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| jose rizal cesar montano: The Butterflies that Rizal Chased, Collected and Studied Jose A. Fadul, 2007-07-01 The 8.5 square edition of the same book, The Butterflies that Rizal Chased, Collected, and Studied. Photographs were Adobe distilled for greater clarity. Appendices include tips on casting butterfly specimens in resin. |
| jose rizal cesar montano: Sine Gabay Nick Deocampo, 2017-12-02 Sine Gabay contains a compilation of 100 Filipino films that Deocampo had featured in his numerous film screenings and lectures. Included are titles of classic feature-length films like Bata, Bata. . . Paano Ka Ginawa?, Burlesk Queen, Himala, and Oro, Plata, Mata, as well as documentaries, animation, experimental films, and even propaganda movies. The book serves as an excellent teaching module containing valuable lessons and informational data about the chosen films. Listed inside are the films’ synopses, filmography, audience suitability and MTRCB ratings, recommended study areas, guide questions, and a valuable resource of contacts where to rent, purchase, or borrow viewing copies. |
| jose rizal cesar montano: Global Currents Tasha G. Oren, Patrice Petro, 2004 Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced--it is just as likely that the receiving culture will change the media. Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of global music, click politics and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and squatting in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies. |
| jose rizal cesar montano: Pelikula , 2001 |
| jose rizal cesar montano: Conversations with Ricky Lo Ricardo F. Lo, 2001 |
| jose rizal cesar montano: Direk Clodualdo Jr del Mundo, Shirley O. Lua, 2019-01-01 Direk, a collection of essays on Filipino filmmakers, presents an accessible and provocative introduction to Philippine cinema. Notable Filipino critics write on the canonical Filipino film directors: Ronald Baytan on Ishmael Bernal; Patrick F Campos on Kidlat Tahimik; Clodualdo Del Mundo, Jr. on Manuel Silos, Eddie Romero, and Lamberto Avellana; Vicente Garcia Groyon on Peque Gallaga; Shirley O. Lua on Fernando Poe, Jr; Gil Quito on Marilou Diaz-Abaya and Lav Diaz; Anne Frances N Sangil on Mike de Leon; Agustin Sotto on Gerardo de Leon; Nicanor G Tiongson on Manuel Conde; Rolando B Tolentino on Lino Brocka; Noel Vera on Mario OHara; and Lito B Zulueta on Brillante Ma Mendoza. A compelling work, the first of its kind, it is filled with insight and critical provocation. The work is essential reading for all who are interested in film making in all its multiple aspects, and provides hitherto unavailable information on Philippine filmmakers and cinema. |
| jose rizal cesar montano: Key Words in Religion, Media and Culture David Morgan, 2008-06-30 'From The Passion of the Christ to the presumed 'clash of civilizations', religion's role in culture is increasingly contested and mediated. Key Words in Religion, Media, and Culture is a welcome and interdisciplinary contribution that maps the territory for those who aim to make sense of it all. Highlighting the important concepts guiding state-of-the-art research into religion, media, and culture, this book is bound to become an important and frequently consulted resource among scholars both seasoned and new to the field.' –Lynn Schofield Clark 'David Morgan has assembled here a fine team of scholars to prove beyond a doubt that the intersections of religion, media, and culture constitute one of the most stimulating fields of inquiry around today...This highly useful and theoretically sophisticated text will likely assume 'ritual' status in this emergent field.' – Rosalind I. J. Hackett, University of Tennessee, US 'This volume is a major intervention in the literature on religion, media and culture. Drawing together leading international scholars, it offers a conceptual map of the field to which students, teachers and researchers will refer for many years to come. The publication of Key Words in Religion, Media and Culture is a significant moment in the formation of this area of study, and sets a standard for cross-disciplinary collaboration and theoretical and methodological sophistication for future work in this area to follow.' – Gordon Lynch, Birkbeck College, University of London, UK 'This book offers a range of refreshing essays on the relationships between media and religion. Its selected keywords open doors to understanding contemporary society. The cultural perspectives on mediation and religious practices give some illuminating and surprising analyses.' – Knut Lundby, University of Oslo, Norway |
