Julie Barmazel

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  julie barmazel: Mother Queens and Princely Sons S. Ray, 2012-10-15 This study explores representations of the Madonna and Child in early modern culture. It considers the mother and son as a conceptual, religio-political unit and examines the ways in which that unit was embodied and performed. Of primary interest is the way mothers derived agency from bearing incipient rulers.
  julie barmazel: Critical Theory and Interaction Design Jeffrey Bardzell, Shaowen Bardzell, Mark Blythe, 2018-12-04 Classic texts by thinkers from Althusser to Žižek alongside essays by leaders in interaction design and HCI show the relevance of critical theory to interaction design. Why should interaction designers read critical theory? Critical theory is proving unexpectedly relevant to media and technology studies. The editors of this volume argue that reading critical theory—understood in the broadest sense, including but not limited to the Frankfurt School—can help designers do what they want to do; can teach wisdom itself; can provoke; and can introduce new ways of seeing. They illustrate their argument by presenting classic texts by thinkers in critical theory from Althusser to Žižek alongside essays in which leaders in interaction design and HCI describe the influence of the text on their work. For example, one contributor considers the relevance Umberto Eco's “Openness, Information, Communication” to digital content; another reads Walter Benjamin's “The Author as Producer” in terms of interface designers; and another reflects on the implications of Judith Butler's Gender Trouble for interaction design. The editors offer a substantive introduction that traces the various strands of critical theory. Taken together, the essays show how critical theory and interaction design can inform each other, and how interaction design, drawing on critical theory, might contribute to our deepest needs for connection, competency, self-esteem, and wellbeing. Contributors Jeffrey Bardzell, Shaowen Bardzell, Olav W. Bertelsen, Alan F. Blackwell, Mark Blythe, Kirsten Boehner, John Bowers, Gilbert Cockton, Carl DiSalvo, Paul Dourish, Melanie Feinberg, Beki Grinter, Hrönn Brynjarsdóttir Holmer, Jofish Kaye, Ann Light, John McCarthy, Søren Bro Pold, Phoebe Sengers, Erik Stolterman, Kaiton Williams., Peter Wright Classic texts Louis Althusser, Aristotle, Roland Barthes, Seyla Benhabib, Walter Benjamin, Judith Butler, Arthur Danto, Terry Eagleton, Umberto Eco, Michel Foucault, Wolfgang Iser, Alan Kaprow, Søren Kierkegaard, Bruno Latour, Herbert Marcuse, Edward Said, James C. Scott, Slavoj Žižek
  julie barmazel: Walking the Victorian Streets Deborah Epstein Nord, 2018-09-05 Literary traditions of urban description in the nineteenth century revolve around the figure of the stroller, a man who navigates and observes the city streets with impunity. Whether the stroller appears as fictional character, literary persona, or the nameless, omnipresent narrator of panoramic fiction, he casts the woman of the streets in a distinctive role. She functions at times as a double for the walker's marginal and alienated self and at others as connector and contaminant, carrier of the literal and symbolic diseases of modern urban life. In Walking the Victorian Streets, Deborah Epstein Nord explores the way in which the female figure is used as a marker for social suffering, poverty, and contagion in texts by De Quincey, Lamb, Pierce Egan, and Dickens. What, then, of the female walker and urban chronicler? While the male spectator enjoyed the ability to see without being seen, the female stroller struggled to transcend her role as urban spectacle and her association with sexual transgression. In novels, nonfiction, and poetry by Elizabeth Gaskell1 Flora Tristan, Margaret Harkness, Amy Levy, Maud Pember Reeves, Beatrice Webb, Helen Bosanquet, and others, Nord locates the tensions felt by the female spectator conscious of herself as both observer and observed. Finally, Walking the Victorian Streets considers the legacy of urban rambling and the uses of incognito in twentieth-century texts by George Orwell and Virginia Woolf.
  julie barmazel: Macbeth John Drakakis, Dale Townshend, 2013-09-12 The tragedy of Macbeth is filled with blood and darkness, and is a morally and politically complex study of ambition, power and guilt. This guide offers practical aids to study and fresh new ways of responding to the play's ever-expanding critical possibilities -- Back cover.
  julie barmazel: Making Love Paul Kelleher, 2015-07-16 Making Love closely reexamines the literary history of sentimentalism in order to open up new ways of understanding the history of sexuality.
