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| language in literature jakobson: Language in Literature Roman Jakobson, 1987 Essays discuss realism, futurism, Dada, the grammar of poetry, Baudelaire, Shakespeare, Yeats, Turgenev, Pasternak, Blake, and semiotic theory. |
| language in literature jakobson: On Language Roman Jakobson, 1995 One measure of Roman Jakobson's towering role in linguistics is that his work has defined the field itself. Jakobson's contributions have now become a permanent part of American and European views on language. With his uncanny ability to survive devastating uprooting again and again--from Moscow to Prague to Upsalla to New York and finally to Cambridge--Jakobson was able to bring to each milieu new and stimulating ideas, which have broadened the perspective of linguistics while giving it new direction and specifying its domain. Linda Waugh and Monique Monville-Burston have assembled an intellectual overview of his work in linguistics from partial and complete works that they have arranged, introduced, and cross-referenced. Some appear here in print for the first time, others are newly translated into English. More than a convenient access to Jakobson's basic works, On Language presents a broad profile of the polymathic general linguist who suggested radical innovations in every area of linguistic theory. The breadth of Jakobson's engagement in linguistics is captured by the editors' informative introduction and by their perspicacious presentation of topics. His general view of the science of linguistics is followed by his stunning contributions to linguistic metatheory in the areas of structure and function. Various aspects of historical, typological, and sociolinguistics are also explored along with his phonological theory--perhaps his most influential contribution--and his views on grammatical semantics. A topic that increasingly preoccupied Jakobson in his later career, the interrelationship between sound and meaning, is presented here in detail. The concluding three essays focus on the various relations between linguistics and the human and natural sciences, which led Jakobson ultimately to be characterized as an interdisciplinary thinker. |
| language in literature jakobson: Verbal Art, Verbal Sign, Verbal Time Roman Jakobson, 1985 Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session |
| language in literature jakobson: Roman Jakobson Richard Bradford, 2005-08-10 Richard Bradford reasserts the value of Jakobson's work on poetry and poetics. Exploring Jakobson's thesis that poetry is the primary object of language, he demonstates how vital Jacobson's work is to an understanding of language and poetry. |
| language in literature jakobson: The Sound Shape of Language Roman Jakobson, Linda R. Waugh, 2002 Reading this volume transported me back to Harvard and MIT lecture halls of the 1960s, where weekly Roman Jakobson would spellbind his audience (this reviewer included), developing his vision of language through impassioned exposition, deft and devastating allusions to critical literature, anecdotes with the force of parables, metaphors of mythic imagery, and above all else overriding verbal artistry: truly in his own phrase, 'In the poetry of grammar'. The Sound Shape of Language, his collaboration with Linda R. Waugh, a scholar who has devoted considerable attention to an exposition and elaboration of Jakobsonian views, fortunately has preserved in print the authoritative lectorial voice. Michael Silverstein in Journal of Communication |
| language in literature jakobson: Dialogues Roman Jakobson, Krystyna Pomorska, 2020-05-18 No detailed description available for Dialogues. |
| language in literature jakobson: Theory of Literature Paul H. Fry, 2012-04-24 Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the major themes and strands in twentieth-century literary theory, among them the hermeneutic circle, New Criticism, structuralism, linguistics and literature, Freud and fiction, Jacques Lacan's theories, the postmodern psyche, the political unconscious, New Historicism, the classical feminist tradition, African American criticism, queer theory, and gender performativity. By incorporating philosophical and social perspectives to connect these many trends, the author offers readers a coherent overall context for a deeper and richer reading of literature. |
| language in literature jakobson: The Stylistics Reader Jean Jacques Weber, 1996 The Stylistics Reader documents the significant impact of linguistic theory on literary studies. It brings together in one accessible volume key essays and writings which mark the development of stylistics as a discipline from its formalist beginnings to the contextualized, discourse-basedapproaches practised today. The carefully selected readings are arranged in eight sections, each of which introduces a particular approach: formalist, functionalist, affective, pedagogical, pragmatic, critical, feminist and cognitive.The extracts included have been chosen to provide a full sense of what stylistics is all about. The collection is prefaced by an extensive editorial introduction which provides an overview of the area, places each piece in its context and clarifies its main points. There are suggestions for furtherreading as well as notes and references for each essay. |
