Advertisement
| leaving the atocha station: Leaving the Atocha Station Ben Lerner, 2023-08 Included in the BEST OF GRANTA launch list for 2023: this story of a young American abroad and adrift is a hilarious, intelligent cult classic, from one of the most celebrated contemporary novelists. |
| leaving the atocha station: Angle of Yaw Ben Lerner, 2006-10-01 In his bold second book, Ben Lerner molds philosophical insight, political outrage, and personal experience into a devastating critique of mass society. Angle of Yaw investigates the fate of public space, public speech, and how the technologies of viewing—aerial photography in particular—feed our culture an image of itself. And it’s a spectacular view. The man observes the action on the field with the tiny television he brought to the stadium. He is topless, painted gold, bewigged. His exaggerated foam index finger indicates the giant screen upon which his own image is now displayed, a model of fanaticism. He watches the image of his watching the image on his portable TV on his portable TV. He suddenly stands with arms upraised and initiates the wave that will consume him. Haunted by our current “war on terror,” much of the book was written while Lerner was living in Madrid (at the time of the Atocha bombings and their political aftermath), as the author steeped himself in the history of Franco and fascism. Regardless of when or where it was written, Angle of Yaw will further establish Ben Lerner as one of our most intriguing and least predictable poets. |
| leaving the atocha station: The Topeka School Ben Lerner, 2019-10-01 A NEW YORK TIMES, TIME, GQ, Vulture, and WASHINGTON POST TOP 10 BOOK of the YEAR ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR Finalist for the Los Angeles Times Book Prize, and the National Book Critics Circle Award Shortlisted for the Rathbones Folio Prize Winner of the Hefner Heitz Kansas Book Award From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century, hailed by Maggie Nelson as Ben Lerner's most discerning, ambitious, innovative, and timely novel to date. Adam Gordon is a senior at Topeka High School, class of '97. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting lost boys to open up. They both work at a psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater, expected to win a national championship before he heads to college. He is one of the cool kids, ready to fight or, better, freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who bring the loner Darren Eberheart--who is, unbeknownst to Adam, his father's patient--into the social scene, to disastrous effect. Deftly shifting perspectives and time periods, The Topeka School is the story of a family, its struggles and its strengths: Jane's reckoning with the legacy of an abusive father, Jonathan's marital transgressions, the challenge of raising a good son in a culture of toxic masculinity. It is also a riveting prehistory of the present: the collapse of public speech, the trolls and tyrants of the New Right, and the ongoing crisis of identity among white men. |
| leaving the atocha station: The Lichtenberg Figures Ben Lerner, 2004 The Lichtenberg Figures, winner of the Hayden Carruth Award, is an unconventional sonnet sequence that interrogates the relationship between language and memory, violence and form. Lichtenberg figures are fern-like electrical patterns that can appear on (and quickly fade from) the bodies of people struck by lightning. Throughout this playful and elegiac debut--with its flashes of autobiography, intellection, comedy, and critique--the vocabulary of academic theory collides with American slang and the idiom of the Old Testament meets the jargon of the Internet to display an eclectic sensibility. Ben Lerner, the youngest poet ever published by Copper Canyon Press, is co-founder of No: a journal of the arts. He earned an MFA from Brown University and is currently a Fulbright scholar in Spain. |
| leaving the atocha station: The Hatred of Poetry Ben Lerner, 2016-06-07 No art has been denounced as often as poetry. It's even bemoaned by poets: I, too, dislike it, wrote Marianne Moore. Many more people agree they hate poetry, Ben Lerner writes, than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore. In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible. |
| leaving the atocha station: Life.After.Theory Michael Payne, John Schad, 2003-01-14 Book brings together interviews with four theorists: Jacques Derrida, Frank Kermode, Toril Moi and Christopher Norris. |
| leaving the atocha station: Revolution Deb Olin Unferth, 2011-02-01 Rising literary star Deb Olin Unferth offers a new twist on the coming-of-age memoir in this utterly unique and captivating story of the year she ran away from college with her Christian boyfriend and followed him to Nicaragua to join the Sandinistas. Despite their earnest commitment to a myriad of revolutionary causes and to each other, the couple find themselves unwanted, unhelpful, and unprepared as they bop around Central America, looking for revolution jobs. The year is 1987, a turning point in the Cold War. The East-West balance has begun to tip, although the world doesn't know it yet, especially not Unferth and her fiancé (he proposes on a roadside in El Salvador). The months wear on and cracks begin to form in their relationship: they get fired, they get sick, they run out of money, they grow disillusioned with the revolution and each other. But years later the trip remains fixed in her mind and she finally goes back to Nicaragua to try to make sense of it all. Unferth's heartbreaking and hilarious memoir perfectly captures the youthful search for meaning, and is an absorbing rumination on what happens to a country and its people after the revolution is over. |
| leaving the atocha station: Stephen Florida Gabe Habash, 2017-05-15 A troubled college wrestler in North Dakota falls in love and becomes increasingly unhinged during his final season. Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark. Stephen is in his final wrestling season at his North Dakota school, and he intends to win the divisional championship in his weight class. He thinks about little else, in fact. It will make up for the failures of the past. It will prove something to the world. It will be the fulfillment of a promise to himself, and a tribute to his late grandmother, who raised him after his parents’ fatal car crash. As the competition in Kenosha, Wisconsin, grows ever closer, Stephen will grow ever more consumed—and unsure of what comes next—in this “utterly engrossing” literary debut (Dan Chaon, author of Ill Will). |