  julie barmazel: Economics of the Undead Glen Whitman, James Dow, 2014-07-17 Whether preparing us for economic recovery after the zombie apocalypse, analyzing vampire investment strategies, or illuminating the market forces that affect vampire-human romances, Economics of the Undead gives both seasoned economists and layman readers something to sink their teeth into.
  julie barmazel: Regarding Sedgwick Stephen M. Barber, David L. Clark, 2013-08-21 Eve Kosofsky Sedgwick is one of the most important figures in the history of modern gender studies. This book, which features an interview with Sedgwick, is a collection of new essays by established scholars
  julie barmazel: Freedom Evolves Daniel C. Dennett, 2004-01-27 Can there be freedom and free will in a deterministic world? Renowned philosopher Daniel Dennett emphatically answers “yes!” Using an array of provocative formulations, Dennett sets out to show how we alone among the animals have evolved minds that give us free will and morality. Weaving a richly detailed narrative, Dennett explains in a series of strikingly original arguments—drawing upon evolutionary biology, cognitive neuroscience, economics, and philosophy—that far from being an enemy of traditional explorations of freedom, morality, and meaning, the evolutionary perspective can be an indispensable ally. In Freedom Evolves, Dennett seeks to place ethics on the foundation it deserves: a realistic, naturalistic, potentially unified vision of our place in nature.
  julie barmazel: The Pub in Literature Steven Earnshaw, 2000 Steven Earnshaw traces the many roles of the drinking house in literature from Chaucer's time to the end of the 20th century, taking in the better-known hostelries, such as Hal's and Falstaff's Boar's Head in Henry IV, and the inns of Dickens.
  julie barmazel: The Road to Delphi Michael Wood, 2004-07 Cultures of all epochs have consulted oracles in times of need. This fascinating exploration of the enduring popularity of oracles examines how they are interpreted and why. Taking examples from literature and history, from the oracles at Delphi to those in Macbeth, and further still to the works of Kafka and Bob Dylan, and even in the film The Matrix, Wood combines storytelling and commentary to provide a lively account of humanity's persistent faith in signs, which continues to exert an important influence on the course of civilization.
  julie barmazel: Shakespeare's Political Imagination Philip Goldfarb Styrt, 2021-11-04 Shakespeare's Political Imagination argues that to better understand Shakespeare's plays it is essential to look at the historicism of setting: how the places and societies depicted in the plays were understood in the period when they were written. This book offers us new readings of neglected critical moments in key plays, such as Malcolm's final speech in Macbeth and the Duke's inaction in The Merchant of Venice, by investigating early modern views about each setting and demonstrating how the plays navigate between those contemporary perspectives. Divided into three parts, this book explores Shakespeare's historicist use of medieval Britain and Scotland in King John and Macbeth; ancient Rome in Julius Caesar and Coriolanus; and Renaissance Europe through Venice and Vienna in The Merchant of Venice, Othello and Measure for Measure. Philip Goldfarb Styrt argues that settings are a powerful component in Shakespeare's worlds that not only function as physical locations, but are a mechanism through which he communicates the political and social orders of the plays. Reading the plays in light of these social and political contexts reveals Shakespeare's dramatic method: how he used competing cultural narratives about other cultures to situate the action of his plays. These fresh insights encourage us to move away from overly localized or universalized readings of the plays and re-discover hidden moments and meanings that have long been obscured.
  julie barmazel: Vestiges of War Angel Velasco Shaw, Luis H. Francia, 2002-12 A compelling account of the consequences of American colonialism in the Philippines through critical and visual art essays.
  julie barmazel: Shakespeare and the Political Rita Banerjee, Yilin Chen, 2024-05-30 Shakespeare and the Political: Elizabethan Politics and Asian Exigencies is a collection of essays which show how selected Shakespearean plays and later adaptations engage with the political situations of the Elizabethan period as well as contemporary Asian societies. The various interpretations of the original plays focus on the institutions of family and honour, patriarchy, kingship and dynasty, and the emergent ideologies of the nation and cosmopolitanism, adopting a variety of approaches like historicism, presentism, psychoanalysis, feminism and close reading. The volume also looks at Shakespearean adaptations in Asia – Taiwanese, Japanese, Chinese and Indian. Using Douglas Lanier's concept of the 'rhizomatic' approach, it seeks to examine how Asian Shakespearean adaptations, films and stage performances, appropriate and reproduce originals often 'unfaithfully' in different social and temporal contexts to produce independent works of art.
