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| kraftwerk düsseldorf: Kraftwerk Uwe Schütte, 2020-02-27 The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, expermenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age. |
| kraftwerk düsseldorf: Kraftwerk Sean Albiez, David Pattie, 2011-01-01 When they were creating and releasing their most influential albums in the mid to late 1970s, Kraftwerk were far from the musical mainstream - and yet it is impossible now to imagine the history of popular music without them. Today, Kraftwerk are considered to be an essential part of pop's DNA, alongside artists like the Beatles, the Velvet Underground, and Little Richard. Kraftwerk's immediate influence might have been on a generation of synth-based bands (Orchestral Manoeuvres in the Dark, the Human League, Depeche Mode, Yello, et al), but their influence on the emerging dance culture in urban America has proved longer lasting and more decisive. This collection of original essays looks at Kraftwerk - their legacy and influence - from a variety of angles, and demonstrates persuasively and coherently that however you choose to define their art, it's impossible to underestimate the ways in which it predicted and shaped the future. |
| kraftwerk düsseldorf: Kraftwerk Pascal Bussy, 2004 Now into its fourth edition, this perennial bestseller has been updated and revised to coincide with the band's 2004 World Tour. Kraftwerk's influence and place in the annals of music history is ever growing. This is the first, and still the best, biography. Appearing in B-format for the first time, Bussy has included information about Kraftwerk's first new album in 16 years. |
| kraftwerk düsseldorf: Kraftwerk's Computer World Steve Tupai Francis, 2022-05-05 Computer World was Kraftwerk's most concise and focused conceptual statement, their most influential record and crowning achievement. Computer World transformed the way pop music was composed, played, packaged and released and, in the process, helped create entire new genres of music including hip-hop, techno, trance, electro, industrial and synth-pop. They influenced the influencers. Upon its release on 10 May 1981, the record was a revelation. It was unlike anything created for mainstream consumers of music at that time, an electronic suite of assured and industrious propulsive forward movement. Kraftwerk set off a sonic detonation that is still being felt today. This book explores Kraftwerk's revolutionary sonic template, their conceptual and artistic preoccupations and lyrical obsessions to provide new insights into one of the greatest records ever made. |
| kraftwerk düsseldorf: Kraftwerk Tim Barr, 2013-08-31 The future of modern music began in Dusseldorf in 1970, when an avant-garde German band, the Organisation re-invented themselves as Kraftwerk and set in motion a train of events which introduced a whole new language into popular culture. By pre-dating electro, house, ambient and techno by more than two decades, they are quite simply the most influentual band of the late 20th century. Having studied composi-tional theory at the Dusseldorf Conservatory, they have more in common with Stockhausen and Russian Constructivism than Chuck Berry and Andy Warhol and yet, in creating classic pop hits like 'Autobahn', 'Trans Europe Express', 'The Model' and 'Tour de France' Kraftwork created a mass-market blueprint. The list of those directly and profoundly influenced is staggering: Bowie & Iggy Pop; Human League; disco (Giorgio Moroder`s seminal work with Donna Summer); Gary Numan: Sparks; Simple Minds; Orbital; Underworld; in fact, ALL modern Dance music. As well as telling the tale of this famously enigmatic and reclusive group, Tim Barr will also speak to the full range of musicians who have been touched by Kraftwerk`s extraordinary influence. |
| kraftwerk düsseldorf: Electri_City: The Düsseldorf School of Electronic Music Rudi Esch, 2016-08-26 |
| kraftwerk düsseldorf: Man, machine and music Pascal Bussy, Mick Fish, 1993 |
| kraftwerk düsseldorf: The Cambridge Companion to Krautrock Uwe Schütte, 2022-10-27 This Companion is the first academic introduction to the 1960s/70s 'Krautrock' movement of German experimental music that has long attracted the attention of the music press and fans in Britain and abroad. It offers a structured approach to this exceptionally heterogeneous and decentralized movement, combining overviews with detailed analysis and close readings. The volume first analyzes the cultural, historical and economic contexts of Krautrock's emergence. It then features expert chapters discussing all the key bands of the era including Can, Kraftwerk, Tangerine Dream, Neu!, Faust, Ash Ra Tempel, Cluster and Amon Düül II. The volume concludes with essays that trace the varied, wide-ranging legacy of Krautrock from a variety of perspectives, exploring in particular the impact of German experimental music in the Anglosphere, including British post-punk and Detroit Techno. A final chapter examining the current bands that continue the Krautrock sound closes this comprehensive overview of the Krautrock phenomenon. |
