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| life history of lata mangeshkar in hindi: Lata Mangeshkar Lata Mangeshkar, 2021-01-01 Lata Mangeshkar is one of the best singers of the Hindi film industry. She is listed in the Guinness Book of World Records as the most recorded artist in the world. It is estimated that she has more than 30,000 solo, duet and chorus backed songs in 20 different languages from 1948 to 1987. Now, it must way over 40,000! Lata Mangeshkar was born on 28th September, 1929 in a place called Indore. Her father Dinanath Mangeshkar was a renowned classical singer himself. Lata was introduced to music at a very young age. The life history of Lata Mangeshkar is truly fascinating. Read this short biography of Lata Mungeshkar. |
| life history of lata mangeshkar in hindi: On Stage with Lata Mohan Deora, Rachana Shah, 2017-02-10 INTRODUCTION BY LATA MANGESHKAR Lata Mangeshkar's life and career are widely known, and yet there is an aspect that remains largely unrecorded: her life on the international stage. Beyond the confines of a recording booth, or as the voice of generations of actresses, she was an accomplished and magnetic performer on stage. She attracted vast audiences of Indian origin who have made their home in many countries, including the US and Canada. Mangeshkar transformed how the Indian film music concert was perceived in the West by refusing to be part of the low-key song-and-dance performances that were held earlier in community halls, schools and colleges. She insisted that she and her colleagues would sing only in mainstream auditoriums - this was an unheard-of demand because Indian film artistes had never performed on those stages at that time. In ON STAGE WITH LATA, Mohan Deora - co-promoter and co-organizer of Lata Mangeshkar's international tours from 1975 to 1998 - allows us to journey with her and the top male playback singers, including Mukesh (who tragically died during a Detroit tour), Manna Dey and Kishore Kumar. Deora and Shah write about the participation of big-name stars including Amitabh Bachchan and Dilip Kumar, Waheeda Rehman and Farida Jalal. Mangeshkar is described here in her interactions with musicians, colleagues and friends as she meticulously prepared to sing on stage. The tours led to planning and glitches, camaraderie and tension, and anecdotes galore. They also provided the authors with a unique opportunity to observe the clarity of thought with which Lata Mangeshkar approached her work, and to see a great artiste at the height of her powers. A fine eye for detail makes the book a delight to read as Mohan Deora and Rachana Shah record an important slice of India's cinematic and cultural history. |
| life history of lata mangeshkar in hindi: In Search of Lata Mangeshkar Harish Bhimani, 1995 |
| life history of lata mangeshkar in hindi: Bollywood Sounds Jayson Beaster-Jones, 2014-10-09 Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema. |
| life history of lata mangeshkar in hindi: Urdu/Hindi: An Artificial Divide Abdul Jamil Khan, 2006 In a blow against the British Empire, Khan suggests that London artificially divided India's Hindu and Muslim populations by splitting their one language in two, then burying the evidence in obscure scholarly works outside the public view. All language is political -- and so is the boundary between one language and another. The author analyzes the origins of Urdu, one of the earliest known languages, and propounds the iconoclastic views that Hindi came from pre-Aryan Dravidian and Austric-Munda, not from Aryan's Sanskrit (which, like the Indo-European languages, Greek and Latin, etc., are rooted in the Middle East/Mesopotamia, not in Europe). Hindi's script came from the Aramaic system, similar to Greek, and in the 1800s, the British initiated the divisive game of splitting one language in two, Hindi (for the Hindus) and Urdu (for the Muslims). These facts, he says, have been buried and nearly lost in turgid academic works. Khan bolsters his hypothesis with copious technical linguistic examples. This may spark a revolution in linguistic history! Urdu/Hindi: An Artificial Divide integrates the out of Africa linguistic evolution theory with the fossil linguistics of Middle East, and discards the theory that Sanskrit descended from a hypothetical proto-IndoEuropean language and by degeneration created dialects, Urdu/Hindi and others. It shows that several tribes from the Middle East created the hybrid by cumulative evolution. The oldest groups, Austric and Dravidian, starting 8000 B.C. provided the grammar/syntax plus about 60% of vocabulary, S.K.T. added 10% after 1500 B.C. and Arabic/Persian 20-30% after A.D. 800. The book reveals Mesopotamia as the linguistic melting pot of Sumerian, Babylonian, Elamite, Hittite-Hurrian-Mitanni, etc., with a common script and vocabularies shared mutually and passed on to I.E., S.K.T., D.R., Arabic and then to Hindi/Urdu; in fact the author locates oldest evidence of S.K.T. in Syria. The book also exposes the myths of a revealed S.K.T. or Hebrew and the fiction of linguistic races, i.e. Aryan, Semitic, etc. The book supports the one world concept and reveals the potential of Urdu/Hindi to unite all genetic elements, races and regions of the Indo-Pakistan sub-continent. This is important reading not only for those interested to understand the divisive exploitation of languages in British-led India's partition, but for those interested in: - The science and history of origin of Urdu/Hindi (and other languages) - The false claims of linguistic races and creation - History of Languages and Scripts - Language, Mythology and Racism - Ancient History and Fossil Languages - British Rule and India's Partition. |
