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| kurt vonnegut who am i this time: Who Am I this Time? Kurt Vonnegut, 2014 The subject of this play—as we are told at the outset—is love, pure and complicated. Set on the stage of The North Crawford Mask & Wig Club (the finest community theatre in central Connecticut!), three early comic masterpieces by Kurt Vonnegut (Long Walk to Forever, Who am I This Time? and Go Back to Your Precious Wife and Son) are sewn together into a seamless evening of hilarity and humanity. With a single set, wonderful roles for seven versatile actors, and Vonnegut's singular wit and insight into human foibles, this is a smart, delightful comedy for the whole family. |
| kurt vonnegut who am i this time: Welcome to the Monkey House Kurt Vonnegut, 2014 A collection of twenty-five short works by the American author written between 1950 and 1968 and originally printed in a wide range of publications including The Atlantic Monthly, Esquire, and Ladies' Home Journal. |
| kurt vonnegut who am i this time: Welcome to the Monkey House Kurt Vonnegut, 2007-12-18 “[Kurt Vonnegut] strips the flesh from bone and makes you laugh while he does it. . . . There are twenty-five stories here, and each hits a nerve ending.”—The Charlotte Observer Welcome to the Monkey House is a collection of Kurt Vonnegut’s shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision. Includes the following stories: “Where I Live” “Harrison Bergeron” “Who Am I This Time?” “Welcome to the Monkey House” “Long Walk to Forever” “The Foster Portfolio” “Miss Temptation” “All the King’s Horses” “Tom Edison’s Shaggy Dog” “New Dictionary” “Next Door” “More Stately Mansions” “The Hyannis Port Story” “D.P.” “Report on the Barnhouse Effect” “The Euphio Question” “Go Back to Your Precious Wife and Son” “Deer in the Works” “The Lie” “Unready to Wear” “The Kid Nobody Could Handle” “The Manned Missiles” “Epicac” “Adam” “Tomorrow and Tomorrow and Tomorrow” |
| kurt vonnegut who am i this time: A Man Without a Country Kurt Vonnegut, 2017-06-20 NEW YORK TIMES BESTSELLER • “For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”–USA Today In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions. Praise for A Man Without a Country “[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times “Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review “Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune “Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian “Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel |
| kurt vonnegut who am i this time: Slaughterhouse-Five Kurt Vonnegut, 1999-01-12 Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic’s Great American Novels of the Past 100 Years Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties. |
| kurt vonnegut who am i this time: Breakfast of Champions Kurt Vonnegut, 1973 The author questions the condition of modern man in this novel, depicting a science fiction writer's struggle to find peace and sanity in the world. |
| kurt vonnegut who am i this time: Cat's Cradle Kurt Vonnegut, 1998-09-08 “A free-wheeling vehicle . . . an unforgettable ride!”—The New York Times Cat’s Cradle is Kurt Vonnegut’s satirical commentary on modern man and his madness. An apocalyptic tale of this planet’s ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat’s Cradle is one of the twentieth century’s most important works—and Vonnegut at his very best. “[Vonnegut is] an unimitative and inimitable social satirist.”—Harper’s Magazine “Our finest black-humorist . . . We laugh in self-defense.”—Atlantic Monthly |
| kurt vonnegut who am i this time: Kurt Vonnegut Kurt Vonnegut, 2014-01-14 NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review |
| kurt vonnegut who am i this time: Who Am I This Time Kurt Vonnegut, 1987-01-01 |
| kurt vonnegut who am i this time: Hocus Pocus Kurt Vonnegut, 2011-08-31 'Although it is set in the near future, Hocus Pocus is the most topical, realistic Vonnegut novel to date, and shows the struggle of an artist a little impatient with allegory and more than a little impatient with his own country' - New York Times Book Review Some get all the luck – but not Eugene Debs Hartke. Ex-Vietnam vet, ex-college professor, and now a TB-stricken inmate at Tarkington State Reformatory, his life has been warped by one ludicrous farce after another. Here, on scraps of paper pilfered from the prison library, he recounts his own story for posterity, revealing the hypocrisy and injustices of a world that just doesn’t want him to thrive. |