| leaving the atocha station: All the Sad Young Literary Men Keith Gessen, 2008-04-10 By the author of A Terrible Country and Raising Raffi, a novel of love, sadness, wasted youth, and literary and intellectual ambition—wincingly funny (Vogue) Keith Gessen is a brave and trenchant new literary voice. Known as an award-winning translator of Russian and a book reviewer for publications including The New Yorker and The New York Times, Gessen makes his debut with this critically acclaimed novel, a charming yet scathing portrait of young adulthood at the opening of the twenty-first century. The novel charts the lives of Sam, Mark, and Keith as they overthink their college years, underthink their love lives, and struggle to find a semblance of maturity, responsibility, and even literary fame. |
| leaving the atocha station: Mean Free Path Ben Lerner, 2015-03 |
| leaving the atocha station: His Name was Death Rafael Bernal, 2021-11-02 Never before in English, this legendary precursor to eco-fiction turns the coming insect apocalypse on its head A Wall Street Journal Best Science Fiction Book of 2021 A bitter drunk forsakes civilization and takes to the Mexican jungle, trapping animals, selling their pelts to buy liquor for colossal benders, and slowly rotting away in his fetid hut. His neighbors, a clan of the Lacodón tribe of Chiapas, however, see something more in him than he does himself (dubbing him Wise Owl): when he falls deathly ill, a shaman named Black Ant saves his life—and, almost by chance, in driving out his fever, she exorcises the demon of alcoholism as well. Slowly recovering, weak in his hammock, our antihero discovers a curious thing about the mosquitoes’ buzzing, “which to human ears seemed so irritating and pointless.” Perhaps, in fact, it constituted a language he might learn—and with the help of a flute and a homemade dictionary—even speak. Slowly, he masters Mosquil, with astonishing consequences… Will he harness the mosquitoes’ global might? And will his new powers enable him to take over the world that’s rejected him? A book far ahead of its time, His Name Was Death looks down the double-barreled shotgun of ecological disaster and colonial exploitation—and cackles a graveyard laugh. |
| leaving the atocha station: Fun Home Alison Bechdel, 2007-06-05 CRITICALLY ACCLAIMED, NATIONAL BESTSELLER ONE OF THE NEW YORK TIMES 100 BEST BOOKS OF THE 21ST CENTURY Time Magazine #1 Book of the Year • National Book Critics Circle Award Finalist Winner of the Stonewall Book Award • Double finalist for the Lambda Book Award Alison Bechdel’s groundbreaking, bestselling graphic memoir that charts her fraught relationship with her late father. Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the Fun Home. It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve. In her hands, personal history becomes a work of amazing subtlety and power, written with controlled force and enlivened with humor, rich literary allusion, and heartbreaking detail. |
| leaving the atocha station: Taipei Tao Lin, 2013-06-04 The basis for the movie High Resolution From one of this generation's most talked about and enigmatic writers comes a deeply personal, powerful, and moving novel about family, relationships, accelerating drug use, and the lingering possibility of death. Taipei by Tao Lin is an ode--or lament--to the way we live now. Following Paul from New York, where he comically navigates Manhattan's art and literary scenes, to Taipei, Taiwan, where he confronts his family's roots, we see one relationship fail, while another is born on the internet and blooms into an unexpected wedding in Las Vegas. Along the way—whether on all night drives up the East Coast, shoplifting excursions in the South, book readings on the West Coast, or ill advised grocery runs in Ohio—movies are made with laptop cameras, massive amounts of drugs are ingested, and two young lovers come to learn what it means to share themselves completely. The result is a suspenseful meditation on memory, love, and what it means to be alive, young, and on the fringe in America, or anywhere else for that matter. |
| leaving the atocha station: Anxieties of Experience Jeffrey Lawrence, 2018 Anxieties of Experience offers a new interpretation of US and Latin American literature. Rereading a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolaño's 2666, it traces the development and interaction of two distinct literary strains in the Americas: the US literature of experience and the Latin American literature of the reader. |
| leaving the atocha station: The Lion Seeker Kenneth Bonert, 2013 Isaac's vibrant, working-class, Jewish neighborhood lies near the African slums; under cover of night, the slums are razed, the residents forced off to townships. Isaac's fortune-seeking takes him to the privileged seclusion of the Johannesburg suburbs, where he will court forbidden love. It partners him with the unlucky, unsinkable Hugo Bleznick, selling miracle products to suspicious farmers. And it leads him into a feud with a grayshirt Afrikaaner who insidiously undermines him in the auto shop, where Isaac has found the only work that ever felt true. And then his mother's secret, long carefully guarded, takes them to the diamond mines, where everything is covered in a thin, metallic dust, where lions wait among desert rocks, and where Isaac will begin to learn the bittersweet reality of success bought at truly any cost. A thrilling ride through the life of one fumbling young hero, The Lion Seeker is a glorious reinvention of the classic family and coming-of-age sagas. |
| leaving the atocha station: The Best Place on Earth Ayelet Tsabari, 2016-03-08 Reminiscent of the early work of Jhumpa Lahiri, Ayelet Tsabari’s award-winning debut collection of stories is global in scope yet intimate in feel, beautifully written, and emotionally powerful. From Israel to India to Canada, Tsabari’s indelible characters grapple with love, violence, faith, the slipperiness of identity, and the challenges of balancing old traditions with modern times. These eleven spellbinding stories often focus on Israel’s Mizrahi Jews, featuring mothers and children, soldiers and bohemians, lovers and best friends, all searching for their place in the world. In “Tikkun,” a man crosses paths with his free-spirited ex-girlfriend—now a married Orthodox Jew—and minutes later barely escapes tragedy. In “Brit Milah,” a mother travels from Israel to visit her daughter in Canada and is stunned by her grandson’s upbringing. A young medic in the Israeli army bends the rules to potentially dangerous consequence in “Casualties.” After her mom passes away, a teenage girl comes to live with her aunt outside Tel Aviv and has her first experience with unrequited love in “Say It Again, Say Something Else.” And in the moving title story, two estranged sisters—one whose marriage is ending, the other whose relationship is just beginning—try to recapture the close bond they had as kids. Absorbing, tender, and sharply observed, The Best Place on Earth infuses moments of sorrow with small moments of grace: a boy composes poetry in a bomb shelter, an old photo helps a girl make sense of her mother’s rootless past. Tsabari’s voice is gentle yet wise, illuminating the burdens of history, the strength of the heart, and our universal desire to belong. Praise for The Best Place on Earth “It’s impossible not to be awestruck by the depth and power rendered in Tsabari’s stories.”