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kaja made in abyss: Made in Abyss Vol. 7 Akihito Tsukushi, 2019-09-17 ' Riko awakens in the sixth layer, but Reg and Nanachi are nowhere to be found. Riko's search for her companions takes her deep into the Village of the Hollows, where she must make a decision that could mean the end of Nanachi''s freedom--or the end of Riko's life. ' |
kaja made in abyss: Made in Abyss Vol. 10 Akihito Tsukushi, 2022-05-03 Faputa's fury shows no sign of ending! Does Reg or anyone else stand a chance of stopping her? Meanwhile, just when it seems like things can't get any worse, terrifying primeval monsters breach the village's defenses! Will anyone survive the coming onslaught? |
kaja made in abyss: Made in Abyss Vol. 6 Akihito Tsukushi, 2019-06-04 Riko and her friends have finally made it to the sixth layer! Not long after taking their last dive, they find themselves in a village populated by Hollows who possess a peculiar sense of value. Mysteries, terrors, and bewildering truths await them in the Abyss' deepest depths! |
kaja made in abyss: Made in Abyss Vol. 9 Akihito Tsukushi, 2021-03-30 Faputa, Irumyuui's final child, burns with a thirst for revenge. She wants to destroy the Village of the Hollows! Is there anything Riko and the others can do to stop her? |
kaja made in abyss: Made in Abyss Official Anthology - Layer 2: A Dangerous Hole Akihito Tsukushi, Tetsuya Imai, Yuki Hotate, 2021-06-15 The second Made in Abyss anthology is here, brimming with more monsters, masters, and apprentices than ever! Whether you are seeking adventures with Riko, Reg and Nanachi, tales about Marulk, Ozen, or Bondrewd, or a peek at live in the Village of the Hollows, this anthology is sure to satisfy! |
kaja made in abyss: Made in Abyss Official Anthology - Layer 4: It's a Wonderful Abyss Life Akihito Tsukushi, A killer, Sanshirou Kasama, 2022-07-19 The fourth anthology has surfaced and with it, more tales from deep within the Abyss! Here be monsters, cave raiders, White Whistles, and even the denizens of the Village of the Hollows. Dive in and join the adventure! |
kaja made in abyss: Made in Abyss Official Anthology - Layer 3: White Whistle Melancholy Akihito Tsukushi, Yui Jouyama, Shiina Tousaki, 2021-11-02 Immerse yourself in the third Made in Abyss anthology, full of strange tales spun by a host of talented creators, each with their own unique vision of the great pit. Get ready for more wild and irredeemable adventures with Riko, Reg, Nanachi, and company! |
kaja made in abyss: The Acoustic Mirror Kaja Silverman, 1988-04-22 ... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential. -- Stephen Heath An original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... -- Naomi Schor ... powerfully argued study... impressive... -- Choice ... important because of its innovative work on Hollywood's ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated. -- Literature and Psychology As evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory. -- SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track -- to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship. |
kaja made in abyss: The Subject of Semiotics Kaja Silverman, 1983-05-12 This provocative book undertakes a new and challenging reading of recent semiotic and structuralist theory, arguing that films, novels, and poems cannot be studied in isolation from their viewers and readers. |
kaja made in abyss: Systems We Have Loved Eve Meltzer, 2013-07-02 By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century’s most transformative movements—one artistic, one expansively theoretical—and she reveals their shared dream—or nightmare—of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art’s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art. |
kaja made in abyss: Audio-vision Michel Chion, 1994 Deals with issue of sound in audio-visual images |
kaja made in abyss: The Leopard Jo Nesbo, 2011-03-22 Harry Hole is back and this time he's back from very, very far away. Another gripping instalment in this prize-winning and acclaimed series by the internationally #1 bestselling crime writer in Norway. Two women are found murdered in Oslo — both of them have drowned in their own blood. What mystifies the police is that the puncture wounds in the victims' faces have been caused from the inside of their mouths. Kaja Solness from Homicide is sent to Hong Kong to track down a man who is the Oslo Police Department's only specialist on serial killings. The severely addicted detective has tried to disappear in the vast, anonymous city. He is on the run and haunted by his last case, the woman he loves, and creditors alike. His name is Harry Hole. |
kaja made in abyss: The Threshold of the Visible World Kaja Silverman, 2013-11-19 In The Threshold of the Visible World Kaja Silverman advances a revolutionary new political aesthetic, exploring the possibilities for looking beyond the restrictive mandates of the self, and the normative aspects of the cultural image-repertoire. She provides a detailed account of the social and psychic forces which constrain us to look and identify in normative ways, and the violence which that normativity implies. |