| language in literature jakobson: Writings in General Linguistics Miko?aj Kruszewski, 1995-01-01 This volume brings together the most important general linguistic writings by Mikolay Kruszewski (1851-1887), whom Roman Jakobson described as one of the greatest theoreticians of language among the world linguists of the late nineteenth century. Apart from reissuing a revised version of the late Robert Austerlitz' translation of the theoretical introduction of Kruszewski's Master's thesis on morphophonemic alternation in Old Slavic, first published in German in 1881, the bulk of the present volume consists of the first translation ever, by Gregory M. Eramian, of Kruszewski's doctoral thesis, Outline of Linguistic Science, supervised by J. Baudouin de Courtenay and submitted in Russian at the University of Kazan in 1883, which until now has been available only in German translation, published in Techmer's Zeitschrift (Leipzig, 1884-1890; reprinted Amsterdam, 1973). Together with a detailed introduction, a full list of Kruszewski's writings, a bibliography of secondary sources, including a reconstruction of the major works consulted by Kruszewski, and detailed indexes of biographical names, subjects & terms, and languages cited for examples, the present volume provides Western scholars with a solid textual and contextual basis for a proper reassessment of the ideas of arguably the most outstanding 19th-century linguistic thinker. |
| language in literature jakobson: Style in Language Thomas Albert Sebeok, 1966 |
| language in literature jakobson: The Framework of Language Roman Jakobson, 1980 |
| language in literature jakobson: Universal Grammar and Narrative Form David Herman, 1995 In a major rethinking of the functions, methods, and aims of narrative poetics, David Herman exposes important links between modernist and postmodernist literary experimentation and contemporary language theory. Ultimately a search for new tools for narrative theory, his work clarifies complex connections between science and art, theory and culture, and philosophical analysis and narrative discourse. Following an extensive historical overview of theories about universal grammar, Herman examines Joyce's Ulysses, Kafka's The Trial, and Woolf's Between the Acts as case studies of modernist literary narratives that encode grammatical principles which were (re)fashioned in logic, linguistics, and philosophy during the same period. Herman then uses the interpretation of universal grammar developed via these modernist texts to explore later twentieth-century cultural phenomena. The problem of citation in the discourses of postmodernism, for example, is discussed with reference to syntactic theory. An analysis of Peter Greenaway's The Cook, The Thief, His Wife, and Her Lover raises the question of cinematic meaning and draws on semantic theory. In each case, Herman shows how postmodern narratives encode ideas at work in current theories about the nature and function of language. Outlining new directions for the study of language in literature, Universal Grammar and Narrative Form provides a wealth of information about key literary, linguistic, and philosophical trends in the twentieth century. |
| language in literature jakobson: Peculiar Language Derek Attridge, 2004-08-02 First published in 1988, Peculiar Language is now established as one of the most important discussions of the language of literature. This thought-provoking book challenges traditional notions of literary criticism, arguing that all attempts by writers, critics and literary theorists to define the language of literature have involved self-contradiction. Through examination of key moments in literary history, Derek Attridge demonstrates that such contradictions in accounts of literary language are embedded in our cultural concept of 'literature' and asserts that in order to appreciate the forces that determine the limits of literary language, we must look beyond the realm of the 'literary' and embrace the wider political and social sphere. Re-issued as a result of sustained critical interest in the book, this edition includes a new preface by the author. |
| language in literature jakobson: Linguistics and Poetics Ladislav Matejka, 1974 |
| language in literature jakobson: The Magic of a Common Language Jindřich Toman, 1995 Jindrich Toman is especially adept at showing how characteristics of the spirit of the age, such as the ideal of collective activity, the idea of a synthesis of knowledge, and an emphasis on a socially defined commitment to scholarship, became embedded in the Prague Circle's program. |