| life history of lata mangeshkar in hindi: Lata Mangeshkar: Golden Voice of Bollywood ChatStick Team, 2025-05-26 Lata Mangeshkar: Golden Voice of Bollywood A Tribute to the Voice That Defined Bollywood’s Musical Legacy Step into the extraordinary life of Lata Mangeshkar, India’s most iconic playback singer whose voice transcended generations. From humble beginnings to becoming the Nightingale of India, this compelling biography by the ChatStick Team explores how Lata’s artistry transformed the soundscape of Indian cinema. 🎶 Inside the Book: Her childhood, early influences, and entrance into music The rise of a legend during the golden age of Bollywood Collaborations with music directors and film icons National awards and international honors Endearing stories, insights, and rare historical context Whether you grew up listening to her songs or are discovering her voice for the first time, Lata Mangeshkar: Golden Voice of Bollywood offers a powerful look at the woman behind the melodies that continue to echo across the globe. 🌟 A must-read for music lovers, cultural historians, and fans of Bollywood’s timeless era. |
| life history of lata mangeshkar in hindi: Lata Yatindra Mishra, 2023-01-30 An ode to the majestic life of the late Lata Mangeshkar, Lata: A Life in Music celebrates art in its totality and tells the life story of India's most loved vocal artists. The result of Yatindra Mishra's decade-long dialogue with the great singer, it also explores the lesser-known aspects of the great artist, introducing the readers to Lata Mangeshkar as an intellectual and cultural exponent and providing a rare glimpse into the person behind the revered enigma. At the confluence of cinema, music and literature, this is the most definitive biography of the voice of the nation that also documents sociocultural changes from the late British era through post-Independent India right up to the twenty-first century. This is the story of the various myths, mysteries, truths and contradictions which make a human an icon and also make an icon incredibly humane. |
| life history of lata mangeshkar in hindi: Lata Mangeshkar: My Favourites, Vol. 2 Anirudha Bhattacharjee, Chandrashekhar Rao, 2024-12-12 A history of Hindi film music recounted from a list of 50 of Lata Mangeshakar's songs that she chose as her favorites. Lata Mangeshkar, one of India's all-time most influential singers was known as the Nightingale of India. For her album My Favourites, Vol. 2, Lata chooses 50 songs as her favourites among her own work, from a repository of over 5,000. This book covers an expanse of nearly forty years, connecting you to the real-life events behind the songs, going back to when music listening in India was limited to the radio, the 78 RPM shellac, the occasional visit to the cinema, and later, the vinyl records, cassettes, and the 30 minutes Chitrahaar on television every week. |
| life history of lata mangeshkar in hindi: Encyclopedia of Indian Cinema Ashish Rajadhyaksha, Paul Willemen, 2014-07-10 The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film. |
| life history of lata mangeshkar in hindi: Deewar Vinay Lal, 2012-10-03 Yash Chopra's 1975 film, Deewaar, one of the most iconic and influential works of superstar Amitabh Bachchan, has been (to borrow a line from the film itself) the 'lambi race ka ghoda', enjoying a nearly unrivalled popularity in the long history of Hindi cinema. Its remarkable plot, crisp dialogues and epic narrative structure, revolving around the familiar story of two brothers whose paths diverge and lead to a fatal collision, have endeared it to millions. And its most famous line, 'Mere paas ma hai', has been endlessly imitated, parodied and referenced in cinematic and cultural works. However, as Vinay Lal demonstrates in his study of Deewaar, the film lends itself to much more complex readings than is commonly imagined. Examining it in the context of the history of Hindi cinema, the migrations from the hinterland to the city, and the political and socio-economic climate of the early 1970s, he draws attention to Deewaar's dialectic of the footpath and skyscraper, the mesmerizing presence of the tattoo, the frequent appearance of the signature and the film's deep structuring in mythic material. In doing so, he assesses Deewaar's unique space in popular Indian culture as much as world cinema. |
