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kongi's harvest download: Kongi's Harvest. (11. Impr.) Wole Soyinka, 1979 |
kongi's harvest download: On the Sacred in African Literature M. Mathuray, 2009-07-23 This innovative book provides an original approach to the analysis of the representation of myth, ritual, and 'magic' in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces. |
kongi's harvest download: Collected Plays Wole Soyinka, 1973 `The Lion and the Jewel alone is enough to establish Nigeria as the most fertile new source of English-speaking drama since Synge's discovery of the Western Isles.' The Times The ironic development and consequences of `progress' may be traced through both the themes and the tone of the works included in this second volume of Wole Soyinka's plays. The Lion and the Jewel shows an ineffectual assault on past tradition soundly defeated. In Kongi's Harvest, however, the pretensions of Kongi's regime are also fatal. The denouement points the way forward. The two Brother Jero plays pursue that way, the comic `propheteering' of the earlier play giving way to the sardonic reality of Jero's Metamorphosis. Madmen and Specialists, Soyinka's most pessimistic play, concerns the physical, mental, and moral destruction of modern civil war. |
kongi's harvest download: Harvest Jim Crace, 2013-02-14 Winner of the 2015 International IMPAC Dublin Literary Award Winner of the 2014 James Tait Black Prize Shortlisted for the 2013 Man Booker Prize Shortlisted for the 2013 Goldsmiths Prize Shortlisted for the 2014 Walter Scott Prize for Historical Fiction As late summer steals in and the final pearls of barley are gleaned, a village comes under threat. A trio of outsiders - two men and a dangerously magnetic woman - arrives on the woodland borders triggering a series of events that will see Walter Thirsk's village unmade in just seven days: the harvest blackened by smoke and fear, cruel punishment meted out to the innocent, and allegations of witchcraft. But something even darker is at the heart of Walter's story, and he will be the only man left to tell it . . . |
kongi's harvest download: Beyond the Horizon Amma Darko, 2024-02-01 Beyond the Horizon is the heart-wrenching debut novel by award-winning author Ammo Darko, telling the tale of a young Ghanaian woman tricked into a life of exploitation by her husband. Mara stares in the mirror, searching for the woman she used to know. The sweet, innocent woman that was excited to marry the man her father chose for her, to start a family and live in a house of her own. But her husband had other plans. Determined to make his fortune in Europe, Mara's husband expects her to sacrifice everything to make his dreams come true – but the sacrifice is more than she could ever have imagined... Beyond the Horizon is a gripping and provocative story of the plight of African women, the lies they were sold about life in Europe, and the false hopes of those they leave behind. |
kongi's harvest download: Zong! M. NourbeSe Philip, 2008-09-23 A haunting lifeline between archive and memory, law and poetry |
kongi's harvest download: The Black Mind Oscar Ronald Dathorne, 1976 |
kongi's harvest download: Wole Soyinka and Other Poems Kemi Atanda Ilori, 2014 |
kongi's harvest download: Postcolonial Identity in Wole Soyinka Mpalive-Hangson Msiska, 2007 Soyinka's representation of postcolonial African identity is re-examined in the light of his major plays, novels and poetry to show how this writer's idiom of cultural authenticity both embraces hybridity and defines itself as specific and particular. For Soyinka, such authenticity involves recovering tradition and inserting it in postcolonial modernity to facilitate transformative moral and political justice. The past can be both our enabling future and our nemesis. In a distinctive approach grounded in cultural studies, Postcolonial Identity in Wole Soyinka locates the artist's intellectual and political concerns within the broader field of postcolonial cultural theory, arguing that, although ostensibly distant from mainstream theory, Soyinka focuses on fundamental questions concerning international culture and political identity formations - the relationship between myth and history / tradition and modernity, and the unresolved tension between power as a force for good or evil. Soyinka's treatment of the relationship between individual selfhood and the various framing social and collective identities, so the book argues, is yet another aspect linking his work to the broader intellectual currents of today. Thus, Soyinka's vision is seen as central to contemporary efforts to grasp the nature of modernity. His works conceptualize identity in ways that promote and modify national perceptions of 'Africanness', rescuing them from the colonial and neocolonial logic of cultural denigration in a manner that fully acknowledges the cosmopolitan and global contexts of African postcolonial formation. Overall, what emerges from the present study is the conviction that, in Soyinka's work, it is the capacity to assume personal and collective agency and the particular choices made by particular subjects at given historical moments that determine the trajectory of change and ultimately the nature of postcolonial existence itself. Postcolonial Identity in Wole Soyinka is a major and imaginative contribution to the study of Wole Soyinka, African literature, and postcolonial cultural theory and one in which writing and creativity stand in fruitful symbiosis with the critical sense. It should appeal to Soyinka scholars, to students of African literature, and to anyone interested in postcolonial and cultural theory. |