| language in literature jakobson: Twentieth-Century Literary Theory K.M. Newton, 1997-09-30 A thoroughly revised edition of this successful undergraduate introduction to literary theory, this text includes core pieces by leading theorists from Russian Formalists to Postmodernist and Post-colonial critics. An ideal teaching resource, with helpful introductory notes to each chapter. |
| language in literature jakobson: Fundamentals of Language Roman Jakobson, Moris Halle, 2020-01-20 No detailed description available for Fundamentals of Language. |
| language in literature jakobson: Language in Literature Roman Jakobson, Krystyna Pomorska, Stephen Rudy, 1990 |
| language in literature jakobson: Language in Literature Geoffrey Leech, 2014-07-15 Over a period of over forty years, Geoffrey Leech has made notable contributions to the field of literary stylistics, using the interplay between linguistic form and literary function as a key to the ‘mystery’ of how a text comes to be invested with artistic potential. In this book, seven earlier papers and articles, read previously only by a restricted audience, have been brought together with four new chapters, the whole volume showing a continuity of approach across a period when all too often literary and linguistic studies have appeared to drift further apart. Leech sets the concept of ‘foregrounding’ (also known as defamiliarization) at the heart of the interplay between form and interpretation. Through practical and insightful examination of how poems, plays and prose works produce special meaning, he counteracts the ‘flight from the text’ that has characterized thinking about language and literature in the last thirty years, when the response of the reader, rather than the characteristics and meaning potential of the text itself, have been given undue prominence. The book provides an enlightening analysis of well-known (as well as less well-known) texts of great writers of the past, including Keats, Shelley, Samuel Johnson, Shaw, Dylan Thomas, and Virginia Woolf. |
| language in literature jakobson: The Motivated Sign Olga Fischer, Max Nänny, 2001-01-01 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the 'mise en abyme', to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare's rhetoric, the structural design of Margaret Atwood's writings and the changing fashions in fictional landscape description. Thus, these analyses of 'the motivated sign' represent yet another strong challenge to Saussure's dogma of arbitrariness (Jakobson). |
| language in literature jakobson: The Seventh Function of Language Laurent Binet, 2017-08-01 “A cunning, often hilarious mystery for the Mensa set and fans of Umberto Eco’s The Name of the Rose and Tom Stoppard’s Arcadia.” —Heller McAlpin, NPR Paris, 1980. The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered? In The Seventh Function of Language, Laurent Binet spins a madcap secret history of the French intelligentsia, starring such luminaries as Jacques Derrida, Umberto Eco, Gilles Deleuze, Michel Foucault, Judith Butler, and Julia Kristeva—as well as the hapless police detective Jacques Bayard, whose new case will plunge him into the depths of literary theory (starting with the French version of Roland Barthes for Dummies). Soon Bayard finds himself in search of a lost manuscript by the linguist Roman Jakobson on the mysterious “seventh function of language.” A brilliantly erudite comedy, The Seventh Function of Language takes us from the cafés of Saint-Germain to the corridors of Cornell University, and into the duels and orgies of the Logos Club, a secret philosophical society that dates to the Roman Empire. Binet has written both a send-up and a wildly exuberant celebration of the French intellectual tradition. “Binet juxtaposes car chases with highbrow in-jokes and ruminations. The book is a love letter to the power of language—the most dangerous weapon is the tongue.” —The New Yorker “An affectionate send-up of an Umberto Eco–style intellectual thriller that doubles as an exemplar of the genre, filled with suspense, elaborate conspiracies, and exotic locales.” —Esquire |
| language in literature jakobson: The Word Made Self Thomas J. Seifrid, 2018-07-05 When Osip Mandelstam wrote that the Russian word was sentient and breathing flesh, he voiced one of the most powerful themes in his culture. In The Word Made Self, Thomas Seifrid explores this Russian fascination with the power of the word as expressed in the work of philosophers, theologians, and artists of the Silver Age and early Soviet period. He shows that their diverse works (poems, novels, philosophical and religious tracts) share an attempt to articulate a model of selfhood within the phenomenon of language. The thinkers included in this book—among them Pavel Florenskii, Roman Jakobson, Aleksei Losev, and Gustav Shpet—frequently responded to the work of contemporary European philosophers even as they drew upon and revitalized powerful elements of early Russian religious thought. On Seifrid's view, this highly original body of writing about language was the essential context for the development of Russian Futurism, Formalism, and the work of Mikhail Bakhtin and the Soviet structuralists—movements and ideas whose influence has extended far beyond Russia and long past their years of efflorescence. This book will have a lasting impact among readers who will be fascinated to discover the richness of this long-suppressed chapter in the history of Russian culture. |