| jose rizal cesar montano: The Philippines Damon L. Woods, 2005-12-09 A unique, revealing look at the history and contemporary culture of the Philippine Islands and their multicultural and foreign-influenced facets. Interest in the Philippines has grown substantially over recent years. The Philippines: A Global Studies Handbook provides an all-encompassing introduction to the dramatic history of this intriguing nation as well as the contemporary social, political, economic, religious, and artistic life, written for travelers, business people, researchers, students, or general readers. The author, an award-winning professor of Asian studies, explores the effects of centuries of change and continuity on this fascinating, often contradictory land. It is a locals-eye view that gets straight to the heart of the Filipino experience—a cultural tour that measures the profound impact of the islands' Japanese, Spanish, and American conquerors, as well as the influence of Islam, the Marcos regime, and the People Power revolutions that ousted Ferdinand Marcos and, 15 years later, Joseph Estrada. |
| jose rizal cesar montano: Twisted Jessica Zafra, 1999 |
| jose rizal cesar montano: Filipinas Magazine , 2004 |
| jose rizal cesar montano: Cinemaya , 1999 |
| jose rizal cesar montano: Critic After Dark Noel Vera, 2005 |
| jose rizal cesar montano: Cinema of the Philippines Bryan L. Yeatter, 2007-09-04 This book offers a rare study of cinema in the Philippines. The first half of the work presents the little-known history of Filipino cinema. The second half of the book is the most comprehensive published filmography of Filipino cinema to date--Provided by publisher. |
| jose rizal cesar montano: Tamkang Review , 2002 A quarterly of comparative studies of Chinese and foreign literatures. |
| jose rizal cesar montano: Sanghaya , 2001 |
| jose rizal cesar montano: Citizen of the World Blas F. Ople, 2001 |
| jose rizal cesar montano: Rizal & the Dev. Of National Consciousness , |
| jose rizal cesar montano: Ang screenplay ng José Rizal Ricardo Lee, 1999 History of Jose Rizal, 1861-1896, a Filipino hero. |
| jose rizal cesar montano: Filipino Wika Sa Ating Panahon 6' 2001 Ed. , |
| jose rizal cesar montano: Motion Picture Almanac , 2005 |
| jose rizal cesar montano: The Resilience of Democracy Peter J. Burnell, Peter Calvert, 1999 This volume brings together studies of the small number of previously established states that have retained and/or restored democracy despite - in many cases - formidable economic, social or political challenges. It seeks to establish common themes, whether or not they appear to fit a grand casual theory. It is, after all, the very adaptability of democratic systems that characterises their persistence, durability and resilience. |
| jose rizal cesar montano: Theorising Cultures of Equality Suzanne Clisby, Mark Johnson, Jimmy Turner, 2020-05-17 This book sets out a theoretical framework for thinking about equality as a cultural artefact and process, drawing on work from the GRACE (Gender and Cultures of Equality in Europe) project. In revisiting and reframing conventional questions about in/equality it considers the processes through which in/equalities have come to be regarded as issues of public concern, the various ways that equalities have been historically defined, and how those ideas and imaginings of equalities are produced, embodied, objectified, recognized and contested in and through a variety of cultural practices and sites. Bringing together an international and interdisciplinary group of contributors, the book will be of interest to scholars from across the humanities and social sciences, including anthropology, sociology, and women’s and gender studies. |
| jose rizal cesar montano: Grammars of Creation George Steiner, 2002-01-01 We have no more beginnings,” George Steiner begins in this, his most radical book to date. A far-reaching exploration of the idea of creation in Western thought, literature, religion, and history, this volume can fairly be called a magnum opus. He reflects on the different ways we have of talking about beginnings, on the core-tiredness” that pervades our end-of-the-millennium spirit, and on the changing grammar of our discussions about the end of Western art and culture. With his well-known elegance of style and intellectual range, Steiner probes deeply into the driving forces of the human spirit and our perception of Western civilization’s lengthening afternoon shadows. Roaming across topics as diverse as the Hebrew Bible, the history of science and mathematics, the ontology of Heidegger, and the poetry of Paul Celan, Steiner examines how the twentieth century has placed in doubt the rationale and credibility of a future tense--the existence of hope. Acknowledging that technology and science may have replaced art and literature as the driving forces in our culture, Steiner warns that this has not happened without a significant loss. The forces of technology and science alone fail to illuminate inevitable human questions regarding value, faith, and meaning. And yet it is difficult to believe that the story out of Genesis has ended, Steiner observes, and he concludes this masterful volume of reflections with an eloquent evocation of the endlessness of beginnings. |
