| kobane calling: Kobane Calling Zerocalcare, 2020-01-14 For five months, the fanatical soldier-terrorists of the Islamic State laid siege to the Kurdish-held city of Koban, in northern Syria, before finally being turned back by the men and women of the Kurdish militias: the Peoples Protection Units (the YPG) and the Women's Protection Units (the YPJ). When an Italian cartoonist travels across Turke, Kurdish-held Iraq, and rebel-held Syria to document their struggle against ISIS, what he finds is anything but simple. - back cover. |
| kobane calling: Always Connect Francesca Di Blasio, Maria Micaela Coppola, Greta Perletti, 2024-08-12 Literature and its interactions with other disciplines such as history, philosophy, anthropology, the visual and multimedia arts, social sciences, medicine, technologies, are at the core of many potential and multifaceted investigations, originating within literary discourse itself. Through these multifarious multidisciplinary approaches, literature can be seen as a complex and dynamic system, in which issues of cross-cultural contact can be tackled from different theoretical and methodological points of view. This volume focuses on the philosophical and scientific debate on cultural contact by investigating the critical implications of these dynamics through multidisciplinary perspectives to literary studies, and bridging the gap between apparently divergent approaches. |
| kobane calling: Transnational Italian Studies Charles Burdett, Loredana Polezzi, 2020-07-17 Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people’s lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay. |
| kobane calling: Syrian Armenians and the Turkish Factor Marcello Mollica, Arsen Hakobyan, 2021-10-27 This volume examines significant social transformations engendered by the ongoing Syrian conflict in the lives of Syrian Armenians. The authors draw on documentary material and fieldwork carried out in 2013-2019 among Syrian Armenians in Armenian and Lebanese urban settings. The stories of Syrian Armenians reveal how contemporary events are seen to have direct links to the past and to reproduce memories associated with the Armenian genocide; the contemporary involvement of Turkey in the Syrian war, for example, is seen on the ground as an attempt to control the Armenian presence in Syria. Today, the Syrian Armenian identity encapsulates the complex intersection of memory, transnational links to the past, collective identity and lived experience of wartime “everydayness.” Specifically, the analysis addresses the role of memory in key events, such as the bombing of Armenian historical sites during the commemorations of 24 April in the Eastern Syrian city of Deir ez-Zor; the (perceived) shift from destroying Syrian Armenians’ material culture to attempting to destroy the Armenian community in urban Aleppo; and the informal transactions that take place in the border area of Kessab. This carefully-researched ethnography will appeal to scholars of anthropology, sociology, and political science who specialize in studies of conflict, memory and diaspora. |
| kobane calling: Altered States Sune Haugbolle, Mark LeVine, 2022-08-22 Building on Timothy Mitchell's seminal 1991 exploration of the Limits of the State, this book brings together contributions on the state in the Arab world from the past and present in an edited volume. Altered States views the state less as a matter of people and institutions and more as sets of practices, regimes of truth, and capabilities of power, and the effects they have on those under their control. Through analysing case studies - including Tunisia, Syria, Lebanon, Egypt, Palestine, UAE, Rojova, and the Islamic State - the concept of the state is applied and questioned. This book examines the roots of policies that led to the uprisings, focusing on how the authoritarian bargain, which helped define Arab politics, broke down with the rise of neoliberalism. It also assesses how boundaries between state and society have been redrawn, as various dynamics have brought state forces into more open conflict with citizens and each other. The rapid pace of change in the Arab world has necessitated constant modification of themes and theoretical lens of analysis. This book will, therefore, be of interest to practitioners, graduate students and academics of the Arab world, statehood, and political science. |
| kobane calling: Tentacles at My Throat Zerocalcare, 2018-07-18T00:00:00+02:00 Three friends, their schoolgrounds, a secret. And fifteen years later, the discovery that they all thought there was only one secret, but each had their own. And there was one more, bigger than the others, that none were aware of. This is Zerocalcare's second graphic novel, the one that made him stand out as an intelligent, delicate, merciless narrator when it comes to describing his own weaknesses, which may be everyone's. A complete story in three parts at different times in the coming of age of young Calcare; three moments that have in common the all-too-familiar feeling of having tentacles at the throat. |