| language in literature jakobson: On Language Noam Chomsky, 2017-02-07 The two most popular titles by the noted linguist and critic in one volume—an ideal introduction to his work. On Language features some of Noam Chomsky’s most informal and highly accessible work. In Part I, Language and Responsibility, Chomsky presents a fascinating self-portrait of his political, moral, and linguistic thinking. In Part II, Reflections on Language, Chomsky explores the more general implications of the study of language and offers incisive analyses of the controversies among psychologists, philosophers, and linguists over fundamental questions of language. “Language and Responsibility is a well-organized, clearly written and comprehensive introduction to Chomsky’s thought.” —The New York Times Book Review “Language and Responsibility brings together in one readable volume Chomsky’s positions on issues ranging from politics and philosophy of science to recent advances in linguistic theory. . . . The clarity of presentation at times approaches that of Bertrand Russell in his political and more popular philosophical essays.” —Contemporary Psychology “Reflections on Language is profoundly satisfying and impressive. It is the clearest and most developed account of the case of universal grammar and of the relations between his theory of language and the innate faculties of mind responsible for language acquisition and use.” —Patrick Flanagan |
| language in literature jakobson: The Language of Literature and its Meaning Ashima Shrawan, 2019-04-23 There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction. |
| language in literature jakobson: Poetry of Grammar and Grammar of Poetry Roman Jakobson, 1981 |
| language in literature jakobson: The Birth and Death of Literary Theory Galin Tihanov, 2019-07-30 Until the 1940s, when awareness of Russian Formalism began to spread, literary theory remained almost exclusively a Russian and Eastern European invention. The Birth and Death of Literary Theory tells the story of literary theory by focusing on its formative interwar decades in Russia. Nowhere else did literary theory emerge and peak so early, even as it shared space with other modes of reflection on literature. A comprehensive account of every important Russian trend between the world wars, the book traces their wider impact in the West during the 20th and 21st centuries. Ranging from Formalism and Bakhtin to the legacy of classic literary theory in our post-deconstruction, world literature era, Galin Tihanov provides answers to two fundamental questions: What does it mean to think about literature theoretically, and what happens to literary theory when this option is no longer available? Asserting radical historicity, he offers a time-limited way of reflecting upon literature—not in order to write theory's obituary but to examine its continuous presence across successive regimes of relevance. Engaging and insightful, this is a book for anyone interested in theory's origins and in what has happened since its demise. |
| language in literature jakobson: Russian and Slavic Grammar Roman Jakobson, 2011-05-02 No detailed description available for Russian and Slavic Grammar. |
| language in literature jakobson: Phonology in the Twentieth Century Stephen R. Anderson , 2021 The original (1985) edition of this work attempted to cover the main lines of development of phonological theory from the end of the 19th century through the early 1980s. Much work of importance, both theoretical and historiographic, has appeared in subsequent years, and the present edition tries to bring the story up to the end of the 20th century, as the title promised. This has involved an overall editing of the text, in the process correcting some errors of fact and interpretation, as well as the addition of new material and many new references. |
| language in literature jakobson: Lyric Complicity Daria Khitrova, 2019-07-16 For many nineteenth-century Russians, poetry was woven into everyday life—in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how poetry lovers of the period all became nodes in a vast network of literary appreciation and constructed meaning. Poetry during the Golden Age was not a one-way avenue from author to reader. Rather, it was participatory, interactive, and performative. Lyric Complicity helps modern readers recover Russian poetry’s former uses and functions—life situations that moved people to quote or perform a specific passage from a poem or a forgotten occasion that created unforgettable verse. |