| life history of lata mangeshkar in hindi: Akhtari , 2021-04-30 Akhtaribai Faizabadi, or Begum Akhtar as she was better known, was a legend even during her own lifetime, and one of the last of the great singers from the tawaif community. Akhtari documents her eventful life and her music through essays and reminiscences by some of her closest friends and associates, and by people who knew her work deeply -- including the likes of Bismillah Khan, Lata Mangeshkar, Shubha Mudgal, etc. The volume also includes long interviews with Begum Akhtar herself as well as some of her disciples. A bestseller in the original Hindi -- and now available in English -- this is a volume to treasure for all of Begum Akhtar's fans and lovers of music. |
| life history of lata mangeshkar in hindi: A Brief History of India Judith E. Walsh, 2006 With nearly 1 billion citizens, India is the second most populous nation in the world. Its conflict with Pakistan over Kashmir and tensions between the many ethnic groups that populate India today find frequent mention in Weste. |
| life history of lata mangeshkar in hindi: Brought to Life by the Voice Amanda Weidman, 2021-06-15 A free open access ebook is available upon publication. Learn more at www.luminosoa.org. To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. |
| life history of lata mangeshkar in hindi: Bollywood Melodies Ganesh Anantharaman, 2008 This volume traces the evolution of the Hindi film song to its present status as the cultural barometer of the country through an evaluation of the work of over 50 outstanding composers. Interviews with icons like Lata Mangehskar and Dev Anand are included. |
| life history of lata mangeshkar in hindi: THE INDIAN LISTENER All India Radio (AIR),New Delhi , 1949-12-25 The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became Akashvani in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 25-12-1949 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XIV, No. 38 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 19-30, 32-43, 45-56, 58-64 ARTICLE: 1. The Human Interest 2. A Call To Action 3. Co-Operatives In Asia And The Far East 4. About Famous Men 5. Brazil And India 6. Temperature 7. The Popular Bodhisattva Doctrine 8. Rajput And Moghul Art 9. The Non-Violence Way AUTHOR: 1. N. Sri Ram 2. Sardar Vallabhbhai Patel 3. Dr. Horace Belshaw 4. C. P. Wade 5. M. R. Masani 6. T. N. Muthuswami 7. Dr. Arabinda Barua 8. R. N. Deb 9. Rajkumari Amrit Kaur KEYWORDS: 1. Emotions and modern life, Creation of human interest 2. Jawaharlal Nehru's birthday, Government programmes and goals to achieve 3. Co-operative movement and the UN, Consultative service for co-operatives 4. B. G. Horniman in Bombay, Hesketh Pearson on English writers 5. Industry in Brazil and India, Life and culture in India and Brazil 6. Sun and ocean currents, Minerals as temperature indicators 7. Buddhism and nirvana, Buddhahood and wisdom 8. Moghul School and Jehangir, Rajput Schools and Ragmala depiction 9. Truth-force, Spiritual strength Document ID: INL-1949 (N-D) Vol-III (08) |
| life history of lata mangeshkar in hindi: Me and Ma Divya Dutta, 2017-02-10 ‘Divya writes of difficult times with candour and heart-rending simplicity’ Shabana Azmi Capturing the beauty of a mother–daughter relationship, Divya Dutta in this moving memoir celebrates her mother’s struggles to turn her into the woman she is today. Divya walks us through the most intimate memories of her life, those that strengthened her relationship with her mother. The incredible bond she forged with her mother helped her through tragedies and difficulties, discouragements and failures and led her to become an award-winning actor of stature, both in the Hindi as well as the Punjabi film industry. Me and Ma is a celebration of Divya’s exemplary achievements. It is also an honest, intimate and heartfelt tribute to the force behind her success—her mother. |
| life history of lata mangeshkar in hindi: Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, 2013-04-17 India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies. |
| life history of lata mangeshkar in hindi: Mallika-e-Tarannum, Noorjehan Iʻjāz Gul, 2008 India split into India and Pakistan and forced people to opt for one or the other. It affected all sectors including the film industry. Singer-actress Noorjehan represented the generation that suffered the most. After becoming immensely popular across the country in the 1930s and 1940s, she opted for Pakistan after the Partition.But physical location of artists has often failed to divide them or their fan following. This was very true of Noorjehan. The magical quality of her voice continued to wield a charm on both the countries.Fans treated her as a common treasure and a symbol of shared tradition and values. She was the most sensational singer-star of the Indian film industry of her time and was often called Mallika-e-Tarannum (the queen of melody). Even Lata Mangeshkar, referred to as the nightingale because of her melodious voice, was inspired by her. She was born