kaja made in abyss: Reunion with His Surgeon Princess Karin Baine, 2020-06-01 She ran from his proposal… …but fate isn’t through with them yet! World-renowned transplant surgeon and single dad Seth Davenport will do everything to save his royal patient. Even if that means a reunion with his patient’s daughter—Princess Kaja Alderisi, the surgeon who once ran from him…after he’d offered her a diamond ring and his heart! But one look into Kaja’s captivating gaze and it’s clear that their past isn’t so willing to be left behind… |
kaja made in abyss: The Leopard Jo Nesbø, 2011 Harry Hole is back and this time he's back from very, very far away. Another gripping instalment in this prize-winning and acclaimed series by the internationally #1 bestselling crime writer in Norway. Two women are found murdered in Oslo -- both of them have drowned in their own blood. What mystifies the police is that the puncture wounds in the victims' faces have been caused from the inside of their mouths. Kaja Solness from Homicide is sent to Hong Kong to track down a man who is the Oslo Police Department's only specialist on serial killings. The severely addicted detective has tried to disappear in the vast, anonymous city. He is on the run and haunted by his last case, the woman he loves, and creditors alike. His name is Harry Hole. |
kaja made in abyss: Lamak Francine Brinkgreve, 2016-11-10 This is the first study to examine in detail ritual objects known as 'Lamak', a fascinating and unique form of ephemeral material culture which is a prominent feature of Balinese creativity. |
kaja made in abyss: Four Lives in the Bebop Business A. B. Spellman, 1985 Score |
kaja made in abyss: The Cambridge Companion to Alfred Hitchcock Jonathan Freedman, 2015-07-08 In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender, and desire over his thirty-year American career. |
kaja made in abyss: THE DEEP BLUE ABYSS Boxed Set Walter Scott, Frederick Marryat, Herman Melville, R. L. Stevenson, Daniel Defoe, Tobias Smollett, Edgar Allan Poe, James Fenimore Cooper, Thomas Mayne Reid, Victor Hugo, R. M. Ballantyne, Jules Verne, Jack London, L. Frank Baum, Randall Parrish, Charles Boardman Hawes, Joseph Conrad, Rudyard Kipling, Ralph Henry Barbour, Rafael Sabatini, Jeffery Farnol, Henry De Vere Stacpoole, 2019-07-11 This meticulously edited sea adventure collection is formatted for your eReader with a functional and detailed table of contents: Randall Parrish: Wolves of the Sea Charles Boardman Hawes: The Dark Frigate The Mutineers Rafael Sabatini: Captain Blood The Sea-Hawk Captain Charles Johnson: The History of Pirates R. L. Stevenson: Treasure Island Jack London: The Sea Wolf The Mutiny of the Elsinore A Son of the Sun Daniel Defoe: Robinson Crusoe Captain Singleton Tobias Smollett: The Adventures of Roderick Random Walter Scott: The Pirate Frederick Marryat: Mr. Midshipman Easy Masterman Ready; Or, The Wreck of the Pacific Edgar Allan Poe: The Narrative of Arthur Gordon Pym of Nantucket James Fenimore Cooper: The Pilot: A Tale of the Sea The Red Rover Afloat and Ashore: A Sea Tale Miles Wallingford Homeward Bound; Or, The Chase: A Tale of the Sea Thomas Mayne Reid: The Ocean Waifs: A Story of Adventure on Land and Sea Victor Hugo: Toilers of the Sea Herman Melville: Redburn White-Jacket Moby Dick Benito Cereno R. M. Ballantyne: The Coral Island: A Tale of the Pacific Ocean Fighting the Whales Jules Verne: The Voyages and Adventures of Captain Hatteras In Search of the Castaways; Or, The Children of Captain Grant 20 000 Leagues under the Sea Dick Sand: A Captain at Fifteen An Antarctic Mystery L. Frank Baum: Sam Steele's Adventures on Land and Sea Joseph Conrad: The Nigger of the 'Narcissus' Lord Jim Typhoon The Shadow Line The Arrow of Gold Rudyard Kipling: Captains Courageous Ralph Henry Barbour: The Adventure Club Afloat Jeffery Farnol: Black Bartlemy's Treasure Martin Conisby's Vengeance Henry De Vere Stacpoole The Blue Lagoon The Garden of God |
kaja made in abyss: Male Subjectivity at the Margins Kaja Silverman, 1992 Silverman sets out to offer a bold new look at some masculinities which deviate from the social norm. This book looks at male film-makers, novelists and literary cinematic characters who position themselves more as women than as men and in so doing surrender male power and privilege.--Pub. desc. |
kaja made in abyss: Hear Me with Your Eyes Ana Forcinito, 2022-04-15 Hear Me with Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, Maria Luisa Bemberg, Lita Stantic, Lucrecia Martel, Albertina Carri, Maria Victoria Menis, Lucia Puenzo, Sabrina Farji, Paula de Luque, Anahi Berneri, Sandra Gugliotta, and Gabriela David explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrative voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime. |
kaja made in abyss: Wizard's First Rule Terry Goodkind, 2001-06-23 An unearthly adversary descends on an idyllic fantasy world, corrupting magic against good and slaughtering innocents, and only a single man can stop him. |