| kraftwerk düsseldorf: Atomic Tunes Tim Smolko, Joanna Smolko, 2021-05-11 What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles. |
| kraftwerk düsseldorf: Kraftwerk: Publikation David Buckley, 2015-06-13 Updated to include details of the group's recent concerts under the direction of Ralf Hutter. David Buckley examines the cult enigma that is Kraftwerk, including their beginnings in the avant-garde musical terrain of late-Sixties Germany and their Anglo-American breakthrough with Autobahn in 1975, as well as their astonishingly prescient work, which drew the musical template for techno, ambient, dance and all manner of electronic pop.Includes an interview with former member Wolfgang Flur.The inner workings of this most secretive of bands are revealed through interviews with friends and close associates, whilst the story of their incredible impact on modern music is traced up to the present day using interviews with a host of musicians, from original electro pioneers such as Gary Numan, the Human League, OMD and John Foxx, to contemporary acts still in awe of the original Man Machines. |
| kraftwerk düsseldorf: Electronic Cities Sébastien Darchen, Damien Charrieras, John Willsteed, 2021-04-19 This book examines Electronic Dance Music (EDM) scenes in 18 cities across Africa, the Middle East, Europe, Asia, North America and Australia. It focuses on the historical development of these scenes, with an emphasis on the post-2000 context, including the COVID-19 pandemic and its far-reaching effects. Expert contributors highlight the influence of geographical contexts, as well as cultural and political histories, in the development of mainstream EDM scenes and underground Electronic Dance Music Cultures. This expansive work offers additional insights on cultural and creative policies, planning interventions and regulations associated with nightlife management, and provides a detailed analysis of current challenges inherent to the governance of EDM scenes in contemporary cities. |
| kraftwerk düsseldorf: The Rough Guide to Rock Peter Buckley, 2003 Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap. |
| kraftwerk düsseldorf: Alternative Rock Dave Thompson, 2000 Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs. |
| kraftwerk düsseldorf: The Encyclopedia of Popular Music Colin Larkin, 2011-05-27 This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day. |
| kraftwerk düsseldorf: German in the World Benedict Schofield, James R. Hodkinson, 2020 Weighs the value of Germanophone culture, and its study, in an age of globalization, transnationalism, and academic change. |
| kraftwerk düsseldorf: The Mojo Collection Jim Irvin, 2009-06-04 Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music |
| kraftwerk düsseldorf: German Pop Music Uwe Schütte, 2017-01-11 The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techno. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitutes an indispensible companion for any student, teacher and scholar in the area of German studies interested in contemporary popular culture. |
| kraftwerk düsseldorf: Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé Bob Stanley, 2014-07-14 [Stanley is] as clear-eyed about music as he is crazy in love with it. —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote. |
| kraftwerk düsseldorf: New Romantics: The Look Dave Rimmer, 2003-09-15 After punk, pop culture wanted to dazzle again. Fashion and style were the means and the New Romantics took them to the limit. But the New Romantic movement was more than just a reaction against the anti-glamour of punk…and the music was only part of the story. The first in-depth book about British Pop’s most flamboyant movement. The clubs and cabarets, the clothes, the glitter, the make-up, the hair, the fashion, the attitude and the style all made up The Look – and the Look was everything. The New Romantics explores the varied roots of the movement, using interviews with the stars and tracing a range of influences from David Bowie to the movie Cabaret and the Berlin of the 1930s. Includes interviews with Martin Kemp, Boy George and Steve Strange. |
| kraftwerk düsseldorf: Sympathy for the Devil Dominic Molon, Diedrich Diederichsen, Anthony Elms, Richard Hell, Dan Graham, Matthew Higgs, Jutta Koether, Bob Nickas, Mike Kelley, Jan Tumlir, 2007-01-01 Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren. |
| kraftwerk düsseldorf: Popular Music Tara Brabazon, 2011-10-03 An incredibly wide-ranging critical account of popular music. The book is an essential resource for all staff and students in the field′ - John Storey, Centre for Research in Media and Cultural Studies, University of Sunderland Organized in accessible sections and covering the main themes of research and teaching it examines: • The key approaches to understanding popular music • The main settings of exchange and consumption • The role of technology in the production of popular music • The main genres of popular music • The key debates of the present day Barbazon writes with verve and penetration. Her approach starts with how most people actually consume music today and transfers this onto the plain of study. The book enables teachers and students to shuffle from one topic to the other whilst providing an unparalleled access the core concepts and issues. As such, it is the perfect study guide for undergraduates located in this exciting and expanding field. Tara Brabazon is Professor of Communication at University of Ontario Institute of Technology (UOIT). |
