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| johnny crawford singing greensleeves: Riding the Video Range Gary A. Yoggy, 2024-10-16 In June 1949, Hopalong Cassidy. Then Roy Rogers, the Lone Ranger, Zorro, Davy Crockett, the Cisco Kid, Matt Dillon, Bat Masterson, the Cartwrights, Hec Ramsey, Paladin (Have Gun Will Travel)--no television genre has generated as many enduring characters as the Western. Gunsmoke, Death Valley Days, Bonanza, Maverick, and Wagon Train are just a few of the small-screen oaters that became instant classics. Then shows such as Lonesome Dove and The Young Riders updated and redefined the genre. The shows tended to fall into categories, such as juvenile Westerns, marshals and sheriffs, wagon trains and cattle drives, ranchers, antiheroes (bounty hunters, gamblers and hired guns), memorable pairs, Indians, single parent families (e.g., The Big Valley, The Rifleman and Bonanza), women, blacks, Asians and even spoofs. There are 85 television Westerns analyzed here--the characters, the stories and why the shows succeeded or failed. Many photographs, a bibliography and index complete the book. |
| johnny crawford singing greensleeves: The Films of Joseph H. Lewis Gary D. Rhodes, 2012 Explores American Joseph H. Lewis's eclectic career, including his best-known film, Gun Crazy. Joseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In The Films of Joseph H. Lewis, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full range of Lewis's career. While some studies analyze Lewis's work in different areas, others focus on particular films, ranging from poverty row fare to westerns and television films. Overall, this collection offers fresh perspectives on Lewis as an auteur, a director responsible for individually unique works as well as a sustained and coherent style. Essays in part 1 investigate the texts and contexts that were important to Lewis's film and television career, as contributors explore his innovative visual style and themes in both mediums. Contributors to part 2 present an array of essays on specific films, including Lewis's remarkable and prescient Invisible Ghost and other notable films My Name Is Julia Ross, So Dark the Night, and The Big Combo. Part 3 presents an extended case study of Lewis's most famous and-arguably-most important work, Gun Crazy. Contributors take three distinct approaches to the film: in the context of its genre as film noir and modernist and postmodernist film; in its relationship to masculinity and masochism; and in terms of ethos and ethics. The Films of Joseph H. Lewis offers a thorough assessment of Lewis's career and also provides insight into film and television making in the 1930s, 40s, and 50s. Scholars of film and television studies and fans of Lewis's work will appreciate this comprehensive collection. |
| johnny crawford singing greensleeves: Dan Emmett and the Rise of Early Negro Minstrelsy Hans Nathan, 2003-01-01 |
| johnny crawford singing greensleeves: George Winston - Easy Piano Collection , 2020-12-03 (Easy Piano Personality). This collection features 15 simplified transcriptions for piano from George Winston's original recordings. Includes: Early Morning Range * January Stars * Japanese Music Box (Itsuki No Komoriuta) * Joy * Longing/Love * Love Song to a Ballerina * Lullaby * Peace * Prelude/Carol of the Bells * Remembrance (In Remembrance of Me) * Sea * Thanksgiving * Valse De Frontenac * Variations on the Kanon by Pachelbel * Walking in the Air. |
| johnny crawford singing greensleeves: Billboard , 1963-05-18 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| johnny crawford singing greensleeves: The Fourth Angel John Rechy, 1993-05-28 This is the compelling, ferociously relevant story of four teenagers playing deadly games with drugs, sex, and one another. Behind a facade of tough cynicism, on a raging search for kicks, they explore the hot, dusty city, bent on trouble. |
| johnny crawford singing greensleeves: Wayfaring Stranger Burl 1909-1995 Ives, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| johnny crawford singing greensleeves: Kodály in the Third Grade Classroom Micheal Houlahan, Philip Tacka, 2015-07-01 Since the mid-twentieth century, Zoltán Kodály's child-developmental philosophy for teaching music has had significant positive impact on music education around the world, and is now at the core of music teaching in the United States and other English speaking countries. The Kodály Today handbook series is the first comprehensive system to update and apply the Kodály concepts to teaching music in elementary school classrooms. Kodály in the Third Grade Classroom