| kobane calling: The I.B. Tauris Handbook of Sociology and the Middle East Fatma Müge Göçek, Gamze Evcimen, 2022-11-17 What we understand by the 'Middle East' has changed over time and across space. While scholars agree that the geographical 'core' of the Middle East is the Arabian Peninsula, the boundaries are less clear. How far back in time should we go to define the Middle East? How far south and east should we move on the African continent? And how do we deal with the minority religions in the region, and those who migrate to the West? Across this handbook's 52 chapters, the leading sociologists writing on the Middle East share their standpoint on these questions. Taking the featured scholars as constitutive of the field, the handbook reshapes studies on the region by piecing together our knowledge on the Middle East from their path-defining contributions. The volume is divided into four parts covering sociologists' perspectives on: · Social transformations and social conflict; from Israel-Palestine and the Iranian Revolution, to the Arab Uprisings and the Syrian War · The region's economic, religious and political activities; including the impact of the spread of Western modernity; the effects of neo-liberalism; and how Islam shapes the region's life and politics · People's everyday practices as they have shaped our understanding of culture, consumption, gender and sexuality · The diasporas from the Middle East in Europe and North America, which put the Middle East in dialogue with other regions of the world. The global approach and wide-ranging topics represent how sociologists enable us to redefine the boundaries and identities of the Middle East today. |
| kobane calling: Daughters of Albion Issue 1 Denis Phan, Trevor Jayakody, Reclusive scavenger Hashani has disturbing dreams of creatures appearing in the streets of London. Detective Shaw investigates a double murder where the victims don’t appear to be human. A powerful demon goes on a bloodthirsty quest for vengeance. Daughters Of Albion is a new Cyberpunk Fantasy comic. Discover a different London in the critically acclaimed Daughters of Albion. |
| kobane calling: The Armadillo Prophecy Zerocalcare, 2024-02-28 The Armadillo Prophecy is Zerocalcare’s debut OGN, and it’s the story of how he coped with learning too late that a dear friend from his childhood had died, all while a giant armadillo represents his imaginary conscience. Dryly funny, witty, and inventive, it’s a classic that has sold over 140,000 copies in Italy alone. Now in its 13th reprint, it is Zerocalcare’s most popular title. Structured as a series of short stories that tie in to form a cohesive narrative, this is the seminal story that made Zerocalcare famous for his ability to write comedy with depth and elements of drama embedded in the plot. While it references Italian society, it’s definitely a universal tale of loss, coping and coming of age. |
| kobane calling: Zerocalcare's Forget My Name Zerocalcare, 2022-06-22 When the last vestiges of his childhood are taken from him, Zerocalcare discovers unsuspected se-crets about his family. Torn between the soothing numbness of the innocence of youth and the im-possibility to elude society's ever expanding control over people's lives, he'll have to understand where he really comes from, before he understands where he is going. A story that was shortlisted for Italy’s prestigious Strega literary award, a honor that was bestowed on a graphic novel only twice in the award’s history. This is the book that has broken down the barrier between “real book” readers and graphic novel enthusiasts in Europe, having sold over 150,000 copies so far. |
| kobane calling: The Calling Inger Ash Wolfe, 2009-05-19 When a terminally ill woman is found brutally murdered in her home, Detective Inspector Hazel Micallef tracks a terrifying serial killer, who targets terminally ill victims whose bodies are found drained of blood with their mouths sculpted into strange shapes. |
| kobane calling: Spit Three Times Davide Reviati, 2020-06-16 Winner of the Carlo Boscarato Prize 2016 Winner of the Lo Straniero Prize 2016 Winner of the Attilio Micheluzzi Prize for Best Writing 2017 Sélection Officielle Angoulême 2018 In a forsaken corner of the Italian countryside, Guido and his friends Moreno and Katango spin out their days in languor and boredom intermixed with desire and, occasionally, violence. Nearby live the Stančič, a family of Romani who escaped the communist regime of Marshal Tito and settled here just after World War II. Guido’s coming-of-age is changed by the evolving relationship that the rural town has with this group of outsiders, these “gypsies.” The author is unsparing in his depiction of the townspeople’s cruelty. And yet, there are also many instances of solidarity between Guido’s community and the Stančič. Reviati’s first book in English, Spit Three Times is an extraordinary story of young men, disillusioned and trying to find their way, caught in the breach between post-war exuberance and the stagnation of the early twenty-first century. |
| kobane calling: Documenting Trauma in Comics Dominic Davies, Candida Rifkind, 2020-05-21 Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study. |
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| kobane calling: Where the Sun Rises Suzanne Strong, 2019-10-09 ISIS closing in...An ancient middle eastern city. Two Kurdish women take up arms to defend those they love. Kobane, Syria, 2014.Chaos reigns in the streets of Kobane as the ominous sounds of mortar fire, grenades and explosions ricochet off the surrounding hills. Despite ISIS closing in, Karin and Roza's families remain to defend their homeland. When Karin's brother and Roza's husband are killed, these two best friends face the dilemma of whether to fight. Karin and Roza take up arms and face death daily to defend their families. When they find out their friend's sister has been captured, they find themselves bonded together on a dangerous rescue mission. In the end, Karin and Roza learn what courage, friendship, self-sacrifice and love for their homeland may really cost them.If you liked The Kite Runner by Khaled Hosseini then you will love this novel. It is a story of feminine courage, sacrifice and friendship. This Hemingwayesque novel shows the conflict with ISIS through the eyes of two strong female Kurdish soldiers. A powerful, compassionate novel.A strong, poignant and powerful exploration of women fighting the most terrifying enemy. |