| kraftwerk düsseldorf: A New and Concise History of Rock and R&B through the Early 1990s Eric Charry, 2012-01-11 This concise yet lively textbook explores the history and significance of American popular music from Tin Pan Alley to Public Enemy. Ethnomusicologist Eric Charry provides a strong foundation for understanding how music, the music industry, and American culture intersect. His innovative teaching style presents the material in a dynamic format suitable for general education courses in music. The book is organized around a series of timelines, tables, and figures, providing fresh perspectives on the social and cultural importance of the music. Charry lays out key contemporary theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres and subgenres. The book’s figures distill the history and provide new insight into understanding trends. Over a thousand artists, albums, and songs are covered, such as Muddy Waters, Elvis Presley, Bob Dylan, Aretha Franklin, the Velvet Underground, Janis Joplin, Jimi Hendrix, David Bowie, Stevie Wonder, Prince, Madonna, Talking Heads, and many more. |
| kraftwerk düsseldorf: Global Rhetoric, Transnational Markets Susana Ilma Loza, 2004 |
| kraftwerk düsseldorf: Kraftwerk: I Was a Robot Wolfgang Flür, 2017-05-15 Wolfgang Flür was vital cog in the Kraftwerk machine, galvanising the group’s electric drum sound throughout the 1970’s and propelling the rhythmic backbone of iconic albums such as Autobahn and Electric Café. I Was A Robot is a detailed, evocative account, written in Flür’s no-nonsense style. It takes us from his youth into the band’s formation and touring of their influential works, laying bare the acrimonious break-up and court cases that later followed. This book is the final word on Kraftwerk, their continued influence and what it felt like to be a Man-Machine. ”This is a first-hand account of human life inside the robot factory. A world that I could barely have imagined as a 16-year-old Kraftwerk fan stranded in a suburb on the wrong side of the river from Liverpool. A window into a world that I could never have imagined.” Andy McCluskey, OMD ”Kraftwerk is a myth. Wolfgang is for real. Thus handsome elder statesman of Electronic Music gives a lot of useful inside information about the Men-Machines.” Rudi Esch, ELECRI_CITY |
| kraftwerk düsseldorf: Krautrock Ulrich Adelt, 2016-08-30 The first in-depth study of one of the most influential movements of contemporary popular music |
| kraftwerk düsseldorf: Future Days David Stubbs, 2015 First published in Great Britain in 2014 by Faber and Faber Ltd--Title page verso. |
| kraftwerk düsseldorf: Strange Stars Jason Heller, 2018-06-05 A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s As the 1960s drew to a close, and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution. In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery. In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man… If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along. |
| kraftwerk düsseldorf: No More Rules Rick Poynor, 2003-01-01 The past twenty years have seen profound changes in the field of graphic communication. One by one, old certainties about the techniques and purposes of graphic design have been questioned and collapsed. No More Rules is the first critical survey to offer a complete overview of the graphic revolution during the postmodern period. According to design critic Rick Poynor, changes in graphic work were already well underway by the early 1980s, even before the computer became a ubiquitous tool. With the international embrace of new electronic technologies in the 1990s, these developments began to accelerate. An explosion of creativity in graphic design took place as designers and typographers reassessed their roles, jettisoned existing rules, and forged experimental new approaches. Graphic work became more self-expressive, idiosyncratic, and occasionally extreme. Poynor tells this story in detail, breaking down a broad, multifaceted, and sometimes confusing field of graphic design activity into key developments and themes: the origins of postmodern design; deconstructionist design and theory; issues of appropriation; the revolution in digital type; questions of authorship; and critiques of postmodern graphic design. Each theme is illustrated by spectacular and significant examples of work produced between 1980 and 2000 that have changed the way in which designers and their audiences think about graphic communication. This generously illustrated book is a vital reference for design professionals and educators as well as for students of graphic design, image-making, advertising, and the visual arts.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| kraftwerk düsseldorf: The DIY Movement in Art, Music and Publishing Sarah Lowndes, 2016-04-20 This book considers the history of Do It Yourself art, music and publishing, demonstrating how DIY strategies have transitioned from being marginal, to emergent, to embedded. Through secondary research, observation and 30 original interviews, each chapter analyses one of 15 creative cities (San Francisco, Los Angeles, Dusseldorf, New York, London, Manchester, Cologne, Washington DC, Detroit, Berlin, Glasgow, Olympia (Washington), Portland (Oregon), Moscow and Istanbul) and assesses the contemporary situation in each in the post-subcultural era of digital and internet technologies. The book challenges existing subcultural histories by examining less well-known scenes as well as exploring DIY best practices to trace a template of best approaches for sustainable, independent, locally owned creative enterprises. |