—Elle “Tsabari creates complex, conflicted, prickly people you'll want to get to know better.”—Kirkus Reviews (starred review) “There’s remarkable scope in Ayelet Tsabari’s The Best Place on Earth, which interweaves stories of discrimination, loss, displacement, sex, death, religion, and a host of other issues. And yet, despite the range of viewpoints and the different facets of Israeli society explored, this is a collection that always stays intensely personal, the broader forces of history moving not merely across nations but within the souls of her beautifully conceived characters.”—Phil Klay, National Book Award–winning author of Redeployment “With incredible compassion and a delicate touch, Ayelet Tsabari explores the heartbreak inherent in forming bonds, whether with another person or with a whole country. The Best Place on Earth, a complicated love song to Israel, is a sure-footed and stunningly skillful debut.”—Shelly Oria, author of New York 1, Tel Aviv 0 “Powerful . . . brilliant . . . These stories . . . depict minorities so skillfully, with such a light and accurate touch.”—The Daily Beast “Highly recommended . . . Compelling and compassionate; [Tsabari’s stories] speak out from the heart of Israeli society and experiences. . . . The stories of The Best Place on Earth leave you wishing they wouldn’t end.”—The Times of Israel “This short story collection is a fiction debut for Tsabari, but it demonstrates that she is already a talented storyteller. . . . Her writing has an immediacy and power that invites readers into her characters’ psyches.”—Publishers Weekly |
| leaving the atocha station: Been Down So Long It Looks Like Up to Me Richard Farina, 1996-05-01 A witty, psychedelic, and telling novel of the 1960s Richard Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering-among other things-mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition. |
| leaving the atocha station: The Mooring Of Starting Out John Ashbery, 1997-06-21 Most critics would agree that John Ashbery is one of 20th-century American poetry's finest voices. Perhaps his most admired book is Self-Portrait in a Convex Mirror, a culmination of themes, styles, and forms with which the poet experimented over the course of two decades. Now, the poet's devoted readers can trace his development through the first five books of his poetry, collected here in one handy volume. The Mooring of Starting Out represents Ashbery's work from 1956 through 1972, comprising Some Trees, his first book; The Tennis Court Oath, written while he was living in Paris. |
| leaving the atocha station: Pure Gold John Patrick McHugh, 2021-06-24 'One of the most exciting writers working in Ireland today’ SALLY ROONEY, author of Normal People ‘Remarkable, rare and truly brilliant’ MEGAN NOLAN, author of Acts of Desperation ‘Dark, funny, honest and engrossing’ RODDY DOYLE, author of Love ‘Refreshing and ambitious’ LISA MCINERNEY, author of The Rules of Revelation |
| leaving the atocha station: The Cathedral of Mist Paul Willems, 2016 A collection of ethereal stories from the last of the great Francophone Belgian fantasists First published in French in 1983, The Cathedral of Mist is a collection of stories from the last of the great Francophone Belgian fantasists: distilled tales of distant journeys, buried memories and impossible architecture. Described here are the emotionally disturbed architectural plan for a palace of emptiness; the experience of snowfall in a bed in the middle of a Finnish forest; the memory chambers that fuel the marvelous futility of the endeavor to write; the beautiful woodland church, built of warm air currents and fog, scattering in storms and taking renewed shape at dusk, that gives this book its title. The Cathedral of Mist offers the sort of ethereal narratives that might have come from the pen of a sorrowful, distinctly Belgian Italo Calvino. It is accompanied by two meditative essays on reading and writing that fall in the tradition of Marcel Proust and Julien Gracq. Paul Willems (1912-97) published his first novel, Everything Here Is Real, in 1941. Three more novels and, toward the end of his life, two collections of short stories bracketed his career as a playwright. |
| leaving the atocha station: My Absolute Darling Gabriel Tallent, 2017-08-29 A TIMES BOOK OF THE YEAR • A GUARDIAN BOOK OF THE YEAR • A METRO BOOK OF THE YEAR ‘The year’s must read novel’ The Times ‘One of the most important books you’ll pick up this decade’ Harper’s Bazaar ‘An outstanding book that could be this year’s A Little Life’ Guardian |
| leaving the atocha station: The Children's Bach Helen Garner, 2024-10-01 The New York Times Book Review Editors' Choice • Now in a new edition with a foreword by Rumaan Alam, a modern classic from one of Australia’s greatest writers • It’s high time American readers knew her generous, category-defying imagination.—New York Times The Children’s Bach is [Garner’s] masterpiece.—Public Books Set in suburban Melbourne in the early 1980s, The Children’s Bach centers on Dexter and Athena Fox, their two sons, and the insulated world they’ve built together. Despite the routine challenges of domestic life, they are largely happy. But when a friend from Dexter’s past resurfaces and introduces the couple to the city’s bohemian underground—unbound by routine and driven by desire—Athena begins to wonder if life might hold more for her, and the tenuous bonds that tie the Foxes together start to fray. A literary institution in Australia, Helen Garner’s perfectly formed novels embody the tumultuous 1970s and 1980s. Drawn on a small canvas and with a subtle musical backdrop, The Children’s Bach is “a jewel” (Ben Lerner) within Garner’s revered catalogue, a beloved work that solidified her place among the masters of modern letters, a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation. |
| leaving the atocha station: Reality Hunger David Shields, 2010-02-23 A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience. |