in Qasoor (Punjab) of undivided India in 1926. She perfected her classical singing under Ustad Ghulam Mohammad Khan and enthralled audience with her personality which was a rare blend of beauty, voice, acting and success. She passed away in Pakistan in 2000. Her first visit to India after Partition was in 1982, when she was welcomed with open arms by one and all including the then Prime Minister, Indira Gandhi. She was also received by Dilip Kumar and Lata Mangeshkar. The audience had got one more opportunity to hear her sing live Awaz De Kahan Hai& Her voice had not lost the magic touch. The 10,000 songs she rendered in Hindi, Urdu, Punjabi and Sindhi acted as a vibrant link between both sides of the border reminding people of their glorious past.Her first major hit was Khandaan in 1942, after which she married its director Shaukat Hussain Rizvi and shifted to Bombay (now Mumbai). Soon followed other hits such as Duhai (1943), Naukar (1943), Nandan (1943), Dost (1944), Badi Maa (1945), Gaon Ki Gori (1945) and Anmol Ghari (1946). In Jugnu in 1943, her lead actor was Dilip Kumar. In Zeenat (1945) she popularized Qawwali with songs such as Aahein Na Bhari Shikwein Na Kiye. While her professional side was exemplary, there was turmoil in her personal life. She had a series of flings, two divorces and many scandals. She was very possessive and thought she could hold people through emotions. Her failure to retain those she considered dear hurt her and left her heart-broken. |
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| life history of lata mangeshkar in hindi: A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy Sisir Kumar Das, 2005 Presents the Indian literatures, not in isolation in one another, but as related components in a larger complex, conspicuous by the existence of age-old multilingualism and a variety of literary traditions. -- |
| life history of lata mangeshkar in hindi: Windows to the Soul Manek Premchand, 2021-12-30 This book, covering a range of music essays, is a compendium of many articles that were published in several newspapers and have since been updated. The collection also features many subjects not published before. Some of our films’ great artists are profiled, especially in their relationship with songs we remember them by. Such people include the actors Dilip Kumar, Rajendra Kumar and Sadhana, the composer Madan Mohan, and the singer Mukesh. Musical instruments such as bagpipes, the tambourine, and the drums can also be found in these pages, with where such instruments were featured in the Hindi film song. Equally importantly, you will find essays on ideas that have engaged with our music. These include cycling, suicides, Mumbai’s pride Marine Drive and composers who sang their own tunes. It’s a platinum offering of 75 diverse stories. |
| life history of lata mangeshkar in hindi: Encyclopaedia of Hindi Cinema Gulazāra, Govind Nihalani, Saibal Chatterjee, 2003 The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid. |
| life history of lata mangeshkar in hindi: Bollywood FAQ Piyush Roy, 2019-09-20 Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi-emotional universe of the world’s most prolific (over 30,000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). |
| life history of lata mangeshkar in hindi: Bollywood Melodies Ganesh Anantharaman, 2008-02-14 A delightful history of the Hindi film song and its hold over popular psyche De de Khuda ke naam pe' sang Wazir Mohammed Khan in Alam Ara (1931), giving birth to a phenomenon—the Hindi film song. Over the years, the Hindi film song has travelled a long way, influencing and being influenced by popular taste. Considered downmarket not so long ago, it is undoubtedly the most popular musical genre in India today, pervading almost all aspects of Indian life—weddings, funerals, religious festivals, get-togethers and political conventions—and emerging as a medium to articulate every shade of joy and sorrow, love and longing, hope and despair. Bollywood Melodies traces the evolution of the Hindi film song to its present status as the cultural barometer of the country, through an evaluation of the work of over fifty outstanding composers, singers and lyricists—from K.L. Saigal to Sonu Nigam, Naushad to A.R. Rahman, Sahir Ludhianvi to Javed Akhtar. Placing the song in the social context of the times, Gancsh Anantharaman looks at the influences that shaped it in each era: Rabindra Sangcct in the 1930s, the folk-inspired 1940s, the classical strains of the following decade and the advent of Western beats in the late 1960s. The author also chronicles the decline of music in Hindi films over the next twenty years before a new crop of musicians and singers gave the film song a new lease of life. Erudite yet lively, and including insightful interviews with icons like Lata Mangeshkar, Dev Anand, Gulzar, Manna Dey and Pyarelal, Bollywood Melodies is not only a treasure trove of information for music lovers but also an invaluable guide to understanding the nation’s enduring love affair with the Hindi film song. |