| kraftwerk düsseldorf: Krautrock Marshall Gu, 2023-10-05 Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. In May 1945, the Allies defeated Nazi Germany, putting an end to the European front of World War II and the Third Reich. In the immediate aftermath, German youth were tasked to create their own culture. Krautrock is this unlikely success story, as hundreds of bands-including Kraftwerk and Can-seemed to sprout overnight in the early 1970s, forging a unique and experimental sound that was different than American or British rock. The major innovation of krautrock is not only its motorik beat, the steady click-click of Can's Jaki Liebezeit or monolithic stomp-stomp of Neu!'s Klaus Dinger, but also how the musicians relate to each other. In krautrock, no musician is given more focus than any other, and listening to these bands is to witness interplay common in jazz music. Thus, krautrock represents German politics reflected in music: a dictatorship replaced by democracy. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners. |
| kraftwerk düsseldorf: Contemporary Musicians Angela M. Pilchak, 2005-10 While popular music in all its varied forms is a source of common interest and an insatiable curiosity among readers of all ages, thorough biographical information about its stars and superstars can be difficult to find.Consult this ongoing reference series for biographical information on more than 3,600 important figures in today's musical arena. Covering all genres of modern music, Contemporary Musicians profiles artists involved in rock, jazz, pop, rap, rhythm and blues, folk New Age, country, gospel and reggae. |
| kraftwerk düsseldorf: Deutsch Als Fremdsprache Steven D. Martinson, Renate A. Schulz, 2008 To initiate its new Ph.D. Program in Transcultural German Studies, jointly offered by the University of Arizona and the University of Leipzig, the Department of German Studies at the University of Arizona organized an international conference on Transcultural German Studies in Tucson from March 29-31, 2007. Conference participants sought to define the nature of Transcultural German Studies. This new, interdisciplinary field of inquiry investigates the cultural landscapes of the German-speaking world in the light of globalization and inter- and transcultural contact. The contributions that comprise the volume are by scholars who work in a number of related fields, exploring transcultural phenomena - past and present - evident in selected literary, filmic, musical and historical texts. Zur Einführung des neuen, interdisziplinären Studiengangs Transcultural German Studies, den die University of Arizona und die Universität Leipzig gemeinsam anbieten, organisierte das Department of German Studies der University of Arizona vom 29. bis 31. März 2007 in Tucson eine internationale Konferenz. Die Teilnehmer hatten es sich zur Aufgabe gemacht, das Wesen der Transcultural German Studies zu definieren und näher zu beleuchten. Dieser Band vereint ausgewählte Ergebnisse der Vorträge. Im Licht von Globalisierung sowie inter- und transkulturellen Kontakten werden Kulturlandschaften des deutschsprachigen Raumes untersucht. Wissenschaftler, die in einer Reihe von verwandten Forschungsgebieten arbeiten, nehmen literarische, filmische, musikalische und historische Texte genauer unter die Lupe und zeigen anhand dieser Texte transkulturelle Phänomene der Vergangenheit und Gegenwart auf. |
| kraftwerk düsseldorf: The Crack in the Cosmic Egg Steve Freeman, Steven Freeman, Alan Freeman, 1996 |
| kraftwerk düsseldorf: Disco, Punk, New Wave, Heavy Metal, and More Britannica Educational Publishing, 2012-12-01 Although rock music continued to dominate the music scene, the sounds of the 1970s and 80s differed greatly from the music of the preceding decades, reflecting newer social realities. The aggressive sounds of punk music began to appeal to youth, while disco reached across cultures and brought diverse crowds together in dance clubs. New Wave had a playful, chill feel, while the electronic guitar-laden sounds heavy metal were anything but. Readers examine the various styles of music that defined the 1970s and 80s, profiling the artists who captured the spirit of rapid social and cultural change. |