| leaving the atocha station: Killing and Dying Adrian Tomine, 2021-05-04 Killing and Dying is a stunning showcase of the possibilities of the graphic novel medium and a wry exploration of loss, creative ambition, identity, and family dynamics. With this work, Adrian Tomine (Shortcomings, Scenes from an Impending Marriage) reaffirms his place not only as one of the most significant creators of contemporary comics but as one of the great voices of modern American literature. His gift for capturing emotion and intellect resonates here: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century. Amber Sweet shows the disastrous impact of mistaken identity in a hyper-connected world; A Brief History of the Art Form Known as Hortisculpture details the invention and destruction of a vital new art form in short comic strips; Translated, from the Japanese is a lush, full-color display of storytelling through still images; the title story, Killing and Dying, centers on parenthood, mortality, and stand-up comedy. In six interconnected, darkly funny stories, Tomine forms a quietly moving portrait of contemporary life. Tomine is a master of the small gesture, equally deft at signaling emotion via a subtle change of expression or writ large across landscapes illustrated in full color. Killing and Dying is a fraught, realist masterpiece. |
| leaving the atocha station: No Art Ben Lerner, 2016 From the author of the bestselling novels Leaving the Atocha Station and 10:04, here is a dazzling collection of award-winning poetry - available for the first time to readers beyond the US. |
| leaving the atocha station: The Polish Rider Ben Lerner, 2018-06 In the winter of 2015, Ben Lerner wrote a short story, 'The Polish rider', incorporating fictionalized elements of the life and work of the artist Anna Ostoya, who had recently lost two of her canvases in the back of an Uber. As the narrator of the story helps the artist search for the missing canvases, he fantasizes about recuperating the lost paintings through prose, about how the verbal might take the place of the visual. After the story was published in 'The New Yorker', Ostoya painted the painting Lerner had invented based on her earlier work, transforming the fiction without changing any of the words. Ostoya went on to produce a series of compositions that respond to the story she'd helped inspire. 'The Polish Rider' is the result of this ongoing conversation across media and genres. In addition to the story, this volume includes an essay by Lerner that describes how Ostoya's actual body of work catalyzed the fiction, as well as the contingencies and uncanny correspondences that have shaped their exchange. Ostoya's compositions -- both those that prompted Lerner's writing and those that take it up -- are never merely illustrative. Instead, they keep literature from having the last word. In this unclassifiable volume, the boundaries between fact and fiction, original and reproduction, text and image, flicker as you read and look. |
| leaving the atocha station: And The Rat Laughed (EasyRead Large Bold Edition) Nava Semel, 2008 |
| leaving the atocha station: American Nerd Benjamin Nugent, 2008 An engaging study of the nerd in American popular culture and throughout history discussed in such contexts as the rise of online gaming, the science fiction club, ethnicity, Asperger's syndrome, autism, and high school and college debating. |
| leaving the atocha station: The Lightness Emily Temple, 2020-06-11 ‘A psychologically smart debut that swathes teen desire and friendship in mystery and mirth’ Observer ‘Like a twisted Malory Towers or maybe a cosmic version of ‘Heathers’’ Daily Mail ‘Funny, whip-smart and transcendently wise’ Jenny Offill ‘The love child of Donna Tartt and Tana French’ Chloe Benjamin |
| leaving the atocha station: The Reactor Nick Blackburn, 2022-01-20 I tore the arse of my pyjamas one morning, about a year before he died, and my father sewed it up perfect in a few minutes, just like that. I was looking at them this morning actually, his line of white stitches. It's beautiful really. They've held. The Reactor is a memoir about absence, loss and regeneration, written like the pieces of a puzzle. After the sudden death of Nick Blackburn's father, who suffered from manic depression, he embarks on a labyrinthine journey to excavate his grief. Without memories of a father-son relationship that held formative meaning, it is at times a desperately lonely mission. The only photograph that he possesses of him and his father is when they are both in McDonald's holding strawberry milkshakes. How do you create an existence when all you have to work with is a void? Blackburn turns, instead, to the quixotic nature of destruction - both natural and human-made - and repair. He uses a repertoire of film, music and pop culture to locate, identify and accept emotional instability. The result is a shining, meditative and spirited account of the transformative qualities of grief. The Reactor represents a thrilling turn for narrative non-fiction - and is a work of lasting fragmentary beauty. |
| leaving the atocha station: A Little More Human Fiona Maazel, 2017-04-04 A dazzling new novel from the author of the “weird, thrilling, and inimitable” Woke Up Lonely (Marie Claire) Meet Phil Snyder: new father, nursing assistant at a cutting-edge biotech facility on Staten Island, and all-around decent guy. Trouble is, his life is falling apart. His wife has betrayed him, his job involves experimental surgeries with strange side effects, and his father is hiding early-onset dementia. Phil also has a special talent he doesn’t want to publicize—he’s a mind reader and moonlights as Brainstorm, a costumed superhero. But when Phil wakes up from a blackout drunk and is confronted with photos that seem to show him assaulting an unknown woman, even superpowers won’t help him. Try as he might, Phil can’t remember that night, and so, haunted by the need to know, he mind-reads his way through the lab techs at work, adoring fans at Toy Polloi, and anyone else who gets in his way, in an attempt to determine whether he’s capable of such violence. A Little More Human, rife with layers of paranoia and conspiracy, questions how well we really know ourselves, showcasing Fiona Maazel at her tragicomic, freewheeling best. |