| jose rizal cesar montano: Rizal, Philippine Nationalist and Martyr Austin Coates, 1968 |
| jose rizal cesar montano: The Social Cancer Jose Rizal, 2016-09-01 We travel rapidly in these historical sketches. The reader flies in his express train in a few minutes through a couple of centuries. The centuries pass more slowly to those to whom the years are doled out day by day. Institutions grow and beneficently develop themselves, making their way into the hearts of generations which are shorter-lived than they, attracting love and respect, and winning loyal obedience; and then as gradually forfeiting by their shortcomings the allegiance which had been honorably gained in worthier periods. We see wealth and greatness; we see corruption and vice; and one seems to follow so close upon the other, that we fancy they must have always co-existed. We look more steadily, and we perceive long periods of time, in which there is first a growth and then a decay, like what we perceive in a tree of the forest. FROUDE, Annals of an English Abbey. |
| jose rizal cesar montano: The Reign of Greed José Rizal, Charles Derbyshire, 1912 Classic story of the last days of Spanish rule in the Philippines. |
| jose rizal cesar montano: Home Reading Service Fabio Morábito, 2021-11-16 In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad forms of violence bred by drug trafficking. At first, Eduardo seems unable to connect. He movingly reads the words of Dostoyevsky, Henry James, Daphne du Maurier, and more, but doesn’t truly understand them. His eccentric listeners—including two brothers, one mute, who moves his lips while the other acts as ventriloquist; deaf parents raising children they don’t know are hearing; and a beautiful, wheelchair-bound mezzo soprano—sense his detachment. Then Eduardo comes across a poem his father had copied by the Mexican poet Isabel Fraire, and it affects him as no literature has before. Through these fascinating characters, like the practical, quick-witted Celeste, who intuitively grasps poetry even though she never learned to read, Fabio Morábito shows how art can help us rediscover meaning in a corrupt, unequal society. |
| jose rizal cesar montano: Rizal ; Bayaning 3rd World Clodualdo Del Mundo (Jr.), 2000 |
| jose rizal cesar montano: Sambotani Iii' 2007 Ed. , |
| jose rizal cesar montano: The Conjugal Dictatorship of Ferdinand and Imelda Marcos Primitivo Mijares, 2016-01-17 Author's Foreword This book is unfinished. The Filipino people shall finish it for me. I wrote this volume very, very slowly. 1 could have done with it In three months after my defection from the conjugal dictatorship of Ferdinand and Imelda Marcos on February 20.1975. Instead, I found myself availing of every excuse to slow it down. A close associate, Marcelino P. Sarmiento, even warned me, Baka mapanis 'yan. (Your book could become stale.)While I availed of almost any excuse not to finish the manuscript of this volume, I felt the tangible voices of a muted people back home in the Philippines beckoning to me from across the vast Pacific Ocean. In whichever way I turned, I was confronted by the distraught images of the Filipino multitudes cryingout to me to finish this work, lest the frailty of human memory -- or any incident a la Nalundasan - consign to oblivion the matters I had in mind to form the vital parts of this book. It was as if the Filipino multitudes and history itself were surging in an endless wave presenting a compelling demand on me toSan Francisco, California perpetuate the personal knowledge I have gained on the infamous machinations of Ferdinand E. Marcos and his overly ambitious wife, Imelda, that led to a day of infamy in my country, that Black Friday on September 22, 1972, when martial law was declared as a means to establish history's first conjugal dictatorship. The sense of urgency in finishing this work was also goaded by the thought that Marcos does not have eternal life and that the Filipino people are of unimaginable forgiving posture. I thought that, if I did not perpetuate this work for posterity, Marcos might unduly benefit from a Laurelian statement that, when a man dies, the virtues of his past are magnified and his faults are reduced to molehills. This is a book for which so much has been offered and done by Marcos and his minions so that it would never see the light of print. Now that it is off the press. I entertain greater fear that so much more will be done to prevent its circulation, not only in the Philippines but also in the United States.But this work now belongs to history. Let it speak for itself in the context of developments within the coming months or years. Although it finds great relevance in the present life of the present life of the Filipinos and of Americans interested in the study of subversion of democratic governments by apparently legal means, this work seeks to find its proper niche in history which mustinevitably render its judgment on the seizure of government power from the people by a lame duck Philippine President.If I had finished this work immediately after my defection from the totalitarian regime of Ferdinand and Imelda, or after the vicious campaign of the dictatorship to vilify me in July-August. 