provides teachers with a step-by-step road map for developing children's performance, creative movement, and literacy skills in an organic and thoughtful manner. Through six years of field-testing with music kindergarten teachers in the United States, Great Britain, and Hungary (the home country of Zoltán Kodály), authors Micheál Houlahan and Philip Tacka have developed a methodology specifically for 21st century classrooms. Houlahan and Tacka use the latest research findings in cognition and perception to create a system not only appropriate for the developmental stages of third grade students but also one which integrates vertically between elementary music classes. The methods outlined in this volume encourage greater musical ability and creativity in children by teaching them to sing, move, play instruments, and develop music literacy skills. In addition, Kodály in the Third Grade Classroom promotes critical thinking, problem solving, and collaboration skills. Although the book uses the Kodály philosophy, its methodology has also been tested by teachers certified in Orff and Dalcroze, and has proven an essential guide for teachers no matter what their personal philosophy and specific training might be. Numerous children's songs are incorporated into Kodály in the Third Grade Classroom, as well as over 35 detailed lesson plans that demonstrate how music and literacy curriculum goals are transformed into tangible musical objectives. Scholarly yet practical and accessible, this volume is sure to be an essential guide for kindergarten and early childhood music teachers everywhere. |
| johnny crawford singing greensleeves: Words on Cassette , 1997 |
| johnny crawford singing greensleeves: Billboard , 1965-08-07 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| johnny crawford singing greensleeves: The Complete Encyclopedia of Popular Music and Jazz, 1900-1950: Indexes & appendices Roger D. Kinkle, 1974 |
| johnny crawford singing greensleeves: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1975 |
| johnny crawford singing greensleeves: The Harrison Catalog of Stereophonic Tapes , 1958 |
| johnny crawford singing greensleeves: The Art of Watching Films Joseph M. Boggs, Dennis W. Petrie, 2008 Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter. |
| johnny crawford singing greensleeves: The Last Balladeer Gregg Akkerman, 2012-06-14 In The Last Balladeer, author Gregg Akkerman skillfully reveals the life-long achievements and occasional missteps of Johnny Hartman as an African-American artist dedicated to his craft. In the first full-length biography and discography to chronicle the rhapsodic life and music of Johnny Hartman, the author completes a previously missing dimension of vocal-jazz history by documenting Hartman as the balladeer who crooned his way into so many hearts. Backed by impeccable research but conveyed in a conversational style, this book will interest not only musicians and scholars but any fan of the Great American Songbook and the singers who brought it to life. |
| johnny crawford singing greensleeves: The Songs of Scotland George Farquhar Graham, 1849 |
| johnny crawford singing greensleeves: The Carry On Films Steven Gerrard, 2016-11-03 Saucy, rude and vulgar—the 31 Carry On films remain an important part of the history of British cinematic and low brow comedy. In this book, Gerrard discusses the Carry On roots in the music halls of the Victorians and the saucy seaside postcards of Donald McGill. Made in post-war Britain, these films reflect a remarkable period of social change as the British Empire faded and a nation learned to laugh at itself. Nothing was sacred to the Carry On team. James Bond and Cleopatra were mercilessly lampooned, Miss World competitions and toilet factories came in for a cinematic pasting, while Sid James’ laugh, Barbara Windsor’s wiggle, Kenneth Williams’ flared nostrils and Charles Hawtrey’s “Oh, hello!” became synonymous with laughter, merriment and fun. Gerrard’s work examines the Carry On films as part of a wider canvas linking both their heritage and tradition to the contextual world they mirrored. The Carry On Films is an essential read for Carry On fans the country through.“div>Ding dong! Carry On!/div |