| life history of lata mangeshkar in hindi: Religion and Public Memory Christian Lee Novetzke, 2008-07-01 Namdev is a central figure in the cultural history of India, especially within the field of bhakti, a devotional practice that has created publics of memory for over eight centuries. Born in the Marathi-speaking region of the Deccan in the late thirteenth century, Namdev is remembered as a simple, low-caste Hindu tailor whose innovative performances of devotional songs spread his fame widely. He is central to many religious traditions within Hinduism, as well as to Sikhism, and he is a key early literary figure in Maharashtra, northern India, and Punjab. In the modern period, Namdev appears throughout the public spheres of Marathi and Hindi and in India at large, where his identity fluctuates between regional associations and a quiet, pan-Indian, nationalist-secularist profile that champions the poor, oppressed, marginalized, and low caste. Christian Lee Novetzke considers the way social memory coheres around the figure of Namdev from the sixteenth century to the present, examining the practices that situate Namdev's memory in multiple historical publics. Focusing primarily on Maharashtra and drawing on ethnographies of devotional performance, archival materials, scholarly historiography, and popular media, especially film, Novetzke vividly illustrates how religious communities in India preserve their pasts and, in turn, create their own historical narratives. |
| life history of lata mangeshkar in hindi: The Hundred Luminaries of Hindi Cinema Dinesh Raheja, Jitendra Kothari, 1996 About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music directors, playback singers and writers. Collectively, the 100 profiles form the mosaic of the larger story the story of Hindi cinema. About the Author : - Dinesh Raheja is a respected name in quality film journalism today. Born and educated in Bombay, Raheja was raised on a staple diet of two films a week. Having successfully evaded all parental effort to turn him into a chartered accountant, Raheja began his career as a film journalist with Cine Blitz and then moved on to become editor of Movie magazine. Throughout his career, Raheja has consistently promoted accurate and in-depth reportage. In addition to his involvement with Movie, he is much in demand as a scriptwriter for Hindi television. He also likes to dabble with poetry. Jitendra Kothari is in love with the world of Hindi films. Noted for his near encyclopaedic knowledge of the subjects, Kothari gravitated naturally into the area of professional film journalism. Starting out as a reporter in 1988, he is presently the deputy editor of Movie magazine. His well-researched and authenticated columns have garnered widespread acclaim from professionals and stars alike. A voracious reader, Kothari aspires to make a significant contribution to the literature currently available on films. |
| life history of lata mangeshkar in hindi: Gaata Rahe Mera Dil: 50 Classic Hindi Film Songs Balaji Vittal, Anirudha Bhattacharjee, 2015-06-26 Look behind the scenes of fifty celebrated songs, from an estimated repository of over one lakh! 'De de khuda ke naam pe': when Wazir Mohammed Khan sang these words in India's first talkie, Alam Ara, he gave birth to a whole new industry of composers, lyricists and singers, as well as an entirely new genre of film-making that is quintessentially Indian: the song-and-dance film. In the eight decades and more since then, Hindi film songs have enraptured listeners all over the world. From 'Babul mora, naihar chhooto jaye' (Street Singer, 1938) to 'Dil hai chhota sa' (Roja, 1992); from the classical strains of 'Ketaki gulab' (Basant Bahar, 1956) featuring Bhimsen Joshi to the disco beats of Nazia Hassan's 'Aap jaisa koi' (Qurbani, 1981); from the pathos of 'Waqt ne kiya' (Kaagaz Ke Phool, 1959) to the exuberance of the back-to-back numbers in Hum Kisise Kum Naheen (1977), here is an extraordinary compilation, peppered with trivia, anecdotes and, of course, the sheer joy of music. Find out answers to questions like: With which unreleased film did Kishore Kumar turn composer? In which song picturization was dry ice first used? Which all-time classic musical was initially titled Full Boots? Where was the title song of An Evening in Paris shot? The idea for which song originated when the film-maker visited Tiffany's in London? Which major musical partnership resulted from the celebrations around an award function for a commercial jingle for Leo Coffee? How many of your favourites find mention here? Make your own list! |