| kurt vonnegut who am i this time: Who Am I This Time? Jay Martin, 1990-01-01 This exploration of the concept of fiction in human existence considers both the creative and the pathological uses of storytelling and make-believe, taking into account the thinking of famous writers, assassins and terrorists, actors, and the phenomenono |
| kurt vonnegut who am i this time: Love, Kurt Kurt Vonnegut, 2020-12-01 A never-before-seen collection of deeply personal love letters from Kurt Vonnegut to his first wife, Jane, compiled and edited by their daughter “A glimpse into the mind of a writer finding his voice.”—The Washington Post “If ever I do write anything of length—good or bad—it will be written with you in mind.” Kurt Vonnegut’s eldest daughter, Edith, was cleaning out her mother’s attic when she stumbled upon a dusty, aged box. Inside, she discovered an unexpected treasure: more than two hundred love letters written by Kurt to Jane, spanning the early years of their relationship. The letters begin in 1941, after the former schoolmates reunited at age nineteen, sparked a passionate summer romance, and promised to keep in touch when they headed off to their respective colleges. And they did, through Jane’s conscientious studying and Kurt’s struggle to pass chemistry. The letters continue after Kurt dropped out and enlisted in the army in 1943, while Jane in turn graduated and worked for the Office of Strategic Services in Washington, D.C. They also detail Kurt’s deployment to Europe in 1944, where he was taken prisoner of war and declared missing in action, and his eventual safe return home and the couple’s marriage in 1945. Full of the humor and wit that we have come to associate with Kurt Vonnegut, the letters also reveal little-known private corners of his mind. Passionate and tender, they form an illuminating portrait of a young soldier’s life in World War II as he attempts to come to grips with love and mortality. And they bring to light the origins of Vonnegut the writer, when Jane was the only person who believed in and supported him supported him, the young couple having no idea how celebrated he would become. A beautiful full-color collection of handwritten letters, notes, sketches, and comics, interspersed with Edith’s insights and family memories, Love, Kurt is an intimate record of a young man growing into himself, a fascinating account of a writer finding his voice, and a moving testament to the life-altering experience of falling in love. |
| kurt vonnegut who am i this time: Pity the Reader Kurt Vonnegut, Suzanne McConnell, 2019-11-05 “A rich, generous book about writing and reading and Kurt Vonnegut as writer, teacher, and friend . . . Every page brings pleasure and insight.”—Gail Godwin, New York Times bestselling author Here is an entirely new side of Kurt Vonnegut, Vonnegut as a teacher of writing. Of course he’s given us glimpses before, with aphorisms and short essays and articles and in his speeches. But never before has an entire book been devoted to Kurt Vonnegut the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the writing art and craft, altogether a healing, a nourishing expedition. His former student, Suzanne McConnell, has outfitted us for the journey, and in these 37 chapters covers the waterfront of how one American writer brought himself to the pinnacle of the writing art, and we can all benefit as a result. Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed—fourteen novels, collections of his speeches, his essays, his letters, his plays—so this fresh view of him is a bonanza for writers and readers and Vonnegut fans everywhere. “Part homage, part memoir, and a 100% guide to making art with words, Pity the Reader: On Writing with Style is a simply mesmerizing book, and I cannot recommend it highly enough!”—Andre Dubus III, #1 New York Times bestselling author “The blend of memory, fact, keen observation, spellbinding descriptiveness and zany characters that populated Vonnegut’s work is on full display here.”—James McBride, National Book Award-winning author |