| johnny crawford singing greensleeves: Kodály Today Mícheál Houlahan, Philip Tacka, 2015 Kodály Today provides teachers with a step-by-step road map for developing children's performance, creative movement, and literacy skills in an organic and thoughtful manner. Through six years of field-testing with music teachers in the United States, Great Britain, and Hungary (the home country of Zoltán Kodály), authors Micheál Houlahan and Philip Tacka have developed a methodology specifically for 21st century classrooms. Houlahan and Tacka use the latest research findings in cognition and perception to create a system not only appropriate for children's developmental stages but also one which integrates vertically between elementary music classes. The methods outlined in this volume encourage greater musical ability and creativity in children by teaching students to sing, move, play instruments, and develop music literacy skills. In addition, Kodály Today promotes critical thinking, problem solving, and collaboration skills. Although the book uses the Kodály philosophy, its methodology has also been tested by teachers certified in Orff and Dalcroze, and has proven an essential guide for teachers no matter what their personal philosophy and specific training might be. The new edition of Kodály Today provides a fully revised and updated core text, as well entirely new chapters on the application of the Kodály method to the elementary choir and the use of technology in the Kodály classroom. In addition, the revisions integrate it fully with the Kodály Today and the graded Kodály Today K-5 Handbooks Series feature methodology and sequential lesson plans specifically developed for the 21st century. They are sure to be an essential guide for music teachers everywhere. -- from back cover. |
| johnny crawford singing greensleeves: City of Night John Rechy, 2021-05-20 Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara, once Hollywood's biggest star. Rechy describes this world with candour and understanding in a prose that is highly personal and vividly descriptive. |
| johnny crawford singing greensleeves: Music for Piano and Orchestra, Enlarged Edition Maurice Hinson, 1993-09-22 Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries. |
| johnny crawford singing greensleeves: The Good Old Songs , 1996-06 Alexander's Ragtime Band * Danny Boy * Ida, Sweet As Apple Cider * Look For The Silver Lining * My Melancholy Baby * A Pretty Girl Is Like A Melody * Smiles. |
| johnny crawford singing greensleeves: It's a London Thing Caspar Melville, 2019-11-21 This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art. |
| johnny crawford singing greensleeves: The Record Changer , 1947 |
| johnny crawford singing greensleeves: Scotish Songs , 1794 |
| johnny crawford singing greensleeves: King Alpha’s Song in a Strange Land Jason Wilson, 2020-02-14 When Jackie Mittoo and Leroy Sibbles migrated from Jamaica to Toronto in the early 1970s, the musicians brought reggae with them, sparking the flames of one Canada’s most vibrant music scenes. In King Alpha’s Song in a Strange Land, professional reggae musician and scholar Jason Wilson tells the story of how the organic, transnational nature of reggae brought black and white youth together, opening up a cultural dialogue between Jamaican migrants and Canadians along Toronto’s ethnic frontlines. This underground subculture rebelled against the status quo, eased the acculturation process, and made bands such as Messenjah and the Sattalites household names for a brief but important time. By looking at Canada’s golden age of reggae from the perspective of both Jamaican migrants and white Torontonians, Wilson reveals the power of music to break through the bonds of race and ease the hardships associated with transnational migration. |
| johnny crawford singing greensleeves: Love is a beautiful thing American Society of Composers, Authors and Publishers, 1952 |
| johnny crawford singing greensleeves: Kodaly in the Kindergarten Classroom Micheal Houlahan, Philip Tacka, 2015-04-01 Since the mid-twentieth century, Zoltán Kodály's child-developmental philosophy for teaching music has had significant positive impact on music education around the world, and is now at the core of music teaching in the United States and other English speaking countries. Kodály in the Kindergarten Classroom is the first comprehensive handbook to update and apply the Kodály concepts to teaching music in early childhood classrooms. Kodály in the Kindergarten Classroom provides teachers with a step-by-step road map for developing children's performance, creative movement, and literacy skills in an organic and thoughtful manner. Through six years of field-testing with music kindergarten teachers in the United States, Great Britain, and Hungary (the home country of Zoltán Kodály), authors Micheál Houlahan and Philip Tacka have developed a methodology specifically for 21st century classrooms. Houlahan and Tacka use the latest research findings in cognition and perception