| kobane calling: Niente di nuovo sul fronte di Rebibbia Zerocalcare, 2021-11-25 Una raccolta atipica, in cui Zerocalcare si occupa di temi importanti, prima di concedersi una lunga digressione personale. Dalla condizione dei carcerati a inizio pandemia, all’importanza della sanità territoriale, dalla seduzione della denuncia della “cancel culture” alle condizioni di vita degli ezidi in Iraq, questo ponderoso volume non fa sconti al lettore. Nella storia finale, l’autore racconta i dubbi e le ansie dell’ultimo anno, in cui il mondo si interrogava sul futuro e lui cercava di capire una volta per tutte cosa fare da grande. |
| kobane calling: Poppies of Iraq Brigitte Findakly, Lewis Trondheim, 2021-04-22 A personal account of an Iraqi childhood Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged. Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte’s father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly’s memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile. Poppies of Iraq has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal. |
| kobane calling: Frames and Framing in Documentary Comics Johannes C.P. Schmid, 2021-02-24 Frames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In what ways are ‘facts’ being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the medium’s visual frames. |
| kobane calling: A Small Key Can Open a Large Door Strangers in a Tangled Wilderness, 2015 There's a revolution going on in northern Syria, one that challenges everything we know about government and society and freedom. With centuries of ethnic oppression behind them, their backs against the embargo wall of Turkey, and the ruthless forces of the Islamic State laying siege to their cities, the people of Rojava are trying what might be the most ambitious social experiment of our times. Two-and-a-half million people are trying to live without a nationstate, using direct democracy to build a society ruled from the bottom up. As the Syrian civil war rages, the Kurds and other ethnic groups of Rojava fight for autonomy, feminism, ecological stewardship, cooperative economics, and ethnic, linguistic, and religious pluralism. It behooves us to understand their struggle as best we can. This book, compiling the words of militia members and academics alike, lays out the Rojava Revolution in plain language. |
| kobane calling: Kobane Calling Zerocalcare, 2017 Kobane calling is the story of Italian comic book artist Zerocalcare's journey to Jurdistan in 2015 during the battle for Kobane. This battle saw revolutionary defence forces, the YPG and YPJ, defend the city of Kobane and the wider Rojava revolution from the forces of ISIS. Published by the Plan C, an anticapitalist organisation based in the UK, it also contains an introduction by it's Rojava Solidarity cluster and a comprehensive interview with a volunteer working within the revolution. This wonderfully illustrated book is a great introduction to the revolution in Rojava.--Page 4 of cover. |
| kobane calling: No sleep 'til Shengal Zerocalcare, 2023-03-02 Tras el éxito internacional de Kobane Calling, traducido a 15 idiomas, Zerocalcare regresa al periodismo gráfico con un testimonio sobre la revolución de los ezidíes, una minoría étnica masacrada y discriminada en el corazón del Kurdistán Oriental. MÁS DE DOS MILLONES DE LECTORES EN TODO EL MUNDO «La sensibilidad social, la empatía y la calidez humana que Zerocalcare plasma en sus obras son lo que justamente les otorga el sello de lo duradero, a la vez que consolida su lugar en el Panteón del cómic italiano». The Comics Journal CUANDO NADIE DICE NADA... CUANDO NADIE VE NADA... ES CUANDO SUCEDEN LAS MATANZAS. No Sleep Till Shengal nos cuenta el regreso de Zerocalcare a Oriente Medio. En primavera de 2021 viaja al norte de Irak, hasta el seno de la comunidad ezidí, un pueblo que sobrevivió al genocidio del ISIS en 2014, está bajo protección de las milicias kurdas y ve amenazada su autonomía por las tensiones internacionales. El propósito de Zero es documentar sus condiciones de vida y lucha. Esta es la crónica de un momento geopolítico preciso, en el que un puñado de personas se opone al poder abrumador de quienes llaman «terrorismo» a cualquier intento de resistencia, mientras el sueño del confederalismo democrático corre el riesgo de desaparecer para siempre ante la indiferencia de Occidente. «Un lenguaje directo y muy cercano, [...] un dibujo nervioso, diálogos afilados y un humor cauterizador». Jordi Canyissà, La Vanguardia «Zerocalcare tiene un toque ya tan definido [que] nos pone en el escenario de confort que la misma historia reta y hasta destruye con un realismo atroz. [...] Es especialmente gozoso ver cómo Zerocalcare consigue que las herramientas más lógicas para la comedia sirvan a una historia que no lo es. Hay caricatura, hay exageración, pero a la vez hay emoción y sinceridad en las expresiones». Cómic para todos «Con su particular estilo, en la línea del estadounidense Joe Sacco, perfectamente documentado y recabando testimonios sobre el terreno, pero sin dejar de lado su particular humor ácido a la hora de describir algunas de las situaciones, el artista transalpino hace una descripción geopolítica muy precisa». José Oliva, Diario de Navarra «Un ejemplo de periodismo gráfico que le conecta con autores como Joe Sacco. Una historieta bien trenzada en dibujo y guion». Jacobo Rivero, El País «Me encantó No Sleep Till