| kurt vonnegut who am i this time: Unstuck in Time Gregory D. Sumner, 2011-11-08 In Unstuck in Time, Gregory Sumner guides us, with insight and passion, through a biography of fifteen of Kurt Vonnegut’s best known works, his fourteen novels starting with Player Piano (1952) all the way to an epilogue on his last book, A Man Without a Country (2005), to illustrate the quintessential American writer’s profound engagement with the American Dream in its various forms. Sumner gives us a poignant portrait of Vonnegut and his resistance to celebrating the traditional values associated with the American Dream: grandiose ambition, unbridled material success, rugged individualism, and winners over losers. Instead of a celebration of these values, we read and share Vonnegut’s outrage, his brokenhearted empathy for those who struggle under the ethos of survival-of-the-fittest in the frontier mentality—something he once memorably described as an impossibly tough-minded experiment in loneliness. Heroic and tragic, Vonnegut’s novels reflect the pain of his own life’s experiences, relieved by small acts of kindness, friendship, and love that exemplify another way of living, another sort of human utopia, an alternative American Dream, and the reason we always return to his books. |
| kurt vonnegut who am i this time: While Mortals Sleep Kurt Vonnegut, 2011 While Mortals Sleep is a smart, clear-eyed collection of stories from one of the most original writers in American fiction. Set in trailers, bars and factories, Vonnegut conjures up a world where men and machines, art and artifice, fame and fortune become curiously twisted and characters pit their dreams and fears against a cruel and comically indifferent world. Written early in his career, and never published before, these tightly plotted stories are infused with Vonnegut's distinctive blend of observation, imagination and scabrous humour. This collection features an introduction by Dave Eggers. |
| kurt vonnegut who am i this time: The Great Mental Models: General Thinking Concepts Farnam Street, 2019-12-16 The old saying goes, ''To the man with a hammer, everything looks like a nail.'' But anyone who has done any kind of project knows a hammer often isn't enough. The more tools you have at your disposal, the more likely you'll use the right tool for the job - and get it done right. The same is true when it comes to your thinking. The quality of your outcomes depends on the mental models in your head. And most people are going through life with little more than a hammer. Until now. The Great Mental Models: General Thinking Concepts is the first book in The Great Mental Models series designed to upgrade your thinking with the best, most useful and powerful tools so you always have the right one on hand. This volume details nine of the most versatile, all-purpose mental models you can use right away to improve your decision making, productivity, and how clearly you see the world. You will discover what forces govern the universe and how to focus your efforts so you can harness them to your advantage, rather than fight with them or worse yet- ignore them. Upgrade your mental toolbox and get the first volume today. AUTHOR BIOGRAPHY Farnam Street (FS) is one of the world's fastest growing websites, dedicated to helping our readers master the best of what other people have already figured out. We curate, examine and explore the timeless ideas and mental models that history's brightest minds have used to live lives of purpose. Our readers include students, teachers, CEOs, coaches, athletes, artists, leaders, followers, politicians and more. They're not defined by gender, age, income, or politics but rather by a shared passion for avoiding problems, making better decisions, and lifelong learning. AUTHOR HOME Ottawa, Ontario, Canada |
| kurt vonnegut who am i this time: Visualize This Nathan Yau, 2011-06-13 Practical data design tips from a data visualization expert of the modern age Data doesn't decrease; it is ever-increasing and can be overwhelming to organize in a way that makes sense to its intended audience. Wouldn't it be wonderful if we could actually visualize data in such a way that we could maximize its potential and tell a story in a clear, concise manner? Thanks to the creative genius of Nathan Yau, we can. With this full-color book, data visualization guru and author Nathan Yau uses step-by-step tutorials to show you how to visualize and tell stories with data. He explains how to gather, parse, and format data and then design high quality graphics that help you explore and present patterns, outliers, and relationships. Presents a unique approach to