kongi's harvest download: Madmen and Specialists Wole Soyinka, 1987-09-01 An African playwright reveals his thoughts on man's betrayal of his vocation for power in this drama |
kongi's harvest download: Chronicles from the Land of the Happiest People on Earth Wole Soyinka, 2021-09-28 'Soyinka's greatest novel ... No one else can write such a book' - Ben Okri 'A high-jinks state-of-the-nation novel' - Chibundu Onuzo A FINANCIAL TIMES AND SPECTATOR BOOK OF THE YEAR A towering figure in world literature, Wole Soyinka aims directly at the corridors of power as he warns against corruption both of high office and of the soul, with a dazzling lightness of touch and gleeful irreverence. Much to Doctor Menka's horror, some cunning entrepreneur has decided to sell body parts from his hospital for use in ritualistic practices. Already at the end of his tether from the horrors he routinely sees in surgery, he shares this latest development with his oldest college friend, bon viveur, star engineer and Yoruba royal, Duyole Pitan-Payne, who has never before met a puzzle he couldn't solve. Neither realise how close the enemy is, nor how powerful. Chronicles from the Land of the Happiest People on Earth is at once a savagely witty whodunit, a scathing indictment of Nigeria's political elite, and a provocative call to arms from one of the country's most relentless political activists and an international literary giant. MORE PRAISE FOR WOLE SOYINKA: 'You don't see the things the same when you encounter a voice like that' - Toni Morrison 'One of the best there is today, a poet and a thinker, who knows both how the world works and how the world should work' - Chimamanda Ngozi Adichie |
kongi's harvest download: Wole Soyinka Obi Maduakor, 1986 |
kongi's harvest download: The Burden of Memory, the Muse of Forgiveness Wole Soyinka, 1998-12-03 Nobel Laureate in Literature Wole Soyinka considers all of Africa--indeed, all the world--as he poses this question: once repression stops, is reconciliation between oppressor and victim possible? In the face of centuries-long devastation wrought on the African continent and her Diaspora by slavery, colonialism, Apartheid, and the manifold faces of racism, what form of recompense could possibly suffice? In a voice as eloquent and humane as it is forceful, Soyinka boldly challenges in these pages the notions of simple forgiveness, confession, and absolution as strategies for social healing. Ultimately, he turns to art--poetry, music, painting, etc.--as the one source that can nourish the seed of reconciliation: art is the generous vessel that can hold together the burden of memory and the hope of forgiveness. Based on Soyinka's Stewart-McMillan lectures delivered at the DuBois Institute at Harvard, The Burden of Memory speaks not only to those concerned specifically with African politics, but also to anyone seeking the path to social justice through some of history's most inhospitable terrain. |
kongi's harvest download: The Five Continents of Theatre Eugenio Barba, Nicola Savarese, 2019-02-11 The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars. |
kongi's harvest download: Violence Festus Iyayi, 1979 Story of a struggling, poverty-stricken husband and wife in 1970's Nigeria. |
kongi's harvest download: An Alchemical Enigma Vincent Bridges, Eliska Bridges, Terry Burns, 2018-05 Biography of Renaissance alchemist Sir Edward Kelley; added materials including Kelley's treatise The Stone of the Philosophers and Concerning the Philosopher's Stone, a poem perhaps written to William Shakespeare. Introduction by Teresa Burns; essays on Kelley's legacy in Bohemia and on the house The Donkey in the Cradle by Eliska Bridg |
kongi's harvest download: Modern Africa Basil Davidson, 2014-07-10 Basil Davidson's famous book -- now updated in a welcome Third Edition -- reviews the social and political history of Africa in the twentieth century. It takes the reader from the colonial era through the liberation movements to independence and beyond. It faces squarely the disappointments and breakdowns that have dulled the early successes of the post-colonial era; yet, for all the sorrows and uncertainties of Africa today, Basil Davidson shows how much has been achieved since decolonization, and the mood of his new final chapter is hopeful and buoyant. |
kongi's harvest download: The Dilemma of a Ghost Ama Ata Aidoo, 1983* |
kongi's harvest download: Soyinka Wole Soyinka, Martin Banham, Chuck Mike, Judith Greenwood, 2005 |
kongi's harvest download: Ìsarà, a Voyage Around Essay Wole Soyinka, 1991-01-01 The Nobel Prize-winning novelist and playwright examines the colonial period in his native Nigeria during his father's and grandfather's generations, revealing the human complexities of political oppression |