| kraftwerk düsseldorf: Heimatkunde Mairéad Nic Craith, Katerina Strani, Alastair Mackie, 2023-01-01 An integrative Heimatkunde defined as the holistic study of localities and regions has been a core interest in Ullrich (aka Ulli) Kockels research since he first graduated with a double primary in 1984. Frequently described as an interdisciplinary and sometimes undisciplined academic, his research draws liberally on art, geography, human ecology, philosophical anthropology, political economy, and social anthropology, with its primary focus located in the field of Empirical Cultural Science / European ethnology. The contributions to this collection celebrate Ullis explorations of place and belonging at different junctures on his quest for Heimatkunde. Laid out in four thematic sections Borders, Regions and Frontiers; Human Ecology; Creative Ethnology; and, Memories they feature creative work along with research essays. Given Ullis love of cooking and food, we describe our offering as a feast-script. |
| kraftwerk düsseldorf: Second Conference on Pulverized Fuel , 1958 |
| kraftwerk düsseldorf: Contemporary Musicians Julia Rubiner, 1993-05 Contemporary Musicians provides comprehensive information on more than 4,500 musicians and groups from around the world. Entries include a detailed biographical essay, selected discographies, contact information and a list of sources. |
| kraftwerk düsseldorf: Perspectives on German Popular Music Michael Ahlers, Christoph Jacke, 2016-11-25 In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. |
| kraftwerk düsseldorf: The New Rolling Stone Encyclopedia of Rock & Roll Patricia Romanowski Bashe, Patricia Romanowski, Holly George-Warren, Jon Pareles, 1995 Selected by the Rock and Roll Hall of Fame as its official source of information, this authoritative volume, first published in 1983, once again tops the charts with its full coverage of every aspect of the rock scene. Accompanying the more than 2,200 performer profiles are essays that reveal the artists' musical influences, first breaks, hits and misses, and more. |
| kraftwerk düsseldorf: Footsteps in the Dark George Lipsitz, 2007 Most pop songs are short-lived. They appear suddenly and, if they catch on, seem to be everywhere at once before disappearing again into obscurity. Yet some songs resonate more deeply—often in ways that reflect broader historical and cultural changes. In Footsteps in the Dark, George Lipsitz illuminates these secret meanings, offering imaginative interpretations of a wide range of popular music genres from jazz to salsa to rock. Sweeping changes that only remotely register in official narratives, Lipsitz argues, can appear in vivid relief within popular music, especially when these changes occur outside mainstream white culture. Using a wealth of revealing examples, he discusses such topics as the emergence of an African American techno music subculture in Detroit as a contradictory case of digital capitalism and the prominence of banda, merengue, and salsa music in the 1990s as an expression of changing Mexican, Dominican, and Puerto Rican nationalisms. Approaching race and popular music from another direction, he analyzes the Ken Burns PBS series Jazz as a largely uncritical celebration of American nationalism that obscures the civil rights era’s challenge to racial inequality, and he takes on the infamous campaigns to censor hip-hop and the radical black voice in the early 1990s. Teeming with astute observations and brilliant insights about race and racism, deindustrialization, and urban renewal and their connections to music, Footsteps in the Dark puts forth an alternate history of post–cold war America and shows why in an era given to easy answers and clichd versions of history, pop songs matter more than ever. George Lipsitz is professor of black studies and sociology at the University of California, Santa Barbara. Among his many books are Life in the Struggle, Dangerous Crossroads, and American Studies in a Moment of Danger (Minnesota, 2001). |
KraftWerks USA
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150-17-2000 - KraftWerks USA
Take your Polaris Pro R to the next level with a Kraftwerks Supercharger System. Whether it’s loose sand, dusty trails, deep mud, or steep rock climbing, Kraftwerks Performance knows that …
150-17-2000 - KraftWerks USA
Take your Polaris Pro R to the next level with a Kraftwerks Supercharger System. Whether it’s loose sand, dusty trails, deep mud, or steep rock climbing, Kraftwerks Performance knows that …
Off-Road / Powersport - Supercharger Systems - KraftWerks USA
Kraftwerks performance is the supercharging division of Group-A Autosports Engineering. Our mission is to develop the best supercharger kits in the world with unparalleled performance, …
KraftWerks USA
We would like to show you a description here but the site won’t allow us.
150-17-2000 - KraftWerks USA
Take your Polaris Pro R to the next level with a Kraftwerks Supercharger System. Whether it’s loose sand, dusty trails, deep mud, or steep rock climbing, Kraftwerks …
150-17-2000 - KraftWerks USA
Take your Polaris Pro R to the next level with a Kraftwerks Supercharger System. Whether it’s loose sand, dusty trails, deep mud, or steep rock climbing, Kraftwerks …
Off-Road / Powersport - Supercharger Systems - KraftWerk…
Kraftwerks performance is the supercharging division of Group-A Autosports Engineering. Our mission is to develop the best supercharger kits in the world with …