kaja made in abyss: Feminist Film Theorists Shohini Chaudhuri, 2006-09-27 Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. Examining the new and distinctive approaches of each of these thinkers, this book provides the most detailed account so far of their ideas. It illuminates the six key concepts and demonstrates their value as tools for film analysis: the male gaze the female voice technologies of gender queering desire the monstrous-feminine masculinity in crisis. Testing their ideas with a number of other examples from contemporary cinema and TV, Shohini Chaudhuri shows how these four thinkers construct their theories through their reading of films. An excellent study companion for all students of film theory and women’s studies. |
kaja made in abyss: The Supremacy Eric Peter Brown, 2016-11-09 In the Jhanctum galaxy, far beyond ours, a highly communicable contagion called the Wehtiko Influence has inexplicably escalated in its infection rate that is normally manageable by the unwavering vigilances of an alien military Corp. called the Qi-Tahh Supremacy. This outbreak began thousands of years ago, but its origin remains unknown, its actions are unpredictable and the cure is still as elusive as the contagion itself. This insidious strain does not affect all who are exposed, it cannot be eradicated and once Influenced, neither the host nor their planet can ever be completely cleansed of its barbarous effects.The Wehtiko is not an organism or a viral-based pathogen, it is an affliction of evil that unleashes the darkest nature of those Influenced. To combat the threat, the Ohdens, the Governing Council Authority mobilized the Supremacy who fights to maintain order over the populists gone mad and unravel the mystery behind the escalation. Planet Thada Argen is discovered to be ground zero, and is home to two peaceful species, the Dir-nays, a pygmy race, and the Eanois; humanoids with whom they have shared friendship and trade for decades. The Zahnobein Qi-Tahh, Wild Cards as good as their flag ship, are sent to inoculate the Influenced and prevent the Wehtiko from becoming a full-blown contagion that if not stopped here, will engulf their galaxy and spread beyond unchecked. However, during a skirmish with the Pygmies, the Elphah and eight Pridesmen are mysteriously whisked away leaving the remaining Pride to cope with the Dir-nays and an unforeseen circumstance that jeopardizes the success of their mission. They must delay searching for their missing family and complete the inoculation assignment within the allotted time, or the Life Protectors will be forced to destroy the planet and kill everyone on itincluding their own Pride. |
kaja made in abyss: The Voice in Cinema Michel Chion, 1999 Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma. |
kaja made in abyss: Nabokov's Cinematic Afterlife Ewa Mazierska, 2014-01-10 This book offers critical studies of films that adapted works by Vladimir Nabokov. One of the most screened twentieth century authors (with over ten books adapted for cinema), his works are full of quirky and forbidden romance, and his writing is renowned for its cinematic qualities (e.g., frames, stage directions, and descriptions suggesting specific camera positions and movements). Films discussed include Lolita (both Kubrick's 1962 and Lyne's 1997 versions), Richardson's Laughter in the Dark (1969), Skolimowski's King, Queen, Knave (1972), Fassbinder's Despair (1978), Foulon's Mademoiselle O (1994), Kuik's An Affair of Honor (1999), Gorris' The Luzhin Defence (2000), and Rohmer's The Triple Agent (2004). A final chapter discusses similarities between Nabokov and Jean-Luc Godard. |
kaja made in abyss: Defeated Masculinity Raya Morag, 2009 The burgeoning field of trauma and cinema is an exciting development within contemporary trauma studies. The author of this book describes the complex relationship between cinema and the trauma of defeat in war. An asymmetric and non-binary comparison of two test cases, post-World War II New German Cinema and post-Vietnam War American cinema, illuminates the indirect and intriguing ways these societies have dealt with the enormous psycho-cultural difficulty of acknowledging their defeat and understanding its manifold meanings. This book draws on psychoanalysis, masculinity studies, and corporeal feminism to explore the bodily experience of defeat. It examines themes and representations of body and sexuality to create a theoretical framework that reveals anew the link between defeated masculinity and nationalism. Building on an original analysis of such varied films as The Deer Hunter, Full Metal Jacket, The Tin Drum, and Paris Texas, the author suggests new criteria that highlight the characteristics of post-traumatic cinema. |