visualizing and telling stories with data, from a data visualization expert and the creator of flowingdata.com, Nathan Yau Offers step-by-step tutorials and practical design tips for creating statistical graphics, geographical maps, and information design to find meaning in the numbers Details tools that can be used to visualize data-native graphics for the Web, such as ActionScript, Flash libraries, PHP, and JavaScript and tools to design graphics for print, such as R and Illustrator Contains numerous examples and descriptions of patterns and outliers and explains how to show them Visualize This demonstrates how to explain data visually so that you can present your information in a way that is easy to understand and appealing. |
| kurt vonnegut who am i this time: Armageddon in Retrospect Kurt Vonnegut, 2008-09-04 First published on the anniversary of Kurt Vonnegut's death, Armageddon in Retrospect is a collection of twelve new writings - a fitting tribute to the author, and an essential contribution to the discussion of war, peace and humanity's tendency towards violence. Imbued with Vonnegut's trademark rueful humour, the pieces range from a visceral non-fiction recollection of the destruction of Dresden - to a painfully funny short story about three soldiers and their fantasies of the perfect meal. |
| kurt vonnegut who am i this time: The Vonnegut Encyclopedia Marc Leeds, 2016-10-25 Now expanded and updated, this authorized compendium to Kurt Vonnegut’s novels, stories, essays, and plays is the most comprehensive and definitive edition to date. Over the course of five decades, Kurt Vonnegut created a complex and interconnected web of characters, settings, and concepts. The Vonnegut Encyclopedia is an exhaustive guide to this beloved author’s world, organized in a handy A-to-Z format. The first edition of this book covered Vonnegut’s work through 1991. This new and updated edition encompasses his writing through his death in 2007. Marc Leeds, co-founder and founding president of the Kurt Vonnegut Society and a longtime personal friend of the author’s, has devoted more than twenty-five years of his life to cataloging the Vonnegut cosmos—from the birthplace of Kilgore Trout (Vonnegut’s sci-fi writing alter ego) to the municipal landmarks of Midland City (the midwestern metropolis that is the setting for Vonnegut’s 1973 masterpiece Breakfast of Champions). The Vonnegut Encyclopedia identifies every major and minor Vonnegut character from Celia Aamons to Zog, as well as recurring images and relevant themes from all of Vonnegut’s works, including lesser-known gems like his revisionist libretto for Stravinsky’s opera L’Histoire du soldat and his 1980 children’s book Sun Moon Star. Leeds provides expert notes explaining the significance of many items, but relies primarily on extended quotations from Vonnegut himself. A work of impressive scholarship in an eminently browsable package, this encyclopedia reveals countless connections readers may never have thought of on their own. A rarity among authors of serious fiction, Kurt Vonnegut has always inspired something like obsession in his most dedicated fans. The Vonnegut Encyclopedia is an invaluable resource for readers wishing to revisit his fictional universe—and those about to explore it for the first time. Praise for The Vonnegut Encyclopedia “An essential collection for fans of the singular satirist.”—San Francisco Chronicle “Indispensable.”—Publishers Weekly “If you’re somebody who has read one Kurt Vonnegut book then there’s a chance you’ve read them all. For the devout reader of Vonnegut there’s a voracious sense of completism. And, Marc Leeds and his new [The Vonnegut] Encyclopedia are here to guide you through it all. Just don’t blame him if you become unstuck in time while you’re reading.”—Inverse “Vonnegut enthusiasts will be delighted with Leeds’s exhaustive, almost obsessive, treatment of the characters, places, events, and tantalizingly mysterious references for which Vonnegut’s five-decade writing career is celebrated. . . . A wonderful and beautifully designed reference source.”—Booklist (starred review) “Leeds’s scholarship and genuine love for his subject matter render this encyclopedia a treasure trove for Vonnegut readers.”—The Nameless Zine |
