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| koestler ghost in the machine: The Ghost in the Machine Arthur Koestler, 1990-02 An examination of the human impulse towards self-destruction suggests that in the course of human evolution, a pathological split between emotion and reason developed |
| koestler ghost in the machine: The ghost in the machine Arthur Koestler, 1968 |
| koestler ghost in the machine: The ghost in the machine Arthur Koestler, 1968 |
| koestler ghost in the machine: The ghost in the machine Arthur Koestler, 1968 |
| koestler ghost in the machine: The Roots of Coincidence Arthur Koestler, 1973 The author examines recent developments in parapsychological research and explains their implications for physicists |
| koestler ghost in the machine: The Ghost in the Machine Arthur Koestler, 1975 |
| koestler ghost in the machine: The Act of Creation Arthur Koestler, 2014-04 First published by Hutchinson & Co. 1964--Page 6. |
| koestler ghost in the machine: The Ghost in the Machine Arthur Koestler, 1976 |
| koestler ghost in the machine: The Next Million Years Sir Charles Galton Darwin, 1953 |
| koestler ghost in the machine: Dialogue with Death Arthur Koestler, 2011-03-23 Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
| koestler ghost in the machine: The Emotion Machine Marvin Minsky, 2007-11-13 In this mind-expanding book, scientific pioneer Marvin Minsky continues his groundbreaking research, offering a fascinating new model for how our minds work. He argues persuasively that emotions, intuitions, and feelings are not distinct things, but different ways of thinking. By examining these different forms of mind activity, Minsky says, we can explain why our thought sometimes takes the form of carefully reasoned analysis and at other times turns to emotion. He shows how our minds progress from simple, instinctive kinds of thought to more complex forms, such as consciousness or self-awareness. And he argues that because we tend to see our thinking as fragmented, we fail to appreciate what powerful thinkers we really are. Indeed, says Minsky, if thinking can be understood as the step-by-step process that it is, then we can build machines -- artificial intelligences -- that not only can assist with our thinking by thinking as we do but have the potential to be as conscious as we are. Eloquently written, The Emotion Machine is an intriguing look into a future where more powerful artificial intelligences await. |
| koestler ghost in the machine: New World Order Sean Stone, Richard Grove, Guido Preparata, 2016-09-22 A sweeping overview of world affairs and, especially having come across the name of William Yandell Elliott, Professor of Politics at Harvard through the first half of the 20th century. Sean found that Elliott had created a kindergarten of Anglo-American imperialists amongst his students, who included Henry Kissinger, Zbigniew Brzezinski, Samuel P. Huntington, and McGeorge Bundy. Upon further investigation, Sean came to understand Elliott's own integral role, connecting the modern national-security establishment with the British Round Table Movement's design to re-incorporate America into the British 'empire'. Whether that goal was achieved will be left to the reader to decide. However, it cannot be denied that W.Y. Elliott's life and intellectual history serves to demonstrate the interlocking relationship between academia, government, and big business. |
| koestler ghost in the machine: Janus Arthur Koestler, 1978-06 The most adventourous, polymathic - and readable - scientific populariser of the age offers in Janus a summing up of a quarter of a century's study and speculations on the life sciences and their philosophic implications. Koestler has an interesting theme to propose. It is this; the human brain has developed a terrible biological flaw, such that it is working now against the survival of the race. Something has snapped inside the brain. It is no longer necessarily a function which will lead us to a better world, but something demonic, possessed, perhaps even evil. The anguished humanity of Koestler's concepts and the lucid energy of his style comman respect. Here is one of the major political experiencers an dmost widely informed spirits of the age turning to the crux of human survival on a ravaged planet. The title of the book tells not only of a central allegory of division in the human species. It stands for the rare tension on Koestler's discourses: between desolation and zest, between darkness and noon. |
| koestler ghost in the machine: The Call-Girls Arthur Koestler, 2012-08-28 In this novel the call-girls are the men and women of the international jet-set who, at the lift of a telephone, will fly from conference to congress to symposium to discuss subjects of world importance. This time the place is Switzerland and the subject Survival... |