Shengal de principio a fin, incluso me dio escalofríos. Creo que necesitamos muchos más narradores como Zerocalcare, tanto por su pluma como por su conciencia». Antonio Alaminos-Fernández, La Estantería «Riéndose de sí mismo, de nuestras debilidades, de nuestros torpes intentos de buscar sentido a las cosas, lo que hace Zerocalcare es buscar la verdad de los hechos, más allá de nuestra voz narcisista; en este caso, retratando un Shengal que no quiere rendirse, un espacio heroico enterrado bajo las capas de nuestro ridículo tiempo imaginario». Fumettologica «En losgrises de sus páginas encontramos escenas densas, profundas y dramáticas, pero también irónicas». Corriere della Sera «Un fenómeno aparte, difícil de descifrar». Manuele Fior «Zerocalcare usa como siempre los grises para dar profundidad y nitidez a sus viñetas, y [...] resuelve, en suma, con soltura gráfica, destreza narrativa y sin merma de su crédito, el embrollo que a su talento le presenta su compromiso militante con los kurdos y sus aliados». Juan Manuel Díaz de Guereñu, Pérgola |
| kobane calling: Enciclopædia Calcarea Zerocalcare, 2023-10-10 Se è vero che l’universo si espande, l’universo narrativo di Zerocalcare non è certo da meno! Con una produzione a fumetti sconfinata e ben due serie animate per Netflix, i luoghi, i personaggi e le situazioni di uno degli autori più amati a livello mondiale necessitavano di un’enciclopedia tutta loro! Ecco allora l’Enciclopaedia Calcarea, un elenco ragionato dei personaggi più iconici del suo mondo, arricchito da una lunga intervista che si dipana lungo tutto il libro insieme a disegni e tavole per ogni voce! Un oggetto preziosissimo, una bussola imprescindibile per i suoi fan della prima ora e per quelli che lo hanno scoperto da poco, per chi conosce già a memoria i suoi libri e per chi ha bisogno di un’enciclopedia da consultare all’occorrenza! |
| kobane calling: Será todo para mí Zerocalcare, 2025-04-03 ZEROCALCARE VUELVE CON SU HISTORIA MÁS PERSONAL. La novela gráfica de madurez del autor más seguido y querido de Europa, con más de dos millones de lectores «Su peculiar manera de fusionar la rabia y el humor, así como los registros íntimos con los sociales, es lo que ha propiciado que este hijo de los barrios populares romanos, criado entre casas okupas y conciertos punk, se convierta en uno de los autores más famosos de Italia». Le Monde ZEROCALCARE ES EL CREADOR DE LAS SERIES DE NETFLIX CORTAR POR LA LÍNEA DE PUNTOS Y ESTE MUNDO NO ME HARÁ MALA PERSONA «En el colegio te enseñan a distinguir entre feliz, triste y enfadado. Pero lo del sentimiento de culpa no te lo explica ni dios». La comunicación entre Zerocalcare y su padre siempre ha sido difícil y frágil. Un viaje juntos al pueblo de sus ancestros, perdido en el Véneto, al pie de los Dolomitas, puede ser la excusa perfecta para conocerse mejor. La montaña nunca olvida, reza una pintada en un muro del lugar. A lo largo de los tres actos que componen Será todo para mí, el autor explora la manera en que los traumas generacionales han ido filtrándose en la piedra del tiempo hasta esculpir los silencios del hoy. Si Olvida mi nombre era un homenaje a su madre, en este libro Zerocalcare aborda descarnadamente la relación con su padre y logra llevar aún más lejos los límites entre autobiografía y ficción. Será todo para mí es, sin duda, su obra más bella, madura y confesional. La crítica ha dicho... «Zerocalcare reconstruye con humor su infancia y la de su familia apoyándose en la figura de su padre. Será todo para mí destaca por la frescura de unos diálogos que tratan temas complejos e íntimos con un humor y una frescura envidiables». Jordi Canyissà, La Vanguardia «Poco a poco el italiano Zerocalcare se ha convertido en una figura indiscutible del cómic mundial. Un reconocimiento que ha logrado sin tener que amoldarse a las exigencias de editoriales multinacionales que ejercen un control férreo sobre sus cómics». Diego García Rouco, Zona Negativa «Con su caricatura, con sus exageraciones, pero siempre con un pie puesto en su realidad personal, [...] Zerocalcare tiene una forma de narrar que, con una comedia cínica, facilita esta entrada para el lector, que se ve siempre sorprendido por el fervor con el que pasa las páginas». Juan Rodríguez Millán, Cómic para todos «Una aguda y sincera reflexión sobre los traumas generacionales y sobre su relación con su padre, al que nunca ha llegado a comprender». Jesús Jiménez, RTVE «Zerocalcare nos entrega su alma en viñetas, con esa mezcla única de ironía, ternura y brutal honestidad que lo ha convertido en un fenómeno cultural más allá del papel. Quien busque emociones reales y una narrativa que se atreva a mirar al abismo con una sonrisa amarga, encontrará en esta obra algo más que un buen cómic: encontrará verdad». Víctor Teruel Sánchez, Akiba Station «Un trabajo muy sólido en el que profundiza en el sentido de la paternidad, la incompetencia emocional de los hombres y la incapacidad para comunicarse y mostrar el afecto entre ellos así como sus sentimientos profundos». Diario de Navarra «Quizá este sea el libro más personal de Zerocalcare; en él la mirada autobiográfica está puesta notablemente en el centro [...]. En cada una de sus obras se ha ido acercando a su verdad más auténtica, a un refugio emocional extremadamente íntimo que contrasta con todo lo que se había abierto al mundo antes». Wired |