| kurt vonnegut who am i this time: Palm Sunday Kurt Vonnegut, 2010-11-23 FROM THE ONE-OF-A-KIND IMAGINATION THAT BROUGHT US SLAUGHTERHOUSE 5 AND CAT'S CRADLE 'Kurt Vonnegut is either the funniest serious writer around or the most serious funny writer' Los Angeles Times Book Review An 'autobiographical collage' of speeches, stories and essays, in Palm Sunday, Kurt Vonnegut writes beguilingly about everything from country music to George Bush, his favourite comedians to his mother's midnight mania, and bittersweet tributes to a dead best friend and a dead marriage. Resonating with his singular voice, this is a self-portrait in writing that showcases why Kurt Vonnegut is as genius an essayist and commentator on American society as he is a novelist. |
| kurt vonnegut who am i this time: God Bless You, Dr. Kevorkian Kurt Vonnegut, 1999 This fictional adventure takes the form of a series of interviews' - brief pieces originally read on WNYC, Manhattan's public radio station but now revised and rewritten. As a 'reporter on the afterlife' Vonnegut trips down 'the blue tunnel to the pearly gates' and imagines an afterworld peopled, for the most part, with characters of great dignity and wit who managed to make their unique contributions by simply being who they are. Subjects include Issac Newton, James Earl Ray, Mary Shelley, John Brown, William Shakespeare, and some twenty-five others.' |
| kurt vonnegut who am i this time: Who Am I this Time? Carol Pearson, Katherine Pope, 1976 |
| kurt vonnegut who am i this time: Slaughterhouse-five, Or, The Children's Crusade, a Duty-dance with Death Kurt Vonnegut, 1969 A fourth-generation German-American now living in easy circumstances on Cape Cod (and smoking too much), who, as an American infantry scout hors de combat, as a prisoner of war, witnessed the fire-bombing of Dresden, Germany, The Florence of the Elbe, a long time ago, and survived to tell the tale. This is a novel somewhat in the telegraphic schizophrenic manner of tales of the planet Tralfamadore, where the flying saucers come from. Peace. |
| kurt vonnegut who am i this time: The Eden Express Mark Vonnegut, 2011-01-04 The Eden Express describes from the inside Mark Vonnegut’s experience in the late ’60s and early ’70s—a recent college grad; in love; living communally on a farm, with a famous and doting father, cherished dog, and prized jalopy—and then the nervous breakdowns in all their slow-motion intimacy, the taste of mortality and opportunity for humor they provided, and the grim despair they afforded as well. That he emerged to write this funny and true book and then moved on to find the meaningful life that for a while had seemed beyond reach is what ultimately happens in The Eden Express. But the real story here is that throughout his harrowing experience his sense of humor let him see the humanity of what he was going through, and his gift of language let him describe it in such a moving way that others could begin to imagine both its utter ordinariness as well as the madness we all share. |
| kurt vonnegut who am i this time: Like Shaking Hands with God Kurt Vonnegut, Lee Stringer, 2011-01-04 Like Shaking Hands with God details a collaborative journey on the art of writing undertaken by two distinguished writers separated by age, race, upbringing, and education, but sharing common goals and aspirations. Rarely have two writers spoken so candidly about the intersection where the lives they live meet the art they practice. That these two writers happen to be Kurt Vonnegut and Lee Stringer makes this a historic and joyous occasion. The setting was a bookstore in New York City, the date Thursday, October 1, 1998. Before a crowd of several hundred, Vonnegut and Stringer took up the challenge of writing books that would make a difference and the concomitant challenge of living from day to day. As Vonnegut said afterward, It was a magical evening. A book for anyone interested in why the simple act of writing things down can be more important than the amount of memory in our computers. |
| kurt vonnegut who am i this time: Between Time and Timbuktu Kurt Vonnegut, 1972 An experimental television play composed of excerpts from his novels and stories, Between Time and Timbuktu features Kurt Vonnegut’s special blend of scientific expertise, wit, and penetrating comment. |
