it. Liberate is a powerful verb he verb that has been an …
What does LIBERATED mean? - Definitions.net
liberated. Liberated typically means to be set free from a situation, condition, or control that restricts or limits. This could involve freedom from oppressive social conventions, political …
Liberate Definition & Meaning | Britannica Dictionary
Rebels fought to liberate the country. Soldiers liberated the hostages from their captors. Laptop computers could liberate workers from their desks. He was using materials that he had liberated …
LIBERATED Definition & Meaning - Dictionary.com
In a message on X, rebel spokesperson Lawrence Kanyuka welcomed Kabila to Goma saying: "We wish him a pleasant stay in the liberated areas." All of these animals are loose, liberated from the …
LIBERATE Definition & Meaning - Merriam-Webster
The meaning of LIBERATE is to set at liberty : free; specifically : to free (something, such as a country) from domination by a foreign power. How to use liberate in a sentence. Synonym …
LIBERATE | English meaning - Cambridge Dictionary
LIBERATE definition: 1. to help someone or something to be free: 2. to steal something: 3. to help someone or…. Learn more.