| kobane calling: Esqueletos Zerocalcare, 2022-09-22 Descubre el universo de Zerocalcare, el creador de la serie de Netflix Cortar por la línea de puntos. MÁS DE DOS MILLONES DE LECTORES EN TODO EL MUNDO «El Hunter S. Thompson de la viñeta». The Guardian «Un maestro popular». Le Monde «Cómics con grandísimo mérito». Tageszeitung «Un estilo único». El País AQUÍ NADIE CAMBIA. COMO MUCHO SE ESTROPEA. Dieciocho años y una mentira infame: en lugar de ir a la universidad, como le cuenta a su madre, el joven Zero se dedica a pasar las mañanas en el metro, de terminal a terminal. Así es como conoce a Arloc, un chicomenor que él y que tiene otros motivos para perder sus días en un vagón de la línea B de Roma. Según crece su amistad, aparecen algunas sombras en la manera que tiene Arloc de ver la vida, hasta fusionarse con el oscuro mundo del tráfico de drogas en la periferia romana. A medio camino entre la realidad y la ficción, entre el thriller y la novela de formación, Zerocalcare entrega con Esqueletos su cómic más atroz: una historia de contracultura, violencia y redención. La crítica ha dicho... «Una singular mixtura de confidencia y humor que constituye su voz personal. [...] Zerocalcare propone en Esqueletos una nueva entrega de sus confidencias cómicas, amena y sustanciosa, que suscita de nuevo la sonrisa sin escamotear los aspectos más sombríos de los tiempos que rememora, sus esqueletos». Juan Manuel Díaz de Guereñu, El Correo «El Hunter S. Thompson del cómic». The Guardian «Un thriller con tintes pulpsobre la necesidad de enfrentarse a los propios demonios». Il Fatto Quotidiano «El autor inyecta su obra de tintes pulpa través de viñetas que sorprenden al lector por el excelente uso del blanco y negro, que parece querer resaltar las escenas más truculentas de la historia». Il Fatto Quotidiano «El fenómeno Zerocalcare, de la periferia de Roma a las pantallas de medio mundo». El País «Una magnifica sinfonía de Roma sobre la marginalidad y la dificultad de crecer y de encontrar un sentido. Una historia sobre la vida». La Repubblica «Una historia que intenta salir de las fronteras conocidas por el autor, que opta por experimentar con un nuevo género [...]. En Esqueletos, Zerocalcare ya no es (solo) el personaje perdido que busca continuamente en los demás una confirmación de su identidad, sino una figura que contribuye a la educación sentimental y cultural de los jóvenes adultos que lo leen». Fumettologica «Su cómic más atroz: una historia de contracultura, violencia y redención». Raúl Cidoncha, Quizás |
| kobane calling: Nuevas visiones sobre el cómic Julio A. Gracia Lana, Ana Asión Suñer, 2018-10-09 El cómic es uno de los medios más ricos y, sin embargo, menos explorados de la contemporaneidad. El presente libro da voz a algunos de los especialistas e investigadores internacionales más destacados en el estudio de esta manifestación artística, constituyendo uno de los mayores esfuerzos por abordar el estudio de la historieta desde la interdisciplinariedad. El enriquecimiento que supone el contraste de diferentes metodologías permite abordar la capacidad del cómic para reflejar nuestro presente, su fuerza como instrumento pedagógico o los vínculos, siempre existentes pero cada vez mayores, entre el cómic y las artes plásticas, la literatura, el diseño o, por supuesto, el cine |
| kobane calling: They Call It Diplomacy Peter Westmacott, 2021-02-04 The memoirs of senior UK diplomat Sir Peter Westmacott, former ambassador in Turkey, France and the United States during Barack Obama's presidency. 'A highly readable account of a glittering diplomatic career' Tony Blair 'One of the most brilliant and consequential diplomats of his generation' Andrew Roberts 'A must-read guide to the crucial role for diplomacy in restoring British influence' Philip Stephens Urbane, globe-trotting mandarins; polished hosts of ambassadorial gatherings attended by the well-groomed ranks of the international great and good: such is the well-worn image of the career diplomat. But beyond the canapés of familiar caricature, what does a professional diplomat actually do? What are the activities that fill the working day of Her Majesty's Ambassadors around the world? Peter Westmacott's forty-year career in the Foreign and Commonwealth Office straddled the last decade of the Cold War and the age of globalization, included spells in pre-revolutionary Iran and the European Commission in Brussels, and culminated in prestigious ambassadorial postings in Ankara, Paris and Washington in the post-9/11 era. As well as offering an engaging account of life in the upper echelons of the diplomatic and political worlds, and often revealing portraits of global leaders such as Blair, Erdogan, Obama and Biden, They Call It Diplomacy mounts a vigorous defence of the continuing relevance of the diplomat in an age of instant communication, social media and special envoys; and details what its author sees as some of the successes of recent British diplomacy. |
| kobane calling: Macerie Prime Zerocalcare, 2017-11-14 Secco fa l'insegnante. Cinghiale si sposa. Le cose cambiano, velocemente. Nel suo libro più corale a oggi, Zerocalcare racconta la difficoltà di crescere, di scoprire il proprio ruolo nella società, di non perdere i legami che contano. Macerie prime ha un cast che attinge a tutti i libri precedenti dell'autore di Rebibbia, ne aggiunge di nuovi, e calibra con cura la distanza tra di loro, in una storia densa di simbolismi che prenderanno completamente forma nel secondo e conclusivo capitolo della storia, Macerie prime - Sei mesi dopo, che uscirà a maggio 2018. |