| kurt vonnegut who am i this time: The Exegesis of Philip K. Dick Philip K. Dick, 2011-11-08 A glimpse into the mind of the bestselling science fiction author through a collection of his personal, metaphysical, religious, visionary writings. Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information.” In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work. The e-book includes a sample chapter from A Scanner Darkly by Philip K. Dick. “A dyspeptic dystopian’s mad secret notebooks, imposing order—at least of a kind—on a chaotic world…Fascinating and unsettling.”—Kirkus Reviews |
| kurt vonnegut who am i this time: Venus on the Half-Shell Philip Jose Farmer, 2013-12-10 Simon Wagstaff narrowly escapes the Deluge that destroys Earth when he happens upon an abandoned spaceship. A man without a planet, he gains immortality from an elixir drunk during an interlude with a cat-like alien queen. Now Simon must chart a 3,000-year course to the most distant corners of the multiverse, to seek out the answers to the questions no one can seem to answer. |
| kurt vonnegut who am i this time: God Bless You, Mr Rosewater, Or, Pearls Before Swine Kurt Vonnegut, 1973 |
| kurt vonnegut who am i this time: God Bless You, Mr. Vonnegut Bryan Young, 2012 Few authors have had as much influence on the youth of America than Kurt Vonnegut, Jr. He brought morality and humanism to the forefront of millions of minds and into the mind of one man in particular. Author, documentary filmmaker, and longtime Huffington Post contributor, Bryan Young has been a lifelong fan and student of Vonnegut's. God Bless You, Mr. Vonnegut is his love letter to the late writer, collecting essays, short stories, and other material written over the last ten years, all of it about, or directly inspired by, Vonnegut. From Huffington Post: Young displays here both his depth as a writer and passion for the art itself-much of which he traces back to Kurt Vonnegut. In a chapter devoted to teachers, Young recounts both experiences in his own public schooling and his feelings for Vonnegut as a passive teacher of sorts. Young also touches on the incredibly personal and political, recounting painful dealings with the US health care system. There's a little bit of everything in here. And something for everyone. And at $3.99, it's hard to go wrong. |
| kurt vonnegut who am i this time: Critical Companion to Kurt Vonnegut Susan Farrell, 2009 Kurt Vonnegut is one of the most popular and admired authors of post-war American literaturefamous both for his playful and deceptively simple style as well as for his scathing critiques of social injustice and war. Criti. |
| kurt vonnegut who am i this time: Vonnegut & Hemingway Lawrence R. Broer, 2012-07-23 A study of surprising similarities in their lives and works “adds an important element to the existing discussion” of two twentieth-century literary icons (Studies in American Humor). In this original comparative study of Kurt Vonnegut and Ernest Hemingway, Lawrence R. Broer maps the striking intersections of biography and artistry in works by both writers, and compares the ways they blend life and art. Broer views Hemingway as the “secret sharer” of Vonnegut’s literary imagination and argues that the two writers—traditionally considered as adversaries because of Vonnegut’s rejection of Hemingway’s emblematic hypermasculinism—inevitably address similar deterministic wounds in their fiction: childhood traumas, family insanity, deforming wartime experiences, and depression. Rooting his discussion in these psychological commonalities, Broer traces their personal and artistic paths by pairing sets of works and protagonists in ways that show the two writers not only addressing similar concerns, but developing a response that in the end establishes an underlying kinship when it comes to the fate of the American hero of the twentieth century. Hemingway provided frequent fodder for Vonnegut, inspiring a cadre of characters who celebrate war and death. In his sardonic response to this vision of a Hemingwayesque world, Vonnegut espoused kindness and restraint as moral imperatives against the more violent yearnings of human nature, which Hemingway in turn embraced as stoic, virile, and heroic. Though their paths were radically different, Broer finds in both an overarching obsession with the scars of war as chief adversary in a personal quest for understanding and wholeness. He locates in each writer’s canon moments of spiritual awaking leading to literary evolution—if not outright reinvention. In their later works Broer detects an increasing recognition of redemptive feminine aspects in themselves and their protagonists, pulling against the destructively tragic fatalism that otherwise dominates their worldviews. Broer sees Vonnegut and Hemingway as fundamentally at war—with themselves, with one another’s artistic visions, and with the idea of war itself. Against this onslaught, he asserts, they wrote as a mode of therapy and achieved literary greatness through combative opposition to the shadows that loomed so large around them. |