| koestler ghost in the machine: The Case of the Midwife Toad Arthur Koestler, 2016-01-08 On September 23, 1926, and Austrian experimental biologist named Dr. Paul Kammerer blew his brains out on a footpath in the Austrian mountains. His suicide was the climax of a great evolutionary controversy which his experiments had aroused. The battle was between the followers of Lamarck, who maintained that acquired characteristics could be inherited, and the neo-Darwinists, who upheld the theory of chance mutations preserved by natural selection. Dr. Kammerer's experiments with various amphibians, including salamanders and the midwife toad (Alytes obstetricans), lent much weight to the Lamarckian argument and drew upon him the full fury of the orthodox neo-Darwinists. Arthur Koestler had known about Dr. Kammerer's work when he himself was a student in Vienna, and he has always been interested in this tragic story. He gives a fascinating description of the venomous atmosphere in which the battle was fought and of the lengths to which apparently respectable scholars would go to discredit their opponents. Heading the attack on Kammerer was a British scientist, William Bateson, who hinted that the Viennese's experiments were fakes, but who failed to examine the evidence, including the so-called nuptial pads of Kammerer's last remaining specimen of the midwife toad. It was a young American scientist who delivered the coup de grace; on a visit to Vienna, he discovered that the discoloration of the nuptial pads was due not to natural causes but to the injection Indian ink. When his findings were published, Kammerer shot himself. Mr. Koestler, whose recent writings, in books such as The Act of Creation and The Ghost in the Machine, have been in part concerned with evolutionary theory, decided to investigate this old mystery. When he started on his researches, he expected to relate the tragedy of a man who had betrayed his calling, for Kammerer's suicide was accepted as a confession of guilt and his work was discredited from that day to this. Instead, as Mr. Koestler read the contemporary papers, corresponded with Kammerer's daughter, Bateson's son, and the surviving scientists who attended Kammerer's lecture in Cambridge, he found himself writing a vindication of a man who in all probability was himself betrayed. The story that emerges is, on one level, fascinating piece of scientific detection; on another, it is a moving and human narrative about a much abused, brilliant and lovable figure. Though no Lamarckian himself, Mr. Koestler ends the book with an appeal to biologists to repeat Kammerer's experiments with an open mind in order to verify or refute them. If Kammerer's claims were posthumously confirmed our outlook on evolution would be significantly changed. A superb intellectual thriller whose implications still reverberate today, The Case of the Midwife Toad is an entirely new kind of book for Mr. Koestler, and perhaps only he could have written it, for it required expert knowledge and familiarity with the academic world of science, combined with the creativity and imaginative insight of an outstanding novelist. |
| koestler ghost in the machine: Control John A. Mills, 2000-08-01 Behaviorism has been the dominant force in the creation of modern American psychology. However, the unquestioned and unquestioning nature of this dominance has obfuscated the complexity of behaviorism. Control serves as an antidote to this historical myopia, providing the most comprehensive history of behaviorism yet written. Mills successfully balances the investigation of individual theorists and their contributions with analysis of the structures of assumption which underlie all behaviorist psychology, and with behaviorism's role as both creator and creature of larger American intellectual patterns, practices, and values. Furthermore, Mills provides a cogent critique of behaviorists' narrow attitudes toward human motivation, exploring how their positivism cripples their ability to account for the unobservable, inner factors that control behavior. Control's blend of history and criticism advances our understanding not only of behaviorism, but also the development of social science and positivism in twentieth-century America. |
| koestler ghost in the machine: Scum of the Earth Arthur Koestler, 2006 A recent edition of Arthur Koestler's gripping tale of arrest, imprisonment, and subsequent escape to London from Nazi-occupied France. |
| koestler ghost in the machine: Ghosts in the Mind's Machine Stephen Michael Kosslyn, 1983-01-01 |
| koestler ghost in the machine: The Demon in the Machine Paul Davies, 2019-01-31 'A gripping new drama in science ... if you want to understand how the concept of life is changing, read this' Professor Andrew Briggs, University of Oxford When Darwin set out to explain the origin of species, he made no attempt to answer the deeper question: what is life? For generations, scientists have struggled to make sense of this fundamental question. Life really does look like magic: even a humble bacterium accomplishes things so dazzling that no human engineer can match it. And yet, huge advances in molecular biology over the past few decades have served only to deepen the mystery. So can life be explained by known physics and chemistry, or do we need something fundamentally new? In this penetrating and wide-ranging new analysis, world-renowned physicist and science communicator Paul Davies searches for answers in a field so new and fast-moving that it lacks a name, a domain where computing, chemistry, quantum physics and nanotechnology intersect. At the heart of these diverse fields, Davies explains, is the concept of information: a quantity with the power to unify biology with physics, transform technology and medicine, and even to illuminate the age-old question of whether we are alone in the universe. From life's murky origins to the microscopic engines that run the cells of our bodies, The Demon in the Machine is a breath-taking journey across the landscape of physics, biology, logic and computing. Weaving together cancer and consciousness, two-headed worms and bird navigation, Davies reveals how biological organisms garner and process information to conjure order out of chaos, opening a window on the secret of life itself. |