| kobane calling: The Book Tour Andi Watson, 2020-11-18 A page-turning, Kafkaesque dark comedy in brilliant retro style, this graphic novel watches one man try to keep it together while everything falls apart. Upon the publication of his latest novel, G. H. Fretwell, a minor English writer, embarks on a book tour to promote it. Nothing is going according to plan, and his trip gradually turns into a nightmare. But now the police want to ask him some questions about a mysterious disappearance, and it seems that Fretwell's troubles are only just beginning… In his first book for adults in many years, acclaimed cartoonist Andi Watson evokes all the anxieties felt by every writer and compresses them into a comedic gem of a book. Witty, surreal, and sharply observant, The Book Tour offers a captivating lesson in letting go. |
| kobane calling: La Scuola di Pizze in Faccia del professor Calcare Zerocalcare, 2019-10-21 Questa nuova raccolta di storie di Zerocalcare, precedentemente apparse sul suo blog, su Wired, su Best Movie, su Repubblica, l’Espresso e altrove, è la più corposa della sua produzione editoriale. Corredata da un preciso sommario cronologico, è impreziosita anche da una nuova storia inedita in tre parti, per un totale di venticinque pagine, in cui l’autore di Rebibbia riflette sul necessario equilibrio tra il suo narrare più impegnato e quello più dégagé. Un libro ricchissimo di contenuti, una raccolta sorprendente. |
| kobane calling: Zentrum und Peripherie Julien Bobineau, Julius Goldmann, Stefanie Goldschmitt, Robert Hesselbach, Gabriella-Maria Lambrecht, 2018-12-07 Vom 16.-19. März 2016 fand das Forum Junge Romanistik zum Thema „Zentrum und Peripherie“ an der Julius-Maximilians-Universität Würzburg statt. Die dialektischen Begriffe Zentrum und Peripherie werden im vorliegenden Band dabei aus literatur-, sprach- und kulturwissenschaftlicher Perspektive betrachtet. Ihre Relevanz in der Romania wird hierbei in den einzelnen Beiträgen anhand geographischer, räumlicher, historischer, gesellschaftlicher und sprachlicher Aspekte untersucht, um auf diese Weise verschiedene Betrachtungsweisen und Analysemethoden einzubeziehen. Der Band bietet neben einer heterogenen Herangehensweise an die Dimensionen des Begriffspaars eine strukturierte Darstellung der einzelnen untersuchten Phänomene. Die beiden Themenblöcke fokussieren einerseits vielfältige literaturwissenschaftliche Betrachtungen der Dichotomie des Begriffspaars, andererseits auch die sprachwissenschaftlichen Konzeptionen von Zentrum und Peripherie. Somit werden neue Sichtweisen sowohl auf zentrale als auch periphere Phänomene in der romanistischen Forschung eröffnet, indem zum einen die Bandbreite der (traditionellen) Zentren und Peripherien dargelegt wird und zum anderen auf aktuelle Diskussionen im Kontext der zwei Begriffe referiert wird. Du 16 au 19 mars 2016 s’est tenu à l’université Julius Maximilian de Würzburg le forum de la jeune romanistique sur le thème « Centre et périphérie ». Les notions dialectiques de centre et de périphérie sont illustrées dans l’ouvrage qui suit selon des perspectives littéraires, linguistiques et culturelles. Leur portée pour l’espace roman est analysée dans les différents articles par le biais de facteurs géographiques, spatiaux, historiques, sociétaux et langagiers, afin d’inclure de cette façon divers points de vues et méthodes. Le volume propose, à côté d’une approche hétérogène des dimensions des deux notions, une présentation structurée de chaque phénomène étudié. Les deux grands domaines thématiques mettent en gros plan non seulement des considérations littéraires multiples sur la dichotomie du duo notionnel, mais aussi les conceptions linguistiques de ce que sont le centre et la périphérie. Ainsi sont apportés de nouveaux regards dans la recherche romane, aussi bien sur les phénomènes centraux que sur les phénomènes périphériques, par le fait que, d’une part l’éventail des thèmes (traditionnels) sur les centres et périphéries est représenté, et que d’autre part, les discussions actuelles autour des deux notions sont prises en compte. |
| kobane calling: A oltranza Valeria Carletti, 2023-09-23 A oltranza è un diario non convenzionale, dove a scandire il racconto biografico non è un calendario ma una selezione di brani musicali. La penna di Valeria, caustica eppure capace di tenerezza e passione, è estranea al cinismo e acuminata quanto basta per insinuarsi negli angoli scomodi delle nostre comfort zone. Il suo amore incondizionato per la musica ci accompagna in un viaggio rocambolesco. Tra le pieghe e le crepe del quotidiano, da queste pagine emerge il suo mondo, che è anche il nostro, salvo che la prospettiva non è scontata né consolatoria. E questo punto di vista ci diverte, ci commuove. E ci spiazza. |
| kobane calling: A mezzi termini Lorenzo Donghi, Elisa Enrile, Giorgia Ghersi, 2019-10-31T00:00:00+01:00 Parlare “senza mezzi termini”. Esprimersi con parole piene, decise e non equivoche. Oppure, ribaltare l’espressione per affermare con forza la volontà di fare il contrario: parlare con-fondendo, prediligere le forme ibride, praticare sconfinamenti. A partire dal XX secolo, il panorama delle arti ha vissuto una nuova fase di emancipazione dalle soluzioni tradizionali aprendosi a inedite possibilità espressive, sempre più eterogenee e contaminate. Nasce da questo assunto l’intento di riunire un insieme di voci che ha scelto di indagare l’orizzonte della contaminazione artistica spaziando tra letteratura, fumetto, fotografia, cinema e performance: i contributi qui inclusi, che procedono da un’impronta letteraria a un carattere via via più visivo-performativo, restituiscono gli interventi discussi nell’ambito del convegno che al volume presta il titolo, svoltosi a Pavia il 12 aprile 2018 presso il Collegio Nuovo – Fondazione Sandra ed Enea Mattei, che ha contribuito anche alla pubblicazione di questo volume. Saggi di Paolo Giovannetti, Pietro Benzoni, Niccolò Scaffai, Giuliano Cenati, Giuliana Benvenuti, Roberto Pinto, Elio Grazioli, Paolo Campiglio, Lorenzo Donghi. Saggio introduttivo di Clelia Martignoni. |