kaja made in abyss: John Wayne and Ideology Larry A. Van Meter, 2014-10-21 John Wayne and Ideology is an examination of John Waynes legacy as a political force. It is no exaggeration to say that, playing the lead in over 150 movies, he is one of the most popular actors in the history of cinema. This book argues that his enduring popularity is historically mediated. Certainly an A-list actor before and during World War II, John Wayne nevertheless did not become an icon until after the war, when, because of the war and emerging calls for womens and minorities rights, white masculinity anxieties spiked. The American political reaction to this new world was a radical shift to the right, with John Wayne and Ronald Reagan embodying that change. The racist, misogynous, and homophobic films of John Wayne, still hugely popular, bear witness to that right turn. Moreover, that legacy continues, with generations of Johns Waynesuch as, Arnold Schwarzenegger, Sylvester Stallone, and post-9/11 superheroesdesperately trying to recenter white American masculinity. |
kaja made in abyss: Bodies That Matter Judith Butler, 2014-09-03 In Bodies That Matter, Judith Butler further develops her distinctive theory of gender by examining the workings of power at the most material dimensions of sex and sexuality. Deepening the inquiries she began in Gender Trouble, Butler offers an original reformulation of the materiality of bodies, examining how the power of heterosexual hegemony forms the matter of bodies, sex, and gender. Butler argues that power operates to constrain sex from the start, delimiting what counts as a viable sex. She offers a clarification of the notion of performativity introduced in Gender Trouble and explores the meaning of a citational politics. The text includes readings of Plato, Irigaray, Lacan, and Freud on the formation of materiality and bodily boundaries; Paris is Burning, Nella Larsen's Passing, and short stories by Willa Cather; along with a reconsideration of performativity and politics in feminist, queer, and radical democratic theory. |
kaja made in abyss: Each Wild Idea Geoffrey Batchen, 2002-02-22 Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity. |
kaja made in abyss: Made in Abyss Vol. 4 Akihito Tsukushi, 2018-10-09 ' Riko is finally on her feet again after her near-death brush with the orb-piercer. But the threat of death is always close in the Abyss. The Garden of the Flowers of Fortitude isn''t far off, and its splendor hides a perilous secret! ' |
kaja made in abyss: Harlequin Medical Romance June 2020 - Box Set 2 of 2 Tina Beckett, Karin Baine, Julie Danvers, 2020-06-01 Harlequin Medical Romance brings you a collection of three new titles, available now! Enjoy these stories packed with pulse-racing romance and heart-racing medical drama. This Harlequin Medical Romance box set includes: ONE HOT NIGHT WITH DR. CARDOZA A Summer in S‹o Paulo by Tina Beckett Physiotherapist Amy is going to use her time in Brazil to indulge herself—in her sexy new colleague, orthopedic surgeon Roque! REUNION WITH HIS SURGEON PRINCESS by Karin Baine After Seth offered her a diamond ring and his heart, Kaja ran! Now, to save her father, she needs the world renowned transplant surgeon’s help. FROM HAWAII TO FOREVER by Julie Danvers High-flying city doctor Kat has an enticing offer for fascinatingly carefree and gorgeous paramedic Jack: an island fling, without forever… |
kaja made in abyss: New York Magazine , 1992-03-30 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
kaja made in abyss: Made in Abyss Vol. 9 Akihito Tsukushi, 2021-03-30 ON THE BRINK OF DESTRUCTION Faputa, Irumyuui’s final child, burns with a thirst for revenge. She wants to destroy the Village of the Hollows! Is there anything Riko and the others can do to stop her? |
kaja made in abyss: Photography and Cinema David Campany, 2008-11-15 This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker--OCLC |
kaja made in abyss: Censorship in Colonial Indonesia, 1901-1942 Nobuto Yamamoto, 2019 In Censorship in Colonial Indonesia, 1901-1942 Nobuto Yamamoto traces the institutionalization of print censorship in the Netherlands Indies, specifically the interplay between the emergent nationalist movement and the censoring apparatus put in place to contain it. |
kaja made in abyss: The Anthropology of Experience Victor Witter Turner, Edward M. Bruner, 1986 Fourteen authors, including many of the best-known scholars in the field, explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be of special interest for anyone working in anthropological theory, symbolic anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers. |
kaja made in abyss: Made in Abyss Vol. 6 Akihito Tsukushi, 2019-06-04 THE PATH OF NO RETURN Riko and her friends have finally made it to the sixth layer! Not long after taking their last dive, they find themselves in a village populated by Hollows who possess a peculiar sense of value. Mysteries, terrors, and bewildering truths await them in the Abyss’ deepest depths! |
kaja made in abyss: Alleys of Your Mind Matteo Pasquinelli, 2015-10-23 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard. |
kaja made in abyss: The Monstrous-Feminine Barbara Creed, 2015-09-04 In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T |
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