| language in literature jakobson: Metapoesis Michael C. Finke, 1995 Analyzes the use of metapoesis in the works of prominent Russian authors from the nineteenth century. |
| language in literature jakobson: Roman Jakobson's Approach to Language Elmar Holenstein, 1976 |
| language in literature jakobson: A Dictionary of Media and Communication Daniel Chandler, Rod Munday, 2020-02-21 This authoritative and up-to-date A-Z covers all aspects of interpersonal, mass, and networked communication, including digital and mobile media, advertising, journalism, and nonverbal communication. This new edition is particularly focused on expanding coverage of social media terms, to reflect its increasing prominence to media and communication studies as a whole. More than 2,000 entries have been revised, and over 500 new terms have been added to reflect current theoretical terminology, including concepts such as artificial intelligence, cisgender, fake news, hive mind, use theory, and wikiality. The dictionary also bridges the gap between theory and practice, and contains many technical terms that are relevant to the communication industry, including dialogue editing, news aggregator, and primary colour correction. The text is complemented by biographical notes and extensively cross-referenced, while web links supplement the entries. It is an indispensable guide for undergraduate students of media and communication studies, and also for those taking related subjects such as television studies, video production, communication design, visual communication, marketing communications, semiotics, and cultural studies. |
| language in literature jakobson: On Translation Reuben Arthur Brower, 1959-02-05 |
| language in literature jakobson: Theories of Translation Rainer Schulte, John Biguenet, 1992-04-15 Spanning the centuries, from the seventeenth to the twentieth, and ranging across cultures, from England to Mexico, this collection gathers together important statements on the function and feasibility of literary translation. The essays provide an overview of the historical evolution in thinking about translation and offer strong individual opinions by prominent contemporary theorists. Most of the twenty-one pieces appear in translation, some here in English for the first time and many difficult to find elsewhere. Selections include writings by Scheiermacher, Nietzsche, Ortega, Benjamin, Pound, Jakobson, Paz, Riffaterre, Derrida, and others. A fine companion to The Craft of Translation, this volume will be a valuable resource for all those who translate, those who teach translation theory and practice, and those interested in questions of language philosophy and literary theory. |
| language in literature jakobson: My Futurist Years Roman Jakobson, 1997 An important collection of writings and memoirs on the Russian Futurist movement from one of America's pre-eminent linguists and literary theorists. Born in Moscow in 1896, Roman Jakobson brought an extraordinary rare poet's sensibility to his exploration of language. This volume, which fills a major gap in the literature of the Russian avant-garde, is a lively collection of letters, memoirs, poetry, prose, and essays. It includes recollections of Mayakovsky, Khlebnikow and others. |
| language in literature jakobson: Rabelais and His World Mikhail Mikhaĭlovich Bakhtin, 1984 This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation. |
| language in literature jakobson: Linguistics and Literature Nigel Fabb, 1997-12-08 Linguistics and Literature is the first book to offer an overview of how linguistic theory can be applied to the oral and written literatures of the world |
| language in literature jakobson: What Makes Sound Patterns Expressive? Reuven Tsur, 1992 Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists. Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness. Using Roman Jakobson's model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds. |
| language in literature jakobson: Language, Madness, and Desire Philippe Artières, Jean-François Bert, Mathieu Potte-Bonneville, Judith Revel, 2015 As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire.The associations between madness and language--and madness and silence--preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud's literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing--particularly La Nouvelle Justine and Juliette--he devotes a full two-part lecture series focusing on notions of literary self-consciousness.Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault's thought and intellectual development. -- |
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Translate written words - Computer - Google Help
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I want to download a language pack but it keeps pending, what to …
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