  julie barmazel: Macbeth William Shakespeare, 2014-10-15 The authoritative edition of Macbeth from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft. In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes? Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender. The edition includes: -Freshly edited text based on the best early printed version of the play -Newly revised explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An up-to-date annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
  julie barmazel: ELH. , 2006 A journal of English literary history, 1934-1955.
  julie barmazel: Directory Modern Language Association of America, 2005
  julie barmazel: Where is Adaptation? Casie Hermansson, Janet Zepernick, 2018-10-15 Where is Adaptation? Mapping cultures, texts, and contexts explores the vast terrain of contemporary adaptation studies and offers a wide variety of answers to the title question in 24 chapters by 29 international practitioners and scholars of adaptation, both eminent and emerging. From insightful self-analyses by practitioners (a novelist, a film director, a comics artist) to analyses of adaptations of place, culture, and identity, the authors brought together in this collection represent a broad cross-section of current work in adaptation studies. From the development of technologies impacting film festivals, to the symbiotic potential of interweaving disability and adaptation studies, censorship, exploring the “glocal,” and an examination of the Association for Adaptation Studies at its 10th anniversary, the original contributions in this volume aim to trace the leading edges of this evolving field.
  julie barmazel: National Faculty Directory Supplement Gale, Thomson Gale, 2006-03 The National Faculty Directory Supplement contains approximately 50,000 listings to update and expand the coverage of the 37th edition of the National Faculty Directory, which contains the names, departmental affiliations, institutional addresses, and phone numbers of more than 800,000 members of teaching faculties at approximately 7,000 American colleges and universities and approximately 240 Canadian institutions that use instructional materials primarily in English.
  julie barmazel: Cahiers Élisabéthains , 2008 Études sur la pré-renaissance et la renaissance anglaises.
  julie barmazel: La evolución de la libertad Daniel Clement Dennett, Daniel Dennett, 2004 Hace cuatro mil años, en nuestro planeta, no había libertado porque no había vida. ¿Qué tipos de libertad han evolucionado desde el origen de la vida? ¿Puede haber libertad en un mundo determinista? Si somos libres, ¿somos también responsables por el hecho de serlo o simplemente afortundaos? En La evolución de la libertad, Daniel C. Dennett se propone responder a estas preguntas y mostrar cómo es posible que sólo los humanos, de entre todos los animales, hayan desarrollado un tipo de mente que puede hacerles pensar en la libertad y la moral. A través de una serie de arguementos de gran originalidad -y partiendo de la biología evolutiva, la neurociencia cognitiva, la economía y la filosofía-, Dennett demuestra que, se aceptamos el razonamiento de Darwin, podemos reconstruir los pasos que llevaron desde las formas de vida más sencillas hasta los más profundos pensamientos humanos sobre cuestiones de moralidad y sentido, ética y libertad. Como en sus libros anteriores, Dennett teje una exposición rica en detalles y animada por una amplia variedad de formulaciones y analogías tan provocativas como entretenidas y estimulantes. La evolución de la libertad no pretende reemplazar el trabajo realizado hasta el momento en el campo de la ética por una alternativa darwinista, sino más bien asentar la ética sobre los cimientos que merece: una visión realista y sólida del lugar que ocupamos en la naturaleza.
  julie barmazel: Publications of the Modern Language Association of America ,
  julie barmazel: Commencement [program] Princeton University, 1998
  julie barmazel: Dissertation Abstracts International , 2004 Abstracts of dissertations available on microfilm or as xerographic reproductions.
  julie barmazel: MLA International Bibliography of Books and Articles on the Modern Languages and Literatures , 2008
  julie barmazel: Bruin Life , 1990
  julie barmazel: The Highest Goal Michael Ray, 2005-10-16 Traditional Chinese edition of The Highest Goal: The Secret That Sustains You in Every Moment. Stanford professor Michael Ray shares the secrets he discovered of those who strive for highest goal. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.
  julie barmazel: Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth Maria L. Howell, 2008 Maria Howell's Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth is an important and compelling scholarly work which seeks to examine the sixteenth century's greatest concern, echoed by Hamlet himself, What is a man? In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth's capacity to control and destroy Macbeth's masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man's disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man's actions for good no longer provide moral clarity. Howell's poignant and timely analysis of manhood and masculine identity in Shakespeare's Macbeth will no doubt resonate with readers today.--BOOK JACKET.