| leaving the atocha station: Riots I Have Known Ryan Chapman, 2020-11-17 Longlisted for the 2019 Center for Fiction First Novel Prize, Ryan Chapman’s “gritty, bracing debut” (Esquire) set during a prison riot is “dark, daring, and laugh-out-loud hilarious…one of the smartest—and best—novels of the year” (NPR). A largescale riot rages through Westbrook prison in upstate New York, incited by a poem in the house literary journal. Our unnamed narrator, barricaded inside the computer lab, swears he’s blameless—even though, as editor-in-chief, he published the piece in question. As he awaits violent interruption by his many, many enemies, he liveblogs one final Editor’s Letter. Riots I Have Known is his memoir, confession, and act of literary revenge. His tale spans a childhood in Sri Lanka, navigating the postwar black markets and hotel chains; employment as a Park Avenue doorman, serving the widows of the one percent; life in prison, with the silver lining of his beloved McNairy; and his stewardship of The Holding Pen, a “masterpiece of post-penal literature” favored by Brooklynites everywhere. All will be revealed, and everyone will see he’s really a good guy, doing it for the right reasons. “Fitfully funny and murderously wry,” Riots I Have Known is “a frenzied yet wistful monologue from a lover of literature under siege” (Kirkus Reviews). |
| leaving the atocha station: And So It Was Written Ellen Brazer, 2012-08 Meticulously researched and controversial in scope and imagination, And So It Was Written travels to a time when a Third Temple is built and the Ark of the Covenant holding the Ten Commandments is found. As the Romans prepare to reclaim Israel, two sets of brothersNone Roman and one JewishNfind their friendships, hatreds, and lives intertwined. |
| leaving the atocha station: Early Work Andrew Martin, 2018-07-10 What a debut! Early Work is one of the wittiest, wisest (sometimes silliest, in the best sense), and bravest novels about wrestling with the early stages of life and love, of creative and destructive urges, I’ve read in a while. The angst of the young and reasonably comfortable isn’t always pretty, but Andrew Martin possesses the prose magic to make it hilarious, illuminating, moving. —Sam Lipsyte, author of The Ask and The Fun Parts For young writers of a certain temperament—if they haven’t had such notions beaten out of them by MFA programs and the Internet—the delusion persists that great writing must be sought in what W. B. Yeats once called the “foul rag and bone shop of the heart.” That’s where Peter Cunningham has been looking for inspiration for his novel—that is, when he isn’t teaching at the local women’s prison, walking his dog, getting high, and wondering whether it’s time to tie the knot with his college girlfriend, a medical student whose night shifts have become a standing rebuke to his own lack of direction. When Peter meets Leslie, a sexual adventurer taking a break from her fiancé, he gets a glimpse of what he wishes and imagines himself to be: a writer of talent and nerve. Her rag-and-bone shop may be as squalid as his own, but at least she knows her way around the shelves. Over the course of a Virginia summer, their charged, increasingly intimate friendship opens the door to difficult questions about love and literary ambition. With a keen irony reminiscent of Sam Lipsyte or Lorrie Moore, and a romantic streak as wide as Roberto Bolaño’s, Andrew Martin’s Early Work marks the debut of a writer as funny and attentive as any novelist of his generation. “Beautifully executed and very funny, Early Work is a sharp-eyed, sharp-voiced debut that I didn’t want to put down.” —Julia Pierpont, author of Among the Ten Thousand Things and The Little Book of Feminist Saints |
| leaving the atocha station: New Uses for Failure Adam Colman, 2018 Literary Nonfiction. A brave new mode of literature has been emerging in the work of Sheila Heti, Karl Ove Knausgaard, and others. Call it what you will; Adam Colman calls it essayistic fiction. In this sharp, playful book, Colman dives deep into Ben Lerner's 10:04 to create a how to manual for anyone who wants to write, or simply understand, essayistic fiction. A manifesto, a critical analysis, and a winking work of satire, NEW USES FOR FAILURE marks the arrival of a sparkling new genre. This is part of Fiction Advocate's Afterwords series. |
| leaving the atocha station: Blood Of Spain Ronald Fraser, 2012-06-30 We discover what civil war, revolution and counter-revolution actually felt like from inside both camps. The contours of the war take shape through the words of the eyewitnesses. The atmosphere of events is vividly recaptured. And though the lived experience of the participants is revealed the uniquely tragic essence of all civil war. 'Fascinating and brilliantly unorthodox. ' Hugh Thomas, author of THE CONQUEST OF MEXICO. |
| leaving the atocha station: Dinner at the Center of the Earth Nathan Englander, 2017-09-05 A political thriller set against the Israeli-Palestinian conflict, from the Pulitzer-nominated, bestselling author of For the Relief of Unbearable Urges. A Los Angeles Times Best Book of the Year “Blends elements of spy thriller and love story, magical realism, and an all-too-real history of one of the world’s most intractable problems: peace between Israel and its neighbors. —The Boston Globe In the Negev desert, a nameless prisoner languishes in a secret cell, his only companion the guard who has watched over him for a dozen years. Meanwhile, the prisoner’s arch nemesis—The General, Israel’s most controversial leader—lies dying in a hospital bed. From Israel and Gaza to Paris, Italy, and America, Englander provides a kaleidoscopic view of the prisoner’s unlikely journey to his cell. Dinner at the Center of the Earth is a tour de force—a powerful, wryly funny, intensely suspenseful portrait of a nation riven by insoluble conflict, and the man who improbably lands at the center of it all. |
| leaving the atocha station: Wordbirds Liesl Schillinger, 2013-10-15 This charming and whimsically illustrated book of newly minted words—on politics and the media, love and friendship, work, play, family, fashion, and city life—is “a lexicon of witty neologisms for the modern age” (Vanity Fair). You are a typical citizen of the young millennium, caught up in the fast-paced megatasking socio-professional whirl of our ever-evolving digitally enhanced lives. If you’ve ever wondered what to call it when you answer the TV remote instead of the phone, or wished you had a phrase to capture your supervisor’s stealth campaign to stall your career, here is your guide. Now you can say “Oops, droidian slip!” with ease, and call out your boss for the impedimentor that he is. Armed with Wordbirds, you will be able to skillfully talk your way into—or out of—any situation the twenty-first century throws at you. With 150 gorgeous, highly expressive bird illustrations, these neologisms will have you crowing with delight, and show you that fine feathers make fine words. (Not to mention give new meaning to the term “tweeting.”) A perfect gift book, Wordbirds is “literary catnip for bird lovers who also find themselves fascinated—or annoyed—by the quirks of modern life” (The New York Times Book Review). |