| koestler ghost in the machine: The Thirteenth Tribe Arthur Koestler, 2014-05 This book traces the history of the ancient Khazar Empire, a major but almost forgotten power in Eastern Europe, which in the Dark Ages became converted to Judaism. Khazaria was finally wiped out by the forces of Genghis Khan, but evidence indicates that the Khazars themselves migrated to Poland and formed the cradle of Western Jewry. To the general reader the Khazars, who flourished from the 7th to 11th century, may seem infinitely remote today. Yet they have a close and unexpected bearing on our world, which emerges as Koestler recounts the fascinating history of the ancient Khazar Empire. At about the time that Charlemagne was Emperor in the West. The Khazars' sway extended from the Black Sea to the Caspian, from the Caucasus to the Volga, and they were instrumental in stopping the Muslim onslaught against Byzantium, the eastern jaw of the gigantic pincer movement that in the West swept across northern Africa and into Spain. Thereafter the Khazars found themselves in a precarious position between the two major world powers: the Eastern Roman Empire in Byzantium and the triumphant followers of Mohammed. As Koestler points out, the Khazars were the Third World of their day. They chose a surprising method of resisting both the Western pressure to become Christian and the Eastern to adopt Islam. Rejecting both, they converted to Judaism. Mr Koestler speculates about the ultimate faith of the Khazars and their impact on the racial composition and social heritage of modern Jewry. He produces a large body of meticulously detailed research. |
| koestler ghost in the machine: The Lotus and the Robot Arthur Koestler, 1961 |
| koestler ghost in the machine: Arrival and Departure Arthur Koestler, 1943 |
| koestler ghost in the machine: The Concept of Mind Gilbert Ryle, 2023-05-11 The Concept of Mind by philosopher Gilbert Ryle argues that mind is a philosophical illusion hailing chiefly from René Descartes and sustained by logical errors and 'category mistakes' which have become habitual. The work has been cited as having put the final nail in the coffin of Cartesian dualism, and has been seen as a founding document in the philosophy of mind, which received professional recognition as a distinct and important branch of philosophy only after 1950. This now-classic work challenges what Ryle calls philosophy's official theory, the Cartesians myth of the separation of mind and matter. Ryle's linguistic analysis remaps the conceptual geography of mind. His plain language and essentially simple purpose place him in the traditioin of Locke, Berkeley, Mill, and Russell. |
| koestler ghost in the machine: The Sleepwalkers Arthur Koestler, 2017-02-23 Arthur Koestler's extraordinary history of humanity's changing vision of the universe In this masterly synthesis, Arthur Koestler cuts through the sterile distinction between 'sciences' and 'humanities' to bring to life the whole history of cosmology from the Babylonians to Newton. He shows how the tragic split between science and religion arose and how, in particular, the modern world-view replaced the medieval world-view in the scientific revolution of the seventeenth century. He also provides vivid and judicious pen-portraits of a string of great scientists and makes clear the role that political bias and unconscious prejudice played in their creativity. |
| koestler ghost in the machine: The Gladiators Arthur Koestler, 1965 |
| koestler ghost in the machine: Insight and Outlook, an Inquiry Into the Common Foundations of Science, Art, and Social Ethics Arthur Koestler, 1949 |
| koestler ghost in the machine: The Yogi and the Commissar and Other Essays Arthur Koestler, 1967 |
| koestler ghost in the machine: The Invisible Writing Arthur Koestler, 2011-10-31 The second volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon. Taken together, Arthur Koestler's volumes of autobiography constitute an unrivalled study of a twentieth-century life. The Invisible Writing picks up where the first volume, Arrow in the Blue, ended, with Koestler joining the Communist Party. This second volume goes on to detail some of the most important, gruelling and electrifying experiences in his life. This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It tells of how he survived in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home. |
| koestler ghost in the machine: The Meme Machine Susan J. Blackmore, 2000-03-16 Humans are extraordinary creatures, with the unique ability among animals to imitate and so copy from one another ideas, habits, skills, behaviours, inventions, songs, and stories. These are all memes, a term first coined by Richard Dawkins in 1976 in his book The Selfish Gene. Memes, like genes, are replicators, and this enthralling book is an investigation of whether this link between genes and memes can lead to important discoveries about the nature of the inner self.Confronting the deepest questions about our inner selves, with all our emotions, memories, beliefs, and decisions, Susan Blackmore makes a compelling case for the theory that the inner self is merely an illusion created by the memes for the sake of replication. |