  julie barmazel: Official Gazette of the United States Patent and Trademark Office , 1993
  julie barmazel: Adventures of Huckleberry Finn Mark Twain, 2003-09-08 The text of this new scholarly edition of Adventures of Huckleberry Finn is the first ever to be based on Mark Twain's complete, original manuscript—including its first 665 pages, which had been lost for over a hundred years when they turned up in 1990 in a Los Angeles attic. The text has been thoroughly re-edited using this manuscript, restoring thousands of details of wording, spelling, and punctuation which had been corrupted by Mark Twain's typist, typesetters, and proofreaders. It includes all of the 174 first edition illustrations by Edward Windsor Kemble, which the author called most rattling good. The editorial matter is extraordinarily rich. A new introduction tells the story of how Mark Twain's book was written, edited, published, and received, and spells out in detail the effect of the newly discovered manuscript on the text. Included are revised and updated maps of the Mississippi River valley, explanatory notes, glossary, and several documentary appendixes such as Twain's literary working notes, facsimile manuscript pages, facsimile reproductions of the author's revisions for his public reading tours, and contemporary advertisements and announcements. Also included are a description of the manuscript and all texts used in preparing this edition and complete lists of the author's revisions. The acclaimed 2001 Mark Twain Library edition (Library edition books are intended for general readers) was drawn from this comprehensive new scholarly edition in the Works of Mark Twain series.
  julie barmazel: Subcontracting Peace Henry F. Carey, 2017 Non-governmental organizations (NGOs) have emerged as crucial actors in peacebuilding processes in post-conflict zones, contributing to the liberal state building project. NGOs, like any other organizations, have certain strengths and weaknesses, and face tradeoffs and contradictions in peacebuilding. Given increasing NGO experience in peacemaking and peacebuilding, this volume examines their relatively positive record, as well as the constraints, limitations, and sometimes contradictory impact of their activities and interventions.--Provided by publisher.
  julie barmazel: Current Law Index , 1996
  julie barmazel: California Manufacturers Register , 1998
  julie barmazel: Stanford Business , 1996
  julie barmazel: The Stanford Alumni Directory , 2004
  julie barmazel: Index to Legal Periodicals & Books , 1996
  julie barmazel: The Body Embarrassed Gail Kern Paster, 2018-09-05 Men and women in early modern Europe experienced their bodies very differently from the ways in which contemporary men and women do. In this challenging and innovative book, Gail Kern Paster examines representations of the body in Elizabethan-Jacobean drama in the light of humoral medical theory, tracing the connections between the history of the visible social body and the history of the subject's body as experienced from within. Focusing on specific bodily functions and on changes in the forms of embarrassment associated with them, Paster extends the insights of such critics and theorists as Mikhail Bakhtin, Norbert Elias, and Thomas Laqueur. She first surveys comic depictions of incontinent women as leaky vessels requiring patriarchal management and then considers the relation between medical bloodletting practices and the gender implications of blood symbolism. Next she relates the practice of purging to the theme of shame and assays ideas about pregnancy, childbirth, and nursing in medical and other nonliterary texts. Paster then turns to the use of reproductive processes in the plot structures of key Shakespeare plays and in Dekker's, Ford's, and Rowley's Witch of Edmonton. Including twelve vivid illustrations, The Body Embarrassed will be fascinating reading for students and scholars in the fields of Renaissance studies, gender studies, literary theory, the history of drama, and cultural history.
  julie barmazel: Narrative of the life of Henry Box Brown, written by himself Henry Box Brown, 1851 The life of a slave in Virginia and his escape to Philadelphia.
  julie barmazel: Rewriting the Renaissance Margaret W. Ferguson, Maureen Quilligan, Nancy Vickers, 1986-09-15 Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference. Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state and in the family. They explore the major conequences of patriarchy for women—their marginalization and lack of identity and power—and the ways in which individual women or groups of women broke, or in some cases deliberately circumvented, the rules that defined them as a secondary sex. Topics covered include representations of women in literature and art, the actual work done by women both inside and outside of the home, and the writings of women themselves. In analyzing the rhetorical strategies that marginalized historical and fictional women, these essays counter scholarly and critical traditions that continue to exhibit patriarchal biases.
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Resources - Call JULIE before you dig for safe digging in Illi…
Planning to dig? Read JULIE resources library before breaking ground for your new garden, backyard, or mailbox to ensure safety and avoid utility …

About Us | JULIE safe digging in Illinois
JULIE Is Illinois’ FREE Notification System To Prevent Underground Utility Damages Across the country, every …

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