| kobane calling: Scheletri Zerocalcare, 2020-10-15 Diciotto anni, e una bugia ingombrante: Zero ogni mattina dice alla madre che va all’università, ma in realtà passa cinque ore seduto in metropolitana, da capolinea a capolinea. È così che fa la conoscenza di Arloc, un ragazzo un poco più piccolo di lui che ha altri motivi per voler perdere le sue giornate in un vagone della metro B di Roma. Man mano che la loro amicizia si fa più profonda, le ombre nella vita e nella psiche di Arloc si fondono con le tenebre del mondo dello spaccio di droga della periferia romana. Un romanzo grafico che Zerocalcare definisce “più efferato del solito” a cavallo tra realtà e invenzione, tra oggi e vent’anni fa, tra la paura del futuro e quella del presente. |
| kobane calling: ANNO 2016 IL DNA DEGLI ITALIANI PRIMA PARTE ANTONIO GIANGRANDE, E’ comodo definirsi scrittori da parte di chi non ha arte né parte. I letterati, che non siano poeti, cioè scrittori stringati, si dividono in narratori e saggisti. E’ facile scrivere “C’era una volta….” e parlare di cazzate con nomi di fantasia. In questo modo il successo è assicurato e non hai rompiballe che si sentono diffamati e che ti querelano e che, spesso, sono gli stessi che ti condannano. Meno facile è essere saggisti e scrivere “C’è adesso….” e parlare di cose reali con nomi e cognomi. Impossibile poi è essere saggisti e scrivere delle malefatte dei magistrati e del Potere in generale, che per logica ti perseguitano per farti cessare di scrivere. Devastante è farlo senza essere di sinistra. Quando si parla di veri scrittori ci si ricordi di Dante Alighieri e della fine che fece il primo saggista mondiale. Le vittime, vere o presunte, di soprusi, parlano solo di loro, inascoltati, pretendendo aiuto. Io da vittima non racconto di me e delle mie traversie. Ascoltato e seguito, parlo degli altri, vittime o carnefici, che l’aiuto cercato non lo concederanno mai. “Chi non conosce la verità è uno sciocco, ma chi, conoscendola, la chiama bugia, è un delinquente”. Aforisma di Bertolt Brecht. Bene. Tante verità soggettive e tante omertà son tasselli che la mente corrompono. Io le cerco, le filtro e nei miei libri compongo il puzzle, svelando l’immagine che dimostra la verità oggettiva censurata da interessi economici ed ideologie vetuste e criminali. Rappresentare con verità storica, anche scomoda ai potenti di turno, la realtà contemporanea, rapportandola al passato e proiettandola al futuro. Per non reiterare vecchi errori. Perché la massa dimentica o non conosce. Denuncio i difetti e caldeggio i pregi italici. Perché non abbiamo orgoglio e dignità per migliorarci e perché non sappiamo apprezzare, tutelare e promuovere quello che abbiamo ereditato dai nostri avi. Insomma, siamo bravi a farci del male e qualcuno deve pur essere diverso! |
| kobane calling: Iran Awakening Shirin Ebadi, Azadeh Moaveni, 2007-04-10 A NEW YORK TIMES NOTABLE BOOK • The moving, inspiring memoir of one of the great women of our times, Shirin Ebadi, winner of the 2003 Nobel Peace Prize and advocate for the oppressed, whose spirit has remained strong in the face of political persecution and despite the challenges she has faced raising a family while pursuing her work. Best known in this country as the lawyer working tirelessly on behalf of Canadian photojournalist, Zara Kazemi—raped, tortured and murdered in Iran—Dr. Ebadi offers us a vivid picture of the struggles of one woman against the system. The book movingly chronicles her childhood in a loving, untraditional family, her upbringing before the Revolution in 1979 that toppled the Shah, her marriage and her religious faith, as well as her life as a mother and lawyer battling an oppressive regime in the courts while bringing up her girls at home. Outspoken, controversial, Shirin Ebadi is one of the most fascinating women today. She rose quickly to become the first female judge in the country; but when the religious authorities declared women unfit to serve as judges she was demoted to clerk in the courtroom she had once presided over. She eventually fought her way back as a human rights lawyer, defending women and children in politically charged cases that most lawyers were afraid to represent. She has been arrested and been the target of assassination, but through it all has spoken out with quiet bravery on behalf of the victims of injustice and discrimination and become a powerful voice for change, almost universally embraced as a hero. Her memoir is a gripping story—a must-read for anyone interested in Zara Kazemi’s case, in the life of a remarkable woman, or in understanding the political and religious upheaval in our world. Praise for Shirin Ebadi and Iran Awakening “This is the riveting story of an amazing and very brave woman living through some quite turbulent times. And she emerges with head unbowed.”—Archbishop Desmond Tutu “The safety and freedom of citizens in democracies is irretrievably bound with the safety and freedom of people like Shirin Ebadi who are fighting to reassert the best achievements of mankind: universal human rights. One of the staunchest advocates for human rights in her country and beyond, Ms. Ebadi, herself a devout Muslim, represents hope for many in Muslim societies that Islam and democracy are indeed compatible.”—Azar Nafisi “A moving portrait of a life lived in truth.”—The New York Times Book Review “A riveting account of a brave, lonely struggle . . . [Iran Awakening] reads like a police thriller, its drama heightened by Ebadi’s determination to keep up the quotidian aspects of her family life.”—The Washington Post Book World “A must read . . . may be the most important book you could read this year.”—Seattle Post-Intelligencer |