kongi's harvest download: The Road Wole Soyinka, 1965 |
kongi's harvest download: African Literatures and Beyond Bernth Lindfors, Geoffrey V. Davis, 2013-11-26 This tribute collection reflects the wide range and diversity of James Gibbs’s academic interests. The focus is on Africa, but comparative studies of other literatures also receive attention. Fiction, drama, and poetry by writers from Nigeria, Ghana, Sierra Leone, Eritrea, Malawi, Zimbabwe, South Africa, Ireland, England, Germany, India, and the Caribbean are surveyed alongside significant missionaries, scientists, performers, and scholars. The writers discussed include Wole Soyinka, Chinua Achebe, Kobina Sekyi, Raphael Armattoe, J.E. Casely Hayford, Michael Dei-Anang, Kofi Awoonor, Ayi Kwei Armah, John Kolosa Kargbo, Dele Charley, Ngugi wa Thiong’o, Okot p’Bitek, Jonathan Sajiwandani, Samuel E. Krune Mqhayi, A.S. Mopeli–Paulus, Kelwyn Sole, Anna Seghers, Raja Rao, and Arundhati Roy. Other essays treat the black presence in Ireland, anonymous rap artists in Chicago, the Jamaican missionary Joseph Jackson Fuller in the Cameroons, the African-American actor Ira Aldridge in Sweden, the Swedish naturalist Anders Sparrman in South Africa, and the literary scholar and editor Eldred Durosimi Jones in Sierra Leone. Interviews with the Afro-German Africanist Theodor Wonja Michael and the Irish-Nigerian dramatist Gabriel Gbadamosi are also included. Also offered are poems by Jack Mapanje and Kofi Anyidoho, short stories by Charles R. Larson and Robert Fraser, plays by Femi Osofisan and Martin Banham, and an account of a dramatic reading of a script written and co-performed by James Gibbs. Contributors: Anne Adams, Sola Adeyemi, Kofi Anyidoho, Awo Mana Asiedu, Martin Banham, Eckhard Breitinger, Gordon Collier, James Currey, Geoffrey V. Davis, Chris Dunton, Robert Fraser, Raoul J. Granqvist, Gareth Griffiths, C.L. Innes, Charles R. Larson, Bernth Lindfors, Leif Lorentzon, Jack Mapanje, Christine Matzke, Mpalive–Hangson Msiska, Femi Osofisan, Eustace Palmer, Jane Plastow, Lynn Taylor, and Pia Thielmann. Geoffrey V. Davis co-edits the series Cross/Cultures and the African studies journal Matatu. Recent publications include Narrating Nomadism and African Literatures: Post¬colonial Literatures in English: Sources and Resources (both co-ed. 2013). Bernth Lindfors, founding editor of the journal Research in African Literatures, is writing a bio¬graphy of Ira Aldridge (two volumes have so far appeared: The Early Years, 1807–1833 and The Vagabond Years, 1833–1852, both 2011). |
kongi's harvest download: The Gods Are Not to Blame Ola Rotimi, 2025-04-19 |
kongi's harvest download: The Lion and the Jewel Wole Soyinka, 1973 |
kongi's harvest download: Research on Wole Soyinka James Gibbs, Bernth Lindfors, 1993 |
kongi's harvest download: Toward the Decolonization of African Literature Chinweizu, Onwuchekwa Jemie, Ihechukwu Madubuike, 1980 |
kongi's harvest download: Gold, Frankincense and Myrrh Esiaba Irobi, 1989 |
kongi's harvest download: The Beatification of Area Boy Wole Soyinka, 1999 |
kongi's harvest download: Song of a Prisoner Okot p'Bitek, 1971 Song of Prisoner confronts the tragedy of Africa's decade of freedom. The traverses the whole spectrum of her political sickness and contrasts it with the enduring reality of the bush - roots of family and clan, and the optimism of Africa's children in the face of hunger, hardship and humiliation. |
kongi's harvest download: The Rest Write Back Esmaeil Zeiny, 2020-06-02 A timely collection of essays examining the legacies and politics of knowledge production and the writing-back paradigm. |
kongi's harvest download: Drama and Theatre in Nigeria Yemi Ogunbiyi, 2014 A critical look at the Nigerian Theatre from its inception to the present, while correcting omissions and erroneous impressions made in past studies. In short, it gives a perspective to Nigerian Drama and foreign ones alike including those actually involved in Nigerian Drama and Theatre. The study, therefore, presents a description and criticism of the major aspects of Nigerian Drama and Theatre, bringing forward new data and fresh insights concerning the subject.--Page xi. |
kongi's harvest download: Once Upon an Elephant Bosede Ademilua-Afolayan, 2023 |
kongi's harvest download: Our Husband Has Gone Mad Again Ola Rotimi, 2008 |
kongi's harvest download: Nigerian Artists Janet L. Stanley, 1993 |
kongi's harvest download: Kurunmi Ola Rotimi, 1971 Ola Rotimi Kurunmi has generally been classified as a tragedy, historical play, postcolonial text, satire etc. Such general classifications have limited the analyses of the play to thematic thoughts such as cultural clash, postcolonial disillusionment, and its understanding as an emblem of the Greek dramatic tradition. |
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Apelidada carinhosamente de Jurema, a ave se aventurou em um voo audacioso que a deixou presa na fiação elétrica. Sem saber como resgatá-la com segurança, os moradores se uniram …
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