| koestler ghost in the machine: Threads of Life Richard Freadman, 2001-02 Many autobiographers share profound questions about human life with their readers—questions like: To what extent was my life imposed on me? To what extent did I bring it about through particular choices and actions, through the activity of my own will? Indeed, the issue of the will is central to autobiographical writing, and some of the greatest autobiographies give extended consideration to the will—its nature; its powers; its limitations; the forms of freedom, constraint, and expression it finds in various cultures; its role in particular human lives. In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling. Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play. |
| koestler ghost in the machine: The Trail of the Dinosaur Arthur Koestler, 1970 |
| koestler ghost in the machine: THE NEW SWEDEN FREDERIC FLEISHER, 1967 |
| koestler ghost in the machine: Art and Dance in Dialogue Sarah Whatley, Imogen Racz, Katerina Paramana, Marie-Louise Crawley, 2020-11-07 This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines. |
| koestler ghost in the machine: Runaway Anthony Chaney, 2017-08-09 The anthropologist Gregory Bateson has been called a lost giant of twentieth-century thought. In the years following World War II, Bateson was among the group of mathematicians, engineers, and social scientists who laid the theoretical foundations of the information age. In Palo Alto in 1956, he introduced the double-bind theory of schizophrenia. By the sixties, he was in Hawaii studying dolphin communication. Bateson's discipline hopping made established experts wary, but he found an audience open to his ideas in a generation of rebellious youth. To a gathering of counterculturalists and revolutionaries in 1967 London, Bateson was the first to warn of a greenhouse effect that could lead to runaway climate change. Blending intellectual biography with an ambitious reappraisal of the 1960s, Anthony Chaney uses Bateson's life and work to explore the idea that a postmodern ecological consciousness is the true legacy of the decade. Surrounded by voices calling for liberation of all kinds, Bateson spoke of limitation and dependence. But he also offered an affirming new picture of human beings and their place in the world—as ecologies knit together in a fabric of meaning that, said Bateson, we might as well call Mind. |
| koestler ghost in the machine: Arthur Koestler David Cesarani, 1999 Along with Satre, Camus and Orwell, Arthur Koestler helped to shape the ideas of today. Once a communist, he saw through Marxism and led the intellectual counter-attack that culminated in the fall of the Berlin Wall. His writings on science introduced millions to cutting-edge theories of evolution and the workings of the human mind. His speculations on human nature and the future of mankind in the atomic age stamped a generation that grew up in the shadow of the Bomb. As restless in his personal relationships as he was in politics, his violent affairs with women were legendary. His fascinating study is t he first to make use of Koestler's private papers and draws on previously secret documents held by the KGB and the FBI, exposing the depth of his involvement in the Communist Party and, later, his relations with the CIA. It also reveals the darker side to his nature, which led to the tragic dual suicide with his third wife, Cynthia, in 1983. David Cesarani has ensured Koestler's place in the pantheon of intellectual giants of the twentieth century as surely as the 'warts and all' approach is guaranteed to perpetuate the controversy that swirled around Koestler in his life and death. |
| koestler ghost in the machine: Handbook of Research Methods in Social and Personality Psychology Harry T. Reis, Charles M. Judd, 2014-02-24 This indispensible sourcebook covers conceptual and practical issues in research design in the field of social and personality psychology. Key experts address specific methods and areas of research, contributing to a comprehensive overview of contemporary practice. This updated and expanded second edition offers current commentary on social and personality psychology, reflecting the rapid development of this dynamic area of research over the past decade. With the help of this up-to-date text, both seasoned and beginning social psychologists will be able to explore the various tools and methods available to them in their research as they craft experiments and imagine new methodological possibilities. |
| koestler ghost in the machine: Optimality Principles in Biology Robert Rosen, 2014-09-01 |
| koestler ghost in the machine: Koestler and the Ghost in the Machine Béla Hidegkúti, 2006 |
| koestler ghost in the machine: Suspensions of Perception Jonathan Crary, 2001-08-24 Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography. Suspensions of Perception is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity, and experience and a central element in the efficient functioning of economic and disciplinary institutions as well as the emerging spaces of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters—Manet, Seurat, and Cezanne—who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. Suspensions of Perception decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture. |
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