to create a system not only appropriate for kindergarteners' particular developmental stages but also one which integrates vertically between kindergarten and elementary music classes. The methods outlined in this volume encourage greater musical ability and creativity in children by teaching kindergarteners to sing, move, play instruments, and develop music literacy skills. In addition, Kodály in the Kindergarten Classroom promotes critical thinking, problem solving, and collaboration skills. Although the book uses the Kodály philosophy, its methodology has also been tested by teachers certified in Orff and Dalcroze, and has proven an essential guide for teachers no matter what their personal philosophy and specific training might be. Over 100 children's books are incorporated into Kodály in the Kindergarten Classroom, as well as 35 detailed lesson plans that demonstrate how music and literacy curriculum goals are transformed into tangible musical objectives. Scholarly yet practical and accessible, this volume is sure to be an essential guide for kindergarten and early childhood music teachers everywhere. |
| johnny crawford singing greensleeves: Live Fast, Love Hard Diane Diekman, 2011-05-18 As one of the best-known honky tonkers to appear in the wake of Hank Williams’s death, Faron Young was a popular presence on Nashville’s music scene for more than four decades. The Singing Sheriff produced a string of Top Ten hits, placed over eighty songs on the country music charts, and founded the long-running country music periodical Music City News in 1963. Flamboyant, impulsive, and generous, he helped and encouraged a new generation of talented songwriter-performers that included Willie Nelson and Bill Anderson. In 2000, four years after his untimely death, Faron was inducted into the Country Music Hall of Fame. Presenting the first detailed portrayal of this lively and unpredictable country music star, Diane Diekman masterfully draws on extensive interviews with Young’s family, band members, and colleagues. Impeccably researched, Diekman’s narrative also weaves anecdotes from Louisiana Hayride and other old radio shows with ones from Young’s business associates, including Ralph Emery. Her unique insider’s look into Young’s career adds to an understanding of the burgeoning country music entertainment industry during the key years from 1950 to 1980, when the music expanded beyond its original rural roots and blossomed into a national (ultimately, international) enterprise. Echoing Young’s characteristic ability to entertain and surprise fans, Diekman combines an account of his public career with a revealing, intimate portrait of his personal life. |
| johnny crawford singing greensleeves: God and My Country MacKinlay Kantor, 1960 MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville GOD AND MY COUNTRY A Novel By MacKinlay Kantor BASIS FOR THE MOVIE FOLLOW ME, BOYS MacKinlay Kantor, the master of the warm and human story, the writer who can make us believe the good in the worst of us, has woven a compelling, appealing novel about the life of a simple American man who held in his care the destinies of hundreds of boys. Here for the first time a major writer portrays the Scoutmaster in a small town in a role as vital as the greatest of schoolmasters, doctors, priests, or ministers. With rare insight and sympathy, MacKinlay Kantor has created the memorable Lem Siddons, who gave forty years of his wisdom, the fund of his laughter, the knowledgeable touch, the sweetness and love that were his, to generations of Boy Scouts. Not every boy who passed khaki-clothed along his life won the world's respect or the Scoutmaster's pride. There were some misfits, fallers-by-the-wayside . . . sure. But Lem Siddons knew his reward every waking moment of his life and in his dreams as well. His story is one you will remember as that of the closest of your friends: his love for the delicate and freckled Vida that grew with a lifetime, his son Downey who wanted to crowd the years. All the good Kantor writing is here, the lucid and homespun prose that makes tears well in your eyes even as a song rises in your heart. MacKinlay Kantor has set the scene for God and My Country in a small town very much like Webster City, Iowa, where he was born, and has dedicated the book to his Scoutmaster of those days. It is a perfect example of MacKinlay Kantor's special genius for capturing the full flavor of a small American town, and of its people. There's a Mr. Chips' quality to this deceptively simple story. MacKinlay Kantor has told quietly, in realistic terms, the story of one man whose influence permeate a whole Iowa town and rural area. No drum heating for the American vision here, but true democracy emerges in boys at every social and human level. A microcosm of America that strengthens one's faith.—Virginia Kirkus God and My Country is a song from the heart of America which I would love to sing.—Burl Ives |