| leaving the atocha station: Everywhere I Look Helen Garner, 2016-03-29 Helen Garner is one of Australia’s greatest writers. Her short non-fiction has enormous range. Spanning fifteen years of work, Everywhere I Look is a book full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour. It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of re-reading Pride and Prejudice. Everywhere I Look includes Garner’s famous and controversial essay on the insults of age, her deeply moving tribute to her mother and extracts from her diaries, which have been part of her working life for as long as she has been a writer. Everywhere I Look glows with insight. It is filled with the wisdom of life. Helen Garner is an award-winning author of novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature. Her novel The Spare Room, published in 2008, won the Victorian Premier’s Literary Award for Fiction, the Queensland Premier’s Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages. ‘Garner is a charming and courageous writer whose distinctive voice exemplifies the range of what is possible in personal writing.’ Publishers Weekly ‘There’s not a word wasted or out of place. Garner observes, intuits, shares and cares about the lives she writes about like no-one else. Readers will laugh, cry, squirm and gasp and wonder. It’s Garner’s unique gift as a writer, and it’s beautifully realised in Everywhere I Look.’ Books&Publishing ‘[Garner] has a way of describing the world with such wisdom and candour and, sometimes, delight, that it takes one’s breath away...at least, it does mine. Her observations about life are refreshing in their honesty...This is a fine collection that offers many delights to the reader.’ Readings ‘Similar to a hike, the book is best enjoyed without straining to finish it. It’s full of moments to pause and reflect. More importantly, it stirs up that addictive, expansive feeling only the best books can achieve: that you have reached the final page changed, perhaps even a better and more thoughtful person from having travelled alongside Garner’s observations for a time.’ Daily Review ‘Garner’s prose is so very pleasant to read—dry, relaxed sentences that calmly reach out towards loveliness...[Her] willingness to look at and truly see the failures of human behaviour, in herself no less than in others, that lends her work its power.’ Guardian ‘It is a rich, beautiful book by a poet of the everyday, a sheer master of prose. Give it to your grandmother, give it to your tweeting girlfriend. Give it to any man or woman who understands the magic of language. It will hurl them into great gulfs of pleasure, of turmoil and understanding and joy.’ Australian ‘Garner’s style celebrates and enacts containment and minimalism...Its tenderness and brutality cultivate fruitful and interesting kitchen table conversations spanning the grace and indignity of being “all too human.”’ Age/Sydney Morning Herald ‘[Garner’s] writing expresses a hard-won grace. It brings you closer to the world, and shows you how to love it...She has laid the groundwork for a generation of writers; she has repeatedly shown us the glory and the power of an English sentence.’ Monthly ‘Garner approaches core questions about leading a meaningful life, providing baby boomers in particular with examples of how to live thoughtfully and observantly.’ Library Journal ‘A mesmerising collection of essays and diary entries, this is a book to savour and re-read. No one else writes with as much insight, clarity and humour. The diary entries in particular are a treat: tiny fragments of life brilliantly observed and beautifully crafted by one of Australia’s greatest writers.’ Best Non-Fiction Books of 2016, Readings ‘There are very few writers whose personal essays seem to depend and widen on a second or even a third or fourth read, but Helen Garner is one of them. Her style is inimitable, for while its elegance is undeniable, its essence is pre-verbal, grounded in her intense and unique ways of looking and seeing.’ Kerryn Goldsworthy, Australian Book Review, 2016 Books of the Year ‘Everywhere I Look was a pure delight...Her view on things is unpredictable, distinctive, and original.’ Mark Rubbo, Australian Book Review, 2016 Books of the Year ‘A generous collection of pitch-perfect sketches and reviews, each one taking us with her as she looks, really looks, at the world around her and registers her response to it.’ Susan Sheridan, Australian Book Review, 2016 Books of the Year ‘Garner is a wonderful appreciator: she invites us into the work under review by leading us along the path of discovery she has followed...Her strongest essays evoke emotion through reticence and suggestiveness. They hint at depth of thought and feeling but never become ponderous. And they reveal both the writer and the world by inviting us into her thoughts so that we can see what she sees. Her successes and her failures show just how hard it for an essayist to answer the question of why we should care – why are personal essays something we might want to spend time on anyway? Her best pieces answer this question: we read them because of the richness of perspective they offer. In them, we see not only a small piece of the world, but also the writer looking at the world and looking back at us, asking us to spend some time gazing at it all right there with her.’ Open Letters Monthly ‘The light of Helen Garner’s piercing observation shines on parents, friends, books, time, the weather, and herself. It’s impossible not to trust these engrossing dispatches in their passion and honesty. A lifetime of looking and taking note, and the hard work of examining the significance of what is seen and felt, make this a masterly collection of essays by our greatest non-fiction writer.’ Joan London, The Books We Loved 2016, Sydney Morning Herald ‘Everywhere I Look, like everything in Garner’s oeuvre, brims with clear-eyed insights and crystalline prose. No other writer distils quite like she does.’ Jacinta Halloran, The Books We Loved 2016, Sydney Morning Herald ‘There are times when Helen Garner is the only author I want to read. Restlessly honest, with a sharp eye for detail, her style is by some rare art at once crystalline and conversational. Everywhere I Look is a memorable essay collection.’ Lisa Gorton, The Books We Loved 2016, Sydney Morning Herald ‘Reading this collection of essays is like having a long conversation with a clever, funny, big-hearted, magnificently acerbic friend. It left me astonished all over again by Garner’s deft handling of whatever subject she chooses. There are pieces here that crackle and fizz with the pleasure she takes in her grandchildren, reading, a good martini, and playing the ukulele...Everywhere I Look made me laugh, cry, and think. It is a book to return to again and again with gratitude.’ Best Books of 2016, Radio National ‘The no-bullshit-preamble rule is sparklingly employed...Garner is a natural storyteller: her unillusioned eye makes her clarity compulsive...What gives the memoir its power, as so often in Garner’s writing, is that she is unsparing, in equal measure, of her subject and of herself, and that she so relishes complicated feelings...[Everywhere I Look] is made singular by Garner’s almost reckless honesty, and brought alive by her mortal details.’ James Wood, New Yorker ‘It’s no wonder Garner won a major international award, the $US150,000 Yale-based Wyndham-Campbell Prize, for her non-fiction writing this year. You just have to read this collection of essays, diary entries and true stories spanning the past 20 years to recognise her immense talent.’ Best Books of 2016, Australian Financial Review ‘Her writing is elegant and spare, the kind of writing that leaves you wrecked at the end. It’s what makes me feel like I’m peeking in her diary when I read the most personal entries in this collection.’ Pop.Edit.Lit. ‘Spanning 15 years, this varied collection of short non-fiction pieces presents some of Helen Garner’s best work. Whether it’s a dig into her own life or a broader look into societal whims and ills, Helen Garner is one of our most skilled essayists.’ Best Books of 2016, Sydney Morning Herald ‘Helen Garner’s Everywhere I Look is not quite a memoir, but there is a keen personal element to this collection of short nonfiction pieces. Garner has just received an outstanding general review from James Wood in the New Yorker. It’s long overdue.’ Australian ‘Whenever I see Garner I try to act normal but inside, some part of me is always squealing IT'S HELEN GARNER!!! Her new book, Everywhere I Look, is masterful, like everything she writes.’ Leigh Sales, ABC News ‘This book brims with Garner’s wit and wisdom.’ Best Books of 2016, Sunday Life ‘Helen Garner’s Everywhere I Look is like having a backstage pass into the mind, notebooks and creative process of one of Australia’s very best writers.’ Andy Griffiths, Best Books of 2016, Guardian ‘For years, Garner has offered me a model for journalism: a careful observer, she also tells us how those observations change her as well as the subjects of her gaze. Garner reveals her nervous system—but also the dubious games and improvisations of journalism. Everywhere I Look is a collection of Garner’s essays and diary entries from the past 15 years. She writes on friendship, ageing, film and literature. In ‘The Journey of the Stamp Animals’, she writes of rediscovering a children’s book that—many years earlier—had seemed so stuffed with illicit magic. Now an adult, this long dreamt-of book in her hands again, she finds the pleasure of having her memory—so often fickle and corruptible—vindicated. The book is as she remembered. It’s a measure of Garner’s talent that this small, obscure triumph carries the feeling of profundity.’ Martine McKenzie-Murray, Best Books of 2016, Guardian ‘If you are looking for a voice to speak to you frankly and with humour and warmth about important things, here is the writer for you. Well-known in Australia as a novelist and screenwriter and reporter, Garner is also one of the world’s best essayists. Here she is thinking about the indignities of how people treat the ageing, the pleasures of a ukulele, grandfathering, and some of her best friends, who she sketches with a master’s economy of gesture. Once you start reading Garner you will wonder what the huge space inside your head she occupies used to be there for.’ John Freeman, Best Books of 2016, Literary Hub ‘A collection of essays and journal entries which include everything from a carefully observed portrait of Rosie Batty to ‘The Insults of Age’, where she details the ways in which older women are disregarded and disrespected but with a confessional twist. For me, the best parts are the snippets from her diary and particularly her observations of being an irritated but besotted grandmother. Garner is one of those generous women writers who is prepared to share with you her less redeeming moments in an act of intimacy and empathy with the reader. You won't always agree with Garner's conclusions but how she approaches a question is always interesting.’ Feminist Reading Picks of 2016, Age ‘She covers topics that others are really afraid of, that really penetrate the human condition, which is something I admire and that has inspired me in my own work.’ Virginia Haussegger, Sydney Morning Herald ‘There are very few writers whose personal essays seem to deepen and widen on a second or even a third or fourth read, but Helen Garner is one of them. Her style is inimitable, for while its elegance is undeniable, its essence is pre-verbal, grounded in her intense and unique ways of looking and seeing. Everywhere I Look seems the ideal title for her 2016 essay collection.’ Kerryn Goldsworthy, Best Books of 2016, Australian Book Review ‘Pure delight. It showcases Garner’s distinctive voice and her take on the world around her. Her view on things is unpredictable, distinctive, and original.’ Mark Rubbo, Best Books of 2016, Australian Book Review ‘Garner’s Everywhere I Look is a generous collection of pitch-perfect sketches and reviews, each one taking us with her as she looks, really looks, at the world around her and registers her response to it.’ Susan Sheridan, Best Books of 2016, Australian Book Review ‘It made me cry and laugh and think. Garner always reminds me of the power of noticing and the impact of sparse writing.’ Leigh Sales ‘This collection of essays by one of Australia’s best known authors has the sharp steel edge characteristic of all of Garner’s work. Observations are cobbled together in an almost conversational way, stopping and starting, dealing in trivialities and family moments. Woven amongst the everyday, there are recollections of grief; a father’s death, a friend’s funeral, the heartbreak of being in love with a married man. Garner’s gimlet eye is as revealing and clear as ever.’ Sydney Scoop ‘Garner shows us something precious and endangered...the nexus of neighbourhoods and neighbourliness, the simple weatherboard houses and the plain local shops in the suburbs of Fitzroy and Moonee Ponds. In the most ordinary suburb, as in the most extraordinary marine wilderness, what lies beneath is as fascinating as life on the surface.’ Times Literary Supplement ‘Everywhere I Look is a book full of unexpected moments, sudden shafts of light, piercing intuition, flashes of anger and incidental humour.’ Perth Writers Festival, Summer Reading Guide |
| leaving the atocha station: Leaving the Atocha Station Ben Lerner, 2011-08-23 Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's research becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel. |
Disappearing news personalities (Columbia, Spartanburg, Gilbert ...