| kobane calling: Your Freedom and Mine Miley Thomas Jeffrey Miley, 2019-10-15 e;Only free men can negotiate. Prisoners cannot enter into contracts... I cannot and will not give any undertaking at a time when I and you, the people, are not free. Your freedom and mine cannot be separated.e;-From a letter by Nelson Mandela during his imprisonment, February 10, 1985A revolutionary imprisoned on an island fortress may hold the key to peace in the Middle East. The leader of the outlawed Kurdistan Workers' Party (PKK), Abdullah calan, is considered by many to be the e;Kurdish Mandelae;, courageously issuing proposals for peace even from his prison cell. His ideas on democracy, women's liberation, and freedom have even inspired the remarkable Rojava Revolution in northern Syria. As Turkey descended into tyranny and Syria exploded in civil war, a peace delegation of European politicians, academics, and journalists, led by Nelson Mandela's lawyer and Supreme Court judge Essa Moosa, repeatedly attempted to go to meet with calan at his prison on Imrali Island. Your Freedom and Mine tells the story of these momentous delegations. The book opens with an informative historical overview of the Kurdish Question, leading up until the optimistic opening-and eventual bitter failure-of the peace process in Turkey. It includes official documents and reports from the Imrali Delegations in Istanbul and Diyarbakir/Amed, which involved in-depth interviews with Kurdish and Turkish politicians, media, and civil society regarding the degenerating political and human rights situation. The final section is a collection of testimonials from delegation participants. Your Freedom and Mine offers crucial insight into the dramatic history and current reality of the Kurdish struggle for recognition and peace in Turkey. |
| kobane calling: Adriana y los thanesianos Sergi Monfort, 2019-10-01 Adriana, una refugiada siria, la nueva niña de la clase, colecciona cartones vacíos de zumo con un extraño propósito: al parecer, si reúne los suficientes, invocará a los thanesianos, una extraña raza de extraterrestres que pueden ponerse en contacto con los muertos (que para ellos no son muertos, sino viajeros hacia otra dimensión). Adriana espera que ellos la ayuden a reencontrar a su familia desaparecida en la guerra de su país, pero los thanesianos tienen su propio conflicto entre manos... \r\n\r\nUna historia, aunque cruda, necesaria y con una fuerte intención de, sin huir del horror, convertirlo en un futuro mejor y esperanzador. Una novela que pretende hablar a los niños grandes acerca de los refugiados sirios y de cualquiera que haya conocido el horror, así como comprender su situación y encontrar la integración. |
| kobane calling: Scavare Fossati – Nutrire Coccodrilli Zerocalcare, 2018-11-22 Il catalogo della grande mostra di Zerocalcare al MAXXI di Roma (10 novembre 2018 – 10 marzo 2019) è stato curato da BAO e contiene quattro storie a fumetti mai stampate prima, testi critici di Claudio Calia, Francesca Romana Elisei, Oscar Glioti e Loredana Lipperini, oltre a centinaia di disegni rari o mai visti, che ripercorrono oltre quindici anni di vita e lavoro dell’artista di Rebibbia. Un libro importante, per la storia personale di un autore e per un pezzo di Storia recente, presentato nello stesso formato di Macerie prime e reso imprescindibile da una cronologia 1999-2018 (scritta da Oscar Glioti) che contestualizza Zerocalcare con una precisione mai raggiunta prima negli scritti su di lui. |
| kobane calling: CULTUROPOLI PRIMA PARTE Antonio Giangrande, E’ comodo definirsi scrittori da parte di chi non ha arte né parte. I letterati, che non siano poeti, cioè scrittori stringati, si dividono in narratori e saggisti. E’ facile scrivere “C’era una volta….” e parlare di cazzate con nomi di fantasia. In questo modo il successo è assicurato e non hai rompiballe che si sentono diffamati e che ti querelano e che, spesso, sono gli stessi che ti condannano. Meno facile è essere saggisti e scrivere “C’è adesso….” e parlare di cose reali con nomi e cognomi. Impossibile poi è essere saggisti e scrivere delle malefatte dei magistrati e del Potere in generale, che per logica ti perseguitano per farti cessare di scrivere. Devastante è farlo senza essere di sinistra. Quando si parla di veri scrittori ci si ricordi di Dante Alighieri e della fine che fece il primo saggista mondiale. Le vittime, vere o presunte, di soprusi, parlano solo di loro, inascoltati, pretendendo aiuto. Io da vittima non racconto di me e delle mie traversie. Ascoltato e seguito, parlo degli altri, vittime o carnefici, che l’aiuto cercato non lo concederanno mai. “Chi non conosce la verità è uno sciocco, ma chi, conoscendola, la chiama bugia, è un delinquente”. Aforisma di Bertolt Brecht. Bene. Tante verità soggettive e tante omertà son tasselli che la mente corrompono. Io le cerco, le filtro e nei miei libri compongo il puzzle, svelando l’immagine che dimostra la verità oggettiva censurata da interessi economici ed ideologie vetuste e criminali. Rappresentare con verità storica, anche scomoda ai potenti di turno, la realtà contemporanea, rapportandola al passato e proiettandola al futuro. Per non reiterare vecchi errori. Perché la massa dimentica o non conosce. Denuncio i difetti e caldeggio i pregi italici. Perché non abbiamo orgoglio e dignità per migliorarci e perché non sappiamo apprezzare, tutelare e promuovere quello che abbiamo ereditato dai nostri avi. Insomma, siamo bravi a farci del male e qualcuno deve pur essere diverso! |
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