| johnny crawford singing greensleeves: The Vince Guaraldi Collection (Songbook) Vince Guaraldi, 2001-12-01 (Artist Transcriptions). Along with Dave Brubeck, Vince Guaraldi was one of the leading pianists to rise to prominence from the California Bay Area scene. Originally a Latin jazz musician, his recording of Cast Your Fate to the Wind is one of the best-selling jazz records of all time. Guaraldi later composed the beloved and timeless music for the Peanuts television specials. This folio spans Guaraldi's multi-faceted career, with note-for-note transcriptions of 9 terrific songs: Cast Your Fate to the Wind * Christmas Time Is Here * Greensleeves * Linus and Lucy * Manha De Carnaval * O Tannenbaum * Outra Vez * Samba De Orfeu * Star Song. Includes a biography and a discography. |
| johnny crawford singing greensleeves: Old-Time Fiddling Across America David Reiner, Peter Anick, 2015-12-08 A unique collection of 66 fiddle tunes illustrating the major regional styles found across America and Canada. This book contains rare vintage photographs, player's biographical profiles, historical and performance notes, bowing indications, and information on cross-tunings and the American institution of fiddle contests. the authors have collaborated brilliantly on this labor of love to produce a definitive volume of tunes transcribed from recordings by many of the best fiddlers in North America. Exemplary tunes are included from the Northeast, Southeast and Western regions, plus various widespread ethnic styles including Cajun, Irish, Scandinavian, Klezmer, and Eastern European styles. |
| johnny crawford singing greensleeves: The Jewish Year Book , 1896 |
| johnny crawford singing greensleeves: Professor Longhair Per Oldaeus, Jonas Bernholm, 2014 |
| johnny crawford singing greensleeves: The Elementary School Library Collection, Phases 1-2-3 , 1970 |
| johnny crawford singing greensleeves: Schwann Long Playing Record Catalog , 1965-03 |
| johnny crawford singing greensleeves: Outside Music, Inside Voices Garrison Fewell, 2015-05-31 Outside Music, Inside Voices, supported by a Faculty Fellowship grant from the Berklee College of Music, was edited by the jazz writer Ed Hazell and by Evelyn Rosenthal, former director of Harvard University Museum Publications. The 330-page book includes a foreword written by Ed Hazell; extensive notations in the footnotes of the author's introduction; individual biographies of each artist and the author; 30 brilliant black-and-white photographs of each artist, taken by Luciano Rossetti. As Herbie Hancock noted in his endorsement, “Garrison Fewell has written a brilliant reflection on creativity and spirituality, delving into the deep relationship between these two subjects that spark the explorations of many pioneers in avant-garde jazz music. The level of detail here is so compelling that it encourages much more than just a single reading of this book.” |
| johnny crawford singing greensleeves: Dizzy Gillespie: the Bebop Years, 1937-1952 Ken Vail, 2003 The Jazz Itineraries series, a new format based on Ken Vail's successful Jazz Diaries, charts the careers of famous jazz musicians, listing club and concert appearances with details of recording sessions and movie appearances. Copiously illustrated with contemporary photographs, newspaper extracts, record and performance reviews, ads and posters, the series provides fascinating insight into the lives of the greatest jazz musicians of our times. No.1 in the series, Dizzy Gillespie: The Bebop Years 1937?1952, chronicles Dizzy's life from his early struggles, through the birth of bebop, the demise of his first big band, up to his departure for France in 1952. |
| johnny crawford singing greensleeves: English Dance and Song , 1996 |
| johnny crawford singing greensleeves: The Incompleat Folksinger Pete Seeger, 1992 The well-known folksinger explores the appeal, traditions, significance and performers of folk music from America, Asia, Europe, and Africa |
| johnny crawford singing greensleeves: Almost Like a Song Ronnie Milsap, Tom Carter, 1990 The blind Country and Western singer recounts his difficult childhood, describes the highlights of his professional career, and discusses the people and events that contributed to his success |
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