Dec 6, 2024 · WSPA Chief Meteorologist Christy Henderson posted on her fb page she will be leaving in January after 29 years. She will be remaining in the upstate Disappearing news …
Changes in anchor WSOC - Charlotte - North Carolina (NC) - Page …
Mar 7, 2024 · It’s Nelson from LocalHDTV, nelsonincharlotte on RadioDiscussions and Nelson R on TVNT. Wanted to let you know that Leigh and Lindsey Tapases Williamson both filled in on …
Wife wants to stop working but not take SS right away
Jun 6, 2025 · there is so much involved as to whether to delay or not . my wife has a bigger income if something happens to me now that we are in our 70’s by me taking early ss and …
Has anyone ever had a HireRight background check performed for …
Aug 28, 2021 · Regarding the reason for leaving a position. HireRight will check with all of the companies that you listed on the HireRight form or website. They’ll verify dates of employment, …
Thunder v Pacers Finals 2025 - Basketball - City-Data Forum
May 27, 2025 · LeBron got a lot of flack for leaving Cleveland the first time and KD leaving OKC. But they got their rings. Harden, Barkley, George is nowhere near jokics level.
Wife went to a party where she was the only woman? (marriage, …
Dec 15, 2023 · I'm sorta new to being married ( 2 years ) And I trust and love my wife very much.. Let me get that out of the way, I believe you can't have a
MeetingPlace - Find ideal meeting places between many locations
This tool will help you find ideal meeting places between points, as well as the "travel radius" of a single point using different transportation modes. Unlike other tools that use simple …
When Obama deported no due process needed, but Trump needs …
May 25, 2025 · There’s probably 2,000,000 illegal aliens in NYC alone, and they don’t appear to be leaving any time soon 05-26-2025, 01:33 PM formerlynorthofnowhere
Keep getting a weird number 1001005080 ?? (ATT, email, sound, …
Aug 10, 2013 · From a quick web search: its your at & t voicemail calling you back that you have a voicemail,(or someone just hung up without leaving a message after the beep went off after …
Work and Jobs in White Lake, Wisconsin (WI) Detailed Stats
According to 2023 data, the most common industries in White Lake are: Manufacturing (29.0% of civilian employees), Health care & social assistance (10.7% of civilian employees), Retail trade …
Disappearing news personalities (Columbia, Spartanburg, Gilbert ...
Dec 6, 2024 · WSPA Chief Meteorologist Christy Henderson posted on her fb page she will be leaving in January after 29 years. She will be remaining in the upstate Disappearing news …
Changes in anchor WSOC - Charlotte - North Carolina (NC) - Page …
Mar 7, 2024 · It’s Nelson from LocalHDTV, nelsonincharlotte on RadioDiscussions and Nelson R on TVNT. Wanted to let you know that Leigh and Lindsey Tapases Williamson both filled in on WCCB …
Wife wants to stop working but not take SS right away - Retirement ...
Jun 6, 2025 · there is so much involved as to whether to delay or not . my wife has a bigger income if something happens to me now that we are in our 70’s by me taking early ss and stopping the …
Has anyone ever had a HireRight background check performed for a …
Aug 28, 2021 · Regarding the reason for leaving a position. HireRight will check with all of the companies that you listed on the HireRight form or website. They’ll verify dates of employment, …
Thunder v Pacers Finals 2025 - Basketball - City-Data Forum
May 27, 2025 · LeBron got a lot of flack for leaving Cleveland the first time and KD leaving OKC. But they got their rings. Harden, Barkley, George is nowhere near jokics level.
Wife went to a party where she was the only woman? (marriage, …
Dec 15, 2023 · I'm sorta new to being married ( 2 years ) And I trust and love my wife very much.. Let me get that out of the way, I believe you can't have a
MeetingPlace - Find ideal meeting places between many locations
This tool will help you find ideal meeting places between points, as well as the "travel radius" of a single point using different transportation modes. Unlike other tools that use simple …
When Obama deported no due process needed, but Trump needs …
May 25, 2025 · There’s probably 2,000,000 illegal aliens in NYC alone, and they don’t appear to be leaving any time soon 05-26-2025, 01:33 PM formerlynorthofnowhere
Keep getting a weird number 1001005080 ?? (ATT, email, sound, …
Aug 10, 2013 · From a quick web search: its your at & t voicemail calling you back that you have a voicemail,(or someone just hung up without leaving a message after the beep went off after your …
Work and Jobs in White Lake, Wisconsin (WI) Detailed Stats
According to 2023 data, the most common industries in White Lake are: Manufacturing (29.0% of civilian employees), Health care & social assistance (10.7% of civilian employees), Retail trade …