| life history of lata mangeshkar in hindi: Naushadnama Raju Bharatan, 2014-04-14 The seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960). No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hold on the public imagination. Although we continue to marvel at the incredible variety of his mellifluous creations that have withstood the test of time, how little most of us know about Naushad the man. Renowned song historian Raju Bharatan fleshes out the real Naushad – his triumphs and tragedies – bringing into play more than 50 years of personal interaction with the tuneful titan. In the process, the author makes the book more sparking with a string of anecdotal gems. For instance: • How Naushad and his contemporaries despite their professed bonhomie, were fiercely competitive (both musically and monetarily) in their attempts to occupy the ‘top spot’. • How many days of rehearsal were needed for some of the Baiju Bawara masterpieces? • How the immortal compositions of Mughal-e-Azam were recorded in a studio no better than a tin shed. This volume also throws new light on the relations and interactions between Naushad and his singers (especially Suraiya, Mohammed Rafi, Lata Mangeshkar, Asha Bhosle and Shamshad Begum); his songwriters (mainly D.N Madhok, Shakeel Badayuni and Majrooh Sultanpuri); and his ‘unsung’ instrumentalists (some of whom were geniuses in their own right). |
| life history of lata mangeshkar in hindi: Encyclopedia of India Stanley A. Wolpert, 2006 A four-volume survey of the history, cultures, geography and religions of India from ancient times to the present day. Includes more than 600 entries, arranged alphabetically. For students and general readers. |
| life history of lata mangeshkar in hindi: More Than Bollywood Gregory D. Booth, Bradley Shope, 2013-11-01 This is the first book to tackle the diverse styles and multiple histories of popular music in India. It brings together fourteen of the field's leading scholars to contribute chapters on a range of topics from the classic songs of Bollywood to contemporary remixes. The chapters in this volume address the impact of media and technology on contemporary music, the variety of industrial developments and contexts for Indian popular music, and historical trends in popular music development both before and after the Indian Independence in 1947. The contributors also address the subcontinent's historical relationships with colonialism, the transnational market economies, local governmental factors, international conventions, and a host of other circumstances that shed light on the development of popular music throughout India. To illustrate each chapter author's points, and to make available music otherwise not always easily accessible, the book features a companion website of audio and video tracks. |
| life history of lata mangeshkar in hindi: International Perspectives on Publishing Platforms Meghan Forbes, 2018-12-21 With large-scale scholarly projects dedicated to digitizing print-based magazines and a concurrent turn towards digital mapping and data visualization, periodicals that were once accessible only in the archive now have the capacity to reach a wider audience, and make visible previously overlooked networks and connections enacted within and across the magazines. International Perspectives on Publishing Platforms: Image, Object, Text offers a unique contribution to the field of periodical studies, while also broadening the scope of purview to consider related content with regards to other relevant printed matter and cultural products, as well as digital archiving strategies. Including interdisciplinary contributions from academics around the world, the volume presents a wide range of approaches to periodicals and printed matter from Africa, Asia, Europe, the Middle East, Latin America, and the Caribbean. Questions of material print culture and the digital realm are considered both via theoretical and more empirical approaches. As a whole, the book considers the pluralism of perspectives that the study of periodicals and printed matter contribute to our historical understanding of various political and social issues, and also devotes attention to the ways in which digital archiving projects can be instrumentalized as a strategy for filling in gaps in the historical record. International Perspectives on Publishing Platforms should be of great interest to researchers, academics and postgraduates engaged in the study of periodicals, publishing, book history, world literature, digital humanities, media, visual and material culture. |
| life history of lata mangeshkar in hindi: Senses and Citizenships Susanna Trnka, Christine Dureau, Julie Park, 2013-05-02 What does disgust have to do with citizenship? How might pain and pleasure, movement, taste, sound and smell be configured as aspects of national belonging? Senses and Citizenships: Embodying Political Life examines the intersections between sensory phenomena and national and supra-national forms of belonging, introducing the new concept of sensory citizenship. Expanding upon contemporary understandings of the rights and duties of citizens, the volume presents anthropological investigations of the sensory aspects of participation in collectivities such as face-to-face communities, ethnic groups, nations and transnational entities. Rethinking relationships between ideology, aesthetics, affect and bodily experience, the authors reveal the multiple political effects of the senses. The book demonstrates how various elements of political life, including some of the most fundamental aspects of citizenship, rest not only upon our senses, but on their perceived naturalization. Vivid ethnographic examples of sensory citizenship in Europe, the United States, the Pacific, Asia and the Middle East explore themes such as sight in political constructions; smell and ethnic conflict; pain in the constitution of communities; national soundscapes; taste in national identities; movement, memory and emplacement. |