1975, then I could have done so only in anger. Anger did influence my production of certain portions of the manu-script. However, as I put the finishing touches to my work, I found myself expurgating it of the personal venom, the virulence and intemperate language of my original draft.Some of the materials that went into this work had been of public knowledge in the Philippines. If I had used them, it was with the intention of utilizing them as links to heretofore unrevealed facets of the various ruses that Marcos employed to establish his dictatorship.Now, I have kept faith with the Filipino people. I have kept my rendezvous with history. I have, with this work, discharged my obligation to myself, my profession of journalism, my family and my country.I had one other compelling reason for coming out with this work at the great risks of being uprooted from my beloved country, of forced separation from my wife and children and losing their affection, and of losing everything I have in my name in the Philippines - or losing life itself. It is that I wanted to makea public expiation for the little influence that I had . . . .(more inside) |
| jose rizal cesar montano: Dusk F. Sionil José, 2013-03-20 With Dusk (originally published in the Philippines as Po-on), F. Sionil Jose begins his five-novel Rosales Saga, which the poet and critic Ricaredo Demetillo called the first great Filipino novels written in English. Set in the 1880s, Dusk records the exile of a tenant family from its village and the new life it attempts to make in the small town of Rosales. Here commences the epic tale of a family unwillingly thrown into the turmoil of history. But this is more than a historical novel; it is also the eternal story of man's tortured search for true faith and the larger meaning of existence. Jose has achieved a fiction of extraordinary scope and passion, a book as meaningful to Philippine literature as One Hundred Years of Solitude is to Latin American literature. The foremost Filipino novelist in English, his novels deserve a much wider readership than the Philippines can offer.--Ian Buruma, New York Review of Books Tolstoy himself, not to mention Italo Svevo, would envy the author of this story.--Chicago Tribune |
| jose rizal cesar montano: Philippine Company Profiles , 1996 |
| jose rizal cesar montano: Forgotten Journey Silvina Ocampo, 2019-10-22 The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector.—Mariana Enriquez, LitHub Delicately crafted, intensely visual, deeply personal stories explore the nature of memory, family ties, and the difficult imbalances of love. Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction.—Lily Meyer, NPR Silvina Ocampo is one of our best writers. Her stories have no equal in our literature.––Jorge Luis Borges I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us.—Italo Calvino These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers.—John Freeman, Executive Editor, LitHub . . . it is for the precise and terrible beauty of her sentences that this book should be read.A masterpiece of midcentury modernist literature triumphantly translated into our times.—Publishers Weekly * Starred Review Ocampo is beyond great—she is necessary.—Hernan Diaz, author of In the Distance and Associate Director of the Hispanic Institute at Columbia University Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it.—Helen Oyeyemi, author of Gingerbread Ocampo is a legend of Argentinian literature, and this collection of her short stories brings some of her most recondite and mysterious works to the English-speaking world. . . . This collection is an ideal introduction to a beguiling body of work.—Publishers Weekly This collection of 28 short stories, first published in 1937 and now in English translation for the first time, introduced readers to one of Argentina's most original and iconic authors. With this, her fiction debut, poet Silvina Ocampo initiated a personal, idiosyncratic exploration of the politics of memory, a theme to which she would return again and again over the course of her unconventional life and productive career. Praise for Forgotten Journey: Ocampo is one of those rare writers who seems to write fiction almost offhandedly, but to still somehow do more in four or five pages than most writers do in twenty. Before you know it, the seemingly mundane has bared its surreal teeth and has you cornered.—Brian Evenson, author of Song for the Unraveling of the World: Stories The Southern Cone queen of the short-story, Ocampo displays all her mastery in Forgotten Journey. After finishing the book, you only want more.—Gabriela Alemán, author of Poso Wells Silvina Ocampo's fiction is wondrous, heart-piercing, and fiercely strange. Her fabulism is as charming as Borges’s. Her restless sense of invention foregrounds the brilliant feminist work of writers like Clarice Lispector and Samanta Schweblin. It’s thrilling to have work of this magnitude finally translated into English, head spinning and thrilling.—Alyson Hagy, author of Scribe |