| kurt vonnegut who am i this time: Who Am I this Time? Christopher Sergel, 1970 |
| kurt vonnegut who am i this time: The Heebie-Jeebie Girl Susan Petrone, 2021-08 Youngstown, Ohio, 1977. After the closing of the city's largest steel mill and the worst blizzard in more than 40 years, unemployed Bobby Wayland tries to help his family. This means he needs to break the law. On the other side of town, a little girl named Hope keeps her ability to move things with her mind to herself. Watching over them is the city herself - and she has something to say and do about all of this. |
| kurt vonnegut who am i this time: The Big Trip Up Yonder Kurt Vonnegut, Jr., 2016-07-16 The Big Trip Up Yonder by Kurt Vonnegut, Jr. Illustrated by Kossin. The Ford family, headed by 172-year-old Harold (Gramps), lives in a three-room apartment on the 76th floor of Building 257 of Alden Village, New York City, Connecticut. Gramps' grandson Louis, his wife Emerald, and 20 other descendants are crowded into the space, perpetually jockeying for Gramps' favor. Gramps gets the best food and the only private bedroom, and controls everyone's life by constantly revising his will to disinherit anyone who earns his displeasure. An offhand remark by Lou prompts Gramps to disinherit him and exile Lou and Em to the worst sleeping space in the apartment, near the bathroom. Lou then catches his great-grandnephew, newly wed Mortimer, diluting Gramps' anti-gerasone in the bathroom. Fearing Gramps' reaction to such a scheme, he tries to empty the bottle and refill it with the full-strength medicine, but accidentally breaks the bottle and is caught by Gramps, who only tells him to clean up the mess. The next morning, the family finds Gramps' bed empty and a note informing them that he is gone and that he bequeaths his estate to all his descendants to hold in common, share and share alike. |
| kurt vonnegut who am i this time: At Millennium's End Kevin Alexander Boon, 2001-03-29 Collected essays by noted scholars covering the breadth and influence of Kurt Vonnegut's literature. |
| kurt vonnegut who am i this time: The Sirens of Titan Kurt Vonnegut, 1964 |
| kurt vonnegut who am i this time: Sting Jude Watson, 2016 March and Jules are teenage twins, following in their father's footsteps as jewel thieves, but when their latest job goes wrong they end up with one jewel, a sapphire called the Morning Star, one of three cursed jewels--and the only way they can break the curse is to elude the FBI, Interpol, and a gang of international criminals, find the other two jewels, and reunite them. |
| kurt vonnegut who am i this time: The Lost Art of Reading David L. Ulin, 2011-01 Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesnt matter. The key is the act of reading, the seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the focus required to let the mind run free in a world that is not one's own. Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, pages. |
| kurt vonnegut who am i this time: Catch-22 Laura M. Nicosia, James F. Nicosia, 2021 Catch-22 was published in 1961, becoming a number-one bestseller in England before American audiences identified with its anti-war sentiments, earning it classic status and prompting a film version in 1970. Heller's dark, satirical novel became so ubiquitous that it initiated the eponymous phrase regarding paradoxical situations. Catch-22 is appreciated for its black humor, extensive use of flashbacks, contorted chronology, countercultural sensibilities, and bizarre language structures. With current trends and political climate considered, this volume revisits this classic text for a contemporary audience. -- |
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Kurtis Eugene Warner (born June 22, 1971) is an American former professional football player who was a quarterback for 12 seasons in the National Football League (NFL), primarily with …
Reservation of rooms, seats and equipment (KURT)
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