| life history of lata mangeshkar in hindi: In The Space Of A Song Richard Dyer, 2013-07-03 Richard Dyer's 'In the Space of a Song' takes an in-depth look at the use of songs in film. Songs take up space and time in film and the way they do so indicates a great deal about the songs themselves, the nature of the feelings they present, and who is allowed to present feelings how, when and where. This book explores this perception. |
| life history of lata mangeshkar in hindi: In Search of Lata Mangeshkar Harish Bhimani, 1995 Biography of Latā Maṅgeśakara, b. 1929, Hindi and Marathi playback singer. |
| life history of lata mangeshkar in hindi: Social Voices Levi S. Gibbs, 2023-09-05 Singers generating cultural identity from K-Pop to Beverly Sills Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music. Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions. Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald |
| life history of lata mangeshkar in hindi: Eurasian Politics: Ideas, Institutions and External Relations Mr Tulsiram, Mr Ajay Patnaik, 2013-06-15 The transitional politics of Eurasian space is marked by a constant struggle among three sets of ideas and institutions: the 1 is the remarkable resilience of Soviet ideas and institutions; 2, an attempt by the regimes of these states to reinvent the historical and cultural traditions of preSoviet periods; and third is an attempt by a section of the powerful elite to superimpose Western liberal ideas and institutions. There is a strange intertwining of these ideas and institutions. This book examines the extent to which the postSoviet politics has departed from the Soviet one. What are the new ideational structures emerging in these states and how far have they crystallised into institutions? What are the external influences which are shaping the institutions in the Eurasian space? And finally, what are the various dynamics of geopolitics in this region? Experts from various countries will delve into the shifting dynamics of Eurasian politics. |
| life history of lata mangeshkar in hindi: Hindi Film Song Ashok Damodar Ranade, 2006 |
| life history of lata mangeshkar in hindi: Behind the Scenes of Hindi Cinema Johan Manschot, Marijke de Vos, 2005 Behind the Scenes of Hindi Cinema is an insightful journey into the complex worlds of fantasy and reality inhabited by creative artistes. India is a unique country that exists in multiple centuries simultaneously. This book unravels the various mysteries and contradictions embedded in our centuries-old tradition. (...) Using defined sections and relevant case studies, the authors analyse the emotional ingredients that form the essence of India and Indian cinema. (Excerpt from the Foreword by Amitabh Bachchan) Behind the Scenes of Hindi Cinema explores the inner world of Bombay film, the best known of India's movie industries. Many aspects of Hindi cinema are brought to life on the pages of this richly illustrated book - from its beginnings to the present day. The use of songs to advertise movies, the role of censorship, devotion to god and family: these subjects and many more are illuminated. It reveals the symbolism of the divine role models Radha-Krishna and Ram-Sita at the heart of the main protagonists in many films, and the passion of the people working behind the scenes. It examines the changing face of the nation's enemies, the marriage scene, lyricists and playback singers, and it sheds light on Tamil cinema, which rivals the Hindi film industry in output and popularity. The book concludes with an analysis of the mass appeal of Hindi film beyond India's borders and the recent embrace of the much-hyped 'Bollywood' phenomenon in the West. |
| life history of lata mangeshkar in hindi: Chalo Jahaji Brij V. Lal, 2012-12-01 “It is a milestone in subaltern studies, a biographical journey penned by a living relic of the indentured experience and a scholar whose thoroughly interdisciplinary approach is a good example for the anthropologist, the sociologist or the economist who wish to see the proper integration of their disciplines in a major historical work.” Brinsley Samaroo, University of the West Indies, St Augustine Campus, Trinidad |
| life history of lata mangeshkar in hindi: Bollywood Kitchen Sri Rao, 2017 A gorgeously illustrated cookbook pairing Bollywood classic and cult favorite movies with Indian menus and recipes in an amazingly illustrated cookbook which fans will adore |
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