| jose rizal cesar montano: El Filibusterismo José Rizal, 1968 José Rizal has a good claim to being the first Asian nationalist. An extremely talented Malay born a hundred years ago in a small town near Manila, educated partly in the Philippines and partly in Europe, Rizal inspired the Filipinos by his writing and example to make the first nationalist revolution in Asia in 1896. Today the Philippines revere Rizal as their national hero, and they regard his two books, The Lost Eden (Noli Me Tangere) and The Subversive (El Filibusterismo) as the gospel of their nationalism.The Subversive, first published in 1891, is strikingly timely today. New nations emerging in Africa and Asia are once again in conflict with their former colonial masters, as were the Filipinos with their Spanish rulers in Rizal's day. The Subversive poses questions about colonialism which are still being asked today: does a civilizing mission justify subjection of a people? Should a colony aim at assimilation or independence? If independence, should it be by peaceful evolution or force of arms?Despite the seriousness of its theme, however, The Subversive is more than a political novel. It is a romantic, witty, satirical portrait of Spanish colonial rule in the Philippines at the end of the nineteenth century, written in the tradition of the great adventure romances. The translation by Leon Ma. Guerrero, Philippine ambassador to the Court of St. James, conveys the immediacy of the original, and makes this important work available to a new generation of readers. His translation of The Lost Eden is also available in the Norton Library. |
| jose rizal cesar montano: Anatomiya ng korupsyon Malou Leviste Jacob, 1992 |
| jose rizal cesar montano: The Bride of Amman Fadi Zaghmout, 2015-07-21 The Bride of Amman, a huge and controversial bestseller when first published in Arabic, takes a sharp-eyed look at the intersecting lives of four women and one gay man in Jordan's historic capital, Amman-a city deeply imbued with its nation's traditions and taboos. When Rana finds herself not only falling for a man of the wrong faith, but also getting into trouble with him, where can they go to escape? Can Hayat's secret liaisons really suppress the memories of her abusive father? When Ali is pressured by society's homophobia into a fake heterosexual marriage, how long can he maintain the illusion? And when spinsterhood and divorce spell social catastrophe, is living a lie truly the best option for Leila? What must she do to avoid reaching her 'expiry date' at the age thirty like her sister Salma, Jordan's secret blogger and a self-confessed spinster with a plot up her sleeve to defy her city's prejudices? These five young lives come together and come apart in ways that are distinctly modern yet as unique and timeless as Amman itself. |
| jose rizal cesar montano: Philippine Weekly Economic Review , 1970 |
| jose rizal cesar montano: Catalogue University of the Philippines, 1917 |
| jose rizal cesar montano: A Sacrifice for Friendship D. S. Bauden, 2003-12-01 When Frankie Camarelli begins hearing voices, she travels back 20 years in her dreams to find the girl who is calling out for help. After Frankie returns to the present, her best friend tries to help her validate of her experience. |
| jose rizal cesar montano: Commencement Exercises University of the Philippines, 1920 |
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Library to retrieve RSA public keys from a JWKS endpoint. Latest version: 3.2.0, last published: 3 months ago. Start using jwks-rsa in your project by running `npm i jwks-rsa`. There are …
jose - npm
JWA, JWS, JWE, JWT, JWK, JWKS for Node.js, Browser, Cloudflare Workers, Deno, Bun, and other Web-interoperable runtimes. Latest version: 6.0.11, last published: a month ago. Start …
node-jose - npm
The jose.JWK namespace deals with JWK and JWK-sets. jose.JWK.Key is a logical representation of a JWK, and is the "raw" entry point for various cryptographic operations (e.g., …
Downloading and installing Node.js and npm | npm Docs
Documentation for the npm registry, website, and command-line interface
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IMPORTANT: This library doesn't validate the token, any well-formed JWT can be decoded. You should validate the token in your server-side logic by using something like express-jwt, koa …
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Library to retrieve RSA public keys from a JWKS endpoint. Latest version: 3.2.0, last published: 3 months ago. Start using jwks-rsa in your project by running `npm i jwks-rsa`. There are 1423 …
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